CHARLES LAMB'S OTHELLO - retold by Sandra Dermark
Illustrations by Louis Rhead (original illustrations written for Lamb's tale)
Once upon a time, not so long ago in a land not far away, there lived a wealthy statesman who had a fair daughter, the gentle Desdemona. She was sought to by diverse suitors, both on account of her many virtuous qualities, and for her rich expectations, being the only daughter of this faint-hearted widowed statesman, as well as friendly and intelligent beyond comparison. But among the suitors of her own clime and complexion, she saw none whom she could affect: for this noble lady, who regarded the mind more than the features of men (and also of women), with a singularity rather to be admired than imitated, had chosen for the object of her affections a tawny, dark-haired Moor, whom her lord father had taken a shine to, and often invited to his residence.
Neither is Desdemona to be altogether condemned for the unsuitableness of the person whom she selected for her lover. Bating that Othello was black, the noble Moor wanted nothing which might recommend him to the affections of the greatest lady. He was a soldier, and a brave one; and by his conduct in bloody wars against the Turks, he had risen to the rank of general, and was esteemed and trusted by the state.
He had been a traveller, and Desdemona (as is the manner of ladies) loved to hear him tell the story of his adventures, which he would run through from his earliest recollection; the battles, skirmishes, sieges, and encounters, which he had passed through; the perils he had been exposed to by land and by water; his hair-breadth escapes, when he had entered a breach, or marched up to the mouth of a cannon; and how he had been taken prisoner by the wicked enemy, and sometimes even sold into slavery; how he demeaned himself in that state doing forced labour, and how he escaped: all these accounts, added to the narration of the strange things he had seen in foreign countries; the vast wildernesses and romantic caverns, the quarries, the rocky deserts and cloud-crowned mountain ranges; of the savage nations, of man-eating cannibals, and a race of people whose heads grew beneath their shoulders: these travellers' stories would so enchain the attention of Desdemona, that if she were called off at any time by household affairs, she would despatch with all haste that business, and return, and with a greedy ear devour Othello's discourse. And once he took advantage of an hour of her spare time, and drew from her a prayer, that he would tell her the whole story of his life at large, of which she had heard so much, but only by parts: to which he consented, and beguiled her of many a tear, when he spoke of some distressful stroke which his childhood and youth had suffered.
His story being done, she gave him for his pains a world of sighs: she swore a pretty oath, that it was all passing strange, and pitiful, wondrous pitiful: she wished (she said) she had not heard it, yet she wished that heaven had made her such a man; and then she thanked him, and told him, if he had a friend who loved her, he had only to teach him how to tell his story, and that would woo her. Upon this hint, delivered not with more frankness than modesty, accompanied with certain bewitching prettiness, and blushes, which Othello could not but understand, he spoke more openly of his love, and in this golden opportunity gained the consent of the generous Lady Desdemona privately to marry him.
Though he was of royal blood, neither Othello's colour nor his fortune were such that it could be hoped to be accepted by His Lordship for a son-in-law. He had left his daughter free; but he did expect that, as the manner of those days' noble marriageable ladies was, she would choose ere long a husband of her own rank or expectations; but in this he was deceived; Desdemona loved the Moor, though he was black, and devoted her heart and fortunes to his valiant parts and qualities; so was her heart subdued to an implicit devotion to the man she had selected for a husband, that his very colour, which to all but this discerning lady would have proved an insurmountable objection, was by her esteemed above all the white skins and clear complexions of her young aristocratic suitors.
Though their marriage was kept a secret, a wedding which only their friends attended, the rest of high society in the capital of the realm, includng her lord father, got word of the affair and scandal erupted. Furthermore, Othello was assigned to the island of Cyprus to confront an upcoming enemy invasion. Under all that pressure, Desdemona defended her own decision to marry for love and to escape from the constraints of society life, speaking so well that the newlyweds obtained all the blessings they needed for their marriage and the scandal was successfully appeased.
This difficulty being got over, Othello, to whom custom had rendered the hardships of a military life as natural as food and rest are to other men, readily undertook the management of the wars in Cyprus: and Desdemona, preferring the honour of her lord (though with danger) before the indulgence of those idle delights in which new-married people usually waste their time, cheerfully consented to his going.
