jueves, 7 de julio de 2016

ANOTHER AUTHOR'S EAH/TSQ-IV OC

Hyacinth, né Zinnia, Flowers:
Turns out someone else had the idea of making the prince in The Snow Queen an Ever After High OC. And it's an F2M trans guy (with the surname of a Reacher lovechild and the looks of Oberyn Martell)!!! Sadly, she did not make the princess, though these characters are her OTP as well, which makes both of us sigh...



Quotation1 I have cool hair and a good destiny. How am I supposed to ask for more? Quotation2
— Hyacinth

 Hyacinth Flowers is the successor of the Prince from the Snow Queen.
He was the son of an ordinary florist, until one day, unexpectedly, he is given the offer to attend Ever After High as the next Prince from the Snow Queen. It was an offer that he couldn't refuse and accepted instantly, as Hyacinth found it comforting and awesome that some authority figure out there thought he was awesome enough to be a prince.


CharacterEdit

PersonalityEdit

From a young age, Hyacinth has demonstrated a sense of responsibility. In all senses of the word, Hyacinth is a team player – he's always there to help out others, play the leader role in group situations and is always willing to take one for the team. Other than flowers, Hyacinth's devoted to people and making sure everyone's happy.
However, his constant need to help people and to make others happy or comfortable or whatever makes him a little bit of a pushover as he's a little undecisive and unsure of his leadership skills. Obviously, he wants the best for everyone, but his constant indecision makes him confused on what really is the best. That means that people can take advantage of this indecision of his, and can manipulate Hyacinth quite easily.
Another of his traits is his confidence, being a natural speaker who enunciates his thoughts clearly and makes himself easily understood. He asks questions a lot and he acts like he's very sure of himself. Hyacinth's face is typically graced with a cute smile as well, making him seem approachable. As a result, Hyacinth seems like a trustworthy person on the outside, and that helps him look and act the leader he wants to be. 
Adding on to his natural speaker-ness, Hyacinth has never taken any serious classes on rhetoric or public speaking, he's gained most of his skills from running his mother's shop. Now that he's also technically a prince, Hyacinth often observes his fellow princes to see how they speak and act, hoping to pick up those skills and become the best prince he can be. Since then, Hyacinth can easily change how he speaks – whether it's like a prince or like he did back home.
Of course, that shows the guy's remarkable adaptability. Hyacinth is adaptable and changes to situations easily. He went from thinking he was a girl to realising that he was a guy, and he went from a commoner to a prince. The guy had adapted to such drastic changes in life and is absolutely alright with going through more changes, so he has simply just picked up the habit of adapting.
That is not to say that his adapting is in any way completely smooth, though. As a bicycle clicks when changing gears, Hyacinth stumbles over words and messes up princely etiquette. As royally confident and composed as he would like to compare, this young prince is still adjusting to being part of the Snow Queen, one of the most famous fairytales. Hyacinth will forever be a nervous little guy with a desperation to succeed in his destiny. 

AppearanceEdit

Hyacinth is black-Norwegian, with dark brown skin dotted with freckles. He is rather short and slim in statue compared to the other princes. He has rather rounded facial features which he tries to contour away with makeup, and wide, inquisitive brown eyes. 
At the start of his sophomore year, Hyacinth decided that, despite being the next Prince in the tale, he would not dress or try to look as the Prince was described by Andersen. More specifically, he did not want to have long hair, even if all the previous princes did. Not only did his dark hair inconvenience him as he worked, his dark hair would trap heat (making him uncomfortable on summer days). Most importantly, Hyacinth thought that his long hair made it harder for him to pass, as he would be constantly misgendered by people who didn't know him too well. Waltzing into the nearest hairdresser, Hyacinth asked for his hair to be shaved on the sides, and cut in a way that his fringe would flop down in front of his face. He thinks his new haircut makes him look trendy. It does.
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Fairy tale – The Snow QueenEdit

How the Story GoesEdit

Hyacinth is the successor of the Prince in the Snow Queen – a commoner boy who becomes the princess' fiancé.
He appears the Fourth Story: The Prince and Princess, where Gerda is told by a Raven that Kai is in the castle. In reality, Kai is not the princess' castle, but since his appearance is so similar to the Prince's, the Raven has mistaken the Prince for Kai.
Gerda searches for her friend in the garden. She spots a brown neck. Thinking it to be Kai, she rushes towards him, only to find that he is really the prince.
The prince and princess listen to Gerda's story and decide to send her on her way in a coach.

