miércoles, 24 de mayo de 2023
GOLDEN HEMORRHOIDS (AND GOLDEN RATS)
domingo, 21 de mayo de 2023
Alexander Hislop was WRONG!!!
The belief of both Jack Chick and Jehovah's Witnesses that all pagan gods and goddesses (even all deities within the same faiths) worldwide hail from a single cultural hearth that spread worldwide, and that holidays and festivals, as well as rituals (especially Catholic ones), hail from pagan festivals and rituals, can be traced to a Victorian Presbyterian Scottish preacher called Alexander Hislop. His doctrine is called hyperdiffusionism and is wrong. All deities, if they have a common origin, it is humanity, the human race as a whole, not a common cultural hearth, be it Egyptian, Assyrian, Hellenistic Greece, from a sunken civilization (Muvian or Atlantean), or even from outer space. It would be preposterous to say, for instance, that Hera, Athena, Aphrodite, Artemis, and Hestia sprang from one and the same source, not to mention Isis, Amaterasu, and the White Buffalo Woman. Still there are archetypes (queen goddesses, mother goddesses, love goddesses, king gods, storm gods, war gods, ocean deities, etc.) that reoccur across cultures worldwide.
As for holidays and festivals, they commonly coincide with the change of seasons (Easter/Ostara with the spring equinox, Yule/Christmas/Sol Invictus with the winter equinox, Halloween/Samhain with mid-autumn, Saint Patrick also takes place slightly before the spring equinox, etc.).
Alexander Hislop's hyperdiffusionism was used as a doctrine as a canard against Catholics. Nowadays, although hyperdiffusionism has been relegated to pseudohistory by serious historians, some religious fundamentalists like Jehovah's Witnesses or Jack Chick, or The Covenant, the Sword, and the Arm of the Lord repeat Hislop's ideas ad nauseam, often claiming that Satan himself is the power behind paganism.
viernes, 19 de mayo de 2023
EZEKIEL 23:20 - flow like the flow of stallions
But what if I told you that Ezekiel had seen even weirder things than wheels in the sky? And what has the horse in the picture above got to do with it? Consider that Anglophone nursery rhyme that is so insufficient for teaching the skeletal system to six-year-olds:
The toe bone's connected to the foot bone,
the foot bone's connected to the ankle bone,
And so forth. As if we only had ONE bone on each toe, ONE bone on each foot, ONE bone on each ankle, and the list goes on!!! See WHY this song is insufficient for teaching the skeletal system?
That came also from a vision of Ezekiel's. He found himself in a dry valley full of human bones and all of a sudden the bones gradually connected at their joints, like puzzle pieces falling into place, until standing before Ezekiel there was a large army of human skeletons. Then things got even scarier as the skeletons were gradually covered in organs, muscle, skin, hair, and clothing, and a full horde of zombies began to march across the Holy Land.
All right, that was one creepy vision, but where does the horse fit in?
In Chapter 23, which is (along with the Song of Songs) one of the finest pieces of Biblical erotica. There is lusting after military officers in brightly-coloured uniform (fetishism: check), bosoms fondled and nipples squeezed till they're bruised blue, a whore has her tits, ears, and nose cut off as punishment (or maybe to keep an STD from spreading?), but if you want Chapter and Verse for the most lurid detail, Ezekiel 23:20 has you covered!
23:20
NASB, NKJV,
NRSV"paramours"
TEV"oversexed men"
NJB"big-membered"
NIV Interlinear"genitals"
Peshitta"male organs"
REB"members"
och hon upptändes av begär efter vällustingarna där med kön som åsnor och säd som hingstar.
Liten förklaring: "vällustingar": älskare / "där": i Egypten / "kön": storlek på penis / "säd": mängd utlösning: en hingst har upp till 300 milliliter, tillräckligt för att fylla en genomsnittlig ölburk
Shmoop
Oholibah continues to step up her "whorings," remembering (and hold on, because this gets way gross and way disturbing) how her lovers in Egypt had penises like donkeys and ejaculations like horses.
Donkey penises??
Anyway, back to our story…
Daniel Block: The strength of Yahweh’s passion over Oholibah’s conduct is reflected in the shocking portrayal of the third phase of her whoredoms. Now she has come full circle. As she recalls her youth in Egypt, the mature woman’s addiction takes her back to where it all began, only with intensified energy. The obscenity of the description accords with the unrestrained prurience of Oholibah’s actions.
Constable: She lusted after the Egyptians that pursued her like donkeys and horses in heat (cf. Jer. 2:24; 5:8; 13:27). Donkeys and horses were proverbial for their strong sexual drive (cf. Jer. 2:24; 5:8; 13:27), and the Lord used these animals as a figure for the Egyptians’ potency that attracted the Israelites.1 Judah returned to her old lover, namely, Egypt.
