Mostrando entradas con la etiqueta stars and power of love. Mostrar todas las entradas
Mostrando entradas con la etiqueta stars and power of love. Mostrar todas las entradas

domingo, 23 de febrero de 2025

Tu madre siempre estará contigo…

 Tu madre siempre estará contigo…


Ella es el susurro de las hojas que escuchas cuando caminas por la calle ... es el olor de ciertas comidas que recuerdas, de las flores que recoges, de la fragancia de la vida misma ...

Ella es la mano fresca sobre tu frente cuando no te sientes bien ... es el cálido aliento que flota en el aire en un frío día de invierno ... es el sonido de la lluvia que te arrulla para dormir, es todos los colores del arco iris ...

Ella es la mañana de Navidad ... Tu madre vive dentro de tu risa, es el lugar de donde vienes, tu primer hogar y es la guía que sigues ,en cada escalón que subes ...

Ella es tu primer amor, tu primer amigo y hasta tu primer enemigo ... nada en el mundo puede separarlos, ni el tiempo, ni la distancia, ni la misma muerte ... 

domingo, 6 de agosto de 2023

SAGA DE MIGUEL BOSÉ 2: STJÄRNOR LYSER UPP HORISONTEN

 Esta saga es una serie de traducciones, originalmente manuscritas en mi adolescencia, que se me ocurrieron en Gröna Lund, el parque de atracciones de Estocolmo. Vedlas como una presentación de Miguel Bosé al público sueco.

De här översättningarna var ursprungligen handskrivna i mina tonår och jag kom på dem på Gröna Lund i Stockholm. Se dem som en inledning i Miguel Bosé för svenska folket.

,........................,,.............

STJÄRNOR LYSER UPP HORISONTEN

(Horizonte de las estrellas)

Av Miguel Bosé

Översatt från spanskan av Sandra Dermark

i sina tonår på Gröna Lund

Reviserat den 6 augusti 2023

,,........................,....

Stjärnor lyser upp horisonten,

den där linjen som nästan gör mig galen...

Flera än knektarna vid fronten,

jag förstörde dem ej för kärlekskvalen...

...................

Du är så likblek, som liljan så vit,

strålande, tänker du på någon med flit?

Hur mår du?

Hur mår du?

Hur mår du?

......................

Stjärnor lyser upp horisonten,

lille prinsen nu sover i sin vagga...

Vore jag hans på ödesfronten,

skulle skönhet och lycka bli hans flagga...

,...................

Du är så likblek, som liljan så vit,

varm som en vattenfärg, chère Aphrodite,

Hur mår du?

Hur mår du?

Hur mår du?

.....................

Du är så likblek, som liljan så vit,

säg: vem kan älska dig? vem för dig hit?

Hur mår du?

,.......................

Jag är en evighetstidsresenär,

ingen epok tillhör mig, är mig kär...

Är du kär?

Är du kär?

Är du kär?

................

Stjärnor lyser upp horisonten...

martes, 21 de marzo de 2023

IN MEMORIAM OF GRANDMA DERMARK

 To the memory of Barbro Yvonne Elisabeth Dermark, née Rydskog

Beloved wife, mother, mother-in-law, and grandmother

May she dwell for evermore in my heart and ours

She just fell asleep yesterday, nevermore to awaken...

Here is a poem for her:

The sun rises

every morning

and greats us all

even in

hardships

We all become

star rays and see the 

Earth from the other

side of the sun

when passing


domingo, 7 de julio de 2019

IN WHICH A PRODIGAL SON COMES HOME

Star*Twinkle Pretty Cure - Episode 22
My Own Review

IN WHICH A PRODIGAL SON COMES HOME


Previously, the Star ☆ Twinkle team grew one stronger, so what better way to celebrate that fact than by having her in the background waiting in the wings for most of this episode?
Yuni will get her chance later on; for now, both Hikaru and Lala have reasons to be cheerful.
Hikaru hugs Lala
To sum up this episode, it is Tanabata (7th of July) and Lala’s birthday. The main focus though is on Hikaru’s dad Yoichi returning home for the day. There seems to be a rift between him and his father (Hikaru's granddad), though.
Youichi Hoshina, Hikaru’s father
This episode introduces us to cryptozoologist Youichi Hoshina. In the words of Lala, “They’re clearly family-lun.” In fact, Hikaru’s catchphrase – “twinkool” or whatever translation you want, comes from him.
Yoichi goes ga-ga about the new cryptid girls in town, prodding Lala's antennae and Yuni's catlike features. Not to mention Fuwa and Purunce give him the same reaction.

