miércoles, 10 de junio de 2015

THE DANGER OF WARMTH

The Danger of Warmth 

Under my lids a splinter sharp as his 
Has made me wish you lying dead 
Whose image digs the needle deeper still.
Adrienne Rich, The Snow Queen  

I watch the young man sleeping soundly in my bed. He has broad shoulders, curly black hair, and his eyes, if open, would be a dark blue. His skin is very cool in spite of the bearskin under which he lies; this is due to its recent contact with my flesh, blindingly white and bitterly cold as it is. 
I am the Snow Queen and reign wherever winter holds sway. If I look in a mirror (a normal mirror) I see pale grey eyes surrounded by long lashes of curled icicles, set in a white face framed by sable hair. My mouth walks a strange line between being too full and too thin – it changes depending upon my mood. My age, an impolite thing to discuss, is indeterminate, although something suggests that I am very old, old as the permafrost not so far to the north of my castle. Perhaps it’s the languid ice‐floe movement of my limbs; perhaps it’s the ever‐so‐fine lines at the corners of my eyes, like hairline fractures starting in an iced‐over pond, just before a skater falls through. 
I am far older than this warm‐blooded boy who has shared my bed for almost a year and I still do not understand the urge that compelled me to seek him out. Eight years ago (such a speck of time for me, but span enough for him to grow to manhood), I flew past his window and beckoned. He refused to come. He was a child then, so the annoyance I felt was out of proportion. Sometimes I tell myself it was a thwarted maternal urge, but the rage was too sharp for that, the urge to acquire bit too deeply.   
I sent shards from the shattered mirror (the thing I ordered made, the thing that broke over the icy backs of the mountains, the thing that went into the world as I never imagined it could) to lodge in his heart and eye, so he would think only things of ice and snow beautiful. When he had grown, I went to collect him: he tied his too‐small sled to the back of my sleigh, as the neighbourhood boys did, and off we went, deep into the countryside, until darkness frosted the sky. When we stopped, he unfurled himself from the sled and stared at me, with hostility at first, then with growing wonder. 
‘Come to me, Kai, you’re frozen.’ My voice rang out like crystal chimes. ‘Creep up under my bearskin.’ 
He climbed in beside me and I wrapped him in my white fur, my hands unerringly finding their way under his jacket, sweater, shirt and vest, to the hard planes of his flesh. I pressed my fingers over his heart, feeling the shard that lay there like a beacon. It vibrated, sensing the closeness of the flesh that had given it direction. 
‘This I recognise. This calls to me. This is mine,’ I told him. ‘This is mine, too.’ 
My hand slid lower and I felt him twitch, like a bird surprised in a snowdrift, startled, then hardening. White breath escaped into the frozen air as he gasped. 
‘I love you,’ he said. 
‘I know.’
Now he lies still, exhausted from his labours, my pet, my toy, my frozen youth with snap‐dried freshness. I reach out, tousle his curls, run my hand down his sculptured chest, tracing the thin trail of black hair that leads to a nest and the cock that, for the moment, seems at peace. It reacts to the touch of my hand, instinctive, guiltless, with no loyalty whatsoever. Its owner stirs, settles as I draw my hand away, and begins to snore softly. 
I hate the snoring. It makes me wonder what I see in humans. Still, it has not deterred me from taking refuge in his warmth these past months. But not now; I reach instead for my white bearskin robe, lying at the foot of the bed. 
The ends of the fur are tipped with tiny diamonds; I rub my hands down the robe, feeling the gems against my palms. I wrap my arms around myself, wondering at the desire (for I recognise it as a want, not a need) for warmth. I could just as easily walk naked through a blizzard and suffer no harm, but still I seek warmth or its approximation. I shake the thought from my head and leave the bedchamber. 


