So I am writing a Zodiac inspired fic series. Othello is a Scorpio
MISS DERMARK'S LITERARY RAMBLES
domingo, 15 de febrero de 2026
HEADCANON: ZODIAC SIGNS OF OTHELLO CHARACTERS
sábado, 14 de febrero de 2026
HAPPY VALENTINE'S (and Blog Anniversary)
Roses are red,
lilies are white,
I hope you have
martes, 10 de febrero de 2026
SCAR THE LIBERAL, AND THE WELFARE STATE
It comes as no surprise that Disney villains are, in general, 1) highbrow / cultured (Why does Scar say "quid pro quo" instead of a more Saxon "tit for tat," for instance?). And 2) queer (single, childless, flamboyant, seldom conforming to gender roles).
Matt Roth has an interpretation of Scar that surprised me. He interprets Scar as a liberal, who instaurates the Welfare State in the Pridelands - even though both goose-stepping Nazis and the Soviet flag (Scar becomes the hammer, and the Moon becomes the sickle, in the visuals of his villain song, "Be Prepared"):
I think this means that both right-wing and left-wing totalitarianisms are wrong...
Meanwhile, Scar takes over. As the Bad Leader he brings the kingdom to ruin. Mannered and aristocratic, and clearly not producing heirs like his more manly brother, he is pointedly gay. He is also a rationalist and utilitarian, coveting the absolute power of kingship but not buying into its mystique. He exerts a corrupting influence on the young, skillfully putting all sorts of ideas into Simba's head. Worst of all, he willingly enters into an unholy alliance with the hyenas, a teeming brood of half-starved scavengers ghettoized in a "dark region" outside the Pridelands (think, for instance, of Jewish quarters, apartheid, etc). Taken as a whole, he represents that bête-noire of contemporary right-wingers, the Liberal Politician.
The hyenas speak in "street voices" provided by Whoopi Goldberg and Cheech Marin and clearly represent poor blacks and Hispanics. They are also stereotypical gang members, inherently criminal, cutthroat and mercenary — brawling with each other when not united by a common victim. As scavengers whose own neighbourhood offers slim pickings, they eagerly accept handouts. Scar provides them: he gains the hyena's loyalty by promising them a steady stream of meat, thus creating the Welfare State.
After he usurps the throne, Scar lets the hyenas out of the "dark region" and into the Pridelands, to the horror of the other species. Catastrophe follows: the lions' resources are squandered by the lazy and rapacious hyenas, who, in turn, harass the lions with petty terror. The balance of nature is upset: the herds flee, the water dries up, and the landscape soon resembles the wasteland where the hyenas have lived. The hyenas carry their blight with them; having brought down the productive ecosystem that used to provide them with scraps, their starvation only worsens. They offend Scar, who cares only about his power, by voicing nostalgia for the Mufasa regime which kept them in their place.
Demonstrating kingly mercy, Simba spares Scar — who, of course, tries one more backstab before he's done in by angry and betrayed hyenas, the very unsavoury types he has spent his years pandering to. A fitting end to the Liberal Politician.
But there to thwart this happy outcome, simultaneously trying to usurp heterosexual power and distract the hero from the heroine, is that neocon bugaboo — the gay male. In an age (the 1990s) when anti-semitism has fallen out of vogue and Communism is not taken seriously, he has to bear the full brunt of fascist animus.
At first glance, Ursula, the villain in THE LITTLE MERMAID, seems a woman; on closer inspection, however, the Sea Witch resembles a flamboyant, Divine-ly inspired drag queen. Her octopus-like lower half further renders her gender ambiguous: the first view of her tentacles emerging from the darkness is played up for shock value (not unlike a similar view in THE CRYING GAME). Ursula eventually pulls off a drag queen's coup. She takes on the appearance of a svelte brunette called Vanessa, speaks with the Little Mermaid's stolen voice (solving a chronic problem for female impersonators), and seduces the virile young prince into marrying her. She reveals the deception by literally splitting the seams of her disguise, emerging in her opulent glory; she manages to reduce the hypermasculine King Triton into a worthless worm, and only gets defeated when either Prince Eric (in the animated version) or Ariel (in the live-action) impales her with the prow of a ship, thus contrasting his erect phallus with her flaccid tentacles. Her threat to heterosexual pair-bonding and patriarchal power is thus laid to rest.
The gay villain of BEAUTY AND THE BEAST is, by contrast, hypermasculine. Gaston, vain and preening, covets heterosexual status in pursuing Belle, the beauty of the title; but he constantly ignores both her and the trio of blonde bombshells that swoon over him. He is only truly interested in male gazes, and blossoms in the midst of his all-male lodge, where he sings a showstopper celebrating his own masculinity. Provided, like Foulfellow with Gideon, with an elastic, high-contact companion Lefou, he is the epitome of camp. Mainly a figure of comic relief, Lefou's hard to take very seriously. The true evil of BEAUTY AND THE BEAST, in fact, lies elsewhere: in the sexual dysfunction of the hero, the Beast-Prince who suffers from what clinicians call "infantile narcissism." The witch's curse simply brings his fetishism — in which inanimate objects are endowed with ego-fulfilling life — out into the open, transforming his castle into something like Pee-Wee's Playhouse. Constant parallels between his actions and Gaston's link his condition with Gaston's more deeply entrenched sexual deviance. The Beast finally breaks the curse — defeating Gaston and restoring his realm to "normal" — by embracing a prosaic heterosexuality with Belle.
