Mostrando entradas con la etiqueta thumbelina. Mostrar todas las entradas
Mostrando entradas con la etiqueta thumbelina. Mostrar todas las entradas

domingo, 3 de mayo de 2020

MIGNOLA - The Corsican Thumbelina

Ditu Migniulellu, or Mignola

PictureImage by Alenka Sottler
There was a woman who had been married for many years, but despite all her wishes and prayers and fertility remedies, she could not have children. One day she said, “Oh, if I could have a little girl, I would be so happy! It would be enough even if she was only as big as my pinky finger.”

“WIthin nine months you will be satisfied,” replied a voice that seemed to come out of the roof or down the chimney.

"Who said that?” said the astonished woman. “If it is a genie that brings me such good news, it is blessed.”

But she saw and heard nothing more of the genie. Nine months afterwards she had a little girl. No one had ever seen a baby more beautiful or more minuscule. She was the size of her mother’s pinky fingers, so they called her simply Pinkie Finger, or Ditu Migniulellu; Pinkie or Mignola for short. The midwife was barely out of the bedchamber when the mother looked up and saw four beautiful and powerful fairies standing around her.

The first fairy came forward. "I will make Ditu Migniulellu so beautiful that nowhere in the world could anyone find a more beautiful maiden.”

The second fairy added, “And I give her a singing voice so sweet and so agreeable that everybody else will sing along in admiration."

“But before she sings, she must learn speak,” said another fairy. “So she will speak fluently from this moment forward.”

"Thank you, my lady, thank you," replied the little baby.

But there was one more fairy in the room. The mother turned toward her. “And you, beautiful fairy, what gift do you bring?”

“I will give her nothing yet, but I will come to her aid whenever she needs me.”

The fairies then vanished, leaving the woman alone with her newborn daughter, who began to look around and chatter excitedly.

“You’re so pale, mama! You must be tired.” She noticed the brand new baby clothes, of a size meant for a normal baby, laid out nearby and squealed. “Is that bonnet with pink ribbons for me? Can I wear it?”

“Certainly, my daughter,” said the woman. She tried to place the bonnet, sized for a normal baby girl, on the girl’s head, but Ditu Migniulellu was completely covered up and began to cry and kick.

And as the mother took off the bonnet carefully, she thought to herself, “Why couldn’t the fairies have made her bigger? Oh, why didn’t I ask the fairy to make her a little larger? But she’s less than a day old. I must be calm. In a year or two, surely she’ll be the same size as other children her age.”

But Ditu Migniulellu never grew to normal size. By the time she was sixteen years old, she was still only the size of a finger, although perhaps a larger middle finger. Still everyone called her Mignola, though. Her mother, now widowed and having to work twice as much, began to resent her and then to fret a lot about her.

“What can I do with her?” she said. “She can’t garden, she can’t clean, she can’t cook. She’d literally drown to death in a glass of water.”

When it came time to go to market shopping for groceries one day, the mother’s heart was filled with shame and anger, not to mention the pressure. Ditu Migniulellu worked merrily in the garden, trying to pull up weeds as tall as she was, and talking to all of the flowers and the bees. She was so busy talking that she didn’t even hear her mother sneaking up behind her until it was too late. A terracotta flower pot came down over her, closing her in what was to her an unbreakable prison.

“You’ll be safe in there until I get back,” said her mother, and walked away.

Ditu Migniulellu shrieked and pounded her tiny fists against the inside of the pot. “Mama! Let me out at once! You can’t leave me here!”

But her mother was already gone grocery shopping. When the tiny girl realized that she was stuck until her mother returned, she made up her mind to be patient. To entertain herself, she began to sing.

As luck would have it, the king’s and queen's only son happened to be passing by. You just can't keep up a prince cooped up in his room, especially during adolescence. He heard her singing.

“Who could that be?” he asked. “I swear that if it's a woman I will marry her.”

He entered the garden and searched for the singer. The tiny girl continued to sing:

I am a girl
Singing, singing,
I am a girl
Singing, singing,


“What a sweet melody! You sing so well that anyone would be glad to hear it.”

Mignola shook her head and sang,

My stressed-out mother
put me in here;
My stressed-out mother
put me in here.


“Where are you? I’ll die if I don’t find you.”

It is not far
to the beautiful young girl,
It is not far
to the beautiful girl.


"Can it be? There is nothing that will prevent me from finding you.” The prince began to search, but quickly grew frustrated.

Blushing, Mignola continued to sing.

She's at your feet,
The charming girl;
She is at your feet,
The charming girl.


The prince looked down and immediately flushed with anger. "But there’s nothing here but this ugly old plant pot!” With that, he kicked the pot and shattered it into large shards.

Mignola shook off the dust and said politely, “How are you today, good sir?”

“I’m doing quite well; but who was that person who was singing just now? Have you seen her?”

“It was me, Ditu Migniulellu, but you can call me Mignola,” she bragged. “Isn’t my voice clear and pure? It has no equal in this kingdom.”

“It was you singing?” He laughed. “Really, you must be joking.”

“No, no, I do not deceive you. I was bored and I started to sing. Do you really think me such a little nothing? You’ll see quickly that . . .”

“You’re very talkative,” he said. “I don’t wonder that you were bored, trapped in a pot with no one to talk to . . . But sing a little, and we’ll see if you’re right.”

Ditu Migniulellu cleared her throat and began to sing more sweetly than ever.