*

The door to this room has been shut tight for a week. I have avoided looking into the mirror, avoided seeing what it has to offer. I could not bear to see her, dogged and determined in her red boots, the little rose‐grower, the tenacious mender of shirts, the faithful heart that will not cease. I could not bear to see that still she comes, in spite of every obstacle I have thrown in her path. And she comes for my warm‐bodied boy. 
Once upon a time, when I entered this room, I would mount the dais, carefully placing my narrow feet one in front of the other, sweeping onto the carved throne like a snowbird settling onto her nest. Now, though, that dignity is no longer mine. I push open the heavy door and pad to the edge of the lake, lying smooth as glass, waiting for me. I sink to my knees like a penitent, like a beggar, and feel fear creep up my spine as I force my eyes to seek out the shape that moves in the snowstorm. I have watched her progress for months, addicted to the tale that has unfolded in the surface of this lake. 
She is small, blonde; once she was plump and wore her puppy fat like a blanket. Privation has melted it away. A child when she set out on this quest, now a young woman, ripe and fresh, her breasts, proudly jutting, are surely frozen (does she still feel the tongue of the Little Robber Girl on them? Does it warm their pink tips to think of that wet, cunning tongue? I watched that, too.) Her clothes are rags but the boots, the red boots that Kai made for her before I turned his heart, are sturdy. She comes, tramping frozen‐footed and heavy‐lidded through the sleet. 
From the moment I knew she would come I used all my powers to stop her, distract her, even to simply slow her down so my time with Kai would be extended, stretched, pulled out of true, and somehow endure. From the moment a tremor shuddered through the ground at my feet (when she jumped in the river to drown herself in despair, when the current caught the hint of who she was and sent her hurtling toward my castle), I began to plan, to scheme to keep her away.
The crow, my fine servant, distracted her for a while with a tale of a prince with Kai’s face who had won a princess with clever kisses. That sent her off the track, journeying to the home of the princess, hiding in the bedroom to see the prince who shared the famous bed. But the moment she saw him, she knew he was not Kai, not her Kai, not my Kai. So she set off again. 
The Little Robber Girl, surely, I thought, would keep her. And she wanted to stay. Oh, how Gerda wanted to stay – I could see it in the way she watched her dusky girlfriend, the way she moved in time with those dark fingers, the way she learned so quickly how pleasure can be given and taken at the tip of a long tongue. I relaxed for a while, was certain she would stay on in that warm, secluded cave, but no. After some weeks, she prevailed on her lover to let her go; her duty must be done, her loyalty could not be thrown aside so easily, not even for love. And, weeping, the Little Robber Girl gave Gerda her precious reindeer, and made her promise to come back if Kai no longer wanted her. 
I raged. I brought down a mountain in my anger and (to my shame) placed a jagged fissure at the feet of the reindeer. He broke a leg and Gerda used the pearl‐handled knife the Little Robber Girl had given her and let him bleed out quietly into the snow. It was something I would not have thought her capable of, initially, but watching her for so long I now know it to be entirely in keeping with her character. She is stronger than I would have believed: harder, determined. 
I gave Kai his task, then, his challenge: he was to form the word ‘eternity’ from shards of ice. He was to do it and make it his promise to me – to be with me forever, impermanent being though he might be, my stolen springtime. 
Now, I give her one last look, curling my hands into claws, tearing at the icy ground until I feel a nail, diamond hard, snap. Such a thing should not have happened; but then, none of this should have happened. I should never have decided a human was of paramount importance to me. Keeping him like a pet should not have become a priority. I should never have fallen in love with warmth. 
I rise, clench my fists and turn away. She will be here soon, perhaps within the hour, depending on the storm. I have no power to stop her. She is youth incarnate and he will leave me for her. 