How does Hyacinth factor into it?Edit

Hyacinth had always grown up thinking that he would take after his mother's florist shop, and become an ordinary florist with no particular fairytale lineage.
He received the invitation letter when he was 13, and accepted it immediately. He was excited to hear that he had been chosen as a prince, and that he would attend a prestigious school that many have dreamt of going to.

RelationshipsEdit

FamilyEdit

Hyacinth is the son of a single mother. People sometimes ask him – don't you feel bad about your father leaving you? He always found that question rather strange, since he had never been close to his father, and his father's absence in his life had never affected him. As a result, he has always found it weird that people think it did.
He's very close to his mother, and she's always been supportive of him. His mother, named Marigold Flowers, once she knew of Hyacinth's realisation of his gender, aimed to make her son as comfortable as possible. She donated his old clothes and got him new ones. She made sure to correct anyone who misgendered her son. And finally, she made sure Hyacinth's experience at Ever After High was as safe as possible – rooming him with someone who she and Hyacinth trusted.
However, his mother's mother – his grandma, Dahlia, was not as supportive. She calls Hyacinth "Zinnia" when she's not speaking to him face to face, and tells some people that her "granddaughter" "wants" to be a boy. His grandmother also blames Hyacinth's lack of a father figure in his life for "corrupting" him. This has lead to Hyacinth and his mother cutting down visits from his grandma and possibly cutting her out of their lives completely.

FriendsEdit

Hyacinth's close with Klara Spiegel, the next Kai, as the two get mistaken for each other in their tale. The two are pals, taking about pretty girls together and growing flowers.
He also likes to chill with Hildegarde Olhouser, the next Gerda, and Massak, the next Snow Queen. They form the impromptu "Snow Queen club".
Hyacinth is generally a pretty friendly person, especially when around Klara, who makes friends super easily.

PetEdit

Hyacinth isn't the best with animals, so he always tells people that his only friends are people and flowers.
During animal calling, a small hare ran up to Hyacinth. Hyacinth subsequently named the hare 'Harey Potter'. Harey Potter has a weird marking on its head that resembles a lightning bolt.

RomanceEdit

Hyacinth would probably be heels-over-heals for the next princess, if she existed.
Meanwhile, he's not really looking. Instead, he's obsessed with the idea of Ever After High, and loves pursuing all its mysteries rather than pursuing hot people.

OutfitsEdit

Art
Hyacinth's Outfits

Finished hyacinth

Basic Edit

Hyacinth wears a purple vest over high-collared white shirt and a red scarf. The purple vest is covered in designs of vines and has two shiny column of silver buttons. For pants, he wears dark blue jeans that are just beginning to fade.
Over that, he wears a long blazer-overcoat-jacket-thing. The outside of the coat is a rich dark purple, and the texture almost looks velvetly. Inside, the coat is lined with a shiny silver fabric, with a black and white pattern of lillies.
For shoes, Hyacinth has a pair of silver high-top sneakers. On the side, there is a crown and flower pattern. Finally, he wears a pair of fingerless red gloves on his hands, and his hair is in an undercut that's brushed forward.
  • The floral and nature aesthetic Hyacinth tends to don is based off the fact that the Prince lives in a castle full of flowers, and the general motif of flowers in the Snow Queen.
  • That explains the vines on his vest.
  • And the flower pattern on his lapels and lining of the blazer as well.
  • The crown and flower on the shoes is because I jokingly call Hyacinth 'The Prince of Flowers'
  • The gloves are because his story is super cool and he's probably cold.
  • Finally his wardrobe colours are generally red and purple because they're rich and 'royal' colours, emphasising that he is a prince.
TBA

Legacy DayEdit

He borrows the previous prince's outfit
TBA

Hat-tastic Party Edit

snazzy suits snazzy suits

Hyacinth spring unsprung

Spring Unsprung Edit

Hyacinth wears a black floral blazer, under a simple white t-shirt. He wears pale trousers with a bright floral pattern. He also wears a pair of floral sneakers.
His head is topped off by a flower crown of hyacinths
This is actually such a boring Spring Unsprung design. I bet it would probably be a budget doll.
TBA