BEAUTY AND THE BEAST is a men's movement response to feminist nagging. It is engorged with anxiety that masculinity might be a mask for homosexuality; or that natural male narcissism might forever alienate the women that feminism has made so intolerant. In the end, it is a plea that women understand and love men's "beasts within" (their inner "wild men"), and help mother them into maturity. It is early 1990s wish fulfillment.
ALADDIN represents a surprising liberal aberration from Disney's right-wing trajectory. To be sure, the villain is still gay: Jafar is dark, effeminate, and prissily evil; Scar simply repeats Jafar in the shape of a lion. Jafar, however, very much acts the role of a gay man's gay villain, twisted by his desire for heterosexual power and his consequent self-enclosure in the closet. Advisor to the sultan, he is a Roy Cohn type with Leopold-and-Loeb overtones. He is counterpoised, moreover, to a healthier gay icon: the Genie, who, with Robin Williams's voice, flames across the screen in a one-man cabaret show. (Of course, a male genie is already sexually suspect in a culture whose TV-sitcom associations mark genies as female.) The Genie shifts gender several times and uses his transformative powers to generally wreak havoc on social categories, making street urchins into princes.
THE LION KING was made by a studio run by Jews; the music was written by gays; many of the characters were voiced by respected black actors; and the writers were liberal enough to give the film a "multicultural" veneer.
It’s much the same theory as the ‘Circle of Life’ proposed by Mufasa in The Lion King (1994) – the ghettoised handout-dependent hyenas and their liberal, childless and urbane overlord Scar are fine, as long as they’re kept in their own sphere. When they take over, the Pridelands fall into ruin and corruption.
lunes, 9 de febrero de 2026
THE LEGEND OF MASTER BATES
The title of this post may shock you... Master Bates?? What kind of potion have you drunk, Sandra Dermark?
Nothing but a can of Monster, I reply?
Monster, that Satanic brew? On the can, the three talon marks look like the Hebrew letter vav, that equals number 6. Vav-vav-vav... Six-six-six is no longer alone, he's getting out the marrow in your backbone... (Genesis, Supper's Ready)
I thought the Mark of the Beast was the Covid shot, that it had some silicon microchip... Three Covid shots and nothing happened to me! Well, I caught Covid in between the first and second shots, but I'm young and strong!
Anyway, on to Master Bates and how his legend is older than you, dearest reader, may think...
There was in the Nineties, you Commonwealth millennials might remember, an Anglo-Australian cartoon about pirates, called Captain Pugwash. As a Spaniard, I first got to watch it on YouTube, to verify a certain urban legend about the characters' names:
The animated series is widely believed to have featured characters with risqué maritime names such as Master Bates, Seaman Stains, and Roger the Cabin Boy ("to roger," as a verb, is synonymous with "to fuck" or "to shag"). Moreover, the captain's surname, "Pugwash," is said to be Australian English for oral sex!
It all is not as erotic as it sounds; Master Bates was actually Master Mate, Roger the Cabin Boy was actually called Tom (Tom the Cabin Boy, far more innocent than Tom Marvolo Riddle), the captain's surname was never Australian English for oral sex, and there was no Seaman Stains in the crew at all! It all is simply a huge Mandela effect popping up in the minds of now-young adult Commonwealth millennials!
But at least the "Master Bates" double entendre is older, dating back to the Victorian era! To Charles Dickens (or "Dahl's Chickens" as the BFG calls him by spoonerism)!
In Oliver Twist, one of the kids in the Dodger's gang is called Charlie Bates, and he goes by the honorific of Master. He always goes by "Master Bates," never by first name! Master Bates (tee hee!) thinks everything is hilarious, and that crime is just one long joke against the system.
As he said it, Master Bates caught up an end of his neckerchief: and, holding it erect in the air, dropped his head on his shoulder, and jerked a curious sound through his teeth; thereby indicating, by a lively pantomimic representation that scragging and hanging were one and the same thing.
I think this is INTENTIONAL on Dickens' part, isn't it? Given that the author was a Charlie himself, who knew what he did in the dark, under the covers? Especially in a Victorian era when masturbation was the worst of deadly sins, a scourge of physical and mental health! Like Jane Austen's "Rears and Vices," I understand why it was written as a double entendre. And both "Master Bates" and "Rears and Vices" have aged like a fine sherry (worth quaffing by Captain Pugwash), right?
domingo, 8 de febrero de 2026
ESCAPIST DREAM - MAGICAL GIRL TRANSFORMATION
In Otaku Academy in Escapist Dream, it looks like a U-shaped Japanese highschool, full of students in improbable hairstyle and improbable hair colour, in uniform (whether more modern blazers or 90s sailor fuku, and Prussian-style gakurans for the young men), and catgirls, delinquents in pompadours (think Josuke), etc. And of course there is at least one magical girl warrior:
Aika’s body began glowing in a colorful shining aura. He could not believe his eyes when Aika began having a magical girl transformation. She was naked save for all the blinding lights and colours. As a teenage boy, Charlie had a weird feeling from what he was seeing.
However, Aika did not wore any ribbons or wands. Instead, her hair became long and pink and horns sprouted from her head. She wore nothing but white bandages all around. Somehow, she hovered from the ground and Charlie could see transparent arms coming from her back that attacked the literary geeks. The appendages grabbed, sliced, aand mutilated the geeks without mercy.