Lamar Cooper: Judah’s political prostitution was presented in explicit sexual terminology. This idolatry produced the same revulsion by the Judaeo-Christian God that prompted him to annihilate their forefathers in the wilderness (Sinai Desert) for the worship of the gods of Egypt (v. 21; Exod 32:11–18). Judah lusted for her lovers whose “genitals were like those of donkeys, and whose emission was like that of horses” (v. 20). These proverbial phrases were intended to show divine contempt for those attracted by the military power portrayed by reference to sexual potency.
martes, 16 de mayo de 2023
TO BE OR NOT TO BE? To Accept Life!
Young Boba Fett sharing Hamlet's fate in Star Wars
I don’t blame Shakespeare for romanticizing of suicide, but it’s easy to see how a young person could read Hamlet or watch a production of it and come away with the naïve impression that contemplating suicide is something “profound” that creative artists are supposed to do—perhaps without realizing that part of what makes Hamlet’s speech so famous is actually the reason he decides not to kill himself.
Having a love for knowledge and literature does not have to mean romanticizing alcoholism, sleep deprivation, depression, suicide, and so forth. In fact, one might argue that knowledge and literature are things that can help give a person’s life meaning, help them to deal with their own mental illnesses, and help them to avoid self-harming behaviours.
lunes, 15 de mayo de 2023
Seven Cups - a Taoist Poem
The first bowl moistens my lips and throat;
The second bowl banishes all loneliness;
The third expelled the dullness from my mind,
Inducing inspirations born from all the books I’ve read;
At the fourth cup, I begin to perspire –
life's troubles evaporate through my pores.
The fifth cup cleanses my entire being.
Six cups and I am in the realm of the Divine.
Seven cups - ah, but I can drink no more:
I can only feel the gentle breeze blowing through my sleeves,
wafting me away to the Isle of Immortality!
-- Lu Tung, 8th century Taoist poet
sábado, 13 de mayo de 2023
The legend of Hermaphroditos
The legend of Hermaphroditos
Aphrodite, the Greek goddess of love and beauty, was usually considered female, but, on the island of Kypros (Cyprus), she was worshipped in a male form under the masculine name Aphroditos. In Greek art, Aphroditos is typically portrayed as an androgynous figure; he wears a kind of dress that the Greeks traditionally regarded as feminine, but yet he is lifting up the dress to show everyone his erect penis. In some depictions, he is also shown with a beard to further emphasize his male aspect.
ABOVE: Photograph from Wikimedia Commons of an ancient Greek marble herma of Aphroditos, the male form of the goddess Aphrodite, now held in the Nationalmuseum in Stockholm
Aphroditos was sometimes known by the name “Hermaphroditos,” which means “Aphroditos in the form of a herma,” since hermai were a kind of statue that was commonly used in ancient Greece to mark boundaries. Eventually, however, Hermaphroditos became seen not as a form of Aphrodite, but rather the son of Aphrodite and the god Hermes.
The cult of Aphroditos was apparently introduced to Athens by at least around the late fourth century BCE. The Greek historian Philochoros of Athens (lived c. 340 – c. 261 BCE) wrote a work titled Atthis, in which he apparently described, among many other things, the cult of Aphroditos in Athens at this time. A fragment of the work that has been preserved through quotation by the Roman antiquarian Macrobius Ambrosius Theodosius, who lived in around the early fifth century CE, in his Saturnalia 3.8.2 records that men made sacrifices to Aphroditos wearing women’s clothing and women made sacrifices to him wearing men’s clothing.
In Book Four of his Metamorphoses, Ovid tells a story about Hermaphroditos. According to Ovid, Hermaphroditos was raised by naiads in the caves underneath Mount Ida in Phrygia, but, when he turned fifteen, he left Mount Ida to visit Asia Minor. In the middle of the woods in the land of Karia, he found a beautiful pond filled with the clearest water and was tempted to take a bath in it.
There was, however, a nymph named Salmacis who lived near the pond. She saw him and was instantly overcome with mad lust for him. She went to him and attempted to seduce him, but he spurned her advances, so she pretended to leave. Thinking that she was really gone, Hermaphroditos stripped himself naked and went into the pool to bathe. Then Salmacis sprang out from where she was hiding behind a tree and tried to take him by force, wrapping herself around him, kissing him, and pressing her skin against his.