Through the Woods Edit

TBA
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Epic Winter Edit

TBA
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Birthday Ball Edit

TBA

TriviaEdit

  • Born Zinnia Flowers, Hyacinth is a trans guy whose gender is accepted by many in the fairytale world, as he's destined to take a role in a major fairytale.
  • Hyacinth's first concept was when Zena scribbled down "trans guy prince in the Snow Queen" and left that scribble somewhere on her tumblr blog. Later she went back and made Hyacinth, and regretted NOTHING.
  • Zena ships Hyacinth/his princess but since she doesn't exist and it causes Zena pain.
  • The flower motif that Hyacinth has is a little overboard so I guess you could call that an ovaryaction.

QuotesEdit

  • tba

GalleryEdit

Art By MeEdit

Art By OthersEdit

domingo, 3 de julio de 2016

MY SELF-GIFTS: SUMMER WISH LIST

This travel guide to Westeros, for about 20 euros, 
has been the first of my self-gifts for passing all of my exams with flying colours.

On my foreign summer wishlist, the following stories are:

1) Swedish lieutenant, defector from decadence, against the Third Reich 
(Sweden, 250 crowns):
Vargarnas tid (Time of Wolves):
En person, som sedan födseln på Södertuna slott i Sörmland, redan har sin givna plats högst upp i samhällshierarkin, är Carl-Magnus Rytterholm. Löjtnant Rytterholm är en stor beundrare av Adolf Hitler och nazismen och full av förväntan reser han till Berlin. Han bländas av glansen och kulten kring führern och känner att han aldrig vill återvända till det trygga och tråkiga Sverige. Tills en kväll när hans nazistvänner tar med honom utanför den judiska synagogan. Där avslöjar nazismen sitt sanna ansikte och Carl-Magnus tvingas ta ställning. Det är våra val som visar vilka vi är. Han återvänder hem till Sverige samma dag som Hitlers trupper invaderar Polen. Andra världskriget är ett faktum. Führerns trupper är till synes oövervinnerliga och det ena landet efter det andra invaderas, Danmark, Norge, Estland, Lettland, Litauen, Skagerack mineras, Ryssland angriper Finland. Det neutrala och försvarslösa Sverige är helt omgivet av krigförande länder. Vår svenska järnmalm är livsviktig för den tyska vapenindustrin och Hitler överlämnar en lista med krav till den svenska regeringen. Staten inför censur för att inget negativt, som kan irritera Hitler, får publiceras i svenska tidningar.  Det gamla svenska klassamhället skakar i sina grundvalar och ingenting kommer längre att bli som det har varit. Carl-Magnus får befälet över trupperna runt malmfälten och också ansvaret för att ta emot alla flyktingar från krigets Finland. Hans gamla liv är mycket avlägset. 
Carl Magnus' mod och medmänsklighet kommer att göra skillnad för många.  Och som en klart skinande symbol för det godas kamp mot ondskan löper genom hela boken tre snövita vargar.

2) The Girl King (Sweden, 150 crowns):
On Queen Christina's life, and especially her romance with Countess Ebba Sparre :)

3) Wika and the Fury of Oberon (Sweden, 190 crowns):
A steampunk fairytale fantasy rarity, with a Standard Evil Organization Squad of werewolves (all of them siblings and royal children) based upon the seven deadly sins. Great reworking of several classical fantasy tropes, but in a detailed and passionately crafted steampunk universe <3 <3 <3



4) The Snow Queen and The Six Wild Swans, Hohlbein retellings (German, 13 euros each book):
Novelizations of the well-known Andersen tales, 
penned by the Hohlbeins, leading German fantasy authors.


5) The Snow Queen German film (around 7-10 euros)
Costume porn, setting porn, catnip of mine left and right :)


6) Dark Tide (German, 15 euros; Danish,  crowns):
Of course I had to bring Astrid Kolfinnsdottir from the cold north!

7) Sea Spell (German, 15 euros):
The tale of Astrid reaches its exciting conclusion!!! 
Now it's her turn to face her worst insecurities and her insane ancestor...

8) Usborne's Illustrated Andersen
Published in Sweden by Känguru, 200 euros 
No comments on this one.