Yes, it's me
The beautiful girl;
Yes, it's me
The beautiful girl
Who sang in the pot,
who sang in the pot.

“You are right,” said the prince in awe. “I have never heard such a voice as yours.”

“So you see that I did not deceive you!” the girl said triumphantly.

“Oh, hush, you little chatterbox. Tell me, what am I supposed to call you?”

“Like I said before, everyone calls me Ditu Migniulellu, but you can call me Mignola.”

“Well, Ditu Migniulellu, I am the king's and queen's only son, and I gave my word that I would marry you.”

“Then I am to be queen? Thank you, your highness, thank you. I don’t deserve such an honor. You may be certain, my prince, I’ll always—”

“Yes, yes, of course.” So the prince put Mignola in his shirt pocket and went back home. As he walked, the little girl was bounced up and down and squeezed in the folds of cloth, deafened by his pounding heartbeat, and it wasn’t long before she cried out, “I’m suffocating in here! Please take me out!”

So he took her out of his pocket and carried her in his hand the rest of the way to the castle. He took her straight to his mother the Queen and said, “Good Mother, this is the maiden I have chosen as my wife. I would like to celebrate the wedding as soon as possible.”

“What? That little dolly will be the next queen? What can you mean by this, my son? You can’t possibly marry her.”

“To tell you the truth, I’m not happy about it; but I promised her that I would be her husband.”

“Well! Keep her, I suppose, as she will not take up much space.”

The prince did so; but his new little friend was so small that she could not go out to dances or deer hunts or dinners. The prince quickly grew bored with her. On a day which was even slower and duller than any that had gone before, he became exasperated.

“What good is it to be a prince, if I have to be bored like everyone else? I want to give a ball which lasts three days. Then I can meet all the most beautiful marriageable women of this kingdom and beyond.”

In all directions went messengers blowing on trumpets and banging on drums, announcing the feast given by the king and queen to find a bride for their son. On the appointed day, fine gentlemen and charming ladies flooded in great crowds to the feast.

The feast was in the summer residence, on the other side of town from the palace. Richly dressed and prepared for the feast, the prince left the palace and prepared to mount his finest horse. As he was about to leave, he heard a high voice and looked down to see Mignola down at his feet.

“Take me with you. I want to go to the ball, too, please!”

“Leave me alone; what would I do with you at a ball?”

“I’d behave myself. You wouldn’t even know I was there.”

“Go back to your room. I’m in a hurry.”

“No, I want to go with you!”

“Ah! This is how you obey me?” And the prince threatened her with the bridle that he held in his hand. Crying as if her heart would break, the tiny girl ran back into the palace. And the prince galloped away on his horse on his way to the ball.

Mignola reached her room and continued to cry. But her tears were interrupted when a bright light shone from the ceiling of the closet and began to sink slowly towards her. As it neared her, she saw that it was a beautiful fairy, the one who had not given her anything at her birth.

“What is wrong, little one? What do you wish?”

“Oh, my lady, I want to go to the ball more than anything! You can’t imagine how much I want it! If I could just—”

“No more tears, child. I am the fairy who at your birth, was responsible for your happiness. If you want to go to the ball, then you shall go.” With a wave of her wand, the fairy godmother transformed Ditu Migniulellu into the most beautiful maiden-sized girl imaginable. She was tall, slender and dressed in golden silks.

She waved her wand once more, and they were immediately transported into a golden coach drawn by beautiful butterflies. The coach raced off to the ball and they arrived within minutes.

The good fairy said, “If you need me, you have only to clap your hands three times and I will come; you can also make yourself as small as before by saying, ‘Let me again become Ditu Migniulellu.’”

The girl thanked the fairy gratefully and then went into to the ball. The crowd murmured in astonishment at the sight of her and she held her head higher at the sound.

“Ah,” said the prince, already weary of shallow partners, “never has there been a more beautiful creature than this girl. I must make her my wife.”

He approached her with a deep bow. “How beautiful you are! Are you of this kingdom? I have never seen you in court before.”

“That’s not surprising, my lord, for I am not from your country,” said the girl demurely.

“Then what country do you call home? Please, I must know.”

An idea occurred to the girl, and with a smirk in the corner of her mouth she answered, “From the kingdom of Bridle.”

“Listen, the violins are beginning to play. Would you do me the honor of dancing the first waltz with me?”

“It is I who am honored, your highness,” said the girl. But in the middle of the dance, with people all around them, she became flustered and thought, “Let me again become Ditu Migniulellu.”

In a flash she dwindled down to her former size, slipped between the feet of the dancers and disappeared. The astonished prince sought the lovely foreigner everywhere, but without any success. Yet no one had seen her leave. Then Mignola quickly ran to her room where she undressed down to her undershirt, waiting for the prince to return soon.

“How was your evening, my love? Did you enjoy yourself?”

“Leave me in peace!” snarled the prince, exhausted and cranky.

“Why are you angry? Did something bad happen?”

 “Will you soon be finished?”

“Ah! I am very sorry to see you in such a bad mood. Will you say nothing?”

“What do you want me to say, you nasty chatterbox?”

“I see you are sad. I’ll be silent, since you wish it; but I’d willingly give my own blood to bring a little happiness into your eyes. You seem tired. You must be worn out from too much dancing. Tomorrow, I beg you, take care of yourself a little; you could be seriously ill and then I would be—”

“If you say one more word, I’ll strangle you,” hissed the prince. “Go, tell the servants to scour the library. Find every map and book of geography in the palace. I must find the kingdom of Bridle.”