Hermaphroditos tried to fight back, but Salmacis prayed to the deities that she and him would become one flesh. Her prayer was granted and their bodies blended into one. Hermaphroditos was horrified to discover that he had the body and voice of a woman, but the penis and testicles of a man. Therefore, he prayed to his mother Aphrodite and his father Hermes to curse any man who tried to swim in the pool he had tried to bathe in and to make him effeminate like him.
This myth has had particularly great cultural influence; there are a large number of surviving ancient statues of Aphroditos/Hermaphroditos—some of which are very famous—and the word hermaphrodite was widely used until very recently to refer to the people we now describe as “intersex.”
jueves, 11 de mayo de 2023
BENJAMIN LACOMBE, ROPA DE HOMBRE EN "LA SIRENITA"
BENJAMIN LACOMBE:
En todas las versiones está escrito que lo primero que hace el príncipe cuando la Sirenita por fin se ha convertido en humana, en la mujer que quería y es acogida en el palacio, es que la obliga a llevar ropa de hombre. Nadie en 180 años, lo ilustró. Ya ves cómo podés ponerte anteojeras.
En otra parte es muy complicado porque todo depende del subsentido, de la ambigüedad, porque Andersen dice algo que no podía decirse en ese momento, que dos hombres se aman.
–Sin embargo, a su manera, lo hizo.
–La obliga a ponerse ropa de hombre y juntos montan a caballo por bosques llenos de aromas increíbles. La palabra “montar” en francés también puede significar hacer el amor. En danés, significa ambas cosas.
–Montar o cabalgar tienen una connotación sexual en español.
–Exacto. Ellos montan juntos a caballo. En un momento dado, se encuentran con un tigre, algo que no es común en los bosques de Europa. Pero, bueno, aparece un tigre (en los esbozos originales) y la Sirenita toma su gran lanza sin demora, se la tira a la boca y se la mete en la cálida y húmeda garganta del tigre. Es sexualmente intenso.
Esta escena no deja lugar a dudas de que después de montarse a caballo, no estamos hablando de un tigre, estamos hablando de otra cosa. Así que es una historia particular si la ubicás en esa época.
Ilustraciones de Lacombe.
"Mandó que le confeccionasen un traje masculino para de ese modo poder acompañarlo a caballo". Benjamin Lacombe para Clásicos Ilustrados Edelvives, traducción de Alejandro Tobar (del danés original).
domingo, 7 de mayo de 2023
Var är mina fem små grå ullgarnsnystan?
Var är mina fem små grå ullgarnsnystan?
Alldeles nära stugan var en stor skog och i den ville inte mamman att hennes barn skulle leka, för där bodde en stygg häxa. Därför skulle de hålla sig nära stugan och åka kälke i backen neråt stora landsvägen. De fick inte alls klättra över gärdesgården in i den stora skogen, sa deras mamma.
martes, 2 de mayo de 2023
Två lika är ett
Jag lyfter lika lätt som en Focker, jag
Jag flyger så oerhört viktlös
Jag väntar på rätt sorts blick bara
Det räcker med en signal, och
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Det ligger en spänning i tinningen
Det ligger en dallring i luften
Bara väntar på en känning i ryggen
Bara väntar på en signal, och
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Åh än ingenting
Gitarrsolo
Två barn leker bäst som är lika barn
Två barn på ett oroligt vatten
Varför vänta på dom heta vulkanerna
Varför vänta till världen går i bitar
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Åh än ingenting
Låt oss komma direkt
Låt oss komma fortare än tåget
Saken är ju perfekt
Två lika är bättre än ingenting
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Jag kommer direkt
Jag kommer fortare än tåget
Två lika är ett
Två lika är bättre än ingenting
Åh än ingenting
ON GOG AND MAGOG
In the Old Testament:
In Ezekiel 38, Gog is a ruler and Magog is his land, both of whom receive a prophecy:
"Son of Man, direct your face against Gog, of the land of Magog, the prince, leader of Meshech and Tubal, and prophesy concerning him."
In the New Testament:
In the Book of Revelation 20:8, the Crimson Dragon (identified with Satan because of its reptilian appearance) and the Antichrist recruit a multinational army led by Gog and Magog for the final battle against the heavenly legions:
"When the thousand years are over, Satan will be released from his prison and will go out to deceive the nations in the four corners of the Earth—Gog and Magog—and to gather them for battle."
In modern doomsday prophecy (Futurism):
Present-day readings of the Book of Revelation informed by Futurism, ie those that identify the Revelation prophecies as having to come true in the future, see Gog as Western Europe or the European Union (EU) and Magog as Eastern Europe or Russia.
