jueves, 30 de octubre de 2025

CANCIÓN DE LA PIÑA COLADA

 CANCIÓN DE LA PIÑA COLADA

Letra de Rupert Holmes

Traducción de Sandra Dermark

3o de octubre, MMXXV

*****************

Me cansé de mi novia,

se nos fue la pasión,

como un disco gastado

con una antigua canción...

Y, mientras ella dormía,

mirando en la red social,

descubrí el siguiente anuncio

de mi chica ideal:

*************

"¿Te va la piña colada,

que te sorprenda llover?

¿No te va nada el yoga,

tienes cerebro, lo sé?

Si haces amor a medianoche

en las dunas, junto al mar,

soy aquella que buscas,

¡vamos tú y yo a escapar!"

*******************

Ya no pensaba en mi novia,

aunque esto suena algo cruel:

un servidor y su novia

hacían lo mismo siempre una y otra vez...

Así, en las redes sociales,

a ese anuncio contesté,

y, aunque no soy nada poeta,

mis gustos yo le expliqué:

*******************

"Me va la piña colada,

que me sorprenda llover,

no me va comer sano,

sí el champán de Moët.

Nos vemos mañana a las doce,

quiero en persona quedar

en el pub de los O'Malley,

¡vamos tú y yo a escapar!"

***************

La esperé durante un rato

en aquel pub irlandés...

Reconocí su sonrisa,

su perfil y su buen ver.

¡ERA MI NOVIA DE SIEMPRE!

Y ella rio: "¡ERES TÚ!"

Nos reímos bien juntos,

y dije: "Sí, eres tú..."

*************

Me va la piña colada,

que me sorprenda llover,

y el rumor de las olas

y el champán de Moët.

Si haces amor a medianoche

en las dunas, junto al mar,

soy aquel que tú buscas,

¡vamos tú y yo a escapar!

Me va la piña colada,

que me sorprenda llover,

y el rumor de las olas

y el champán de Moët.

Si haces amor a medianoche

en las dunas, junto al mar,

soy aquel que tú buscas,

¡vamos tú y yo a escapar!

martes, 28 de octubre de 2025

GAVEN TIL MOR - dansk vise

https://youtu.be/leF_04bYsbk?si=2arMi4Wii8fJiK2a  

GAVEN TIL MOR - dansk vise


Hun havde sparet månedsvis, ja meget, meget længe

til hendes sparegris var blevet fuld af kobberpenge

og alle sparepengene, dem skulle pigen bruge,

for mor har jo fødselsdag engang i næste uge.

Det er så dyrt at kør' med bus, så hun må altid trave

hun går til juvelerbutikken for at købe gave.

Den gamle guldsmed smiler lidt, mens pigen står og nejer

hun knuger om sin sparegris, der rummer, hvad hun ejer.

Hun står og ser sig om med øjne, der er fyldt med lykke,

så spø'r hun: "Undskyld, men hvad koster såd'n et perlesmykke?"

Den gamle guldsmed svarer: "Jo, nu skal jeg si'e dig prisen

det koster nøjagtig det, du har i sparegrisen".

Den lille pige takker ham, og grisen skifter ejer,

så ta'r hun smykket, går mod døren, vender sig og nejer.

Den rige juveler må stå lidt fattig i butikken

da pigen med et glædessmil forsvinder i trafikken.

En uge gik, og så en da', kom mo'ren lidt bedrøvet

til disken med sit smykke og der stod hun lidt og tøved'.

"Min datter si'r, hun købte det, men jeg kan ikke nægte,

at jeg har vær't betænkelig for smykket er jo ægte.

"Hun har vel ikke stjålet", hvisker mo'ren ganske stille.

I juvelerens blik begynder nu et smil at spille.

"Den lille pige stjal mit hjerte, da hun stod og nejed'

og takked' mig så høfligt, mens hun gav mig alt, hun ejed".

https://youtu.be/leF_04bYsbk?si=2arMi4Wii8fJiK2a

jueves, 23 de octubre de 2025

LA NIÑA QUE NO SE CONCENTRABA

 ¡HORA DEL CUENTO!