Now Mignola went to wake the queen, who arrived a few moments later laden with books from the royal library.

“I have never heard of such a country as Bridle,” the queen complained, but the lovestruck prince spent the whole night in the library searching every volume from beginning to ending. He questioned the courtiers and scholars but none had ever heard of the kingdom of Bridle.

He fretted all night and all day, but as soon as evening fell and it was time for the second ball, he was merry and forgot the ache in his tired eyes, and threw on his finest robes and ran to his horse. He was on the verge of mounting when Ditu Migniulellu ran up to his feet and the hooves of his steed.

“I beg you,” she cried, “let me see the ball just this once.”

“No, go away!”

The determined Mignola leapt up to catch his stirrup, but he pushed her away so abruptly with his spurs that she went rolling across the floor. She stood in blood and tears and went to her room. Once there, she wiped her eyes dry and clapped three times.

The good fairy appeared. “What troubles you now, child?”

“I want to go to the ball again tonight; please, let me be as tall and as beautiful as I was yesterday.”

The fairy touched her with the wand, and the girl was immediately as tall as before, dressed in a gown the color of roses, crowned with a rose wreath, and holding a rose bouquet. A few moments later she entered the ballroom and found the young prince waiting impatiently. As soon as he saw her, he ran to her.

“I hoped to find you again! Ah, madam, you deceived me last night. Why did you lie? Oh, it’s not important, just tell me the truth, where are you from?”

Laughing, the maiden answered, “From the kingdom of Spurs.”

As they began to dance, the prince went on, “I intend to go to your kingdom and ask your parents for your hand in marriage. In the meantime, please, accept this ring as a token of my love for you.”

She looked down at the touch of something cold, and saw that he had slipped a glittering golden ring onto her left ring finger. A huge diamond, a gemstone the size of a cherry, flamed with light.

She admired it for a moment but then frowned. “But, prince, you can’t propose to me. Aren’t you already married?”

“Well, I did promise to marry Ditu Migniuellu, but we haven’t even celebrated our wedding yet.”

The maiden tilted her head. “And you’ll leave her, after letting her believe that you would marry her?”

He hummed and hawed and spun her around to the music. “It’s not like that. She sings so beautifully, the world’s never heard such a marvel. But you’re the one I love with all my heart. We can keep Ditu Migniulellu around to amuse us from time to time, as a pet. You have never heard such a voice.”

“I have to go,” said the maiden.

“Please don’t leave so soon! Stay at least a little while longer.”

Without replying, she whispered, “Let me be again Ditu Migniulellu.” And she disappeared instantly. Once more she looked around to see what had become of her, but he saw more. He began to despair and then to fume.

A once more tiny Mignola met him once more at the gate. The gem on her ring had now dwindled to poppyseed size. “Have you been happier tonight? You still look so angry. What hap—”

“Shut up! Go! Get me all the books and all the scholars who are in this palace!”

The scholars soon began to arrive, and the prince asked them in the library, “Has no one heard of the Kingdom of the Spurs?”

No one answered; no one was aware of such a country existing. The prince distributed the books and ordered everyone to search. They looked all night, but found not even a single note of any kingdom, county, province, or town known as Spurs or anything of that ilk.

The prince made a plan. “The third night of the ball is tonight. The beautiful girl is sure to return. I’ll surround the ballroom with soldiers. I’ll hold tight to her. She will not escape me again!”

That night, having sent soldiers ahead to guard the gates, he dressed more handsomely than ever and mounted his fiery steed.

At that moment Ditu Migniulellu appeared, in her usual pocket size. “Twice now you have refused me. This is the last night of the ball. I will ask one last time—take me to the ballroom. Show me this one kindness.”

“I have no time for you,” he said. “If I’m late, I’ll miss the beautiful stranger.”

She protested loudly. In his impatience, the prince lashed out at her, “I’m sick of your talking! Go!” He struck her with his riding whip in his haste and then galloped out of the courtyard.

He was not there to watch Mignola jump up and run to her room without crying at all, and of course he could not know how she closed herself in her room and clapped her hands three times.

For the third time, the good fairy appeared. “You still wish to go to the ball?”

“Yes, my good fairy.” The girl instantly became once more a tall and beautiful young lady, dressed in a rich cobalt blue gown with a diamond necklace and a matching diamond belt.

“Never will the world see anyone as beautiful as you are,” said the fairy. “Now hurry quickly to the ball. Everyone is expecting you.”

Shortly afterwards, Ditu Migniulellu entered the ballroom to general admiration. Her royal suitor was at the door to meet her.

Here you are,” he said. “You’re late this evening. But please tell me, why did you mislead me? Why did you run away from me? Why did you not tell me your true homeland?”

“The Kingdom of Whiplash,” she said. “I am from the kingdom of Whiplash. I was just teasing you before.”

“Dare I believe it? You've already deceived me twice . . . But what happiness! You’re wearing the ring I gave you yesterday? Thank you, thank you so much!”

They danced for one hour before the maiden vanished. The prince searched for her on all sides. When he asked the soldiers who guarded the gates, they had noticed nothing, and certainly not a tiny girl running past their feet.
The prince promised a huge reward to anyone who could locate the kingdom of Whiplash. They looked, they asked, they searched, but no one had heard of it. The prince had lost his beloved stranger forever, and fell seriously ill. At first his mother thought he was only sulking, but she found that he was deathly white and refused to eat or drink. The physicians all tried their best, but nothing could rouse him.