Nest egg for July: around 50 euros
Cost of the German books: 56 euros (66 if the film is included)
GET 20 EUR BEFORE DEPARTURE (12TH OF JUL)
Nest egg for August: 800 crowns (80 euros)




sábado, 2 de julio de 2016

THE RINGSTETTEN SAGA - CUES FROM WESTEROS


THE RINGSTETTEN SAGA - CUES FROM WESTEROS
  1. Don't focus on the obvious choices for leading characters. Take the stance of the Bifauxnen or the Ladette, the Strange Girl or the Perky Female Minion, the Neidermeyer, the Privileged Rival or Bland Perfection, Aloof Ally, Dark Magical Girl, Eccentric Mentor... Bonus points if the character is privileged, cultured, eccentric, and/or detached from society.
  2. There are antagonists, but no villains or "bad guys": there's just struggle between different factions.
  3. Start by giving your young characters rose-coloured glasses, and let experience gradually strip them off.
  4. Throw in some Sacrificial Lions and kill them when the audience least expects it.
  5. Do A LOT of worldbuilding.
  6. Switch POV regularly to present all sides of the story.
  7. Add the phlebotinum little by little, stirring in between.
  8. Develop your characters gradually. A Neidermeyer with a streak of Bland Perfection may change due to trauma, and so will a Bifauxnen or a Perky Female Minion, as well as the Aloof Ally and Dark Magical Girl. Jaime Lannister and Brienne of Tarth, as well as Sansa Stark, Loras Tyrell, and Ty Lee, are good examples to follow.
  9. Draw from history, mythology, and classical literature.