No sooner were Othello and his lady landed in Cyprus, than news arrived, that a desperate tempest had dispersed the Turkish fleet, and thus the island was secure from any immediate apprehension of an attack. But the war which Othello was to suffer was now beginning; and the enemies, which malice stirred up against his innocent lady, proved in their nature more deadly than strangers or infidels.
Among all the general's friends no one possessed the confidence of Othello more entirely than Cassio. This Cassio was a young officer, dashing, amorous, and of pleasing address, favourite qualities with women; he was handsome and eloquent, and exactly such a person as might alarm the jealousy of a man advanced in years (as Othello in some measure was), who had married a young and beautiful wife; but Othello was as free from jealousy as he was noble, an as incapable of suspecting as of doing a base action. He had employed this Cassio in his love affair with Desdemona, and Cassio had been a sort of go-between in his suit: for Othello, fearing that himself had not those soft parts of conversation which please ladies, and finding these qualities in his friend, would often depute Cassio to go (as he phrased it) a courting for him: such innocent simplicity being rather an honour than a blemish to the character of the valiant Moor. So that no wonder, if next to Othello himself (but at far distance, as beseems a virtuous wife) the gentle Desdemona loved and trusted Cassio. Nor had the marriage of this couple made any difference in their behaviour to Cassio at all. He frequented their residence, being a childhood friend and like a brother to her, and his free and rattling talk was no unpleasing variety to Othello, who was himself of a more serious temper: for such tempers are observed often to delight in their contraries, as a relief from the oppressive excess of their own: and Desdemona and Cassio would talk and laugh together, as in the days when he went a courting for his friend.
Othello had lately promoted Cassio to be the lieutenant, a place of trust, and nearest to the general's person. This promotion gave great offence to Iago, an older officer who thought he had a better claim than Cassio, and would often ridicule Cassio as a fellow fit only for the company of ladies, and one that knew no more of the art of war or how to set an army in array for battle, than a girl; for the young officer had learned his profession from books and had no frontline experience. Iago hated Cassio, and he hated Othello, as well for favouring Cassio, as for an unjust suspicion, which he had lightly taken up against Othello, that the Moor was too fond of Iago's wife Emilia. From these imaginary provocations, the plotting mind of Iago conceived a horrid scheme of revenge, which should involve both Cassio, the Moor, and Desdemona, in one common ruin.
Iago was artful, and had studied human nature deeply, and he knew that of all the torments which afflict the mind (and far beyond bodily torture), the pains of jealousy were the most intolerable, and had the sorest sting. If he could succeed in making Othello jealous of Cassio, he thought it would be an exquisite plot of revenge, and might end in the death of Cassio, or Othello, or both; he cared not.
The arrival of the general and his lady in Cyprus, meeting with the news of the dispersion of the enemy's fleet, made a sort of holiday in the island. Everybody gave themselves up to feasting and making merry. Wine flowed in abundance, and cups went round to the health of the dark Othello and his lady the fair Desdemona.
Cassio had the direction of the guard that night, with a charge from Othello to keep the soldiers from excess in drinking, that no brawl might arise, to fright the inhabitants, or disgust them with the new-landed forces. That night Iago began his deep-laid plans of mischief. Under colour of loyalty and love to the general, he enticed Cassio to make rather too free with the bottle (a great fault in an officer upon guard duty). Cassio for a time resisted, but he could not long hold out against the honest freedom which Iago knew how to put on, but kept swallowing glass after glass (as Iago still plied him with drink and encouraging songs), and Cassio's tongue ran over in praise of the lady Desdemona, whom he again and again toasted, affirming that she was a most exquisite lady: until at last the enemy which he put into his mouth stole away his brains; and upon some provocation given him by one Roderigo --a spurned suitor of Desdemona's who had sided with Iago-- whom Iago had set on, swords were drawn, and Montano, a worthy officer, who interfered to appease the dispute, was wounded in the scuffle. The riot now began to be general, and Iago, who had set on foot the mischief, was foremost in spreading the alarm, causing the castle-bell to be rung (as if some dangerous mutiny instead of a slight drunken quarrel had arisen): the alarm-bell ringing awakened Othello, who, dressing in a hurry, and coming to the scene of action, questioned Cassio of the cause. Cassio was now come to himself, the effect of the wine having a little gone off, but was too much ashamed to reply; and lago, pretending a great reluctance to accuse Cassio, but, as it were, forced into it by Othello, who insisted to know the truth, gave an account of the whole matter (leaving out his own share in it, which Cassio had been too drunk to remember) in such a manner, as while he seemed to make Cassio's offence less, did indeed make it appear greater than it was. The result was, that Othello, who was a strict observer of discipline, was compelled to take away Cassio's place of lieutenant from him.