Finally Mignola herself arrived. “Let me make a cake for you. If you promise to eat it, I’ll find the woman you seek.”

“Leave me in peace,” said the prince. “All my scholars and all my soldiers have not been able to find her. What can you do?”

“Do not worry about it. Promise me, just eat the cake that I bring you.”

“Fine,” he said. “But I’ll kill you if I find out you’re trying to play a trick on me.”

Ditu Migniulellu asked for flour and water and sugar, and then fashioned a beautiful little brioche that she baked in the ashes. But before she baked it, she carefully wrapped the prince’s diamond ring, now grown with fairy magic to normal size (with the cherry-sized diamond) inside. When all was ready, the girl sent a servant to deliver the cake, and then she went to her room. The prince began to eat eagerly. When he had reached the middle, he clutched his throat, face turning blue. A vigorous pat on the back and a coughing fit later, he brought up and found the ring, which he quickly recognized. He began to yell out, “Mother! Mother!”

The queen thought that he must have been poisoned, and ran to strike Ditu Migniulellu. “Do you hear? My son is delirious. What did you do to him?”

“I didn’t do anything. Let me be!”

“Mother, Mother!” the prince continued to shout.

“There, there; I’m coming right away. "And the queen ran to see her child, whom she found so joyful he was completely well again and was practically dancing.

“Look, I have found the ring that I gave to the beautiful stranger. She must be somewhere in the palace. Give orders to search everywhere!”

But just then, in a flash, Mignola was transformed by the fairy and stood before the prince, tall as a normal maiden and beautiful again. She was wondrous to see.

“It is her—what happiness!” the prince exulted, and he fell on his knees before her. “I beg you, my love, do not abandon me again.”

But the maiden frowned. “Then you love me, my dear prince?”

Do I love you!”

“And yet you rejected me many times. You even struck me.”
“I struck you?”
“Yes, you threatened me with your bridle, and then threw me down with your spurs, and finally hit me with the riding whip in your hand.”
“But then . . . you are Ditu Migniulellu!”
At last the maiden smiled. “That’s right, I am she. Slightly changed, it is true, but I don’t think that size will displease you.”
“And you sing as well as ever?”
“Yes, I still sing well.”

Imagine the joy of the prince to have a bride so beautiful, so clever, and so accomplished. That very same day, they celebrated their wedding and invited all the people of the neighbouring towns.
But as for me, I arrived too late and had to sit under the table, where I received only the scraps. What did you do that day?

Sources

Les contes populaires de l'île de Corse by Jean-Baptiste Frédéric Ortoli, published 1881. Retold by Marie Ortoli, d’Olmiccia-di-Tallano.

sábado, 16 de diciembre de 2017

ONCE UPON 24 TIMES: STORY XVI

Story the Sixteenth:
Princess of Swords (Page of Swords)
Thumbellina

The Lay of Victoria and the Näkki

Victoria.
Like the Queen of the UK in the nineteenth century.
Or rather like the tropical water-lilies who were named after that Queen.
Under the glassy roof of the greenhouse's right wing, she sleeps on a leaf in the Victoria regia pond.
The guard on duty found her in the evening, at nightfall,
curled up in a Victoria regia calyx, when the flower was open.
A little ondine, or freshwater mermaid, the size of the guards' own forearms.
In the daytime, she hides from the eyes of muggles
under one of the leaves that gave her her name, and bubbles with the koi.

(Whisked away by scientists -cryptozoologists- to the State Laboratories outside Gothenburg. The "swallow" is here a kelpie/näkki, whom she similarly rescues and nurses back to health upon hearing the heartbeat. In the end, she swims up the Göta River to Lake Vänern)

domingo, 23 de julio de 2017

CRYSTALCOCOON: THE SNOW QUEEN

More Persinette, aka crystalcocoon, on The Snow Queen (seriously, I just could not only post about the Princess and the Prince in Story the Fourth being her Andersen OTP, but also a lot of many other things she's told about this Andersenian tale, which happens to be her favourite --here be adaptation reviews, headcanons, and the reveal of her straight and queer OTPs in this tale!):