‘I was looking for you.’ 
The door shuts behind me with a hollow sound, a sound of loss, of abandonment. He smiles sleepily and reaches for me. I come to him hungry and fearful, my mouth demanding, my hands possessive. It takes him only a moment to match my need, and the bearskin robe falls to the floor. He lies on the warm fur as I straddle him, his heated flesh penetrates me. I run a hand across his chest, press my fingers to the spot over his heart and wish that I could remove the shard that lives there; and the one in his eye. Remove them so he could see for himself what I am and decide whether to stay or not. When she arrives it will all change; but I want this action to be mine, I want to be the one who gives him a choice. I don’t want him taken from me. Alas, I cannot remove the pieces of my spite for I cannot melt anything. 
I feel liquid heat on my face. Tears are foreign to me so, for a moment, I do not know what is happening. I fear that my skin will melt under this flow, disappearing like snow under a handful of salt. The fluid, not clear but smoky and strange, falls onto Kai’s chest, then into his eyes. He gasps and I see his vision clear; sense that the shards have gone, melted by my tears, by a power I did not know I had. I stare into his eyes, with their veil torn away, steeling myself for what I might see there but refusing to look away. 
His hand reaches up and brushes the sable hair back, then traces the lineaments of my face. ‘Gerda comes,’ I say. I want to shout, to rage, to tell him of her antics with another woman, I want to scream everything I know that may turn him against her. But I do not, though it hurts my heart, I do not. He pauses, his hand slides down to cup one breast then the other with tenderness. 
‘Let her come. I am happy here and she must find her happiness elsewhere.’ He pulls me down, so our lips are close. ‘I will not leave you, my Queen of Snow and Ice.’

THE LAMEST JOKES I CAN THINK OF

THE LAMEST JOKES I CAN THINK OF

1. "Do you want to hear a dirty joke?"
"OK."
"A white horse fell in the mud."

2. "Do you want to hear a blue joke?"
"OK."
"The ocean on a bright summer day."

3. "Can you understand Immanuel's Critique of Pure Reason?"
"I'm afraid I Kan't."


martes, 9 de junio de 2015

SNEAK PEEK: BARATHEON SAGA II

SNEAK PEEK: BARATHEON SAGA II.
The scene where Aleksandra convinces Elise to let her live at the Drachenstein vicarage.

