Mostrando entradas con la etiqueta kudos. Mostrar todas las entradas
Mostrando entradas con la etiqueta kudos. Mostrar todas las entradas

lunes, 29 de mayo de 2017

WITH THE PETALS ON AND ALL

This is a little queer 2010s retelling of Othello I have written for that Shakespeare FutureLearn MOOC. Most characters are gender-flipped (except the Desdemona and Cassio characters, as you shall see) and there are references to The Three Apples (in which the McGuffin is fruit out of season), The Punisher (in which the Othello character does not know that the Cassio character is gay)... basically other versions of the old story, as well as my own personal experience:

I have chosen to write my own queer retelling of Othello set in the present day. Replacing "Moor" with "woman" and taking, for instance, a few extra clues from the 1001 Nights tale of the Three Apples:
WITH THE PETALS ON AND ALL
"These ones will do perfectly, Christelle. With the petals on and all; worth spending five euros on indeed." And indeed, they were glittering and scarlet like rubies, each one with a few petals still attached to the calyx, the strawberry's green "hat", like an Elizabethan collar. "Luna will surely love them."
Strawberries in winter... it felt that placing a jewelled sign of my right to have Luna on her left ring finger (like a flag placed on conquered country) was not enough. It felt that confronting Luna's mum about the fact that her daughter was free to choose whoever she pleased as her partner, even another girl, and that she put all her weaponry of pluck on display to call the old lady out and make her surrender to reality, was not enough. Now one year later in mid-February, in between her birthday and Valentine's, I wanted to surprise Luna with her favourite berries, even if acquiring them out of season would come at great expense.
Then it all went wrong, more or less.
It all began with my fall-out with Killian; the three of us were roomies in the best of ways three attractive, learned young people can be; and he was perfectly fine with our relationship, supporting all kinds of free love, even joking that he would be the best man (though Luna and I never meant to get married).
Then came the day when Killian was late for home after class, right the afternoon after I bought the strawberries... "Surely cramming for our Terminology exam," I thought while Luna and I were having a date over a cup of star anise tea. At least he had said that he would cram some more as usual. The sun set and he didn't come home until half past ten (as Luna and I would commonly stand on the balcony and remark on how wonderful the stars were and how wonderful was the power of love), reeling and flushed with liquor, with a black left eye, surely from a drunken fight he had got into.
Maybe I was a bit too harsh when I told him that he'd stay in our room but never help us at class or with our projects (including the task of chaperoning us in certain places by posing as my sweetheart).
The next day, the day I noticed the strawberries were somehow missing, Luna told me I maybe had been a little too harsh with Killian. "Anyone can get drunk and have a row, Christelle; and maybe it wasn't a lie in the first place, just a little invitation for a drink as he came home in the evening..." What would Luna herself, given her proper lady personality, know about this? So I honestly told her I would give it some time to think.
It was after Luna's intercession that I remembered the strawberries and looked for them all over the place. Missing, as if vanished into thin air. Which made me think: "Have I actually spent five euros on these out-of-season berries which decay rapidly in the long run? You're a fool, Christelle. Should have bought assorted chocolates, or a hairpin to pin her golden braid, instead!"
The next day, strawberries still on my mind, making me even miss the last pre-exam test of Terminology class, I had my appointment. With my personal headshrink, Dr. Jakobsson. Maybe her homophobic comments of so-called "better judgement" played a part in the grand scheme of things as well.
So "How has this month been, Christelle?" and I gave my whole account of the strawberries, my worries about five euros' worth of fruit covered in mold and maggots, Luna's intercession and Killian's black eye.
"Have you ever stopped to wonder..." Idun Jakobsson told me, her hazel eyes scrying my whole person like the Terminator, "...if what you two felt was actually love? What if this were all a trick of Luna's to appear less conservative, tricking her mother and that circle of high society into believing that she was more open-minded?" I was also told to watch Luna closely and to give it time to think as well...
Little did I know that my own habit of jumping to conclusions would play an even more sinister trick on me.
It came to light, as Valentine's was about to dawn, that Luna and Killian were rather close to each other; she would often put an ice pack on his left eye and give it a peck of a kiss afterwards, and that's how his black eye got better. At least then I thought that I would have done the same in the first place if I hadn't been so disappointed... well, maybe he had got tempted to have a drink on his way home that evening after all!
The killing blow, however, came in between classes on Valentine's. Right as Luna and I sat down to cram on our usual bench, keeping this time a slight distance between us, in sauntered Killian (his black eye now dwindled to a beauty mark on his left cheek) with a box of fresh strawberries, some of which kept their soft white petals attached to the calyces.
"A gift from my sweetheart," he confidently told us. "Must have been really expensive to get them out of season... and have a look; this one's still got the petals!"
In response, I stormed out of their presence, my eyes swimming in tears. I spent about an hour kicking and punching a linden trunk in a fit of rage, without drying up those tears. It felt like a gunshot to the heart, a gunshot that furthermore had come from behind, and only cowards and traitors get to strike their victims in the back...
The next day... I don't remember exactly what I did to Luna, which insults I called her, where my fists and feet landed on her lilywhite skin... I didn't even care about her pleas. My head and my heart were so clouded that everything else paled away in the shade of the strawberries.
The next day, on the 15th, the light dawned upon everything, and my life and Luna's would never be the same. That night, we slept in separate beds, and I could hear her sobbing all night long, keeping me awake and racked with remorse.
First of all, upon taking the yoghurt out of the fridge for breakfast (while Luna was still in her own bed, having locked herself in her room), I discovered the strawberries right behind it, where they had been all along...
The next reveal concerned the procedence of Killian's strawberries; as I pondered after class how my own impulsivity could have led to this debacle ("What have you done, Christelle?"), I spotted him next to another young man, this one with a ponytail, who seemed to be elated about the black eye having finally healed.
"Merci, Étienne!" Killian told the other boy before cheerfully explaining that not many valentines receive fresh strawberries in winter, and that the petals were the nicest touch of them all. Étienne said he was glad his chou-chou had liked it before giving Killian a kiss, a really long kiss, and I just stood there, in the shade of a column, all eyes and ears, the blood freezing in my veins.
I really wanted to ask Luna for forgiveness, but when I came home I found every room empty and two handwritten notes fixed with magnets on the fridge; Killian had moved into Étienne's flat, while Luna had returned to her mother's estate. She had written it was a mistake to fall in love with me, but the pain had made her wiser and hardened her heart, nevermore to give her heart to anyone else.
So now that both my friends are gone, I (an orphan, an only child, a lesbian with Asperger syndrome) am Napoleon at St. Helena; the great warrior past her prime, living on memories and regrets.
My greatest concern right now is passing this last exam. Also, I hate strawberries, especially those with the petals on... but the sight of even those without the petals makes my heart race and my blood turn to ice.