ON WIZART'S SNOW QUEEN


I wanted to get my thoughts down on the trailer for the Snow Queen from the Russian studio Wizart Animation (not Disney’s Frozen). It turned into my thoughts on Hans Christian Andersen’s story as well.
I initially thought that that it looked too slapsticky for my taste, but that’s probably just the marketing. I’m not sure how I feel about the Snow Queen being a threat to the world rather than a personal threat to Kai. However, one aspect of Andersen’s story that I’m not keen on is the Snow Queen and the mirror shards representing ‘cold reason’. It’s just too much of the 'scientists can’t appreciate beauty and wonder’ trope, which couldn’t be further from the truth. (It does make me giggle to think of Gerda going 'Fuckin’ magnets, how do they work?’) So I can’t say I’m surprised at the film-makers choosing a different interpretation.
I do hope that the Snow Queen does actually affect Kai’s heart/mind and doesn’t just turn him into ice, though. I love the part in the story where Gerda melts Kai’s frozen heart. No doubt they will need a final confrontation with the Snow Queen as well.
Honestly, it bothers me that the Snow Queen just disappears from the story and there’s no final meeting with her. My vision for the 'personal threat’ version of the confrontation: Gerda makes it to the Snow Queen’s castle, meets the Queen, and says she’s there to take Kai home. The Snow Queen says she’s welcome to speak to Kai, but he’s there of his own free will, and she cannot take him if he does not wish to leave. Gerda melts Kai’s heart and the ice shards form 'eternity’. The Snow Queen must honour her promise and give Kai his freedom (and the new pair of skates helps them leave the icy castle more easily).
Kai and Gerda being siblings (by blood): I like it. I appreciate that their relationship in the story is ambiguous, rather than clearly romantic, and I don’t think it’s a bad thing for adaptors to decide they want to take the focus off romance. (Plus if Kai’s out of the running as a potential love interest, it’s easier to ship Gerda with the Robber Girl!)
The troll (Orm): I don’t like him. The Snow Queen is Gerda’s journey that she travels alone. She finds friends, advice, and assistance along the way, but in the end she has to do it herself. Even the reindeer leaves her, and she’s left without boots or gloves in the Snow Queen’s domain, with nothing but her faith and love for Kai to keep her going. The trailer implies that this is the troll’s journey as much as Gerda’s, and he needs to find the courage to stand up for himself to the Snow Queen or some such. In fact, the trailer focuses on him even more than Gerda, but I suppose we can’t possibly expect people to come and see a movie if they think it’s about a girrrrl.
Hopefully the major episodes will all appear: the old woman with the flowery garden, the Princess, the Robber Girl, and the Finnmark Woman. Certainly the flowery garden seems the be there, but the old woman seems rather more violent than in the story! There also seems to be a castle and knights involved, so hopefully that means the Princess will be there. The Robber Girl seems to have become a pirate (captain's daughter). She still has her reindeer, so no objections here. The 'About’ page on the website has a picture of what appears to be the Finn Woman. I wouldn’t be at all surprised to see them combined into one, no point in Gerda having two near-identical encounters at that point.
Overall, I’m looking forward to it. They’ve made some interesting choices and it’ll be great to see how their interpretation works out (I can’t see myself ever liking Orm, though). I’m pleased to see the story getting some attention after Disney decided they didn’t want to bother with an adaption after all.
FROZEN VS. THE SNOW QUEEN
So the main characters of Disney’s Frozen should be white because they’re based on a Danish fairy tale, Andersen’s The Snow Queen. They’re just being ‘true to the story’.
What this means, then, is that (going by the information we have on the movie thus far) the following are not important aspects of the Snow Queen story:
  • Gerda’s name and age
  • Kai’s existence
  • the purpose of Gerda’s quest (getting Kai back from the Snow Queen)
  • the Snow Queen’s nature
  • the Snow Queen’s relationship with Kai
  • Gerda’s relationship with animals and nature
  • the magic mirror
  • the 'reason vs emotion’ themes
  • the fact that Gerda is helped or hindered by powerful women on every step of her journey
  • the fact that Gerda spends much of her journey either alone or accompanied only by animals
None of that is significant. But the fact that Gerda is white (Caucasian)? Absolutely vital, how could you even think of changing it!
MORE ON THE WIZART FILM
Want to see an animated film that actually does adapt The Snow Queen?
I wrote about the trailer earlier (see before). It seems there are some differences to Andersen’s story, most notably that Gerda and Kai are now brother and sister by blood (fraternal twins), and that the Snow Queen has become a threat to the world. However, the basic story appears to remain the same: actual heroine Gerda goes on a quest to rescue actual dude-in-distress Kai.

Fairy Tale Challenge | Day One → Favourite Fairy Tale
The Snow Queen – Hans Christian Andersen
“She is flying there where the swarm is thickest. She is the largest of them all, and never remains on the earth, but flies up to the dark clouds. Often at midnight she flies through the streets of the town, and looks in at the windows, then the ice freezes on the panes into wonderful shapes, that look like flowers and castles.” [x]
I wrote about this tale in another post, but let’s just say that one of the main reasons why I love this story is because, in general, it holds up quite well, in comparison to most of its contemporary tales. Most of the fairy tales have a very heavy imprint of the time in which they were written or adapted, so we are clearly aware of how different times were in comparison to ours: damsels in distress, instant marriage, beauty and virtue above other values, anthropophagy, etc. Here we have a story in which a little girl makes a complicated journey to save the life of her best friend, sorting obstacles using her determination and help from others who, after listening to her story, resolve to assist her (or not). The Snow Queen is a tale that, in contrast to many others of its time, doesn’t necessarily shove moral values at your face, but provides more freedom to the reader and presents many possible themes: the power of friendship, not giving up, learning through the way, asking help when you need it, seeing things from other’s perspective, and I could go on because it’s in how you read it and interpret it where you get the message, if you want one
In addition, The Snow Queen has some of the strongest female characters I’ve read in these kinds of stories and in this time period: from Gerda, the little girl who saves the boy and not the other way around, to the Princess, who is looking for a husband who can intellectually satisfy her (and of whom I’ll talk more about in the next question), to the little Robber Girl, who is feared by all despite her young age but who understands empathy when meeting Gerda and hearing her story. And that leads me to the actual Snow Queen, who doesn’t show up as much as other characters and which makes you consider: is she really the villain of this story or are the obstacles in Gerda’s way more important than the actual Queen? Is there really a villain in the terms of other stories’ villains or is it more about a quest and not giving up despite all? 
To conclude (for now) let me point out that this is a story in which there isn’t an explicit romance between the main characters, which makes it all the more valuable. Many interpretations and adaptations have been made in which not only Gerda gets paired up with Kai (like the Hallmark one) but others in which she also has a relationship with the Robber Girl (Catherine Breillat‘s Sleeping Beauty/La belle endormie) and others in which it remains uncertain (like Lev Atamanov’s 1957 animated version). But the actual story isn’t entirely explicit in whether there is romance or not and it is OK. I don’t think romance is necessary here, Gerda risked her life for Kai and that is more than enough. Friendship wasn’t explored that much in fairy tales, especially not when the friends were a girl and a boy, but here there’s no promise of marriage at the end of the road (save for the Dumas version!) and it’s refreshing and interesting. All in all, The Snow Queen is a story that works today much easily than other stories of the time, that has interesting characters who aren’t necessarily completely good or completely bad, and that lets you gather from it whatever message you want, instead of giving you an explicit moral like Perrault’s or Grimm’s stories did. All in all, I consider this story a masterpiece of literature. 

