Mostrando entradas con la etiqueta privileged rivals. Mostrar todas las entradas
Mostrando entradas con la etiqueta privileged rivals. Mostrar todas las entradas

domingo, 28 de diciembre de 2025

A PRIVILEGED CHRISTMAS - THE MIDNIGHT ARCHIVE

Excerpts from the Little Matchgirl retelling by The Midnight Archive - describing the Christmas of the privileged: 

The table was covered with white linen that gleamed like fresh fallen snow. Fine china plates edged in gold sat at each place setting with crystal glasses that sparkled in the candlelight. Silver cutlery flanked each plate, knives and forks and spoons of every size, more utensils than... A Christmas tree. It reached nearly to the ceiling, decorated with candles and glass ornaments and strings of gold beads. A family was gathered around it. Parents and children, grandparents, a baby in someone's arms. They were laughing at something the youngest child had said. The mother reached out to adjust an ornament. The father lifted a toddler to see the star at the top. They looked happy. They looked like they had never known a moment of want in their lives. Families were sitting down to their Christmas Eve dinners. The smells reached her even in the empty street. Roasting meat, baking bread, spices and sweetness, and everything rich.

 ... when the flowers were beginning to bloom in the gardens of the wealthy. These houses were tall and solid, built of good red brick, with large windows that glowed with candlelight. Iron gates guarded small front gardens. Brass knockers gleamed on painted doors. Everything spoke of money, of security, of a world where winter was an inconvenience rather than a death sentence. Through the windows, one could see glimpses of another existence entirely. A parlour with velvet furniture and paintings on the walls. A dining room where a table was set for twelve. Crystal glasses catching the light. A sitting room where a fire blazed in an enormous hearth, its flames dancing, its heat radiating into every corner of the room. 

A Christmas tree. It was enormous, taller than any other tree ever seen, taller than the ceilings of any room she had ever entered. Its trunk was thick and strong, its branches spreading wide in every direction, laden with ornaments and treasures beyond counting. Candles flickered among the needles. Hundreds of them, perhaps thousands, each flame steady and bright, each one casting its own small circle of golden light. The effect was dazzling, overwhelming, like looking at a constellation that had descended from heaven and taken root in the earth. Glass balls hung from every bow. Red ones and gold ones and silver ones painted with delicate patterns catching the light and throwing it back in sparks of colour. Some were shaped like pinecones, others like icicles, others like tiny houses with windows that seemed to glow from within. Ribbons wound through the branches. Silk and satin, crimson and emerald and royal blue. Strings of gold beads draped from tear to tear, glittering whenever you moved your head. Carved wooden angels hung at intervals. Their painted faces serene, their gilded wings outstretched. At the very top, a star glittered with what looked like real diamonds. 

Beneath the tree, presents were piled in drifts. Boxes wrapped in colored paper. Red and green and silver tied with silk ribbons tagged with names. Dolls with porcelain faces and silk dresses, their painted eyes staring up at the branches above them. Drums painted in bright reds and blues with real drumsticks tied to their sides. Wooden horses with real horsehair manes and tails mounted on rockers or wheels. Picture books with gilded covers and beautiful illustrations inside. Glimpses of castles and dragons and princesses and all the things that existed in stories and nowhere else. Tin soldiers standing at attention in neat rows, their uniforms bright, their rifles at the ready. Music boxes with delicate mechanisms that would play when opened. All the gifts that children in wealthy households would find in the morning. All the joy that would be theirs. While other children unwrap treasures, then... Here in this vision, all the presents seemed to be waiting. Every ribbon, every bow, every carefully wrapped package...

The gentleman who was reaching into his pocket until his adult daughter appeared and led him away, (to take him home with the wife and mother for supper.) 
The families gathered around their Christmas trees, their tables laden with food, their fires burning in their hearths. 
The woman in the fur trimmed coat who glanced and looked away. 
The woman was well-dressed, a fur-trimmed coat, leather gloves, a hat with a feather. She was examining vegetables at a market stall, selecting the finest ones for her holiday table. The woman glanced. Just a glance, a quick flick of the eyes ... and then looked away. She didn't speak. She didn't shake her head. She simply continued examining vegetables as if the match girl hadn't spoken, as if she wasn't there at all. looking back. It was as if ... was invisible, as if she existed in a different world that occasionally overlapped with this one, but could be ignored if you tried hard enough. 
Late in the afternoon, a man actually stopped. He was elderly with white whiskers and a kind face, wearing a heavy wool coat and sturdy boots. He looked at the match girl. Really looked at her. And something like pity crossed his features. 
"Matches, young lady." "Yes, sir."
He was reaching into his pocket. He was going to buy. 
"Father." A young woman appeared at the man's elbow, taking his arm. "We'll be late for dinner. Mother is expecting us." 
The man hesitated. He looked at the match girl, then at his daughter, then at the match girl again. 
"I'm sorry, he said. I haven't any change." He let his adult daughter lead him away. If his daughter had arrived 30 seconds later, everything would be different. But 30 seconds was too long...
A night of celebration, a night of abundance and gratitude and hope for the future. A night when families gather, when champagne corks pop, when church bells ring, and everyone makes resolutions they won't keep. The contrast is the point. While the feasts are being served.. While the fires are blazing... While the families are embracing... 
The wealthy families in this story aren't villains. They're not actively malicious. They're simply living their lives, enjoying their holidays, loving their children. They don't see ... because they've learned not to see, because seeing that would be uncomfortable, would demand something of them, would interrupt their joy with someone else's sorrow. 
That learned blindness is what Andersen is writing about. Not cruelty, but indifference. Not hatred, but the simple failure to notice.
We recognize ourselves in the people who walked past. We see ourselves in the families gathered around their trees celebrating...