A beautiful lady of uncertain age, maybe in her late twenties or in her early fifties, sat in an ornate chair before an equally ornate table in the middle of the cart, her heart-shaped face framed in long ruby-red locks that flowed like blood, covered by a silky crimson veil. She wore a long tunic-like gown of a cherry shade, between crimson and scarlet, from which soft, delicate hands protruded at the ends of the sleeves.
"Come closer, Elise Baratheon", she called, the ruby on her choker glowing red and blazing like an ember, and her eyes as well. "Trust in me. Trust in Aleksandra." Elise felt herself drawn towards the redhead by some power beyond her comprehension, as if she were a fish drawn in with a line, or a piece of iron in a magnetic field, or even a satellite around a planet. "For I know what ails you, and what ails your spouse, in your heart of hearts."
Elise thought of her daughter, who always was enclosed within herself. Of how Irene acted and how little she spoke. Of how ironic it was that she had been given such a child bereft of reason, and none more. And thus, the vicar's wife drew closer to the fortune-teller. And a little closer.
"The outcries of the oppressed and desperate; the shrieks of madness and of pain, the groanings of despair... Rush from the battlefield to the cloister, but in vain! for no seclusion can shut out one from sorrow. And yet... The whole earth... over the face of the whole earth... in every direction. All nations and empires. Especially those whose lives are secure, those who have nothing to fear for their survival. Across the face of the entire earth. Those who never knew what it is to toil, to be rejected by the system, to drown their sorrows. And that during peacetime, without any wars near to take their toll. The privileged ones, whose ranks are growing in the wake of this new century..."
Elise listened attentively to Aleksandra's cryptic words, and found some sense in their depths. She, Elise Baratheon née Florent, was one of those privileged. Middle-class both by birth and by marriage. The same rank gave a secure existence and few troubles to her spouse and their only daughter. The soothsayer put her soft, warm hands in Elise's, that appeared a little rougher and colder in comparison. And then, Aleksandra resumed her address to the vicar's wife in that soft contralto voice, as she tucked a wisp of blood-red hair into her veil again:
"Across the face of the whole earth... There is free will, and that is what troubles you and your spouse. That freedom... No... that, in spite of being free to do right, most humans are inclined to and decide to do wrong. That aspect of free will. You wonder, and your spouse too, what if we were only able to do right. Trading freedom for the impossibility of doing any kind of wrong... There is also the issue with your child, which you think is an injustice... An orphan myself, I have often heard how strong and how warm the love between mother and daughter is... Well, I can make her well too. If you and your spouse, the Reverend, wish that little Irene could speak more to others and act like an ordinary girl, with the condition that she be free from passion and only able to do right... so it shall be. I will stay at the vicarage with you, as her governess, and I promise I will do your only daughter no harm. To begin with... I will never tell Irene any stories in which violence of any kind appears: no beating, no stabbing, no shooting, no devouring, no warfare, no madness or pain, no oppression or despair... So that she never gets to know what the dark side of the world is really like until she comes of age. I promise, with these hands on this heart. And I promise to keep her entertained and out of harm's way as long as she is under my wing. Trust in my words, for I will abide by them. As sure as I am Aleksandra and I am talking to you."
There was in her flaming ruby eyes, in her Slavic-accented velvet voice, in her convincing pose, something that seemed to say that Aleksandra was right. Something that made the dark-haired wife feel a tinge in the depths of her heart of hearts. Elise took her hands and looked up to her, as entranced as her husband had been when he first met the redhead at the Baratheon mansion in Sturmende. As entranced, and also by the prospect that this stranger's power could save her favourite child, as the Czarina of all Russias was by Rasputin at Tsarskoye Selo, worlds away from Drachenstein, at the same time.
"All I need to move into the vicarage is my trunk, which you can see at the end of the cart. I have already packed the tarot cards, the crucible, the other alchemy and astrology devices... and a few chemicals that require that the coffer be moved up to the attic and sealed under lock and key. We don't want our darling Irene to be poisoned, do we?"
Gently and whispering in her strange Slavic-sounding language, she placed a padlock on the trunk and turned around the heart-shaped key thrice. Then, to Frau Baratheon's immense surprise, she took the heavy trunk by both handles and lifted it as lightly as if it had been a casket. Elise didn't reply, but rather sauntered ahead of the red-haired, veiled soothsayer in the evening twilight. Aleksandra followed closely, still holding the trunk, along the quaint and rocky path towards the vicarage of Drachenstein. The sun's last rays were a blood-red streak, blazing as the soothsayer's hair, on the waters of the Baltic, and Mercury and Venus had just appeared in the moonless evening sky, with no stars to accompany them.

BE PREPARED HISTORICAL FILKS

BE PREPARED (FOR THE RISE OF THE REICH)

Disclaimer: This filk does not display any of the author's ideas about the historical events portrayed.
This filk is merely an affectionate parody of the villain song "Be Prepared", as well as a critique of the regime portrayed and a tribute to history.

ADOLF H.: I know that all your apprehension
can't the slightest concept understand.
Though you're obnoxious, pay attention!
I will share something I now have planned.
It's clear you don't have the experience,
of how this is done not a clue...
A most grand entrée, with my clearance...
And quite soon we'll be through with our coup!

So prepare for the chance of our lifetime!
So prepare for sensational rise!
A future of glory...
This is no mere story...

OFFICER I: And where do we fit in?

ADOLF H.: Soon, you'll be admitting
great prizes, awarded.
I'll have you rewarded,
at least a little more than you were!
When our influence to the skies has flared...
Be prepared!

