Mostrando entradas con la etiqueta incest. Mostrar todas las entradas
Mostrando entradas con la etiqueta incest. Mostrar todas las entradas

lunes, 24 de febrero de 2020

DOLLMAKER (ZEXAL)

Title: Dollmaker
Characters: Thomas Arclight, Rio Kamishiro/Kastle, Ryouga/Reginald Kamishiro/Kastle, vague mentions of Christopher and Michael
Rating: NSFW sob, but nothing immensely explicit
Warnings: Pseudo-incest and in general creepiness because idk, what kind of man has sex with BJDs he makes. This is really creepy and freaked me out a little even writing it, tbh.
Summary: A desperate man lost his brothers and began to work more on his hobby than anything else, and it became more of an obsession than anything as time went on.


When his brothers died, it had nearly killed him too. It was why he had ended up diving headfirst into his work, working more fervently every day, hardly resting. It was why he kept making more and more dolls, why he kept distracting himself with the hobby they were never fond of him having.
 
But collectors loved his work. They would always call, asking if they could come by to take a look at his showroom, and what else could he do but say yes? They offered lots of money, after all. And with that money, he could keep making them until he made the most perfect ones.
 
It was a project he started after six months of not having them around, and it took a year to complete them. Not because he slacked off - oh no, not at all. It was because he wanted them to be perfect. They had to be absolutely perfect, they had to be almost real, and that was why they were to be about the size of actual fourteen year olds. So he worked, day in and day out with their resin bodies, making sure their skin was the perfect shade. He worked to carefully place each small lock of hair into their heads - the girl had to have beautifully flowing blue hair, he decided, for she was to be his perfect little ice princess but with a fire in those magnificent amaranth irises he would later put into her face. The boy though, he was tougher to place, but if they were to be twins, then his hair must be purple and in waves, the ends of his hair flipping up, waves like the ocean with piercing cobalt eyes that could make him look like a predator. Their eyes would be glass of course, glass because he liked knowing that his creations were always watching him, giving him attention he never had.
 
The thought of those eyes, both of them, always send a shudder down his spine. The times that he would rest, he found himself leaning back in his seat and imagining their eyes, the smirks on their faces, the way that - if they had been real people - they would kiss each other, touch each other and put on a show for him, make him long to reach out for them before they would finally give in and give him the pleasure he so craved from their cold touch. And every time, he murmured different names on his lips, searching for the right ones until one day, when he came and moaned out ‘Reginald’, he knew that would be the boy’s name, and the girl would thusly be 'Rio’.
 
 
The day that he had completed them was the day when he should have been preparing for at least a dozen guests, all collectors and their close families that he had been kind enough to extend invitations to so they could all see his showroom at once. When he finished them though, he couldn’t help but get lost in their eyes, he couldn’t keep himself from wanting to touch them, running his fingers over the developed curve of Rio’s breasts as he kissed her neck and he pretended that she would moan for him, tell him to either give him more or she’d make sure he would. All he could do was chuckle against her neck and murmur, “Are you meant to be making such demands of your master?”
 
His attention then turned to Reginald, fingertips fluttering over the boy’s thighs and teasing over his groin, and he could imagine the hiss of breath as the boy inhaled deeply, and the glare that would follow, the biting demand that he leave his sister alone and just fuck him and get it over with. He could only chuckle again as he leaned in close to Reginald’s lips, speaking against them. “I wouldn’t have created you both if I didn’t want you both.” The resulting thought of Reginald turning his head and 'tsk'ing before mumbling an agreement made him giddy.
 
Why, if only he could make them real! Or if they could speak and do whatever he wanted of them, that would be lovely as well!
 
After some deliberation and him noticing the time, he quickly, but carefully, settled the two to stand in a case, putting them in the showroom for all to see. This would be their debut, and the world would soon see how talented he was and offer even more money for his works. Before long, the visitor showed and after treating them to some tea and biscuits, he lead them into the showroom with a gleeful grin.
 
Soon enough, all were gathered around Reginald and Rio, amazed with his craftsmanship.
 
“Goodness, they’re beautiful!”
 
“They both look so full of life - I almost thought they were real!”
 
“Thomas, how much will you take for these two?”
 
He had been content to bask in the compliments, but the moment he was asked for a price, that sweet smile of his turned dark as he shook his head. “I’m afraid they aren’t for sale. You see, they’re my best creations, and unless I can make something better, I would like to keep them. I’m certain you all understand.”
 