So much time spent in western lands has not only darkened his skin, but also diminished his sense of personal space to the point of making Lala and Purunce cringe.
Long time no see, sweetie pie!



The whole Hoshina family reunites...
Harukichi, however, is not that amused by the prodigal son coming home.

Yoichi returned home and his wife and grandmother welcome him back however Hikaru's grandfather, Haru (who we now know is Yoichi's father) ignored him completely

Before Yoichi did field research, he was a university lecturer.

A young Hikaru persuades her Dad to follow his dreams
One particularly standout part of this episode is a flashback, that explains the reason why Youichi only returns to his family once a year on Tanabata. It’s quite a sweet flashback, though Youichi deciding to travel abroad did not sit well with his own father Harukichi.

As the girls prepare the BBQ for tonight, Hikaru explained that her father is a lecturer at a university and she was influenced by her father's passions on searching for cryptids. Hikaru was the one who encouraged her father to go overseas and do field research about cryptids in foreign lands. But Haru objected the idea of his son going claiming that he is abandoning the Hoshina family for an impossible dream. Even Haru didn't send Yoichi off when he went overseas.






Lala talks to Harukichi about Youichi
Lala gets a funny moment when she is talking to Hikaru’s grandfather – Harukichi – and is pretty quickly able to figure out that there is something wrong between him and Youichi.





Even before that, turns out that the Hoshinas aren’t exactly adept at hiding their hunger. For three generations straight.
Haru confides in best friend and fellow pensioner Dumble... I mean Ryoutaro.

Haru went off on his own and the girls and Yoichi went to look for him.

Harukichi sealed inside a Notrey mook (by Tenjou)
Harukichi is the victim of the week this time around, which means PreCures have to fight a mook version of him.

The first time all five Cures have transformed together


The fight is pretty typical PreCure stuff, though for some reason Cure Star decides that they can’t use their Southern Cross Shot. Not that it matters, because Cure Cosmos is there to steal the show. Appearing out of nowhere...
Cosmos borrows Milkyway’s Gemini Princess Star Colour Pen
Perhaps it would have made more sense to have the others prepare to use their finishing move, and then have Cosmos swoop in at the last moment to deal the finishing blow. That would fit with her stealing the show, after all.

Cure Cosmos lend the Gemini Princess pen from Cure Milkyway to purify Haru with the Precure Rainbow Splash. After the battle, Yoichi found Haru resting on a bench. He carried Haru back home and despite Haru's complaint, Yoichi did not budge and continue the way back home. 



That night, the girls and Hikaru's family celebrate both Lala's birthday and the Tanabata Festival with Uni watching from afar. The next day, Yoichi was ready to go overseas again and Haru actually send his son off despite not saying a word this time...

A toast to the birthday girl

Yuni is still as aloof as always

So overall, a neat episode is how I would sum this one up. It had some charming moments, particularly with Hikaru and her family. Cure Cosmos stealing the show was appropriate, considering she was a space thief.
Youichi is a fun character, quite the lovable eccentric; and it’s interesting to see just how much influence he has had on Hikaru.

I didn’t mention it last week, but we have now got a new ending theme for the show. It’s all right – I’m sure it will grow on me more as the season progresses.



Next time, lots of Fuwas. Think tribbles or parasprites!


MY OWN HUMBLE OPINION;

This episode provide some development about Hikaru's father and grandfather and the reason why Haru was so angry with Yoichi. Apparently Haru is pretty stubborn and he blamed himself for him not teaching his son that families should stay together. However it was actually Hikaru herself who insisted that her parents should follow their dreams and knew that their bonds are very strong and can never be broken.

Of course, Yoichi is voiced by one of my favourite Veteran Seiyuu, Otsuka Akio who voiced two of my favourite badass male leads- Japanese version of Solid Snake and Black Jack and seeing Otsuka playing a more lively father figure make you wonder what will Solid Snake and Black Jack's lives will be if their whole lives isn't filled with death and destruction.

Looks like we are finally going to meet Hikaru’s father, and he is as eccentric as Hikaru is! That should be interesting. On the concerning side, NOOOOOO HIKARU’S GRAMP GETS ATTACKED BY TENJOU! (Also, he Is her PATERNAL gramp, 4YI) and pretty much "why Yoichi my lad did you fly the coop, leave your wife and child in my care and your poor mum's, and become a wandering cryptozoologist?" Of course he had to see Fuwa and Purunce as cryptids, and was equally intrigued by Lala and Yuni (a cat girl and an electric girl staying at your birthplace are always interesting).