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KUDOS
Submitted by
To what extent has the author provided evidence to support their analysis? 
In my opinion your tale can be compared to " Romeo + Juliet "directed (sic), co-written and (sic) co-produced by Buz (sic) Luhrmann in 1996, being an adaption and modernization of William Shakespeare's tragedy Romeo and Juliet. You have done the same adaptation. 
To what extent has the author demonstrated knowledge and understanding of Shakespeare’s works, world and legacy as explored on the course? 
Sandra Elena, you have demonstrated a detailed and great knowledge of Shakespeare's works, world and (sic) legacy as explored on the course. 
To what extent is the author’s account clear and coherent? 
Your work is a great work and in my opinion it is clear and coherent 

miércoles, 8 de marzo de 2017

PRAISE FOR "CHANGELINGS IN MACONDO"



DAVID’s review


  • Submitted by
    Is the analysis focused on the topic proposed for the assignment (the comparison of two characters in a novel where history repeats itself)? 
    Yes. The two who are compared are not the most obvious choices but the evaluation is very original. 
    Is there enough detail and/or are there enough quotations to support the analysis? 
    The Jacob/Esau contrast is compelling and the point about coincidence in time is very acutely made. To say that the examples chosen are typical of the whole stresses their importance in and beyond themselves. 
    Does the written assignment reflect a thorough reading and understanding of the novel? 
    The foregrounding of biblical parallels which might be too readily relegated, and their apposition to modern factors of capitalism and repression completes the kind of imaginative cycle that would have driven Gabito. 
  • Daniel’s review


    Submitted by
    ¿Sus planteamientos se centran en el tema de reflexión propuesto (comparación de dos personajes en una novela en la que la historia se repite)? 
    Si, se trata la relación entre dos personajes. 
    ¿Sus planteamientos se justifican mediante detalles y/o citas de la novela? 
    Si, pero el texto se enreda en sus simbologías y lirismos de forma innecesaria y confusa. 
    ¿El texto da cuenta de una lectura rigurosa de la novela? 
    Da cuenta de una lectura atenta, sí. 

miércoles, 15 de febrero de 2017

KUDOS FOR "REVELS AND RETALIATION"