OFFICER I: So be prepared... But prepared for what?
ADOLF H.: For Chancellor von Papen's demise.
OFFICER II: And why? Is he ill?
ADOLF H.: Oh yes, soon he'll be ill enough to leave his post...
OFFICER I: Great idea! Who needs a chancellor?
Monarchy, monarchy, na-na-na-na-naaaa-na!
ADOLF H.: Idiots! There will be a chancellor...
OFFICER II: But you said...
ADOLF H.: I will be chancellor!
Follow me, and you will never starve again!

OFFICERS OF THE PARTY: Come one, come all, soon, we're united,
with a new reign that calls for a feast!
ADOLF H.: So what? Quid pro quo, you're expected
to take duties at which you fail least.
The first prize is right for the taking,
if you my instructions obey...
For without my wit's undertaking,
all of you would be lost and astray!
So prepare for the coup of the century,
be prepared for the end of the game!
Such a careful planning,
such great actors spanning...
Our ruler's a zero,
and never a hero!
This will soon be over,
the tables turned over,
the right ruler shall soon be revered!
I stand highest, all else must be cleared!
Be prepared!
OFFICERS OF THE PARTY: I stand highest, all else must be cleared!
Be prepared!



BE PREPARED... FOR WALLENSTEIN

WALLENSTEIN: I know that all your apprehension
can't the slightest concept understand.
Though you're obnoxious, pay attention!
I will share something I now have planned.
It's clear you don't have the experience,
of how this is done not a clue...
A royal entrée, with my clearance...
And quite soon we'll be through with our coup!

So prepare for the chance of our lifetime!
So prepare for sensational rise!
A future of glory...
This is no mere story...

PICCOLOMINI: And where do we fit in?

WALLENSTEIN: Soon, you'll be admitting
great prizes, awarded.
I'll have you rewarded,
at least a little more than you were!
When our influence to the skies has flared...
Be prepared!

PICCOLOMINI: So be prepared... But prepared for what?
WALLENSTEIN: For the death of the Kaiser!
TEREZKA: And why? Is he ill?
WALLENSTEIN: Oh yes, soon he'll be as ill as the King of Sweden was...
PICCOLOMINI: Great idea! Who needs a kaiser?
No liege lord, no liege lord, na-na-na-na-naaaa-na!
WALLENSTEIN: Idiots! There will be a kaiser...
TEREZKA: But you said...
WALLENSTEIN: I will be the next Kaiser!
Follow me, and you will be greatly rewarded!

OFFICERS: Come one, come all, soon, we're united,
with a new reign that calls for a feast!
WALLENSTEIN: So what? Quid pro quo, you're expected
to take duties at which you fail least.
The first prize is right for the taking,
if you my instructions obey...
For without my wit's undertaking,
all of you would be lost and astray!
So prepare for the coup of the century,
be prepared for the end of the game!
Such a careful planning,
such great actors spanning...
Our ruler's a zero,
and never a hero!
This will soon be over,
the tables turned over,
the right ruler shall soon be revered!
I stand highest, all else must be cleared!
Be prepared!
OFFICERS: I stand highest, all else must be cleared!
Be prepared!

FILK - A DIRGE FOR SHIREEN

Every time a Baratheon dies, the world loses a touch of badassery.
And, if it happens to be a Baratheon child, the world loses half its badassery.
This filk shall be the requiem of a sacrificed princess...


A DIRGE FOR SHIREEN

Melody: God Save the Queen/Heil Dir im Siegerkranz

Farewell, Princess Shireen...
We knew you not, Shireen...
Farewell, Shireen!
Brought to the Lord of Light
to end her parents' plight,
rest for the longest night,
Princess Shireen!

Princess of Dragonstone,
cheerful though oft alone,
dearest Shireen!
Seared by the painful flame
for a religious aim,
we'll always think of your name,
Princess Shireen!

Youngest Baratheon,
hopeful to carry on,
clever Shireen!
Victim of sacred ire,
offered to God and fire,
you'll still our hearts inspire...
Farewell, Shireen!