TV TROPES: Aika can transform into a Magical Girl, but when she do so, she transforms into frigging Lucy from Elfen Lied instead.
sábado, 7 de febrero de 2026
PRAGERU IS WRONG ABOUT SHAKESPEARE (AND MUCH MORE)
Due to the new right-wing US government, PBS (with memorable, progressive edutainment shows like Sesame Street or Arthur) will maybe be replaced by right-wing juggernaut PragerU, who have given me serious pet peeves:
PragerU says Columbus was "neither a hero nor a villain, but a person;" and that we should NOT judge a Renaissance person by our twenty-first century standards... at the same time they praise Columbus for spreading civilisation and Catholicism among the barbarian natives, some of whom regarded a human baby as a toothsome morsel (but they don't give the whole story: were these babies those of the tribe itself, or child prisoners of war? And was that an everyday meal or a festive delight (like Christmas turkey or Easter eggs)? I think it was a festive delight, and that those babies were prisoners of war!.
But that is nothing compared to PragerU's perception of Shakespeare, the Bard of Avon! Not only do they put the Bard ON A PEDESTAL (they rank Hamlet up there with the King James Bible, Newton's Laws of Physics, and Plato's Myth of the Cave, and they say Shakespeare inverted the modern world/existentialism); they ONLY ALLOW us to read or watch certain of his plays:
Hamlet
King Lear
The Scottish Play
Julius Caesar
The Henriad
And that's it. No Romeo and Juliet, though it is about young love (love so young that in our days they'd be doing Maths tests and chasing Pokémon). No Othello, my favourite (though it stars the first Sub-Saharan and/or Muslim hero in Western literature, and depicts him in a loving interracial marriage --until that scoundrel Iago ruins everything). No Merchant of Venice (mostly for Shylock / Shiloh: "Hath not a Jew eyes?" sounds too controversial, but also Portia crossdressing and becoming a lawyer). No Midsummer's Night Dream (whose potions can be read as drugs), no Taming of the Shrew (which deals with gender roles and expectations), no Coriolanus (our Roman generals would never rebel against the Res Publica!), and last of all no Tempest (with a character like Caliban, anagram of "cannibal," and a plot about colonialism).
BTW, Shylock is actually Shiloh, Fluellen is actually Llewellyn, and Imogen is actually Innogen.
The only Shakespearean plays that PragerU approves of are royalist, patriarchal, and with an all-white cast. In all of these plays, a usurper assassinates the ruler and takes over the throne, but is in turn defeated by the rightful heir, ready to claim his place. No plays about social or identity issues (like gender, race, queerness, drugs, or colonialism). They're missing out on a lot of Shakespeare!
Moreover, PragerU states that Shakespeare COINED expressions like "breaking the ice," "wild goose chase," "all that glitters is not gold," and many others; when obviously these idioms existed before the Bard, they were spread by word of mouth, and it's in his plays that we first find them printed and published, as words that sit in black on a white page (or screen, nowadays). Saying that Shakespeare coined, for instance, "breaking the ice," is as ridiculous as saying that Andersen wrote "The Princess on the Pea" or "The Emperor's New Clothes," or that the Grimms wrote "Snow White" or "Hansel and Gretel." These fairytales already existed as oral tales, and the Grimms and Andersen only wrote and published their own versions, and those versions became canon. The same goes for Rafael Pombo and "Rinrín Renacuajo" ("Froggy Would a-Courting Go"), "Simón el Bobito" ("Simple Simon"), and "Pastorcita perdió sus ovejas" ("Little Bo-Peep"); like PragerU's saying that Shakespeare coined expressions like "breaking the ice," "wild goose chase," "all that glitters is not gold," and many others is like when many Latin Americans say Pombo wrote these nursery rhymes, which had existed many centuries before in (especially British) oral tradition.
The most glaring things PragerU has said is that leftish millennials (like me) are ruining high culture. That some universities have replaced the portrait of Shakespeare in their hallowed halls with that of a black lesbian poet (NOTA BENE: "Shakespeare" has a proper name here, while the "black lesbian poet" remains unnamed, only identified by identity markers!). That visual art has gone from excellence, beauty, and the sublime to scatological and sexual themes: URINE AND FAECES (as Dennis Prager puts it). As examples, he criticizes artworks like a fresh banana duck-taped to a wall, or a golden toilet, in which museum visitors could relieve themselves and flush it (but readymades from Dadaism and Surrealism could also fit Prager's critique: Duchamp's urinal fountain; his L.H.O.O.Q. --elle a chaud au cul, she has a hot bottom, ie she is turned on-- a Mona Lisa card on which he drew a moustache, a goatee, and glasses; and Merde d'Artiste --Artist's Shit--, which was sold in tiny pots at huge expense, and happened to be the faeces of author Piero Manzoni).
I think that at least music (urban music, like reggaeton and trap) and TV, especially reality shows and superhero films, have gotten FAR worse in the present day; but I have nothing negative to say about readymades, no matter how scatological or erotic they might be. I am proud of being a literary geek (especially when it comes to fantasy and historical fiction) and a connoiseuse of opera and of fine art, and a queer (aroace) person but I don't think the evergreen classics are going away anytime, and anyone can enjoy them - I enjoy works that, like Othello (the Shakespeare and Verdi versions), Les Misérables (the book, the 2012 film, the BBC miniseries, and the stage musical), and the Wizarding World (as a book, on stage and screen), that spark conversations about identity, otherness, and related issues. I am also worried that this snuffbumble (about Shakespeare, about Columbus, about gender, about race, etc). will spread through Gen Alpha and the subsequent generations; that we will become Fascist... and both Othello and Sesame Street, both women going to university and gays and lesbians getting married, will be punished by death penalty.