RINGSTETTEN TROPES

RINGSTETTEN TROPES

Character appearance, personality, and backstory:
  • The Beautiful Elite
  • Gorgeous Period Dress/Costume Porn
  • Nice Hat (oodles of cavalier hats, and, later on, tricorns).
  • French Braids of Action/Tomboyish Ponytail/Soldier's Ponytail (left and right since across the first arc: half-way across the 30YW, the dress code changes due to French influence, and short hair is out for military men).
  • Slipknot Ponytail (left and right: in dramatic scenes, characters of both sexes tend to untie their queues, or the queues come off by themselves. The Christina drinking game requires a drink for each slipknot queue: two if it's the title character's).
  • Girlish Pigtails (the usual hairdo for more feminine maidens, in the form of French braids)
  • Regal Ringlets (the usual hairdo for more feminine maidens of higher descent)
  • Prim and Proper Bun with Regal Ringlets on the sides (the usual hairdo for more feminine married women)
  • Quirky Curls/Messy Hair/Wild Hair (the usual hairdo for the more feminine Miss Kitty, codified by Madame Thénardier, to accentuate the character's status as an outcast: deflowered, unmarried adult female)
  • Fire-Forged Friends
  • Tsurime Eyes
  • Mismatched Eyes/Violet Eyes/Green-Eyed Blonde/Green-Eyed Redhead (common leading character phenotypes, pretty rare in real life)
  • Bunny-Ears Lawyer
  • Unkempt Beauty (even when growing up as they become badasses or depressives)
  • Badass Adorable
  • Intelligence Equals Isolation
  • Friendless Background/Loners Are Freaks
  • Ambiguous Disorder
  • Sheltered Aristocrat/Homeschooled Kid/No Social Skills
  • Military Brat 
  • Circus Brat
  • The Ace
  • Broken Ace
  • Academic Athlete
  • Cunning Linguist
  • Cuteness Overload
  • The Charmer
  • Large Ham/Milking the Giant Cow (yet another feature celebrated by the drinking games)
  • Occidental Otaku/Extraverted Nerd (often centered on historical figures or literature, becomes an Ascended Fanboy or Fangirl [yet another serial number filed off Cassio]. A particularly dark take would be Charles XII, with his desire to outqual Gustavus Adolphus)
  • Heroic B***ard (Liselotte, and, later on, Katja. Christa in Arc 4 will also be one. A male example would be Alois, and also [if the rumour is right] Gabriel in Christina).
  • Outnumbered Sibling
  • Only Child Syndrome (either of these family structures are a Ringstetten staple)
  • Child of Two Worlds/Mixed Ancestry (left and right; too many leading characters are of international descent: the most disturbing example, from Arc 4, would be Christa, Child by Rape of a French officer and a Prussian Miss Kitty's younger sister, during the Napoleonic era).
  • Sweet on Polly Oliver/Dropped a Bridget On Him
  • Jade-Coloured Glasses
  • Jerk with a Heart of Gold
  • Chronic Hero Syndrome
  • Just Following Orders
  • My Country, Right or Wrong/My Master, Right or Wrong
  • Hot-Blooded 
  • Leeroy Jenkins (even the Savvy Guy Blue Oni can become one under pressure)
  • Sacrificial Lion/Mauveshirt/Redshirt (could you pass me the Xanax, pls?)
  • Lost Lenore
  • Florence Nightingale Effect
  • Single Woman Seeks Good Man
  • I Love You Because I Can't Control You
  • A Glass of Chianti/I Need a Fricking Drink or Drowning Their Sorrows (the leading character usually slips from the former to the latter)
  • Blood-Splattered Innocent
  • My Name Is Íñigo Montoya
  • Reports of My Death Were Greatly Exaggerated
  • Worthy Opponent
Young female characters:
  • Academic Alpha B*tch/Ojou
  • Tsundere (with more emphasis on the tsuntsun part)
  • Good Bad Girl (if she is flirtatious; Hedi somewhat fits, Christa may be one too)
  • Spirited Young Lady
  • Plucky Girl/Genki Girl/Pollyanna/Perky Female Minion
  • Strange Girl
  • Ingénue
  • Little Girls Kick Shins/Groin Attack (the Energetic Girl's stock techniques)
  • Hidden Buxom (due to sarashi or to a baggy top)
  • Little Miss Badass
  • Bifauxnen/Sweet Polly Oliver
  • Lad-ette/One of the Boys
  • Squadette
  • Butch Lesbian
  • Lipstick Lesbian (Christina and Ebba, respectively, notch. Also, Christa and Toinette in Arc IV.)
  • The Baroness/Iron Lady/Lady of War/Silk Hiding Steel
  • Damsel Out of Distress
Young male characters:
  • Dude in Distress
  • Ill Boy
  • Dude Looks Like a Lady (usually, in their younger years: a Long-Haired Pretty Boy Ensign Newbie with a fragile physique typically gives off Bridget vibes)
  • Bishónen/Ikemen (tends to age up from the former to the latter) (yet another serial number filed off Cassio)
  • Cultured Badass/Badass Bookworm/Cultured Warrior/Warrior Poet/Genius Bruiser (yet another serial number filed off Cassio)
  • Prince Charming/Princely Young Man/Old-School Chivalry (yet another serial number filed off Cassio)
  • Officer and a Gentleman/Ensign Newbie (yet another serial number filed off Cassio)
  • Gentleman and a Scholar/Gentleman Adventurer
  • Gentleman Snarker (once s/he has attained a certain age)
  • Remittance Man (sent to the war front/university to "see the world," and also to give his caregivers a break; yet another serial number filed off Cassio)