In Islam:
In the medieval Islamic parable The Case of Animals v. Humans Before the King of the Jinni, Gog and Magog are two faraway ethnic groups of anarchic, cannibalistic hunter-fisher-gatherers who personify the archetype of the savage:
"... the land of Gog and Magog, who live beyond the great barrier, two nations of human form but savage spirit, who know neither order nor government and have no commerce nor trade, industry nor craft, ploughing nor sowing, but only hunting and gathering and fishing, plundering, raiding, and eating one another."
In Hellenistic folklore:
According to one interpretation, "Goth and Magoth" (sic, maybe related to the Goth ethnic groups, Götar in their native Sweden) are the kings of the Unclean Nations (read: not lands, but ethnic groups), whom Alexander the Great drove through a mountain pass and prevented from crossing his new wall (something like the Great Wall of China - maybe the first Silk Road travellers thought the Great Wall of China was the work of Alexander the Great?). Gog and Magog are said to engage in human cannibalism in Hellenistic and related literature (see the King of the Jinni example above).
In Hungarian folklore and Romanticism:
Hungarian folklore calls Gog and Magog also by their alternate names Hunor and Magor. Their homeland was in the steppes of Central Asia, but following a marvellous white stag, both ended up in the Carpathian Basin in the heart of Europe and founded the Magyar, or Hungarian, people (this is their founding myth). Hungarian Romanticism would therefore mention this myth quite often.
In British folklore:
Gog and Magog were allegedly savage giants who lived on pre-human Great Britain. They were defeated and slain by the first human settlers on British soil, Trojan refugees from the Sack of Troy. To be more precise, they were defeated and slain by Corineus, founder of Cornwall and a brave Trojan warrior. There are also statues, chalk hills, and ancient oak trees (the Oaks of Avalon) in the UK named after Gog and Magog (there is also a statue of their vanquisher, the hero Corineus).
In Hinduism (Koka and Vikoka):
Gog and Magog also appear in Hinduism as two demonic generals by the names of Koka and Vikoka. They are twin generals who are described to aid the asura Kali in battle against Kalki, the 10th and final avatar of the god Vishnu, whose coming is believed to herald the end of the last age, or Kali Yuga.
lunes, 1 de mayo de 2023
The Tale of Eric and the Dread Gazebo
The Tale of Eric and the Dread Gazebo
aurienne@webpixie.com (April Walters)(chuckle)
The Tale of Eric and the Dread Gazebo
by Richard Aronson (aronson@sierratel.com)
...In the early seventies, Ed Whitchurch ran "his game," and one of the participants was Eric Sorenson. Eric plays something like a computer. When he games he methodically considers each possibility before choosing his preferred option. If given time, he will invariably pick the optimal solution. It has been known to take weeks. He is otherwise, in all respects, a superior gamer.
Eric was playing a Neutral Paladin in Ed's game. He was on some lord's lands when the following exchange occurred:
ED: You see a well groomed garden. In the middle, on a small hill, you
see a gazebo.
ERIC: A gazebo? What color is it?
ED: (Pause) It's white, Eric.
ERIC: How far away is it?
ED: About 50 yards.
ERIC: How big is it?
ED: (Pause) It's about 30 ft across, 15 ft high, with a pointed top.
ERIC: I use my sword to detect good on it.
ED: It's not good, Eric. It's a gazebo.
ERIC: (Pause) I call out to it.
ED: It won't answer. It's a gazebo.
ERIC: (Pause) I sheathe my sword and draw my bow and arrows. Does it
respond in any way?
ED: No, Eric, it's a gazebo!
ERIC: I shoot it with my bow (roll to hit). What happened?
ED: There is now a gazebo with an arrow sticking out of it.
ERIC: (Pause) Wasn't it wounded?
ED: OF COURSE NOT, ERIC! IT'S A GAZEBO!
ERIC: (Whimper) But that was a +3 arrow!
ED: It's a gazebo, Eric, a GAZEBO! If you really want to try to
destroy it, you could try to chop it with an axe, I suppose, or you
could try to burn it, but I don't know why anybody would even try.
It's a @#$%!! gazebo!
ERIC: (Long pause. He has no axe or fire spells.) I run away.
ED: (Thoroughly frustrated) It's too late. You've awakened the gazebo.
It catches you and eats you.
ERIC: (Reaching for his dice) Maybe I'll roll up a fire-using mage so
I can avenge my Paladin.
At this point, the increasingly amused fellow party members restored a modicum of order by explaining to Eric what a gazebo is. Thus ends the tale of Eric and the Dread Gazebo. It could have been worse; at least the gazebo wasn't on a grassy gnoll.
[Note - reprinted by permission of the author - ed.]