There were nods and murmurs of agreement before the crowd dissipated, though there was one that still lingered. He moved closer, sliding in next to the collector. “Are you certain you won’t take anything for them?” he asked, and Thomas had to bite back a snide comment, a bitter remark. Instead, he continued to smile pleasantly.
 
“Absolutely not, I’m afraid. I think it’s best that I keep my best on display to show what I’m capable of.”
 
“Mm, you do have a point. If you make any other fine specimens like these however, do let me know. I’m highly interested.”
 
“Yes, of course.” And as soon as the man turned away, Thomas’s pleasant expression shifted into one of annoyance. He would never sell these beautiful masterpieces. They belonged to him and him alone. No one would take them from him.
 
Reginald and Rio would love only him.
 
Later that night, when all visitors were gone and it was just him and the twins in the privacy of his own room, he made sure of that. They were undressed first, of course. And though he had marveled at their skin before, in the midst of making them, now that they were complete, he could linger. He could lave his tongue along the bony hip of Reginald’s, over the lower curve of Rio’s breast before swirling his tongue around her nipple. And though she couldn’t get wet, being inanimate, though Reginald couldn’t get hard, he still felt a thrill of imagining the both of them fighting against his touches, trying to hold back their orgasms so as not to show that he had such masterful hands, and Rio of course was the first to come, the first to scream out “Master!” and it made him shiver in delight. Reginald was much more stubborn though, he grit his teeth and let out a soundless shout as he came, and Thomas licked their bodies, pretending to clean them as he stroked himself, pushing himself to that edge and pressing his lips firmly against Rio’s to muffle his own shout.
 
He didn’t let himself cuddle with them though. He couldn’t. He had to clean them off with such care that it would take an hour alone to do that, and yet another hour to brush out their hair before redressing them. And as he sat them on his lap to wipe them down with a damp cloth, as he combed their hair, he spoke to them. He told them about how they were so beautiful, so perfect, how they could never leave him because didn’t they see? He needed them. They were everything to him and he… he needed them.
 
He was alone, as they could tell, and as the tears fell from the painful reminder that his brothers were dead, he could only laugh, pressing gentle kisses to the foreheads of his beautiful creations. “I need you both to stay with me. It’s all I’ll ask as… as your father. Just stay with me and love me.”

lunes, 24 de julio de 2017

BOYSKIN (A FEMINIST FAIRYTALE)

by Dusty Thorne

Long ago, in a golden palace atop a tall mountain, there lived a dangerous king and his captive queen, a woman whose beauty had so enticed the king upon their first meeting that he had conquered her entire village, just to possess her. He had married her almost immediately, and within a year, she had become pregnant with the king’s child, henceforth delivering a daughter on the night of the harvest moon.

Not all was well, however. As the queen had never wished to be taken from her home, she deeply resented the king for all he had done to her, though she never felt brave enough to say so to him. Instead, the queen focused on helping their daughter to grow up in the golden palace as well as she could, often by schooling her to understand and predict the king’s mercurial moods in order to avoid confrontations with him. Meanwhile, her daughter befriended many of the servants in the king’s palace, as she was not permitted to venture far beyond the palace, nor down the side of the mountain, and so she often grew bored and craved the company of others.

Eventually, when the princess was hardly a teenager, the queen was struck by a terrible illness, which drained the strength from her body and made her quite feeble, hardly able to even hold up her head. For her daughter’s sake, the queen fought the illness for nearly a year, but then, realizing one cold night in December that she was losing her battle with death's approach, the queen began to greatly fear that another woman might soon suffer the same fate that both the queen and her village had suffered: to be taken over by the king, without having any say in the matter.

Shaken by this thought, the queen called for the king and then begged him to only remarry if he were to someday find a woman who was as beautiful as the queen herself was, for despite her illness, she knew the king still believed her to be beautiful, and so she hoped he could not so easily replace her.

However, much to the queen’s surprise, the king agreed without complaint to her request, and then, shortly after the queen’s death, he began in earnest his search for a suitable replacement to drape across his arm.

Though the king’s attention did not at first turn towards his daughter, it became clear over a number of weeks that there were no other women in his kingdom who could so closely match the beauty of his former queen. Only the princess was as beautiful as his queen had been, and so, to fulfill both the promise he had made to his wife, as well as his own desire to possess the most beautiful woman in the kingdom, the king came to his daughter and proposed a marriage to her.

This crude and unwanted question shocked the grieving princess so greatly that she at first could not comprehend what her father had asked of her. Running far away to pretend she had not heard him, the princess went to seek guidance from the palace’s resident fortune-teller.