DAVID’s review

Submitted by
Is the analysis focused on the reflection topic proposed for the assignment (comparing two of the three stories we read this week: “Tuesday Siesta”, “One of These Days”, and “Big Mama’s Funeral”)? 
I would have thought Mamá Grande and the Thinkery offered little scope for comparison as opposed to contrast, until this review showed otherwise! 
Is there enough information and/or are there enough quotations from the stories to support the analysis? 
What was it Gabo said to Rabassa? - I feel as if I've endured a bout with the heavyweight champion of England! Maybe too much [hypotext - from which you could derive too much]. El despensero se acercó a Gerard. - Perdóneme, señor... pero es que ha muerto Tom Cribb – dijo. - Pero, ¿qué dice? – intervino Hornblower. No recordaba que hubiese nadie a bordo que respondiese al nombre de Tom Cribb... Ni tampoco conocía la razón por la cual un despensero debía dar parte a un teniente de la baja sufrida. (Hornblower en España, 167). 
Is this assignment a reflection of a rigorous reading of the stories? 
Nearly as many as Melquiades! I'm unfazed by the amount of homework set. Really enjoyed reading this! 

domingo, 11 de diciembre de 2016

UTTAM PAUDEL COMMENTS: THE TRAVESTY OF OTHELLO

UTTAM PAUDEL COMMENTS: THE TRAVESTY OF OTHELLO
(Uttam's comments are in smaller letters below my play text)

ENHANCED, EXTENDED, and UNCUT
"FOORTH" CENTENNIAL EDITION
23rd OF APRIL 2016
Especially clever of you to put in that way. But I think this foorth would have stood out without the quotation, just saying.

SIR REGINALD PIKEDEVANT, ESQUIRE.
Good to see a jolly old chap popping up in the list.

ANNOTATION:
"Lieutenant" should always be pronounced "leftenant" in this play.
Not just in this play! Always!

No sirrah. The other author, who led a more quiet life and wrote an even longer and more internationally canonical list of works, is the inspiration behind today's entertainment. Yes, the Bard of Avon. A plaque on all his houses! (Pause.) And today you will laugh and cry, tremble and think, with my own personal rendition of my favourite among his internationally renowned tragedies. So why not begin with a little exposition before we let our tale begin? And indeed, now is finally the time for the pentameter. (Clears throat)
A fortress on an isle between two realms
once stood, a tall and steadfast keep of war.
Here lived, during the reign of Charles the Fifth,
an ensign (sergeant major, in our days),
a righteous, honest man, Iago. This
is the story of everything he wrought.
Listen and see everything for yourselves!
Don’t know why but this sounded me like the narrator of Henry V, not exactly but in a distant déjà vu way. Nevertheless, liked the idea of you yourself coming to the stage.

IAGO (turns away from Roderigo, towards Sandra): And who are you, strange maid in stripling garb?
Hmm, oh you remind me Kumar Nagarkoti, that magical Nepalese writer. Oh, you’ve made me homesick with the story where author breaks the fantasy barrier and interacts with his characters.

SANDRA (right hand on heart): So shall it be, I promise and I swear.
I'll make it like a Tarantino film.
OH! Seatbelt fastened.

IAGO (harsh): Drown yourself? Drown kittens!! Only a twat would kill himself for heartbreak.
That’s a solid line.


IAGO (changing tune, now more cheerful): I hope you don't mind I am ruining your parents, for a little more of their fortune would suffice to buy the Moor and become his aide-de-camp. Having already saved his life thrice or four times upon the battlefield is not enough, it seems... (He strips his developed left arm, showing scar marks all the way up to the shoulder.)
Twatical it seems but don’t you think three or four times instead of thrice or four times sounds good? Trifling matter, no doubt.

ACT ONE

SCENE 1: IN THE COURTYARD. OTHELLO, IAGO, CASSIO. BACKGROUND MUSIC: BLACKADDER THEME SONG
OTHELLO: And thus, I promote hopeful young Cassio to the rank of Lieutenant... (He gives Cassio a fine sword and a nice plumed hat).
Nice transition of contrast. The ending of the previous scene contrasting with the beginning with a contrasting opening scene. Classic stuff.

IAGO (coldly): In the good old days, privates or non-coms became officers through good honest fighting. Nowadays an officer, for some reason, needs an education... and scarred veterans are left in the shade. Like... completely overlooked. Given non-com ranks in spite of their prowess... Yet I don't think anyone will see it coming... for I will poison their minds to break their ties, and then, once they are parted, strike them one by one in the back! If I were Othello or Cassio, I never would accept the Iago kind of fellow by my side... So I don't wear my heart upon my sleeve... The fun in the game is the fact that the cards are hidden. (Pause.) I am not what I am!
Iago as a victim of changing social orders, c’est bien.