De Prageris fanaticibus,
libera nos, Domine!
viernes, 6 de febrero de 2026
A LITERARY PARADISE (THE LIBRARY, ESCAPIST DREAM)
I am currently reading Escapist Dream, a novel about a VR universe divided into paradises for geeks, otakus, gamers, etc. to roleplay their fantasies; each paradise based on a particular genre/medium, for instance the anime paradise, Otaku Academy, has lots of catgirls and magical girls, a replica of Mt. Fuji, etc. But my favourite of these paradises is the Library, meant for literary fans:
"And lastly, the Library, a place specifically tailored for fans of classic literary works from many countries.”
Anthropomorphic Personification: The Librarian, a Hogwarts dweeb, represents the negative aspects of literary geeks, in that they think that old-fashioned books are better than comics and video games. He's pretty much written as a criticism against high-culture.
Religion of Evil: The Librarian's cult is one. They are basically literary geeks who believed that old-fashioned books are better than comics, manga, and all other forms of mediums. They're basically the negative aspects of high-culture personified.
The Library which is the home of literary geeks and fans of Classical (Mostly British) literature,
The Library is a place in the Escapist Dream where bookworms AKA literary geeks reside. It is described as being similar to a European village, but with a large library in the center.
The Library isn’t just a home for literature. In fact, it housed every form of “classical” and influential media, such as films like The Seventh Seal. In the first novel, the place is under the control of The Librarian. By the second novel, it became a dilapidated village similar to Gotham, Massachussets, and is now controlled by the rogue AI, The Professor.
Literary Geeks, are fans of classical literature and other influential media. Prominent examples include The Librarian and Calamum Nomen.
It turns out to be the ideal world for me; characters in Hogwarts uniforms rub elbows with Westerosis in silk brocades or suits of armour and with Alices in pinafores and Victorian or Steampunk gentlemen in top hats and coattails. The ambience is very old-world or country-esque, Ruritanian, with riders on horses and unicorns and carriages on the street, and dragon riders, pegasus riders, Quidditch players on broomsticks, et al in the skies above, cozy cafés like the Musain and hobbit-holes and Gothic castles in the woods.
And then there’s the Library which is where the book nerds hang out. The geeks here are able to use the powers of their favorite fictional characters and role-play as actual superhero comic, anime, video game, and literary protagonists.
Another wacky character whom I also laughed about is someone who calls himself “The Librarian”. As a fan of classical novels, he is portrayed as this pompous stick-in-the-mud who believes novels are better than superhero comics, anime, and video games. I kind of see Louis Bulaong (the author) writing this character as a shot at real fans of “high culture” who thinks old stuff back then is superior to what is being sold now. They are basically this master race who forces people to read Lord of the Flies than manga because they think it’s smarter.
People from more "mainstream" worlds like Otaku Academy are at war with: "Then there’s also the skirmishes with those insane idiots from the Library."
[...]
If Jim was not mistaken, the Library was supposed to house fans of classic literature and the like.
They arrived at the Library, landing on both their feet in an awesome superhero landing. The place was normal as far as Charlie and Jim were concerned. This was somethingthe latter was hoping for, as the place was like any ordinary library albeit a large one which was five times the size of Buckingham Palace, complete with a giant courtyard and surrounded by forest everywhere. Dotted around the place were some Lord of the Rings-style hobbit-holes, ordinary coffee shops, a large tube-like spaceship floating above similar to the ones in Ender’s Game, and rows of apartments on one street which said “Baker Street.” There were some people flying above on broomsticks and some riding on horseback or on horse carriages. People were wearing all sorts of costumes from Victorian-era fashion to medieval and ancient Greek armour. But so far nothing was wacky or crazy.
“What’s inside of this place,” Jim replied. “Are the people who read the good stuff. The classics. And most of these classical literature are British. My cup of tea.”
When they went inside the Library, they were surprised that it was even bigger than what they expected. In front of them was a large 10-foot-tall cylindrical marble fountain divided into three rows – Heaven filled with angels, Purgatory which was filled with souls, and Hell which was filled with devils, like out of Hieronymus Bosch. Jim recognized what the religious motif was. The fountain was a homage to Dante Alighieri’s works. The Divine Comedy trilogy.
And around them were gigantic golden statues of other famous characters from both classic and serious literature. There was a statue of King Arthur in his historically-accurate attire of lorica hamata and spatha sword. There was also a statue of the great Sherlock Holmes wearing his iconic deerstalker hat, cane, and pipe. On another corner was a woman wearing the clothes of a 16th-century (Elizabethan) gentleman complete with the ruff collar around her neck, tight pants and large brown boots, which Jim recognized as Orlando, created by Virginia Woolf. There was also a statue of Gandalf the Grey with his staff and awesome longsword Glamdring. There was even a statue of a man wearing a black Puritan hat, cape, and a Guy Fawkes mask, which Jim recognized as V (for Vendetta), his most favourite graphic novel character. He was right in saying most of the statues here were famous British characters. And it was nice for the Escapist Dream to have a place for British media and its fans the same way the Japanese or other nations do.
The place where they were at was the entrance hall. But as they continued walking forward and going down the stairs, they finally arrived at the actual library filled with shelves and books. It was a large grand place with the room’s size stretching unendingly. There were also many balconies
on the top as well as cafés on the sides. The place was also bustling with people, and Jim appreciated that there were still some people who were reading the classics.
