martes, 31 de agosto de 2021

GENDERFLIPPED OTHELLOS: MY FIC VS. THE OFFICIAL NOVEL




 https://www.google.com/search?q=debra+chapoton+othello+retelling&rlz=1C1ONGR_esES968ES968&oq=debra+chapoton+othello+retelling&aqs=chrome..69i57j33i160l2.11598j0j15&sourceid=chrome&ie=UTF-8


Now on to compare and contrast To Die Upon a Kiss with my own unofficial fanfic/playlist retelling, Daily Beauty...

Overview of my own genderflipped Othello postmodern AU.

AURÈLE (Othello)

Age: 28

Body Type: T (Physically fit, war orphan and child soldier)

Ethnic Group: Yoruba

Star Sign: Scorpio

Tutelar Deity: Ares (Ogun)

Siblings: None

Hair colour: raven, tips dyed crimson

Eye colour: black

Skin colour: latte or milk chocolate



Desmond & Cathy (Ruslana is below)


DESMOND (Desdemona)

Age: 25

Body Type: I 

Ethnic Group: Celtic

Star Sign: Libra

Tutelar Deity: Hephaestus

Siblings: None

Hair colour: ash blond

Eye colour: green

Skin colour: white rosy


Childhood Friends with:

 

CATHERINE "CATHY" (Cassio)

Age: 25

Body Type: 8 (moderately fit nerd/Speculative Fiction Geek)

Ethnic Group: Celtic

Star Sign: Aquarius

Tutelar Deity: Hera

Siblings: None

Hair colour: strawberry/Titian blond

Eye colour: honey

Skin colour: white with freckles




Yara (Iara), Emílio, & Branca - the de Souza siblings (orphans after a tram accident/terrorist attack)


EMÍLIO (Emilia)

Age: 29

Body Type: T 

Ethnic Group: Mixed

Star Sign: Virgo

Tutelar Deity: Demeter (Oshun)

Siblings: Yara and Branca (eldest brother)

Hair colour: raven

Eye colour: black

Skin colour: latte macchiato


YARA/IARA (Iago)

Age: 25

Body Type: I

Ethnic Group: Mixed

Star Sign: Gemini

Tutelar Deity: Apollo (Eshu)

Siblings: Emílio and Branca (middle sister)

Hair colour: raven, tips dyed platinum

Eye colour: black

Skin colour: latte macchiato


BRANCA (Bianca)

Age: 18

Body Type: 8 (naturally attractive, without any bodily enhancements)

Ethnic Group: Mixed

Star Sign: Leo

Tutelar Deity: Zeus (Shango)

Siblings: Emílio and Yara (youngest sister)

Hair colour: raven, tips dyed rainbow

Eye colour: black

Skin colour: latte macchiato



RUSLANA (Roderigo)

Age: 20

Body Type: 0/8 (spoiled/fit)

Ethnic Group: Slavic

Star Sign: Cancer

Tutelar Deity: Hermes 

Siblings: None

Hair colour: wheat blond, tips dyed pink

Eye colour: icy blue

Skin colour: rosy


Sensei and the setting - inspiration from my all-female self-defense classes

The main setting is an all-female self-defense class in a coastal urban area inspired by Valencia, which serves as the home of the whole cast.

The themes of body image and coming out in my retelling - there's nothing wrong with looking or loving this way; in fact these themes outweigh race in my fic.  This is related to "Beauty-and-the-Beast" type of tales (even those where the Beast is female and the Beau is male, or queer retellings), and the issue of outer vs. inner beauty - see below. The relationship can only blossom if both partners put inner before outer beauty and love one another warts and all (after all, we decorate evergreen conifers, not rosebushes, for Christmas!); inner beauty is the "daily beauty" in my title and Cathy & Branca bond over British comedy (Fawlty Towers, Blackadder, Monty Python...); as Desmond & Aurèle do over absent parents...

Outer Beauty vs. Inner Beauty (ie intelligence, wit, wisdom, kindness, sense of humour... inner beauty is the "daily beauty" in my title!). Most versions of Beauty and the Beast have, as counterpoint to the princely Beast, a brother-in-law or a suitor (if she is an only child, like Gaston in the animated musical) who is physically attractive yet dimwitted and shallow and in love with himself. Long story short a narcissist. //// Both Ruslana and Aurèle fear that they fit this character stereotype and are not acknowlegded for their depths (both suffer trauma because Aurèle was a child soldier in a revolution; Ruslana is a mafia clan heiress)...

Ruslana is manipulated by Yara because of Ruslana's insecurities about her own body image and the fact that she sees herself as a whale or hippo and that she feels Desmond will not like her and will prefer a girl who is more fit (even if darker like Aurèle)... in the end it proves her downfall  --- MORE ON RUSLANA AND HER POISONING SHOVED DOWN THE BRIDGE LATER ON!!!!

In the meantime Cathy comes out with Branca and accepts herself as what she is, instead of what her mum and dad want her to be burning calories and striving to become... partly 'cause her new ladylove accepts her warts and all!!! and Cathy is all she has left with Emílio hospitalised in the ER and Yara on the lam... so Daily Beauty was all about Cathy's and Branca's daily beauty and not anyone else's... awwwww awwwww awwwww awwww awwww awwwww awwww caught in a queer romance (anyone else?)...