All these descriptions make me long for a Victorian Christmas among the upper class. Only comforts and pleasure, and the best of everything. Now we have plastic glasses, plastic ornaments, lifeless fashion dolls, AI-illustrated, soulless picture books, and Spotify instead of music boxes. It was definitely more artistic, had more soul back then.
Instead of china plates edged in gold, plastic or ceramic plates.
Instead of crystal glasses that sparkle, plastic glasses that don't sparkle.
Instead of sterling silver cutlery, stainless steel cutlery.
Instead of hand-blown glass ornaments, plastic ornaments.
Instead of porcelain dolls with painted eyes and silk dresses, plastic fashion dolls.
Instead of picture books with gilt covers and beautiful Victorian illustrations, AI-illustrated, soulless picture books.
And instead of music boxes with delicate mechanisms, apps like Spotify...
Perhaps that is why I love fairytales so much, because they offer us glimpses into a world where all of this was lovingly crafted, and thus beautiful and pleasant.

miércoles, 19 de noviembre de 2025

DIE OTTO-LEONHARD-SCHULE


Otto Leonhard, el fundador del colegio, fue un hombre de mundo que viajó sobre todo a climas tropicales durante la Belle Époque. Gracias a la poción que ha ingerido, permanece allí en espíritu.





HR. HENNING (guiando al inversor, sus hijas gemelas y la gran dama por el desván): Entrad, os lo ruego. Con vuestro apoyo financiero, conseguiremos hacer algo único aquí. Exclusivamente... (pellizcando las mejillas de las gemelas rubias, que reaccionan con una expresión incómoda) ...para criaturas como ustedes. Esta clase no ha sido utilizada durante años. Otto Leonhard tenía algún tornillo flojo. Decoró esta clase como un museo de arte africano. (Se ríe) Naturalmente, lo sacaremos todo... y aquí dentro crearemos un gran club para todos los padres de nuestros alumnos. Ya que os costará lo mismo inscribir a vuestros hijos aquí.



Schulrat Henning: Justus von Dohnányi
Tochter des Investors 1: Annika Becker
Tochter des Investors 2: Marie Becker
Investor: Siegfried Foster
Alte Reiche Dame: Christa Schreiber












Lehrer Coldegol: Michael Ostrowski (Flamboyant Gay)

Mario Henning: Georg Schulzer


La mansión de los Henning vista desde fuera.

HR. HENNING: Con el estipendio que recibiré como director del colegio, podremos finalmente permitirnos tener servicio, cariño.
FR. HENNING: Sabes desde cuánto tiempo he esperado este momento.
HR. HENNING (a Mario): Y tú podrás tener un aumento de la paga y nuevos amigos.
MARIO: (sonríe satisfecho)

En la mesa de cristal hay carne tierna por dentro con guarnición de verduras y vino tinto.

Schulrat Henning: Justus von Dohnányi
Frau Henning: Alexandra Helmich
Mario Henning: Georg Schulzer

Parece que ella, la madre de familia, es la razón por la cual los Henning son tan privilegiados...

Los Henning tienen una serpiente Y un gato como mascotas (Además, Mario tiene su propio dron, que puede controlar desde su tableta de Android).
 


MARIO (a Ella): Si fueras más simpática conmigo, podría hacer... que te quedaras. 
ELLA: ¿En serio? ¿Podrías hacerlo?
MARIO: Sí, así es. Eres la única chica de nuestra clase que... me hace tilín.
ELLA: Entonces... ¿me harías entrar en tu banda?
MARIO: No... La banda se disolverá.
ELLA: ¿Por qué?
MARIO: Los padres de Chris son unos jipis de izquierdas. (El doblaje italiano dice "sono anarchici e rimbambiti"... ¿y el original alemán? "sie sind... ***no lo pude oír con claridad. Necesito esa cita textualmente") No me interesa.
ELLA (acercándose a Mario): Hmm... Parece que... puede que nazca algo... entre nosotros dos.
MARIO: (Se ríe satisfecho)
ELLA (sacando su smartphone, parando la grabación que ha registrado): Gracias, Mario. Muy amable.
MARIO: ¿Qué?
ELLA (agitando su smartphone): Acabo de registrar una traición.
MARIO: ¡Eh, dame ese teléfono! 
La persigue, pero Ella es más rápida, y se pierde detrás de la verja del jardín de los Henning.