Fairy Tale Challenge | Day Two → Favourite Character of Royalty
The Princess and Prince (The Snow Queen) – Hans Christian Andersen
“He was quite free and agreeable and said he had not come to woo the princess, but to hear her wisdom; and he was as pleased with her as she was with him.” 
First of all, I promise there are more fairy tales in this challenge, but these two questions were one after the next and it was a coincidence. Now, I have to pick these two characters together because I think they’re both great and their love story is probably one of the most romantic ones I’ve read in fairy tales. 
Here we have a Princess, described as “wonderfully clever”, who one day decides that she wants to get married, because she’s bored and doesn’t have anyone to talk to or who can challenge her or interest her.  She decides that she wants to get married, she isn’t forced, she isn’t rushed, and she isn’t looking for a hero who can save her but a man who can talk to her. So, she sets the rules for her courtship: her husband to be will be the man who can speak the best, who can converse with her as equals. 
After many rich and gorgeous men that are unable to say something interesting meet the princess, a young man who is very poor, looks nothing like the rest, and who, listen to this: “(did) not come to the palace to woo the princess but to hear her wisdom” turns out to be the one. That’s right, that’s what he wanted, to talk. He supposed he didn’t have a chance but he wasn’t embarrassed by his appearance or poverty, he just wanted to talk to the woman that everyone admired for her vast knowledge. Needless to say, they got along quite well and eventually got married. 
Isn’t this fantastic? We not only have the courtship organized by a woman, a Princess, but it is based in common interests, in conversation and not in a ball or a parade of contestants who have to prove their value by beauty, titles, or irrational life-risking tasks. Not only that, but they both decide they’re pleased with each other, it’s a common understanding and not a decision only made by the Princess. The young man doesn’t think that he’s less than her for being poor, he accepts her as much as she accepts him for what she knows, how she speaks, and how they get along. If these two aren’t the most capable pair of rulers a tale can have, I don’t know who they are.


ON THE CLASSIC ATAMANOV FILM:
 
 
What movie is this? Looks amazing!
It’s the 1957 Snow Queen movie animated in Russia, and my favourite Snow Queen adaptation of all time. You can easily find the full movie with subs on youtube. 
If I could say one thing about this movie that sets it apart from the rest, it’s the portrayal of the Snow Queen herself. (It’s slightly spoilery from here on, so watch the movie first, if you want to see it for yourself.)
It’s established very early on in the book that the Queen is a personification of a force of nature, a fey, maybe. She’s not a person, she has no emotions, no way of understanding love, and no real motive for her actions. She basically kidnaps Kai because, well, she felt like it. This is important. A lot of other adaptations (like the Hallmark channel one, and the 1995 UK-animated one) make her rationalize her actions - she’s evil because she needs her mirror fixed, she wants eternal winter, yadda yadda. Basically, they make her have a reason for her villainy. Here? Nah, they don’t ever explain why she does what she does - the writers are fully aware that they’re dealing with winter itself - winter makes no distinction between right and wrong, it freezes to death innocent people and horrible ones without distinction. This woman is not human, and she shouldn’t, by right, act like one.
That sense that you couldn’t reason with her, topped off by her sheer unpredictability was TERRIFYING to watch as a kid. No other Snow Queen has been this menacing. 
Secondly, the Snow Queen in the climax was incredible! She appears as a giantess, a jötunn, in front of Gerda, several stories tall with a blank emotionless mask for a face. Gerda, our heroine, has grown into an independent woman by now - she’s walked across the earth BAREFOOT for her best friend Kai and now she’s found him and isn’t about to let him go - she screams to the Snow Queen to leave them alone, that Kai is no longer her’s to control. The tension builds, the standstill continues, and just as the climax gets unbearable, the Snow Queen on her throne… slowly vanishes. 
She disappears. The strangest western standoff you’ll ever see has come to it’s anticlimactic end. It’s important to remember Gerda didn’t defeat her, she didn’t vanquish her, the Snow Queen is still out there. The Queen disappears and in her place is a sunny warm landscape - she’s conceded to Gerda “You’ve won this battle, have your warmth, but you can never defeat me,” I think that’s the perfect way for her to go. There are PLENTY of adaptations that strive to give us a traditional happy ending, some have the Snow Queen ‘cured’ and turned into a human being (I’m looking at you, Egmont’s Fairytaler and Hallmark!) but that defeats the purpose of the original story. The Snow Queen is winter itself, and no one man (or girl!) can truly defeat winter, no matter how much magic you have on your hands. Nature itself is greater than any human power. 
The Snow Queen is a story of the power of faith and love, and how those will help you succeed. And by ‘succeed’, I don’t mean ‘defeat the personification of all that is wintry and cold and merciless’. It’s not about the triumph of humankind over the elements, it’s just a simple story about keeping love and innocent faith in your heart until you reach your goals, and and no movie has ever stuck more true to that than this one. 