Charlie himself was amazed, mostly on the collection of books and films. They had everything from the Iliad, Beowulf, Ramayana, Mahabharata, the Eddas, and other classic mythologies. They even had North American literary classics like Dune, To Kill a Mockingbird, and his personal favorite, The Catcher in the Rye. Japanese works like those of Hayao Miyazaki, and European ones like Valerian and Laureline and The Seventh Seal, were also present.
They walked for some time without any direction but they didn’t mind since they were too busy admiring the place. Soon, they arrived at a desk with a tag that said “Librarian”, but the chair was empty and no one was there.
As an annoyed Jim slapped the bell in anger, a large flash of light suddenly appeared out of nowhere. Like Gandalf the White greeting the Fellowship with a magical flashbang, Jim and Charlie closed their eyes to prevent themselves from going blind. When they opened their eyes, they were soon greeted by a young man in his early 20s, the same age as Kaichou. He had a brown complexion and wore what appeared to be a British schoolboy uniform, complete with a red and gold tie (SO SAD THE ONLY ONE FOREMOST POTTERHEAD HERE IS A GRYFFINDOR AND NOT A RAVENCLAW! But then Rowling was biased towards Gryffindor for the first four installments, before introducing Luna in OOTP...), grey waistcoat, round glasses, and black slacks with leather shoes. What was odd though was that he too wore a black cape on his back.
Charlie noticed the red and gold tie of his, and smiled in excitement since the guy was cosplaying as a Gryffindor student.
“‘Ello visitors,” the boy said, with a butchered British accent Jim himself reviled. This was obviously some foreign boy who was certainly not British, trying to imitate a horrible Queen's English accent.
“You must be the admin of the place,” Charlie said. “I’m Charlie and this is Jim, the programmer sent here to fix the bugs. We’re friends of Launa and we came here on her behalf after you messaged us about a recent glitchin’. We came as fast as we could to investigate.”
“Ah!” the young man said. “Well, you two. As you both know, I am whom they call the Librarian! I’m the headmaster of this wonderful place for great minds who only consume serious forms of art.”
“Ah a fellow Englishman I see,” the Librarian said. “Top-top my good man. I hope you find this place to your fancy.”
“It was,” Jim said. Right before you came along mocking my language.
“Well, gentlemen, let us not dilly-dally then,” the Librarian said before pulling out what appeared to be a black stick from under the table. Like a magic wand he started swinging it in the air and shouted, “Immobulus!”
Something strange happened to Jim and Charlie’s bodies. They could not move them at all.
“What the hell is happenin’ Jim?” Charlie said as he tried to squirm and move
his body.
“What is this?!” Jim asked the Librarian in rage.
A group of twenty little NPC men wearing funny elf costumes, obviously inspired by the munchkins and the oompa-loompas, came out of nowhere and started marching towards them.
“Alright boys! Take them away!” the Librarian commanded as dusty burlap sacks were put over Jim and Charlie’s heads. The group of little men then started carrying them away to who knows where.
When the bags over their heads were removed, Charlie and Jim were still paralyzed from head to toe. They ended up in some large basement, probably under the Library, and like the latter, this place also stretched out forever. It was far different from the magnificent Library, as the place was dark and haunting like an abandoned building. Cracked columns and support beams held the floor above, and there were a few torches in those columns to serve as illumination.
What made this place even more inauspicious were the occult pentacles and magic circles drawn on the floor, with candles strewn all over them. The torches and the candles were the only sources of light in this place, but even with those it was still mostly covered in darkness.
Both Charlie and Jim’s reactions to the place were different. Jim for the most part was disgusted. All in his mind was anger at what those dumb nerds did. Putting a spell on them and carrying them into this stinking basement. What were those dorks planning? Charlie meanwhile, was nervous as chills crawled up his spine. The place was eerie and scary, and for the kid, it’s not far from those serial killer hideouts or deranged occult dens. For him, the atmosphere of this place made the lighthouse in Gamer’s Den appear like an amusement park.
“Oi!” Jim yelled at the darkness. “I know you’re in there. I can sense you through me dickless-piece-of-shit detector!”
A figure came out of the darkness, soon to be followed by a crowd who formed a circle around the two. The first figure who came forward to them, revealed himself to be the Librarian. As his face was illuminated with nothing but candlelight, he appeared more horrifying in the darkness with his evil eyes and grin.
“Top o’ the mornin to ya, gents,” the Librarian greeted them with his usual horrible accent.
The guy then started to laugh, and he was soon followed by the other figures who laughed as well. They were like a destructive cult, not like the hilarious dark metal wannabes, but the actual stereotypical human-sacrificing squad. Did the place start accepting these kinds of religious zealots or pentacle-loving peeps? And Launa didn’t bother to tell them?
Jim had no qualms or discrimination with anyone, including these people. But he was surely pissed they locked him up like this. Charlie however, saw nothing but a mysterious and scary group, and he prayed they were not the ones who mass murder people.
The Brit was approached by the Librarian, and the latter smiled the proudest grin, saying, “I know who you are, Mr. Jim the Programmer, and we appreciate you coming here to visit us. Thank the goddess Fortuna that Launa is not with you today, because it made the whole kidnapping-thing much easier.”
He continued to laugh psychotically and the rest of his entourage again followed. This guy was a grade-A lunatic, and what he was doing wasn’t a joke or a prank. He was not pretending or cosplaying to be crazy, the guy was pretty much out of his head. Unlike Jim who thought of his craziness as nothing but pathetic, Charlie was fearful of what was happening. He was a young boy after all, and a guy laughing like he was the Joker or Light Yagami, was scary to him.