Tanabata and the Orihime story: the 7th of July might be associated in Spain with the running of the bulls -- but Asian cultures use this short summer night to wish upon stars, because of the tale of star-crossed lovers across the Milky Way, the tennyo ("angel" or lesser goddess) Orihime and the mortal farm boy Hiko (representing the stars Vega and Altaire respectively), who are only allowed by their elders to meet on the seventh night of the seventh month -- a short fleeting summer night -- since their relationship interfered a lot with their everyday duties and affairs. So the two lovebirds have only got this rendezvous to see each other once a year (much like Mr. Hoshina and his parents, wife, and daughter), and their respective stars become, thus, prime wishing material to hang up tanzaku wishlists on bamboo canes for.


As a whole I loved this episode, I thought it was fun and sweet, and enjoyed getting the chance to learn more about Hikaru’s family, particularly of her bond with her father Yoichi who only comes home once a year; on Tanabata, just like the star-crossed lovers themselves.
Before Yoichi embarked on his journey to pursue his dreams of research Cryptids and Aliens and writing books about it, he worked as a professor at a University and he and taught Hikaru all about the wondrous mysteries of aliens and such. He put his passion on hold since he felt he needed to be there for his family. However Hikaru and her mother both recognized he had dreams he wanted to pursue, and encouraged him to go for it. However while he had the support of his wife and daughter, and even of his aged mother, his father (Harukichi) was against the idea of him leaving the family behind. In Haru’s mind, it is important for him to be there for the Hoshino family, especially now that the senior parents were pensioners, and was against it, not to mention he was also worried about him. Nevertheless, Yoichi went anyways, and Haru would always worry about him but also bear the burden of feeling like he failed to raise him properly.
This was probably the saddest part of the episode. Hikaru’s granddad felt as though he failed Hikaru and her mother, and his own wife, and hurt them all by not raising Yoichi properly, by making sure that family always comes first. Of course we know that Hikaru and her mother were the ones who told him to do it, but it’s hard to distinguish whether or not Haru truly understood that, or maybe he didn’t believe it, or maybe he was just simply disappointed that his son took the opportunity when it was presented to him rather than choosing not to. But another reason why Haru might have been upset could also be the fact Yoichi only comes home once a year. Luckily he seems to move past that by, as this time, he made sure to see his son off.
Nonetheless, it’s clear how much Yoichi cares about his family, especially since he is certain to write and send lots of pictures of his travels to Hikaru. I found it adorable how alike the two of them are. I am sure once Hikaru graduates from school, the two of them are bound to go on series of adventures together, or if her mother is on hiatus they can do a major family trip. Perhaps the most ironic part of all, is how coming home actually allowed him to meet aliens (Lala, Purunce, Yuni, and Fuwa), unfortunately he can’t write anything about it since they have to be kept a secret, but he was just like Hikaru, went along with it with no further questions asked. Poor Fuwa got freaked out real good though haha!
However as much as I enjoyed the theme for this week, it bothered me this week was the way they went about Lala’s birthday. I was bummed out how she ended up she wasn’t the focus, but rather an example of someone who is living away from her family, as Yoichi is. It feels like a missed opportunity to have not been creative by showing us perhaps how Lala would celebrate her birthday (if any differently) in her culture, especially since she has already reached the age where she is regarded as an adult.
And then there’s Yuni… Let’s just say I was not a fan how she was quietly watching from afar, waiting in the wings as she observed the girls during their fight and then finally pitched in the deal with the final blow. I’m not going to comment on this any further because it’s still too soon to judge exactly how they plan to go about her role in the group, which is something we will probably get to see next week since it’s supposed to focus on her again.

Next week, looks like there’s going to be mayhem with Fuwa since she ate one of Yuni’s cookies that she wasn’t supposed to eat!

lunes, 20 de agosto de 2018

VERSOS TIERNOS PARA EL MES DE AGOSTO


Algunos poemas y escritos infantiles 
Carmen Conde 

(Ilustrar cada poema con una foto alusiva de Wikimedia o de la vida real -Zarevna, un paseo por el mar de Benicàssim...-)

La Cierva y el Niño 
La cierva, madre, la cierva
a la cierva quiero ver 
bajo las ramas del árbol 
y en el arroyo beber. 
A la cierva, madre, llamo 
para que juegue conmigo 
yo busco saltar con ella 
porque quiero ser su amigo. 


Este Pobre Gazapito 
Este pobre gazapito 
aprendiéndose a correr 
es tan tierno como el niño 
que aprendiendo va también. 
Levanta orejas con miedo 
y las patitas le tiemblan, 
porque ya no tiene madre 
que entre sus patas lo tenga. 