  • Conscription/Press-Ganging (characters not introduced as officers or camp-born are often recruited either way: the former [drafted] in Sweden, France, and western Russia; the latter [press-ganged] in Central Europe and the Wild East).
  • The Neidermeyer (the Officer and a Gentleman/Ensign Newbie tends to become one as he loses his rose-coloured glasses)
  • Yaoi Guys
  • Sacrificial Lion/Mauveshirt/Redshirt (could you pass me the Xanax, pls?)
  • Disposable Fiancé, of the Bland Perfection kind/Privileged Rival (subverted: this kind of ideal man is always the male lead, one of the POV characters, and gets the girl (if she's not his sister)). And they have flaws that range from left-handedness through arrogance and regret to depression and alcoholism. Only one straight example: Étienne van der Heide [though he has his own flaws: greed and wrath]. And it appears that his descendant René will follow in his footsteps... depending on how you see the leading cast, for both he and Gustav Paul von Ringstetten embody different traits of the trope: René is wealthy and self-confident, yet embodying bourgeois values; while his frenemy is thoughtful and romantic, a believer in old-school chivalry yet introverted and from a now middling noble family. Gustav Paul is the lefty to René's righty, to emphasize it even more. Both of them look good and even effeminate/fragile, until an adult René, the dark-haired one, puts on weight. And it's the Walloon who gets the girl.)
  • Tall, Dark, and Handsome/Tall, Dark, and Snarky/Troubled but Cute
  • Improbable Weapon User (flagpole, maypole, glass bottle of schnaps or vodka... you name it)
  • Molotov Cocktail 
  • Glass Cannon (the officer in the leading cast is always this)
  • Royal Rapier/Sword and Gun/Dual Wielding (stock weaponry for an officer)
  • I Am Not Left- (or, in most cases, Right-) Handed
  • Left-Handed Mirror Image (most leading characters being southpaws, there has to be a proportional number of northpaw counterparts)
  • Duel to the Death/Throwing the Gauntlet
  • Let's You and Him Fight (used a lot, the most notable example at Lützen)
  • Humiliation Conga/Trauma Conga Line
  • Can't Hold his Liquor/Intoxication Ensues/Not So Above It All (yet another serial number filed off Cassio)
  • Laser-Guided Amnesia/Amnesiac Love Interest
  • Blood-Splattered Innocent
  • My Name Is Íñigo Montoya
  • Reports of My Death Were Greatly Exaggerated
Other characters (older characters):
  • Grande Dame
  • Colonel Badass (the elders are often portrayed as these)
  • General Failure (Rehnskiöld, for example)
  • Herr Doktor (the regimental surgeon is often one)
  • Miss Kitty (often in the fallen court lady, innkeeper, or camp follower version)
  • Exalted Torturer
  • A Father to his Men (lots of royals and officers fit)
  • Sacrificial Lion/Mauveshirt/Redshirt (could you pass me the Xanax, pls?)
  • Love Makes You Evil/Love Makes You Crazy
  • Lost Lenore
  • Royals who Actually Do Something (Gustavus Adolphus, Christina...)
  • The Pirates who Don't Do Anything
  • A Glass of Chianti/I Need a Fricking Drink or Drowning Their Sorrows (the leading character usually slips from the former to the latter)
  • The Neidermeyer (the Officer and a Gentleman/Ensign Newbie tends to become one as he loses his rose-coloured glasses)
  • Paid Harem
Setting to take for granted:
  • Genius Bonus
  • Viewers Are Geniuses
  • Reference Overdosed
  • Rule of Symbolism
  • The Bard on Board: left and right. Take a drink for each Shakespeare reference.
  • Swashbucklers/The Cavalier Years/Wooden Ships and Iron Men: left and right. It's early modern military historical fiction after all.
  • Fruit Cart/Rule of Pool (or Lake): used left and right. Whenever there is a cart in a marketplace or a lake... well, most times there is one.
  • Pastel-Chalked Freeze Frame
  • Rope Bridge
  • A Crack in the Ice
  • Ghibli Hills/Arcadia/Close-Knit Community/Sugar Bowl (to contrast with Lost Woods, PoW Camps, Decadent Courts, Mordor, and the war front)/Scenery Porn (can also be Campbell Country/Überwald, if taken to a more sinister level).
  • Walking the Earth/Adventure Towns and Villages/Wacky Wayside Tribes (a given, left and right).
  • Nothing Exciting Ever Happens Here (Küstrin, and, later on, Vänersvik/Värmland; also, Berezov to Katja. In all cases, it serves as the catalyst for Jumping at the Call)
  • North is Cold, South is Hot (the Mediterranean, like in real life, is pretty Dornish)
  • Standard Royal Court/Decadent Court
  • Dances and Balls (left and right, whether May Day/Midsummer revels or courtly masquerades/soirées).
  • PoW Camp
  • Aliens in Cardiff (or rather, Fair Folk in Värmland and other obscure locations)
  • Humans are Flawed/The Evils of Free Will
  • Worthy Opponent
  • No Antagonist
  • The Beautiful Elite
  • Gorgeous Period Dress/Costume Porn
  • Nice Hat (oodles of cavalier hats, and, later on, tricorns).
  • French Braids of Action/Tomboyish Ponytail/Soldier's Ponytail (left and right since across the first arc: half-way across the 30YW, the dress code changes due to French influence, and short hair is out for military men).