Thus did Iago's first artifice succeed completely; he had now undermined his hated rival, and thrust him out of his place: but a further use was hereafter to be made of the adventure of this disastrous night.
Cassio, whom this misfortune had entirely sobered, now lamented to his seeming friend Iago that he should have been such a fool as to transform himself into a beast. He was undone, for how could he ask the general for his place again? he would tell him he was a drunkard. He despised himself. Iago, affecting to make light of it, said, that he, or any man living, might be drunk upon occasion; it remained now to make the best of a bad bargain; the general's wife was now the general, and could do anything with Othello; that he were best to apply to the lady Desdemona to mediate for him with her lord; that she was of a frank, obliging disposition, and would readily undertake a good office of this sort, and set Cassio right again in the general's favour; and then this crack in their love would be made stronger than ever. A good advice of Iago, if it had not been given for wicked purposes, which will after appear.
Cassio did as Iago advised him, and made application to the lady Desdemona, who was easy to be won over in any honest suit; and she promised Cassio that she should be his solicitor with her lord, and rather die than give up his cause. This she immediately set about in so earnest and pretty a manner, that Othello, who was mortally offended with Cassio, could not put her off. When he pleaded delay, and that it was too soon to pardon such an offender, she would not be beat back, but insisted that it should be the next night, or the morning after, or the next morning to that at farthest. Then she showed how penitent and humbled poor Cassio was, and that his offence did not deserve so sharp a check. And when Othello still hung back: 'What! my lord,' said she, 'that I should have so much to do to plead for Cassio, for Lieutenant Cassio, that came a courting for you, and oftentimes, when I have spoken in dispraise of you, has taken your part! I count this but a little thing to ask of you. When I mean to try your love indeed, I shall ask a weighty matter.' Othello could deny nothing to such a pleader, and only requesting that Desdemona would leave the time to him, promised to receive Cassio again in favour.
It happened that Othello and Iago had entered into the room where Desdemona was, just as Cassio, who had been imploring her intercession, was departing at the opposite door: and Iago, who was full of art, said in a low voice, as if to himself-. 'I like not that.' Othello took no great notice of what he said; indeed, the conference which immediately took place with his lady put it out of his head; but he remembered it afterwards. For when Desdemona was gone, Iago, as if for mere satisfaction of his thought, questioned Othello whether young Cassio, when Othello was courting his lady, knew of his love. To this the general answering in the affirmative and adding, that he had gone between them very often during the courtship, Iago knitted his brow, as if he had got fresh light on some terrible matter, and cried: 'Indeed!' This brought into Othello's mind the words which Iago had let fall upon entering the room, and seeing Cassio with Desdemona; and he began to think there was some meaning in all this: for he deemed Iago to be a just man, and full of love and honesty, and ' what in a false knave would be tricks, in him seemed to be the natural workings of an honest mind, big with something too great for utterance: and Othello prayed Iago to speak what he knew, and to give his worst thoughts words. 'And what,' said Iago, 'if some thoughts very vile should have intruded into my breast, as where is the palace into which foul things do not enter?' Then Iago went on to say, what a pity it were, if any trouble should arise to Othello out of his imperfect observations; that it would not be for Othello's peace to know his thoughts; that people's good names were not to be taken away for slight suspicions; and when Othello's curiosity was raised almost to distraction with these hints and scattered words, Iago, as if in earnest care for Othello's peace of mind, besought him to beware of jealousy: with such art did this villain raise suspicions in the unguarded Othello, by the very caution which he pretended to give him against suspicion. 'I know,' said Othello, 'that my wife is fair, loves company and feasting, is free of speech, sings, plays, and dances well: but where virtue is, these qualities are virtuous. I must have proof before I think her dishonest.' Then Iago, as if glad that Othello was slow to believe ill of his lady, frankly declared that he had no proof, but begged Othello to observe her behaviour well, when Cassio was by; not to be jealous nor too secure neither, for that he (Iago) knew the dispositions of his countrywomen of high rank better than Othello could do; and that they let the heavens see many pranks they dared not show their husbands. Then he artfully insinuated that Desdemona deceived her lord father, and the rest of society, in marrying with Othello, and carried it so closely, that everyone thought the dark-skinned stranger must have enchanted him with some kind of sorcery. Othello was much moved with this argument, which brought the matter home to him, for... why might she not deceive her husband?