El Tambor del Niño 
Yo tengo un tambor de oro 
y tú tienes un jardín 
yo tengo muchos tesoros 
y tú me tienes a mí. 
Yo tengo un río de plata 
y tú tienes un almendro. 
Cuando quieras tener casa 
ven conmigo que te quiero.


Cielo 
El lucero, 
al final de la tormenta, 
ha salido muy bien peinado, 
muy lavadito, 
con una gran sonrisa redonda 
en torno suyo.


Los Gatitos 
Si los gatitos hablaran 
¡cuántas cosas nos dirían! 
de las que escuchan de noche, 
de las que observan de día… 
Los gatos lo saben todo. 
Si su presencia es altiva, 
así no dan confianza 
por si alguno les castiga. 

Se mantienen muy señores, 
retozan con alegría; 
guardan secretos eternos 
de los niños y las niñas. 
Cuando un gatito se entrega 
y otorga su compañía 
es suave cual cordero 
e incapaz de felonía.


Nana del Mar 
Tengo un caracol de espuma. 
Metidas en sus fanales 
tengo muñecas de lirios 
y un paseo de corales. 

Ocultos en las mareas 
que se remontan al cielo, 
tengo castillos de peces 
y caballitos de hielo. 

Guardada llevo la luz 
entre mis sienes de plata. 
Y tendré para que duermas 
llena de sueño una barca. 


María Vega 
(Fragmento) 
Sé que has venido andando por el mar. 
Tienes enredados 
en los cabellos cinco 
luceros blancos que juegan al corro en tu 
frente. 


Torre 
Las campanas se besan 
antes del sueño, 
y todas las esquinas de las casas de 
campo huelen a cielo, porque dejan 
asomar –de cuando en cuando– un lucero.


Tardes de Fiesta (fragmento) 
Los barcos de los domingos, 
anclados fuera del puerto, 
con marineros del Sur 
y con grumetes traviesos. 

Los barcos de velas gruesas 
que venían de muy lejos, 
cargados con té y canela 
o con cristales y espejos… 

Los domingos se acercaban 
(como islas en un sueño) 
aquellos barcos tan limpios 
por el soplo de los vientos. 


Pureza 
Descalza, estrella, descalza. 
Por el agua alta, yo quiero ir descalza. 
Por el cielo hondo, 
yo quiero ir descalza. 
Descalza, estrella, descalza. 


El Niño Limpio (fragmento) 
Siempre que el niño iba a escribir lavaba 
delicadamente sus manos. 
¿Cómo había de ir a las cuartillas sin que 
las manos fueran limpias de todo sudor, 
de todo polvo minúsculo? 
La caricia del papel salía más clara. 


La Niña Cuenta un Cuento (fragmento) 
Había una pajarita de papel que se llamaba Nieves. Una tarde, su mamá la llamó y le dijo: 
-Como has sido muy buena en el colegio y no te han quitado ninguna pluma de las alas, te permito que juegues con tus amigas en el prado. 
La pajarita se reunió con sus amigas, que ya estaban corriendo alegremente. Eran unas pajaritas preciosas, azules, rosadas, verdes; entre ellas, Nieves resplandecía su blancura graciosa. 
–¿A qué vamos a jugar? –gritaron al ver a Nieves. 
–Juguemos a las bodas– dijeron cinco pajaritas azules. 
Como en aquel momento pasaba un gorrión volando muy bajito, la pajarita blanca se emocionó. 
–¿Con quién te casarías tú? –le preguntaron sus amigas–. ¿Con aquel gorrión? 
–Sí– contestó ella ruborizándose …

------------------------------------------------------------------------------------------

VERSITOS TIERNOS ANÓNIMOS


A oscuras llegaré al árbol
y al caracol de la tarde.
A oscuras cuando anochece
llegaré a ver a mi madre.
Le llevaré cascabeles
y un sombrero de verdades,
cuando caigan los luceros
por donde no viene nadie,
en cada mano un clavel
y en la boca miel de azahares,
dos luceros en los ojos
y en el pelo cuatro mares.



Ven a conocerla,
te dará una cosa
más rica que nada
porque eres golosa.
Mi muñeca es linda,
vestida de rosa.


No se pierde nada
cuando lo que uno pierde otro lo gana.



MI POLLITO

Mi pollito, pi,
está malito, pi,
con calentura.

No se le cura, pi,
llamé al doctor, pi,
le recetó, pi,
una cuchara, pi,
y un tenedor, pi.


LOS POLLITOS DICEN

Los pollitos dicen
pío, pío, pío,
cuando tienen hambre,
cuando tienen frío.

La gallina busca
el maíz y el trigo,
les da la comida
y les presta abrigo.

Bajo sus dos alas
se están quietecitos,
y hasta el otro día
duermen los pollitos.