Victim of sacred ire,
offered to God and fire,
you'll still our hearts inspire...
Farewell, Shireen!

lunes, 8 de junio de 2015

WHY EVIL LOVES FREE WILL





"Alright, this is how evil works. This is why evil loves free will so much. Because humans use it to follow their hearts. And evil takes advantage of that."





These words can't be more true.

domingo, 7 de junio de 2015

DIE ABENTEUER VON MAX UND MOLLY OPENING - IN ENGLISH

One of my favourite German animated shows as a child and still in the present, mainly for starring a savvy guy and an energetic girl (well, a savvy male penguin and an energetic jill 'roo) alongside a heterogeneous supporting cast of knubbels (humanoids of brightly-coloured hair and skin), like Macnumber, Humpelix, Letterina, Miss Ellie, or Miss Tone:




DIE ABENTEUER VON MAX UND MOLLY, by Winfried Debertin. Released for the first time in autumn-winter 1995 on Das Erste (the first channel of German state TV), this thirteen-episode series is based upon secondary characters in the puppet show Hallo Spencer (the German counterpart of the Muppets), which makes it a spin-off series.
In Germany, it was released on VHS in the nineties, but has never been released on DVD due to lack of popularity. It still airs in said country, having last time been aired on Junior TV on 09:40 during the summer of last year, 2014.
I viewed the Catalan dub of this series, Les aventures d'en Max i la Molly, on Super3 (the children's programming block of Catalan regional TV) as a weekday afternoon cartoon, sometime in the late nineties.
Now more for the show itself!
The cast is minimalistic (Max, Molly, and the seven Knubbels make nine) and the setting is also secluded, huis clos (they rarely leave the Knubbels Islands), making this series the Othello of German animation (minus the bloodshed and the intrigue). The plots of the episodes hooked me. There's no myth arc in this series, the episodes being standalones in general, and the closest thing to an overarching myth arc there can be is the mystery of the Bananians and their oblong yellow starship (more on that below).

In addition, there were a banana-shaped starship out of the blue, the Bananobile (not kidding), which the leading duo used for transportation (and whose mystery was the loose myth arc of the series), and a half-nonsensical theme song that was a total earworm (not kidding either). One that I knew by heart as a child (or, at least, the Catalan translation of it). The original song was in German, so here is my English translation:



Riddlelee-bop-minonomuta-boludobop-nananana-na-na-nunu!

A ka-k-k-ka-kangaroo,
tczik-tczik-tczak-tczak! hops here to you!
Mi-mo-mo-mo-mo-Molly, clown!
The one who lands upside down!
Tchappe-dii-tchappe-dii-tchappe-tsuu,
that ki-k-k-ka-ka-kangaroo!
Pi-pa-puu-puu-penguin,
Mi-ma-ma-Max his name, it's seen!

Penguin, penguin...
hehehe...
Kangaroo, k-kangaroo...
he-he-haaa...

Babbablooba, seems that nothing bubbles,
vrrroo-tcha, come, we'll meet the Knubbels!
Babbablooba, adventures there,
water, fire, earth, and air...

Dee-da-doo-da...
Ice and fire,
Max and Molly,
adventures dire...

Dee-da-doo-da...
Ice and fire,
Max and Molly,
adventures dire...

Hiddy-cu-bapp. uppuroonda, bap-bap-bap, na-noonoo!
Pe-pe-pe-pe-pe-penguin, and kangaroo!
ka-ka-ka-ka-ka-penguin, penguin, and kangaroo!
ka-ka-kan-kan-kangaroo, pu-pi-ke-ma-pa-penguin!
ka-ka-k-ka-ka-kangaroo, penguin!

Dee-da-doo-da...
Ice and fire,
Max and Molly,
adventures dire...

Dee-da-doo-da...
Ice and fire,
Max and Molly,
adventures dire...

Ba-ba-ba-ba-brrrra-ha!