Iago begged pardon for having moved him; but Othello, assuming an indifference, while he was really shaken with inward grief at Iago's words, begged him to go on, which Iago did with many apologies, as if unwilling to produce anything against Cassio, whom he called his friend: he then came strongly to the point, and reminded Othello how Desdemona had refused many suitable matches of her own clime and complexion, and had married him, a Moor, which showed unnatural in her, and proved her to have a headstrong will; and when her better judgement returned, how probable it was she should fall upon comparing Othello with the fine forms and clear white complexions of her own young countrymen. He concluded with advising Othello to put off his reconcilement with Cassio a little longer, and in the meanwhile to note with what earnestness Desdemona should intercede in his behalf; for that much would be seen in that. So mischievously did this artful villain lay his plots to turn the gentle qualities of this innocent lady into her destruction, and make a net for her out of her own goodness to entrap her: first setting Cassio on to entreat her mediation, and then out of that very mediation contriving stratagems for her ruin.
The conference ended with Iago's begging Othello to account his wife innocent, until he had more decisive proof; and Othello promised to be patient; but from that moment the deceived Othello never tasted content of mind. Neither opium poppy, nor the juice of mandragora, nor all the sleeping potions in the world, could ever again restore to him that sweet rest, which he had enjoyed but yesterday. His occupation sickened upon him. He no longer took delight in feats of arms. His heart, that used to be roused at the sight of troops, and banners, and battle-array, and would stir and leap at the sound of a drum, or a trumpet, or a neighing war-horse, seemed to have lost all that pride and ambition which are a soldier's virtue; and his military ardour and all his old joys forsook him. Sometimes he thought his wife honest, and at times he thought her not so; sometimes he thought Iago just, and at times he thought him not so; then he would wish that he had never known of it; he was not the worse for her loving Cassio, so long as he knew it not: torn to pieces with these distracting thoughts, he once laid hold on Iago's throat, and demanded proof of Desdemona's guilt, or threatened instant death for his having belied her. Iago, feigning indignation that his honesty should be taken for a vice, asked Othello, if he had not sometimes seen a handkerchief spotted with strawberries in his wife's hand. Othello answered, that he had given her such a one, and that it was his first gift. 'That same handkerchief,' said Iago, 'did I see Michael Cassio this day wipe his face with.' 'If it be as you say,' said Othello, 'I will not rest till a wide revenge swallow them up: and first, for a token of your fidelity, I expect that Cassio shall be put to death within three days; and for that fair devil (meaning-his lady), I will withdraw and devise some swift means of death for her.'
Trifles light as air are to the jealous proofs as strong as holy writ. A handkerchief of his wife's seen in Cassio's hand, was motive enough to the deluded Othello to pass sentence of death upon them both, without once inquiring how Cassio came by it. Desdemona had never given such a present to Cassio, nor would this constant lady have wronged her lord with doing so naughty a thing as giving his presents to another man; both Cassio and Desdemona were innocent of any offence against Othello: but the wicked Iago, whose spirits never slept in contrivance of villainy, had made his wife (a good, but a weak woman) steal this handkerchief from Desdemona, under pretence of getting the work copied, but in reality to drop it in Cassio's way, where he might find it, and give a handle to Iago's suggestion that it was Desdemona's present.
Othello, soon after meeting his wife, pretended that he had a headache (as he might indeed with truth), and desired her to lend him her handkerchief to hold to his temples. She did so. 'Not this,' said Othello, 'but that handkerchief I gave you.' Desdemona had it not about her (for indeed it was stolen, as we have related). 'How?' said Othello, 'this is a fault indeed. That handkerchief a wise old woman gave to my mother; the wise woman could read people's thoughts: she told my mother, while she kept it, it would make her amiable, and my father would love her; but, if she lost it, or gave it away, my father's fancy would turn, and he would loathe her as much as he had loved her. She dying gave it to me, and bade me, if I ever married, to give it to my wife. I did so; take heed of it. Make it a darling as precious as your eye.' 'It is possible?' said the frighted lady. 'Tis true,' continued Othello; 'it is a magical handkerchief; a sibyl that had lived in the world two hundred years, in a fit of prophetic fury worked it; the silkworms that furnished the silk were hallowed, and it was dyed with mummified maidens' hearts.' Desdemona, hearing the wondrous virtues of the handkerchief, was ready to die with fear, for she plainly perceived she had lost it, and with it, she feared, the affections of her husband. Then Othello started, and looked as if he were going to do some rash thing, and still he demanded the handkerchief, which when she could not produce, she tried to divert her husband from too serious thoughts, and cheerfully told him she saw all his talk about the handkerchief was only to put her off from her suit about Cassio, whom she went on to praise (as Iago had foretold), till Othello in perfect distraction burst out of the room, and then Desdemona, though unwillingly, began to suspect that her lord was jealous.