“This, I sadly foresaw,” the elderly woman softly told the princess, as they sat on opposite sides of the iron bars that surrounded the fortune-teller’s prison cell, where the fortune-teller was kept when her gift of foresight was not being used to assist the king in conquering more lands. On the elderly woman’s wrists were shackles so thick they nearly hid the traditional tattoos of her tribe, from which the king had stolen her decades before.

“But there is a way around it, still,” the fortune-teller continued, and then told the princess to request from her father, as a condition of marriage, the commissioning of a royal portrait, which was to be life-sized and painted by the most skilled painter in the land, a portrait artist whose paintings could appear almost as true – if not more true – than life itself. The artist was to use paints from every known country, and he must clearly display both the king and the princess on the canvas as members of the royal family.

Though the princess was unsure how a painting would help her to avoid the unimaginable horror of marrying her father, she brought the request to him all the same, to which he agreed. The royal portrait took nearly a week to gather the materials for, and then weeks more after that to make it. As the artist her father had snatched up from a neighbouring town carefully copied every small detail of the king’s face onto his canvas with a narrow, horsehair brush, the princess sat in her bedroom and began to devise a plan of her own.

That night, the princess asked her father if, when it was her turn to pose for the portrait artist, she could be allowed the additional security of a fully-armoured knight beside her, preferably one who would obey only her commands. She also requested a wig be made for her out of the softest, shiniest hair possible, and a set of hairpins emblazoned with the royal seal to hold it in place so that she could look her best in her royal portrait.

Seeing the logic behind these requests, the king agreed, and when it was the princess’ turn to sit before the artist and have her half of the royal portrait painted, she did so with a perfectly styled wig on her head. Meanwhile, a knight dressed in silver armour and wearing a helmet with a long, silky red feather atop it stood beside her. To break up the time, the princess would speak to both the knight and the artist as her portrait was being painted, and as the days passed, she built up camaraderie with them both. She learned, for example, that the artist worried greatly for his wife, who had been left behind in his fishing village when the king had brought him here without offering any warnings, and that the knight in silver armor possessed a deep, inner sadness, despite his relative youth.

When the princess asked both men one day if they thought her marriage would be as loving as the marriage between the artist and his wife was, their answering silence told her all she needed to know about what they thought about a man who wanted to marry his own daughter, no matter how wealthy or powerful that man may be.

This silence gave the princess courage.

A week later, while standing in the dew-covered rose garden where the final touches of paint were being applied to her royal portrait, the princess asked the knight and the artist if they would help her to escape her marriage to the king. At first, both men hesitated, and the princess’ heart plummeted into her stomach, horror filling her at the thought that perhaps she had made a fatal miscalculation, and that she would not be able to escape her father’s attempt to produce a male heir with her after all.

A moment later, however, the artist dropped his paintbrush into its little glass jar of coloured water, swished it around to clean it, and then said, “My wife and I have a daughter.”

Seconds after this declaration, the knight removed his helmet and placed it over the princess’ head, thus covering up the wig she had been using to hide how she had shaved her head bare.

In that moment, the princess had nearly fainted from relief, so glad to have people willing to stand beside her, but she still had one more task to accomplish before attempting to escape, and so that very night, she hid her body entirely within the knight’s silver armour and visited the prison cell of the palace fortune-teller. Standing against the iron bars separating them, the princess asked the old woman if the attempt to escape from her father would be successful, but the fortune-teller did not answer her. Rather, the fortune-teller only sat there in her rattling chains and ragged dress, watching with a small smile as the princess in her silver armour took the metal hairpins from her wig and used them to pick the lock of the fortune-teller’s cell.
                                                                                  
Once the door was open and the shackles had been unbound from the fortune-teller’s wrists, the princess removed her wig and then placed it over the fortune-teller’s much lighter, nearly white hair to help hide the colour of it. Removing the wig allowed the princess’ own bald head and oil-painted false beard stubble to momentarily reflect the firelight of the torches on the basement walls, before the princess pulled down the visor of her helmet and stood up from the floor.

It is not known if it was at this moment that the fortune-teller saw a vision that the princess would someday become a powerful leader in the fight against her father’s rulership, or if the fortune-teller only hoped for this, but when the princess, disguised as a male knight, snuck out into the dark, moonlit forest outside of the palace where she had spent nearly her entire life, the fortune-teller was quick to follow her.

Meeting the artist and the knight at the edge of the forest that surrounded the palace, the princess and the fortune-teller dove into the shadows, having no light to guide them, but hoping they could still find their way.