IAGO: Everyone grows weary of too much chocolate at the end of the day.
What an aptly real quote!

IAGO (singing): Twas on the good ship Venus,
by Lord, you should have seen us!
The figurehead was a whore in bed,
and the mast a rampant penis...
Frigging in the rigging,
frigging in the rigging,
frigging in the rigging,
there was fuck all else to do! Skål!
This would have come, certainment.

IAGO (still on the table, pouring each officer a fourth drink, then clearing his throat and singing once more): What do you do with a drunk lieutenant,
What do you do with a drunk lieutenant,
What do you do with a drunk lieutenant,
early in the morning?
Hey, hey, and up she rises!
Hey, hey, and up she rises!
Hey, hey, and up she rises,
early in the morning!
Put him in the guardroom till he’s sober,
Put him in the guardroom till he’s sober,
Put him in the guardroom till he’s sober,
early in the morning!
Hey, hey, and up she rises!
Hey, hey, and up she rises!
Hey, hey, and up she rises,
early in the morning! Skål! (He raises his glass, and so do all others, and they clink and drain their glasses, including Cassio).
Haha, forever the Irish!

CASSIO (slurred): Of course, Iago... Tsk! Tsk! (Difficultly getting up) I am not dwunk, good folk, I am not dwunk at all. (Waving his left hand) Thish ish my wight 'and. (Waving his right hand) Thish ish my weft 'and. I gan tell weft fom wight, yoo shee. (Walking a few steps, staggering) Weft, wight, weft, wight. I can shpeag perfegdly and walk in a shtwaight wine. Don't shink I em intoshigay... how wash it?
Just like when I was d….. Floodgates of nostalgia…

IAGO (cheerful): Anyway, Lieutenant, in my own humble opinion, young people should let down their hair every now and then. If something's off limits, that doesn't mean it's the end of times if you dare to try it. Lieutenant, we all have learned most the things we know through trial and error. (Pause.) Now try to remember what happened last evening. Anyway, how much liquor went under your belt? How strong was it? And why were you swishing your sword all over the place?
The silver tongued devil…

RODERIGO (sighing): All right. Now... (singing from Jesus Christ Superstar): I don't know how to love her... what to do, how to mo-o-ove her... I've been changed, really changed, in these past few days... (Wincing, pointing at his black left eye.) I knew from the start that love hurts... but never that it should be taken literally. Guess I should stop following that elusive white whale and find myself a new prey, preferently a dark, sexier one...
IAGO (soothing): Where's the spirit, eh? Where's that never-give-up attitude? Keep calm and carry on! All good things come to those to wait! Now… Your picture of this evening is too narrow, so let me broaden it for you: Lieutenant Prettyboy gave you a black eye, which hurts for sure; but we shattered his reputation... now that hurts even more than bodily pain! Think of being in his place now...
RODERIGO (sighing): Once more, you're right as always, Iago. Ever so effing right. Demoted to ensign and ill at ease with hangover... I would never like to be in his place at all. (Pause.)
Don’t know why but I have been thinking of them as being played by Rowan Atkinson and Tony Robinson all along. Blackadder and Baldrick.

IAGO (concerned): Now, before I got promoted, I was Cassio's orderly. Shared the lieutenant's quarters. So there was this time I couldn't sleep at night... There's only one bed in each officer's quarters. So I stayed awake all night, with Cassio sleeping soundly by my side... Then, suddenly, he grabs me, hugs me tight, as if I were his living plushie... and then I learned he was a sleep-talker. Never noticed it before. Laid his left thigh on my right as he embraced me and sighed and said something like "Let me kiss you, sweetie." "You mean the world to me." "I wish this would never end..." Well, and he kissed me right on the lips. Once, twice, thrice. As the night went on, he went from slight pecks through butterfly kisses to French kisses, all while clutching me tight...
Musical.

ENTER CASSIO, WHO, THIS TIME, WEARS HIS SWORD ON THE RIGHT SIDE (INSTEAD OF THE LEFT.). OMINOUS MUSIC: PSYCHO SHOWER SCENE.
Oh, remember you once told this when you told me on how lieutenant is pronounced leftenant?

FOOTSTEPS FROM OFFSTAGE.
BIANCA: Guess Kurt and the surgeon are coming.
IAGO: Take good care of the lieutenant! He... he means the world to me!
Indeed he does.