  • Slipknot Ponytail (left and right: in dramatic scenes, characters of both sexes tend to untie their queues, or the queues come off by themselves. The Christina drinking game requires a drink for each slipknot queue: two if it's the title character's).
  • Girlish Pigtails (the usual hairdo for more feminine maidens, in the form of French braids)
  • Regal Ringlets (the usual hairdo for more feminine maidens of higher descent)
  • Prim and Proper Bun with Regal Ringlets on the sides (the usual hairdo for more feminine married women)
  • Quirky Curls/Messy Hair/Wild Hair (the usual hairdo for the more feminine Miss Kitty, codified by Madame Thénardier, to accentuate the character's status as an outcast: deflowered, unmarried adult female)
  • Ragtag Bunch of Misfits/Army of Thieves and Whores/Equal-Opportunity Evil (at first only in the 30YW arc; the next arc toned it down but still had French, Scottish, German... exiles at the service of Sweden, not to mention the steppe natives on the Czar's side).
  • Dwindling Party (used to great effect, with Anyone Can Die and all)
  • We ARE Struggling Together (on both sides of the 30YW, making it look like Westeros)
National tropes:
  • Gratuitous Foreign Languages (French, Latin, Russian, Finnish, Gaelic, even Italian and Spanish have been spoken in a Swedish-German canon)
  • Cunning Linguist (of course)
  • Bilingual Bonus (ditto)
  • Painting Frost on Windows
  • Phenotype Stereotype (most Northerners are fair of features; Bavarians, Austrians, French, Walloons, Lorrainians, and Rhinelanders tend to be auburn; Mediterraneans and Romany have a "Dornish" dark look in general).
  • Dichter und Denker (after all, the Ringstettens are Prussians from Brandenburg)
  • Germanic Efficiency
  • Germanic Depressive (yet another consequence of loss of innocence)
  • Everything Sounds Sexier in French
  • Everyone Looks Sexier if French (Jean Bernadotte, Napoleon, Josephine, and Désirée. Even Dési's obstructive brother Étienne Clary. Not to mention the French that have appeared before, including Katja's mum and those in the 30YW. And then there's the Walloons, Francophone Spanish subjects and their descendants born in Sweden...).
  • French Cuisine is Haughty (the French set trends for courtly culture up until the Revolution, so this applies to all forms of courtly culture).
  • Sexy Scandinavian (though many of them are of German descent!)
  • Sensual Slavs (though Alois crosses this with Dashing Hispanic, himself being of raaaather mixed blood).
  • Funetik Aksent (Saxon dialect, most prominently. Most non-Saxon characters need an interpreter even in Leipzig [or "Leyptsch"], and the Saxon speech is subbed on screen. Justified in the fact that it's the early modern period... Also, Bavarian and Austrian. Not to mention the Gothenburg dialect and the Värmland commoners' speech.)
  • Husky Russkie/The Russkie Suffers Most/Mother Russia Makes You Strong
  • Vodka Drunkenski (even Swedes follow suit)
  • Make the Bear Angry Again (Charles XII tried and the result was not pretty. Then, the sword-nobility-affiliated right-wing Hat Party had this ambition in order to avenge the Poltava debacle).
  • Multinational Team/Equal-Opportunity Evil (at first only in the 30YW arc; the next arc toned it down but still had French, Scottish, German... exiles at the service of Sweden, not to mention the steppe natives on the Czar's side. The fourth arc will star an international army at Leipzig in 1813).
Corruption, warfare, and injury:
  • Humans are Flawed/The Evils of Free Will
  • War is Hell
  • Wasteland Elders
  • Florence Nightingale Effect
  • After-Action Healing Drama (left and right, of course; after the Lech, Lützen, and Poltava come the most dramatic examples)
  • Bandage Wince
  • Post-Victory Collapse
  • Mortal Wound Reveal (also left and right, frequently stressed with a Pastel-Chalked Freeze Frame)
  • Bullet Holes and Revelations (Tilly at the Lech, Gerhard vs. Count Pappenheim, Charles XII's left foot pre-Poltava: all three done in a pretty Hitchcockian way)
  • No One Could Survive That
  • Only a Flesh Wound/Major Injury Underreaction
  • Heal it with Booze (schnaps, laudanum, Riga balm [mulled schnaps], vodka: done left and right, since there are no other painkillers. And also as a disinfectant, setting fire to the injuries afterwards. Intoxication Ensues more than once).
  • Ragtag Bunch of Misfits/Army of Thieves and Whores/Multinational Team/Equal-Opportunity Evil (at first only in the 30YW arc; the next arc toned it down but still had French, Scottish, German... exiles at the service of Sweden, not to mention the steppe natives on the Czar's side. The fourth arc will star an international army at Leipzig in 1813).
  • Dwindling Party (used to great effect, with Anyone Can Die and all)
  • Let's You and Him Fight (used a lot, the most notable example at Lützen)
  • Worthy Opponent
  • We ARE Struggling Together (on both sides of the 30YW, making it look like Westeros)