IS THE SPRINGTIME WITCH THUMBELINA'S MUM? (HEADCANON)
Suppose the old woman with the garden of eternal springtime in The Snow Queen and Thumbelina’s mother are the same person?
Imagine it: Thumbelina disappears. Her mother searches, but never finds her. She knows Thumbelina is a magical being - if she learns magic, perhaps she’ll find a way! And she came from a flower - if she builds a garden with every kind of flower that’s always blooming, maybe she’ll come back!
But the years go by, and Thumbelina never comes back. And suddenly, here’s this little girl. Maybe she looks like Thumbelina. And she loves flowers too! So the woman keeps her. She’s been waiting for so long, and at last she has her daughter again. She even gives Gerda a pillow with violets embroidered on it, like the violets Thumbelina slept on.
But once again, her daughter disappears, and she is left alone.

WHY DID THE SNOW QUEEN WHISK KAI AWAY? (HEADCANON)
In Hans Christian Andersen’s The Snow Queen, why does the Snow Queen take Kai away with her? The story is vague, and there are as many interpretations as there are readers. This is mine.
I believe that the Snow Queen appears to people who call out to her in some way. Even before the mirror shards, Kai was interested in her - when he first hears the story from his grandmother, ‘Let her come! I’ll throw her into the fire! I'll melt her!’ he says, though he runs from her when she appears. After he gets the mirror shards he becomes fascinated by snowflakes and frost, and considers ice crystals more perfect than anything else in the natural world. While the Snow Queen doesn’t go around kidnapping people who aren’t drawn to her in the first place, she’s not very interested in informed consent. What’s it to her that Kai is only receptive to her because he has the shards of an evil mirror in his left eye and his heart? She didn’t put them there. It’s not her responsibility to make sure his true self wants to go with her. The Snow Queen’s morality is that of a snowstorm - not evil, but incredibly dangerous and implacable. 
So why does the Snow Queen take people away in the first place? Well, she isn’t the only snow entity that appears in the story. When she is driving away with Kai, they are surrounded by huge snowflakes that look like ‘great white chickens’ and appear to be under her control. When Gerda arrives in the Snow Queen’s domain, she encounters snowflakes in various monstrous animal shapes which are stated to be alive, and the Snow Queen’s guards. I think that the snowflakes had once been human, and if Kai had stayed in the Snow Queen’s domain long enough he would have become one of them.
What’s up with ‘Eternity’? The Snow Queen tells Kai that if he can make the word ‘Eternity’ out of some pieces of ice, she will give him ‘the whole world and a brand new pair of skates’. I think that in this story there are two types of eternity: the physical and the spiritual. If Gerda had never come and Kay remained in the Snow Queen’s domain, he would have become a living snowflake and gained physical eternity. He would gain ‘the whole world’ because he could go anywhere (anywhere cold at least) and live for as long as the world existed - but he would lose his soul. But when Gerda came and helped Kai to remember his feelings of love, he gained spiritual eternity. He would remain human in body, but his soul would be immortal.

THE SNOW QUEEN - NOT A VILLAINOUS ANTAGONIST?
I’m not sure she’s an antagonist at all. She’s a force of nature.
It’s such a spiritually rooted story. The fights are intellect vs. emotion, faith vs. reason, good vs. evil. And the queen isn’t evil. She’s just a step on Kai’s journey. You can say the demons who made the mirror at the beginning are evil, but I think that’s about as far as you can go. The Snow Queen didn’t lodge the glass in his heart and his eye. She didn’t kidnap him. She wasn’t even exactly holding him there. She’s got about the moral standing of a strong gust of wind, blowing Kai far, far away so Gerda could go out and save him from himself. Not from her. From the shards of a demon-mirror stuck inside him.
You are absolutely correct!
The snow queen was not an antagonist; she was more so a plot element for the theme of the story that good does not always have to overcome evil for goodness to prevail. Hence why at the ending of the story, Gerda does not fight the Snow Queen to save her precious Kai. In addition to this, the Snow Queen is the embodiment of the winter; there is no way anyone cannot stop the winter, it comes and goes just like every other season. So, when the Snow Queen left at the end of the story, winter had came to an end. The Snow Queen is just part of life. She is temptation to Kai when he is memorized by her beauty and her healing kisses. She is the final step on Gerda’s journey to save Kai. She is the end of the life cycle when she comes in and the beginning of the life cycle when she leaves. The Snow Queen is the character that makes the fairy tale very compelling! She is a complex character that seems to be an antagonist is truly not. It is kind of a shame that most of the adaption of this fairy tale portrays the Snow Queen as an antagonist when she truly is not one. She never kidnap Kai; Kai was memorized by her beauty and agreed to come with her because she heal his frozen heart with her kisses to a certain extent and being in her palace help him alive. If it was not for her, Kai would have been dead a little after the glass entered his eye and made his way to his heart. Even though the Snow Queen kept Kai alive, she could not take away the glass shard because she did not posses the one thing that Kai needed, which was love. As the embodiment of winter, she can only make things cold and die, which is why she could not kiss him a third time because he would die. She let Kai know that! So, when she leaves Kai alone at the end and Gerda comes to Kai, crying and kissing his body to make it warm again with the love of her innocent heart, Kai is healed because of the love Gerda has shown, which marks the beginning of spring!