(En el clímax)
MARIO: El colegio no se cerrará... será sólo de élite.
CHRIS: ¿Qué significa?
ELLA: Ah, encantada. (Saca su smartphone y le da al play) 
VOZ DE MARIO GRABADA: No, la banda se disolverá. Los padres de Chris son unos jipis de izquierdas/anarchici e rimbambiti. No me interesa.
MARIO (a Chris): Hijo... así es como gira el mundo. No soy yo quien cierra el colegio.
ELLA: No, pero tu padre sí.
CHRIS (serio, a Ella): Entonces os ayudaré (se cambia de bando, pasando de estar al lado de Mario a estar al lado de Ella). En el fondo, es nuestra escuela.
MARIO (crispado): ¿Pero qué estás haciendo, traidor?






Chris: Maximilian Ehrenreich

Ella Borsig: Lina Hüesker




#CrossdressingAU #GaySensitiveGuyHeadcanon #PrepBoardingSchool #PrepBoardingSchoolUniforms #FlowerChildBrat #Herptiles #SteinBeiNürnberg #Uchronia

Or, that AU based upon a German family film that takes the premise of the Sensitive Guy being not quite straight and sweet on the Privileged Rival who had always used him as a tool. Also, the villain's plans come true and we've got a prep boarding school setting!
¿Y si los Vorndran nunca se hubieran mudado a Stein, y si el Colegio Otto Leonhard se convirtiera, siguiendo los planes del Schulrat Henning, en un internado de élite (con uniformes y todo)? Sabemos que Mario Henning (dueño de un dron, un gato, una diana de dardos, una serpiente venenosa y todo el prestigio de la clase) planeaba disolver la banda porque, citándole: "los padres de Chris son unos jipis de izquierdas".
Ahora, demos por sentado que Chris, ese Sensitive Guy con toda la pinta de hipster (gafas de pasta, camisa de botones a cuadros...) es gay, que le pone el Draco Malfoy de turno a pesar de que el rubito le ve solo como a una herramienta prescindible, y que Ella Borsig (la genio de la clase, que no se avergüenza de llevar su gorra de cuadros en el aula, y de la que Mario confesaba que es "la única chica del cole que me hace tilín") se apiada de nuestro Sensitive Guy y le concede fondos para matricularse en el nuevo Otto Leonhard con un uniforme femenino y el nombre de Christina, consiguiendo tener a Mario por compañero de habitación...
El resultado: un triángulo amoroso lleno de acertijos intrincados, herptiles, alusiones literarias y dicha ironía del travestismo.

#LaMargravina lleva una vida provinciana bastante normalita desde niña; por eso le fascinan la alta cultura y la vida de los privilegiados, así como los estilos de vida alternativos. Se identifica con Chris y sus padres, esos "jipis de izquierdas," porque considera que quien no es de izquierdas a sus años mozos no tiene corazón. Canta en la ducha y le encanta citar a los autores de literatura clásica. Planea que este AU se ruede como una peli de Wes Anderson


... Schulkameradin Ella (Lina Hüesker) ...

Unterdessen heckt der versnobte Schulrat Henning (Justus von Dohnányi) einen Plan aus, die Bildungsstätte in ein Internat für die betuchte Elite zu verwandeln.

neue Freundschaft mit Ella,

Justus von Dohnányi, der als Schulrat bisweilen zwar etwas übertreibt, hat hingegen den besten Running Gag des Films, wenn er immer wieder Probleme mit geschlossenen Türen hat – ihm gehören die besten komischen Momente des Films. 

 Die übliche Klassen-Gang, in welcher der Schnösel mit seinen zwei Begleitern die Fäden zieht, darf auch nicht fehlen. Besonders dieser Monchichi-ähnliche Typ ging mir mit seinem obercoolen Gehabe schon etwas auf die Nerven. Richtig böse waren ja eigentlich nur der der Elite-Schulrat + sein fieser Schnösel-Sohn.

Freundin Ella (Lina Hüesker)

Zur gleichen Zeit spinnt Schulrat Henning (Justus von Dohnányi) eine Intrige: Er will die Schule erst schließen und sie dann in eine Elite-Anstalt für reiche Zöglinge verwandeln.

Das alte Schulgebäude – von außen handelt es sich um das Faber-Castell-Schloss in Stein bei Nürnberg – ist eine Augenweide, die die Fantasie schon rein architektonisch beflügelt. Dass es hier spukt, scheint atmosphärisch nicht völlig abwegig.

Auch nicht (hätte es gebraucht) das pädagogisch korrekte Plädoyer für Schülerfreundschaften über die sozialen Schichten hinweg, für das Mario und sein Gefolge herhalten müssen. 

(Bianka Piringer)

den fiesen Mario und dessen Vater (ein satirischer Lichtblick: Justus von Dohnányi) auch noch davon abhalten, aus der Bildungsanstalt eine Elite-Schule für Besserverdiener zu machen.

von den Plänen des Schulrats, das Gymnasium zu schließen und in eine Eliteschule für Kinder aus reichen Elternhäusern zu verwandeln. 

allen voran der arrogante Mario (Georg Sulzer),

Marios Vater, den Schulrat Henning (Justus von Dohnányi), der seine ganz eigenen Pläne mit der Schule verfolgt.