“Alright, I’ll give you some praise for devising such a plan to abduct us, you weiner coat,” Jim said. “But now can you stop sniveling and tell us why you captured us?”
“You’re a programmer, and you came here to fix the glitching,” the Librarian said. “But we won’t allow you to do that. Not now when the bug is doing us so many favours.”
Oh great. Another group using my creations for their own sickness. This is terrific. Much terrific.
“And what plan is it, may I ask?” Jim said.
“Normally, I follow the words of Ozymandias in saying ‘I’m no republican serial villain’. But I don’t think you’ll be doing anything with my spell affecting you, so I’ll tell you anyways. First things first though, I appreciate being able to converse with an actual Englishman. Tell me, mate. What do you think of me marvellous Queen's English accent?”
“Tell you what, you’re as good as making a Queen's English accent as Nicholas Cage was good with his Italian accent.”
“Ouch.”
“If you wanna do an English accent, you do it in style. First thing you should know is that there is no such thing as English accents. It’s the US Americans and the Canadians who have the funny accent. But you’re too dumb, are you?”
“Oh shut your gob. But anyways, let me introduce ourselves. We are the ‘Company of Righteous Artists’. We’re the type of geeks who read the serious, philosophical, and artistic works of literature. None of those silly childish media which all the other geeks consume. We don’t watch those stupid superhero fictions or perverted Japanese anime and manga. We don’t indulge ourselves 12 hours-a-day playing the latest microtransaction-filled video games. We stay away from companies who make the laziest form of art. We are the people who only consume high-class media created with love and effort.”
Jim was both stunned and impressed. The Librarian and his gang were not far off from what he also believed in. Throughout his adventures here in the Escapist Dream he had done nothing but hate and mock all the stupid superhero geeks, weird Japanese otakus, and those toxic gamers from all across the globe. Sadly though, these people were nuttier, and they even created their own fanatical group to back it up.
“So some geeks who buy shite annoy you,” said Jim. “Kind of a crappy reason to kidnap a programmer now, innit?”
“For you it’s the case but not for us,” the Librarian explained. “You are a programmer, and you’ve seen how these geeks always turn for the worst every single day. I heard an idiot in Otaku Academy created a virtual girlfriend using a bug. Can you believe that?! Such a disgusting thing that should be punishable by castration. We at the Company vomit at such things. Marvel and DC superheroes with their underwear on the outside. Japanese lolicons, shotacons (lolicon: sexual arousal by female Mini-Moe; shotacon: arousal by male Mini-Moe; basically anime jailbait), twincest, and all other disgusting weebshit. And the gamers... Gosh, the gamers and their violent conservative sexist beliefs and consumerist practices.”
“Again,” Jim interrupted. “Stop bloody harping and tell us why you did this!”
“Simple. The Escapist Dream is the biggest hub for geeks in the whole world. But these superhero fans, otakus, and gamers have infected this place with their rubbish. We, the Company, would like you to help us throw these geeks out. We want to create a society back to a simpler time where the only superheroes were the mythical warriors of ancient Greece and medieval Europe, and the only weird tentacle things are those from Lovecraft’s creations. All of these will only be possible with the help of a master programmer.”
“And pray, tell me. Why would you think I would help you?”
“You’re a programmer, aren’t you? I know you Mr. Jim, you are one of those who developed the Escapist Dream. I’ve been watching you and I know how you hated this place and the geeks, otakus, and gamers in here. You and I are not so different. We are the ones who consume only the finest media.”
“If you are going to do that,” Jim interrupted. “You might as well throw Harry Potter in the same dungeon.”
When Jim said this, the Librarian stopped his cheering. He turned towards the Brit, confused and insulted
from what he said. “Why? Harry Potter is a serious fiction, and it will remain here in the Escapist Dream as an artform,” the Librarian said, defending the honor of his beloved franchise.
“Art? Hah!” Jim said laughing. “You call Harry Potter an art? And you dare to put that series of novels in the same category as Lord of the Rings, V for Vendetta, and all the others?”
“Of course I will,” the Librarian said in defiance.
“Harry Potter is a beloved series of books which had themes of friendship, family love, and pure magical fantasy! It is as serious and artistic as–”
“A pile of dogshite is what it is. And you should be ashamed to call yourself a fan of literary arts while liking such a book and even dressing in such garbage.”
The Librarian was getting angrier as he continued debating with Jim. The rest of the figures started talking to each other with what this Brit meant. The Librarian looked around at the commotion Jim was causing, and was now even more enraged than ever. He approached the still paralyzed Jim and aimed the dagger at his right eye.
“You bloody shut your mouth!”
“Listen here, mate. Harry Potter is a load of bollocks. It’s childish and stupid, and hell it’s even more pathetic than Marvel superheroes for God’s sake. We’re talking about a lame-ass chosen one protagonist defeating another stupid lame-ass bald villain with the power of fucking love. Bloody… fucking… love!”
“Shut up!”
But Jim was not done yet slandering the Librarian’s favourite series. “What’s worse is that the series is fascist. The muggles are inferior and pretty useless compared to the wizards (but what about the Death Eaters being the villains; pure-blood supremacists opposed to "mudbloods" like Harry and Hermione, and to pure-blood Muggle sympathizers like the Weasleys?). And worse? It’s a plagiarized kiddie version of the Timothy Hunter books! I mean look at the two; young boys with round glasses finding their destiny? Fighting against evil who wants to take over the world because of supremacist beliefs! They even have the same owls!”