AFTERWORD ON THE LITTLE MERMAID (HER BOY'S CLOTHES/MANDSDRAGT)
Next, he has some boys’ clothes made for her so they can ride horses together.
Is she his pet? Is she his little brother? I have no idea. When I told my mum the story, she said, “So basically what he wants is a pet friend.” I think that sums up the situation pretty nicely.

... Why? Because this guy’s a loser.

You give a girl ... You treat her like a boy. ... You tell her you love someone else. And what do you do next? You kiss her.

This is not Prince Eric. This is not Disney. Reading this story, I don’t want her to end up with this prince. That’s not a happy ending at all. He doesn’t even treat her like a person, and she deserves so much better.
Noticeably, Crystalcocoon AKA Persinette gives "en mandsdragt" as "some boy's clothes" and explains that maybe the prince sees her as "his little brother" and "treats her like a boy"  (note the masculine terms) - plus, her mother explains the prince's opinion and intentions with the epicene expression "pet friend."

martes, 17 de junio de 2014

ASSORTED FAIRYTALES

Young Ned enters a haunted mansion where enchantment reigns:



Kate, a young maidservant, seeks her new mistress, befriending magical creatures along the way:



In times without greed, corruption, or conflict... the gods entrust a very special box to a curious lady called Pandora. The rest, we may say, is history!


A master patissiere, who happens to be a wife and mother, is whisked away by the fair folk to prepare delicious desserts for them. Will Lucy be able to escape and reunite with her loved ones?


Andersen's immortal tale about a girl the size of her mother's thumb, born out of a wish and a flower. As the seasons change, she gets one unwanted suitor after the other: a froglet, a braggart beetle, a posh mole... Will she find true love somewhere?


A farm girl gets a mini calf for a pet. But some animals need to be free... such as the cattle of the fair folk! Will Jenny be able to say goodbye to Kebeg?


Three young peasant sisters accept a royal engagement challenge. Tansy (the eldest) is dark-haired, Celandine (the middle one) is fair-haired, and Grindelia (the youngest) is auburn... and rather absent-minded! Which one of them will become a princess bride?


A Slavic "Clever Lass" story, in which the czar is outwitted, time after time, by a peasant maiden. But love gradually blossoms between the unequal contestants in this dramatic battle of wits...


A crippled tin soldier falls for a lovely music-box ballerina. But her jack-in-the-box fiancé casts a curse on the lovers to separate them. After many adventures... will true love find a way?


One winter, the Snow Queen freezes young Kai's heart and whisks him away to her court north of the Arctic Circle. And thus, Kai's friend Gerda goes forth on a quest, encountering the Clever Princess, the Robber Girl, and many more enchanting characters. But will their aid and Gerda's own willpower suffice to warm Kai's heart?


A day in the life of a young otter:



Susan, the daughter of a missing captain, lives as an exile among the riverside reeds for years in her father's absence, a feral child raised by the riverside fauna. One autumn day, the gulls bring tidings of the girl's father, having landed all the way from Persia... Or is he another captain? Her swan friends hasten to meet the stranger to verify if the tall, dashing captain James is Susan's missing father...
(Part I of this two-part story is needless, since it describes Susan's mother's death and her father's departure in a quite Dickensian way that moves me to tears, aside from giving a description of the setting. So I just uploaded Part II, which I listen to as a stand-alone story, and which can be listened to as a stand-alone)



A modern story retold in an Andersenian way, with a snake for a white knight and a rose for a lady fair:



A favourite Norse myth in which Frost Giants steal Thor's hammer and will only hand it over in exchange for Freya's hand. Loki the trickster has an idea... resorting to crossdressing! And thus, comedy ensues...


viernes, 23 de mayo de 2014

WESTEROS AU X: TARTH-ELINA

This AU retells one of Andersen's most famous fairy tales with Jaime and Brienne in lead roles, a couple of crackships, some gratuitous Gaelic and German, a whole-scene shout-out/allusion to Cabaret (I'm referring to the Third Reich musical), a wedding crash, the bear of Harrenhal, and Easter eggs referring to the original series... Set in Westeros in an alternate storyline.

Dramatis personae

  • Thumbelina: Brienne Tarth
  • Cornelius/Jachimo: Jaime Lannister
  • Thumbelina's Guardian: Selwyn Tarth
  • Giver of the Seed: Maester of Evenfall Hall
  • Fairy Royals: Tywin and Cersei Lannister
  • Mother Frog Impresaria: Catelyn Stark (in plaid) (the Starks speak Gaelic like the frogs in the film speak Spanish)
  • Eldest Froglet: Robb Stark (in a kilt)
  • Other Froglets: Bran Stark (in a kilt), Rickon Stark (in a kilt), Hodor (in a -hodor- kilt)
  • Jitterbugs: Meera and Jojen Reed
  • Berkeley Beetle (Alpha Beetle MC): Renly Baratheon!! (as a parody of the MC in Cabaret!!)
  • Assistant to Berkeley: Loras Tyrell (as a parody of the MC in Cabaret!!)
  • Other Bugs in Ballroom: The rest of the Tyrell family and their entourage
  • Mrs. Vole: (Fat) Walda Bolton
  • Mr. Vole (Sir Not Appearing in the Original Fairytale): Roose Bolton
  • Mr. Posh Mole: Ramsay "the B****rd" Bolton, né Snow
  • The Reverend: Septon of Harrenhal
  • The Bear of Harrenhal: Himself