Yet that's another story, friends, as well.
The curtain will now fall, and everyone
will us salute, even the dead, reborn,
and Cassio just healed of his injury,
for now, we'll return to reality
and realize it all has been a play
to entertain you, friends, on any day.
Yeah, the audience might clamour for sequel, or even a prequel if Iago had similarly carried out his unsuccessful plots elsewhere before he met Othello? Anyhow, I wouldn’t think Iago was this corrupt soul from the start but from this play due to reasons too obvious to state.

miércoles, 30 de noviembre de 2016

REACTIONS FOR "THE CRYSTAL QUEEN"



Submitted by Emma Robertson
To what extent has the author demonstrated knowledge and understanding of Hans Christian Andersen and his fairy tales and offered new insight into the topicality and cross cultural relevance of these? 
Sandra this is a really wonderful re-telling of The Snow Queen. I love how you've brought it into a modern context but kept it very trippy with lots of references to 60s pop culture. The intertwining of Shakespeare is very cleverly done. You show in-depth knowledge of the fairy tale and have updated it nicely. 
To what extent are the author’s reflections clear and coherent 
Your reflections are clear and coherent. The only thing that I would suggest is that you need to lengthen this fairy tale as we are bouncing too quickly from scene to scene. Remember the original is about 16 pages long. Although you have simplified the seven stories and totally removed the first background story, there just isn't enough of the scene set. That being said, it's a great ride! I love your re-working of the characters and the more adult theme you have given it. I like the fact that throughout, the idea of childhood is more of a 60s hippy idea than an actual stage of development. 
To what extent has the author provided evidence to support his/her analysis? 
As this is a re-worked fairy tale, you haven't technically provided evidence. However, you have included many themes and references in a competent and engaging manner. A thoroughly enjoyable read, thank you!

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Submitted by
To what extent has the author demonstrated knowledge and understanding of Hans Christian Andersen and his fairy tales and offered new insight into the topicality and cross cultural relevance of these? 
quite a lot 
To what extent are the author’s reflections clear and coherent 
her own twist on it very funny well done 
To what extent has the author provided evidence to support his/her analysis? 
same as the others 
....................................................................................................................
Submitted by
To what extent has the author demonstrated knowledge and understanding of Hans Christian Andersen and his fairy tales and offered new insight into the topicality and cross cultural relevance of these? 
Anyone who can parody HCA in the brilliant way that you have done, Sandra. There is lot of cross-cultural reference here and the topicality is spot on. 
To what extent are the author’s reflections clear and coherent 
There's no smoke in the class because it's just been clean and is sparklingly clean. 
To what extent has the author provided evidence to support his/her analysis? 
For evidence you rely on Shakespeare if I haven understood you. I am full of admiration. Are you the next HCA? 

miércoles, 9 de noviembre de 2016

KUDOS FOR THE BARATHEON SAGA

I have published excerpts from my Baratheon Saga in the FutureLearn course for Start Writing Fiction and received the following acclaim:

What were the strengths and weaknesses of the character portrayals? 
The characters were pretty well described using a mixture of the methods learnt throughout the course. Physical characteristics as well as backstory and psychological attributes. 

Gareth G., on Rainer Baratheon and Laurent Tyrell.


Which method of character creation was being used? 
Biographical. 
Were you able to see the character clearly? Did you want to know more about the character? 
Yes, and yes, I do want to know more about both characters. 
What approaches to portrayal, such as depicting appearance, occupation, voice, and so forth, did the writer successfully use? 
The writer gave a full and colorful view of the characters - one wonders whether the union will last or - at least - how it might develop or change.
Pamela G., on Stanislaus Baratheon and Elise Florent

Which method of character creation was being used? 
The character is finely sketched, some details seem partially autobiographical because of the knowledge and skillful observation but generally speaking the method seems a mix of autobiographical and invented 
Were you able to see the character clearly? Did you want to know more about the character? 
I could see the character clearly from a psychological point of view, his look. Physical appearance could have been more extended even if a can imagine Stanislaus. 
What approaches to portrayal, such as depicting appearance, occupation, voice, and so forth, did the writer successfully use? 
The character is portrayed in his habits, in his simple healthy life. The description of a clergy man seems masterly done. The writer seems to know the environment very well and her observation is precise. She depicts a real person with original insights. The names used convey a northern atmosphere in past times and that's charming.
Claudio Colabianchi, on Stanislaus Baratheon and Elise Florent.