Ensembles

  • Red Oni, Blue Oni 
  • Captain (or rather Lieutenant) Smooth and Sergeant Rock
  • Left-Handed Mirror Image
  • Savvy Guy, Energetic Girl
  • Single Woman Seeks Good Man 
  • I Love You Because I Can't Control You (the most usual dynamics among lovers)
  • Gender-Equal Ensemble (Four Is Death; Four-Temperament Ensemble; Savvy Guy, Energetic Girl)
  • Paid Harem
  • Worthy Opponent
  • Ragtag Bunch of Misfits/Army of Thieves and Whores/Multinational Team/Equal-Opportunity Evil (at first only in the 30YW arc; the next arc toned it down but still had French, Scottish, German... exiles at the service of Sweden, not to mention the steppe natives on the Czar's side).
  • We ARE Struggling Together (on both sides of the 30YW, making it look like Westeros)
  • Dwindling Party (used to great effect, with Anyone Can Die and all)

The Sinister

  • The Fair Folk
  • Aliens in Cardiff (or rather, Fair Folk in Värmland and other obscure locations)
  • Mordor/Campbell Country/Überwald/Lost Woods
  • Decadent Court (the culture counterpart of these natural settings)
  • PoW Camp (the other culture counterpart of these natural settings)
  • Den of Iniquity/Paid Harem
  • Sugar Apocalypse
  • Arc Symbols/Arc Words/Arc Numbers (very often 4, combining Four Is Death and Gender-Equal Ensemble. As well as "lieutenant," and "hope," to say two of the most persistant arc words.)
  • Rope Bridge
  • A Crack in the Ice
  • One-Woman Wail
  • Ominous Pipe Organ 
  • Ominous Latin Chanting/Cherubic Choir/Ethereal Choir
  • Ominous Musical Box Tune
  • Blood-Splattered Innocent
  • Cute and Psycho/Break the Cutie
  • Hair-Raising Hare/Killer Rabbit (the ominous sinister path-crossing hare pre-Poltava)
  • Tom the Dark Lord (Charles XII)
  • Troubling Unchildlike Behaviour (idem)
  • Black Cats/Creepy Crows (can be dexter or sinister, the latter bring misfortune)
  • Dark and Troubled Past/Freudian Excuse/Backstory Horror
  • Love Makes You Evil/Love Makes You Crazy
  • Lost Lenore
  • Torture Cellar/Locked in the Dungeon
  • Renegade Russian (the ostensible antagonist in the second arc, Katja's stepfather)
  • A Glass of Chianti/I Need a Fricking Drink or Drowning Their Sorrows (the leading character usually slips from the former to the latter)
  • The Neidermeyer (the Officer and a Gentleman/Ensign Newbie tends to become one as he loses his rose-coloured glasses)
  • Humans are Flawed/The Evils of Free Will
  • Laser-Guided Amnesia/Amnesiac Love Interest
  • Fighting Your Friends
  • After-Action Healing Drama (left and right, of course; after the Lech, Lützen, and before Poltava come the most dramatic examples)
  • Only a Flesh Wound/Major Injury Underreaction
  • Mortal Wound Reveal (also left and right, frequently stressed with a Pastel-Chalked Freeze Frame)
  • Bullet Holes and Revelations (Tilly at the Lech, Gerhard vs. Count Pappenheim, Charles XII's left foot pre-Poltava: all three done in a pretty Hitchcockian way)
  • Ill Boy
  • You Have Outlived Your Usefulness
  • Dwindling Party (used to great effect, with Anyone Can Die and all)
  • The Magic Goes Away/Death of the Old Gods (as a consequence of industrialism, it will be a major theme of the 4th arc.)