(Previously, Jim had explained that his Harry-Potter-like cosplay, long trenchcoat, short dark hair and John Lennon spectacles / glasses, was of Timothy Hunter:
CHARLIE: "Are you cosplayin’ as John Constantine and Harry Potter?”
JIM: “Not Harry Potter, but Timothy Hunter. The glasses can be misleading since both characters came out the same time and wore the same glasses.”
JIM, LATER: “When I arrived here in the Escapist Dream, I chose to add things from my favorite magical character, Timothy Hunter. He is this young child who is destined to become this powerful mage. The boy Hunter has spells which can create Tunguska events on a whim, but I’ve always been more impressed with his practical spells like–”)
“That’s a fucking lie!”
“And we’re not even getting to the controversial part yet…”
As Jim said that, the whole room became deathly silent. People in the crowd bit their lips with tension at what the programmer was about to say next. Charlie himself averted his gaze as if someone was actively committing suicide beside him. Jim was about to get them both killed.
“Please don’t,” pleaded Charlie. “Don’t do this Jim…”
“Stop!” the Librarian warned.
“Face it, mate. Your precious little series does not deserve to be considered a ‘serious form of art’. Especially with an author who wants to look so progressive but too lazy to invent new gay characters. (What about Sirius and Remus? And when it comes to Rowling's queerphobia, don't confuse the author with the work!)”
“Damn you!” the Librarian yelled as he raised the dagger to stab his knife right at Jim’s eye.
Jim then yelled to Charlie, “Now lad!”
That was the signal Charlie has all been waiting for. Although with his leg still burning in pain, he still had the mental strength to use the Force to lift the Librarian and slam his head on the ceiling. The attack stunned the Librarian enough to make him lose his magical grip on the two. He also let go of the dagger and it fell and bounced off into the darkness.
Jim and Charlie were freed from their paralysis spell, and the former quickly drew his lawmaker pistol and shot a few rounds at the crowd, scattering and panicking them.
These people turned out to be the geeks in the Library the two had met when they first arrived. There were some armed with medieval longswords and historical weapons. Many of them wore knightly armour, Renaissance capes, and some with Victorian top hats and deerstalkers. Others had futuristic ray guns and jumpsuits from all the classic science fiction stories of the 1960s. And some were portraying themselves as fantasy tropes, with enchanted staffs and wands, as well as flying broomsticks and carpets.
Jim and Charlie prepared themselves for another battle. Outnumbered, they probably would get massacred but at least they would put up one hell of a fight. Jim grabbed his longsword together with his futuristic lawmaker pistol, while Charlie turned on his lightsaber and struck a Jedi fighting stance. “How’s your leg?” Jim asked. “Sorry if it took so long. I wanted to see what they did with the bug and I didn’t expect it could do such a thing.”
“It hurts like hell,” Charlie honestly replied. “But I’ll be fine once the bastard pays for what he did. Would you believe if I told you the shoutin’, the cryin’ and the panickin’ were all part of the act? That I was just... actin’ all of those?”
“Sure you are, mate,” said Jim.
“Although he was kinda right and you’re wrong,”
Charlie continued. “Harry Potter is a good book. The whole part about the muggles being useless, well they were the ones who were keepin’ the wizard species alive. Also, didn’t Neil Gaiman already said in an interview that there was no plagiarism involved? And both unintentionally used the same references from previous fantasy books? (Charlie is right; all fantasy draws from a "Cauldron of Story" containing the archetypes, etc) Rowling herself has the right to do whatever she wants with her–” (In fact, every year her candidature for the Nobel Prize is renewed; she has not only written the Wizarding World books, but also other fantasies like The Ickabog and The Christmas Pig, and even crime fiction under the moustache de plume Robert Galbraith -- since everyone now associates her name with juvenile fantasy, no one would believe she has written crime fiction for adults!)
“Shush now, lad,” Jim said to stop this kid’s tangent. But he admitted that it made him smile whenever the kid started geeking out like this. “I don’t hate those books. I was just saying those things to get this idiot to lose his mind.”
The rest of the literary geeks finally regrouped and surrounded the two. As Charlie readied his lightsaber the moment these fools try to attack, the song "Don’t Let Me Be Misunderstood" by Santa Esmeralda played in his head. They were like the Bride going up against the Crazy 88. But unlike Charlie’s previous battles, he was not as excited as he was like before. They need to be more careful since pain was now real in the Escapist Dream and the dagger was out there.
The gang of literary geeks started throwing themselves at the two. A guy wearing a Greek hoplite suit, complete with a bronze cuirass, red cape, and a large hoplon shield with a capital Lambda, tried to stab Jim with a spear. But Jim parried it with his longsword, before pinning the spear on the ground with said sword. As the guy tried to get the spear off the ground, the Brit shot him in the head. Another guy, dressed up in riveted chainmail and bearing the banner of King Arthur himself, slashed at Jim with a large spatha sword. But Jim managed to lean back and dodge his attack, before kicking him away and shooting him multiple times in the chest. As several other literary dweebs swarmed at Jim from all sides, he whispered to his pistol “Rapid Fire” and it transformed from a semi-automatic to a fully-automatic machine pistol.