OBSERVE THE MASTER OF THE STRINGS!!! Yara as Spider in the (WW)Web and the weight of social media is real in making both Aurèle and (nearly) Branca embrace the scandal of Desmond and Cathy being in allegedly a carnal relationship... in our days, the element of the social network, added to the gris-gris (charm which replaces the handkerchief in this version), was something that did not exist in the seventeenth century and that adds more complexity to this Othello retelling.  If everyone in an online peer group is convinced from photos uploaded on social media that Desmond and Cathy are together, what a Pandora's Box is opened for everyone (even the childhood friends and alleged "lovers" question their relationship at one point).... YARA is a master user of social media, with the rest of the cast as "insects" on her WWWeb.


miércoles, 18 de agosto de 2021

DE TU SOMBRA (fragmento).

 DE TU SOMBRA (fragmento).

"NO PUEDES COMPRAR PARAISOS INABORDABLES
NI BEBER TODA LA SED DE LAS DISTANCIAS.
NO PUEDES GUARDAR PARA SIEMPRE EN LA MEMORIA,
AQUELLA RISA INFANTIL,
NI PUEDES CONTINUAR EXPLORANDO LOS RECUERDOS
QUE CORTEJAN TUS DUELOS.
PERO PUEDES CANTAR ALABANZAS A LAS CERTEZAS
Y A LOS MITOS DE LA NIÑEZ, A LOS INSTANTES DE SOL
QUE SE ESCONDEN EN ESOS OJOS QUE, ENTRECERRADOS,
CELEBRAN EL SABOR DE AQUELLA BOCA".
LIBRO: LETANÍA DEL JAZMÍN.

SI SÉ QUE ME QUIEN ME QUIERE ME ESPERA

 SI SÉ QUE ME QUIEN ME QUIERE ME ESPERA

Traducción de Sandra Dermark del sueco (Men bara om min älskade väntar, Ulf Dageby) y del inglés (Tomorrow is a Long Time, Bob Dylan)

Si hoy no fuera un camino infinito

ni una senda retorcida fuera ayer,

si el mañana no fuera tan largo tiempo...

la soledad no tendría razón de ser...


Si sé que quien me quiere me espera,

si puedo oír en su pecho el corazón,

sólo si estuviera aquí a mi lado

podría ser yo quien fui y quien soy...


No puedo ver en la cara a mi reflejo

ni decir palabras de felicidad,

no puedo ni siquiera oír mi eco,

recordar mi nombre ni mi identidad...


Si sé que quien me quiere me espera,

si puedo oír en su pecho el corazón,

sólo si estuviera aquí a mi lado

podría ser yo quien fui y quien soy...


Hay belleza en el canto de los ríos,

en la tarde y en el amanecer...

pero veo en los ojos de quien quiero

la belleza más hermosa que yo sé...


Si sé que quien me quiere me espera,

si puedo oír en su pecho el corazón,

sólo si estuviera aquí a mi lado

podría ser yo quien fui y quien soy...


Si sé que quien me quiere me espera,

si puedo oír en su pecho el corazón,

sólo si estuviera aquí a mi lado

podría ser yo quien fui y quien soy...



OTHELLO AND THE FAIREST OF THEM ALL

 #OthElokuu

[...] the moment when Othello stands over the sleeping Desdemona, intending to kill her and yet admiring her beauty. Othello kisses Desdemona as she sleeps and adds: "Be thus when thou art dead, and I will kill thee / and love thee after (5.2.18-19)." And he does kiss her exquisite corpse: "I kissed thee ere I killed thee; no way but this, / killing myself, to die upon a kiss (5.2.358-59)." His necrophilia is much like that of the prince charming in "Snow White" (and "Sleeping Beauty").

While praise of female beauty as red and white (for Caucasian standards) is of course conventional, Shakespeare may have consistently remembered the "snow white and blood/rose red" formula when writing these scenes of a man admiring an unconscious young woman. Othello compares Desdemona's life to a rose, and says: "Yet I'll not shed her blood /nor scar that whiter skin of hers than snow (5.2.13, 3-4).

Othello is a persecuted heroine story, and, like the similar folktales, it is all about jealousy. Jealousy, we see, always tends towards death, making the beloved an unmoving, beautiful, possessable objects. 

These references to the "Snow White" folktales allow Shakespeare to meditate on the single nature of jealousy in all of its guises: jealousy over beauty, over inheritance, over sexual possession, and over political power. In Othello, Iago manifests the connection between different forms of jealousy. He wants the promotion that Othello has bestowed on Cassio. Iago also claims to want Desdemona for himself, and to believe that both Cassio and Othello have slept with his wife. One of his most haunting lies, moreover, returns us to the folktale villainess's competition over beauty (recalling the wicked queen's obsession with being "fairest of them all"). Iago says of Cassio, "He hath a daily beauty in his life / that makes me ugly (5.1.19-20)."