What cause she could have ministered to him she knew not, and then she accused herself for accusing the noble Othello, and thought to be sure that some state troubles had muddled his spirits, and made his temper not so sweet as formerly. And she said: 'Men are mortals, not gods, and we must not look for that observance from them when they are married, which they show us on the bridal day.' And she beshrewed herself for so unkindly judging of his unkindness.
Again Othello and Desdemona met, and he accused her more plainly of being unfaithful, and of loving another man, but he did not name whom: and Othello sobbed, and Desdemona said: 'Alas! the heavy day! why do you weep?' And Othello told her, he could have borne all sorts of evils with fortitude - poverty, and disease, and disgrace; but her infidelity had broken his heart: and he called her a weed, that looked so fair, and smelled so sweet, that the sense ached at it; and wished she had never been born. And when he had left her, this innocent lady was so stupefied with wonder at her lord's untrue suspicion of her, that a weight-like sleep came over her, and she only desired her attendant to make her bed, and to lay her wedding-sheets upon it, saying, that when people teach their babies, they do it by gentle means and easy tasks, and Othello might have chid her so; for in good faith she was but a child when she was chidden. And this was all the complaint which this gentle lady made.
Desdemona being retired to bed expecting her lord husband would follow her, soon fell into a slumber, the effect of her troubled spirits, when Othello entered the chamber, full of the black purpose which he had meditated of putting his lady to death. But when he saw her asleep, he thought he would not shed her blood, nor scar that white skin of hers, more white than alabaster. But he was resolved she should die; else (as he said) she would live to betray more men, as she had done him. Then he kissed her for the last time (as he said), and that kiss was so sweet, that he must needs kiss her again: and he wept, but he said they were cruel tears.
Desdemona was awakened with his kisses, and she looked upon Othello, and she saw him gnaw his lower lip, and roll his eyes, and she knew he was always fatal when he looked so: and he bade her prepare for death, and to say her prayers, for he would not kill her soul. And this innocent wife, as she lay at his mercy, begged for compassion, and to know her fault, and then he named Cassio, and the handkerchief which (he said) she had given him; and as the guiltless lady was proceeding to clear herself he suddenly would hear no more, but covering her up in the bed-clothes, stifled her till she died.
In this instant of time was brought into the room Cassio, wounded and bleeding, whom Iago had set his henchman Roderigo on to assassinate; but the fellow not succeeding in his attempt to kill Cassio (whom he wounded, but not mortally), and being himself killed. by Iago to prevent discovery, in Roderigo's pockets were found certain letters, which made the guilt of Iago, and the innocence of Cassio, clear beyond all doubt; and Cassio now came to beg pardon of Othello, and to ask wherein he had offended him, that he had employed Iago to murder him.
This discovery was as a thunderstroke to Othello, who now plainly saw that he was no better than a murderer, and that his wife (poor innocent lady) had been ever faithful to him; the extreme anguish of which discovery making life insupportable, he fell upon his sword, and throwing himself upon the body of his dear injured lady, expired.
These rash acts raised much passion of horror and amazement in the bystanders, for Othello had borne a fair reputation, and till he was wrought upon by the arts of a villain, which his own noble nature never gave him leave to suspect, he was a loving and a doting husband. He had loved not wisely, but too well; and his manly eyes (when he learned his mistake), though not used to weep on every small occasion, dropped tears as fast as myrrh treetrunks pour out their healing gum. And when he was dead all his former merits and his valiant acts were remembered. Nothing now remained for his successor, a Cassio forgiven by the dying Moor, but to put the utmost censure of the law in force against Iago, who was executed with strict tortures; and to send word to the state of the lamentable death of their renowned general.