He then started shooting everyone around him. Charlie on the other hand, was up against a frontiersman wearing buckskin and coon hat, like that Bumppo character his English teacher tried to make him read in middle school. The frontiersman fired at him with a Kentucky long rifle, and the kid narrowly dodged it, ducking below his line of sight. Charlie then charged at him and buried his lightsaber into his chest. Another dude wearing a traditional Japanese dress hit Charlie on the back with what appeared to be a cart with a baby doll inside. As Charlie fell back to the floor, the guy climbed over his cart and jumped in the air while drawing his katana. Before he struck Charlie down, the teenage geek unleashed his heat vision and incinerated him to ashes. “You doing alright?” Jim said as he continued shooting.
“Yeah I’m doin’ fine,” Charlie said as he picked himself up.
A girl dressed in Victorian clothing, complete with an umbrella skirt, attacked Charlie with a parasol, but the young geek sliced her and her parasol with one fell swoop.
Another geek, this time cosplaying as some sort of albino cowboy spouting nonsense about war, started shooting his twin six-shooters at Charlie. But the kid used his Force powers to lift him up and drag him towards Jim.
“Heads up!” Charlie said as the poor sod flew towards Jim, whom the Brit sliced in two.
“Nice. But hey watch this,” Jim said as he summoned a magical wooden stick on his hand, and a large grey wizard hat on his head. He raised the staff in the air, yelled “You cannot pass!” and slammed it back on the ground. It created a huge shockwave which threw everyone across the room, taking out a lot of those geeks in the process.
“I think you got Gandalf’s quote wrong,” Charlie said as he chopped one thug who tried to sneak behind him.
Jim continued shooting his gun at some who were trying to get up, and replied, “Don’t you know? That’s what Gandalf the Grey actually said in the book. Or something like that. They changed it in the movies.”
As the fight was going on, the Librarian was finally getting back to his senses. He was witnessing his army getting torn apart by these two guys and it infuriated him. He couldn’t possibly conquer the Escapist Dream if all of his troops were wrecked and humiliated like that. Angered, the Librarian yelled at the two, “You fools! First my favorite series and now my army! You’ll both pay!”
“Not before you pay me for what you did to my leg!” cried Charlie.
The Librarian raised his hand in the air, summoned his magical broomstick, and got on it. He then started flying all over the large basement like an actual witch. Jim tried to shoot at him but as he aimed, the guy disappeared into the darkness. Appearing from behind, the Librarian started spamming magical spells at them with his wand, screaming every dark spells, torture jinx, and deadly curses.
“Here comes that lunatic,” Charlie bantered. As the Librarian’s spells came rushing towards them, Charlie summoned a Green Lantern power ring and used it to create a giant green brick wall to block the Librarian’s attack. To stop the guy flying all across the room, Jim thought of using another Timothy Hunter spell. As he waved his hand to unleash Hunter’s iconic Stop Bugging Me spell, time suddenly froze around them, leaving their enemy open and defenseless.
Now with the Librarian immobilized, Charlie unleashed his heat vision and vaporized his broomstick, making the Librarian crash to the ground. Wanting to pour all his anger towards this literary geek, Charlie got on top of him and started to ground-and-pound the guy with his fists, unleashing all his rage on his meek face. As they watched their leader getting mercilessly beat up by this kid, the rest of the literary geeks began falling back in retreat.
“This is for stabbin’ me in the leg you freak!” Charlie yelled.
Jim caught up to them and pulled the kid off the Librarian, saying, “That’s enough, mate.”
As Charlie got up, the now battered Librarian laid there with a broken bleeding mug. Jim approached the Librarian, eyed him face-to-face and jeered, “You spoke of Ozymandias once but failed to learn from the character. If you’re going to tell someone your master plan you should have done it thirty-five minutes after doing it.”
“By the way,” Charlie asked. “Did you just friggin’ freeze time?!”
Jim then looked at the excited kid and said, “Yeah. But for some reason I can’t do it again.”
Charlie nodded, and without nothing else to say and a face still overflowing with anger, he stabbed his lightsaber right at the literary geek’s chest. The jerk’s digital body disappeared, and afterwards Jim grabbed the boy and turned him around. He said with a worried expression on his face,
“Seriously, how’s your leg?”
“I’m not sure. It’s still bleedin’ but the adrenaline got rid of the pain. It still feels kind of heavy though, so I need to check out my actual leg if it’s okay.”
Before Charlie left, they stayed for a while to admire the carnage they had done. The torches were still burning strong even after the fight, and laid down on the ground were a lot of fallen weapons and ripped pieces of costumes. They were also some literary geeks still on the ground winded and some limping away in defeat. It would have been nice to mop up everything and chase these guys down, but they had enough fighting for today. What’s important was he and Charlie won this fight. They literally defeated a whole army even though they were alone, trapped and surrounded. But now it was time for them to rest.
When Charlie got back to his senses, one literary geek dressed in a peg-legged pirate costume and crutch, came rushing in with an old-timey blunderbuss.
... as he spotted a lone literary geek trying to sneak away from the side of the hill. He was wearing an 18th century costume consisting of a light brown woolen coat, embroidered frills on his sleeves, white tight-fitting stockings, and a dark tricorn hat. He also wore a black domino mask on his face and a red flower, specifically a scarlet pimpernel, pinned on his right breast.
What caught Charlie’s attention was a dagger that was strapped to his belt, similar to the one the Librarian stabbed him with. Fearing the others were too distracted and the guy was nearly succeeding in his escape, Charlie chose to chase the geek down himself. As the kid went in pursuit, the literary geek glanced back and saw the former running towards him. He grabbed a flintlock pistol and fired at the boy in the hopes of either killing him or driving him away. It was an unusual pistol, since even if it had a single-shot mechanism, it fired bullets at a rapid semi-automatic pace.