LA NIÑA QUE NO SE CONCENTRABA

(para pensamientos intrusivos)

Juanita se quejaba de que no podía concentrarse para realizar los deberes, porque un vaivén de pensamientos no se lo permitían: pensaba en las amigas, en jugar, en chuches, etc.

Por todo esto, habló del tema con su madre.

--Mami, no puedo concentrarme porque los pensamientos y las imágenes mentales no me dejan meditar. Cuando unos se van, llegan otros, y mi mente se queda confusa.

Su madre se acerca y le explica:

--Agarra esa escoba y sostenla.

AL CABO DE UNOS MINUTOS...

MAMÁ: Ahora, suelta la escoba y dime qué ha pasado.

JUANITA: La escoba ha caído al suelo...

MAMÁ: ¡TÚ controlas tus pensamientos, y NO tus pensamientos a ti!

WE SHOULD TALK ABOUT IAGO (GO, GO, GO)

 WE SHOULD TALK ABOUT IAGO (GO, GO, GO)

A Filk by Sandra Dermark

written the 23rd of October, 2025

++++++++++++++++++++++++

DESDEMONA (GHOST):

We should talk about Iago, go, go, go

We should talk about Iago

For...

It was my wedding day

OTHELLO (GHOST):

It was our wedding

DESDEMONA (GHOST):

We were getting ready and there wasn't a cloud in the sky

OTHELLO  (GHOST):

No clouds allowed in the sky

DESDEMONA (GHOST)

Iago walks in, with a mischievous grin

OTHELLO (GHOST):

Thunder!!!

DESDEMONA (GHOST)

You're telling the story, or am I?

OTHELLO (GHOST):

I'm sorry, my darling, go on...

DESDEMONA (GHOST):

Iago says it looks like strife

OTHELLO (GHOST)

Why did he tell us?

DESDEMONA (GHOST):

In doing so, it cuts like a knife

OTHELLO (GHOST):

And I'm one of those clingy fellows...

DESDEMONA (GHOST)

My spouse wound up taking my life!

OTHELLO (GHOST)

What a tragic day, but anyway

we don't talk about Iago!

*****************

EMILIA:

Grew to live in fear of Iago's plotting and his scheming

I could always hear him sorta not exactly seeming

I associate him with the sound of hissing snakes

hss, hss, hss,

It's a heavy lift, with him always teaming

Always kept everyone of their nightmares dreaming

grappling with intrigues when he your psyche overtakes

Do you have what it takes?

************

SHAKESPEARE:

An icy blue gaze, dagger at his side,

when he's got you fazed, you can't fight the tide

yes, he sees your worst dreams and feasts on your screams...

EVERYONE:

We don't talk about Iago!

************************

RODERIGO (GHOST):

He told me my girl would leave,

the next day, wed!

CASSIO:

He told me I'd lose my rank,

and that's what he said!

EVERYONE:

That's what he said!

OTHELLO (GHOST):

He told me my wife would be unfaithful

and thus, now we're both dead...

EVERYONE:

Your fate is sealed,

and your world turned on its head!

**************

CASSIO:

He told me that the life of my dreams

would be promised and someday be mine

He told me that I'd reclaim the rank

that I'd lost drinking much punch and wine

EMILIA:

Listen, Iago's on his way...

RODERIGO (GHOST):

He told me that the girl of my dreams

would be just out of reach,

she'd marry another...

Like I can hear him now...

CASSIO:

Hey you, 

I want not a sound out of you!

EMILIA:

Go Iago,

Go, no go go Iago,

I really need to know about Iago,

give me the truth, and the whole truth, Iago!

LUDOVICO:

Desdemona, your boyfriend's here!

EVERYONE:

Time for supper!

(Everyone sings their parts in a madrigal)

We should talk about Iago, go go go

We should talk about Iago!

miércoles, 22 de octubre de 2025

POEMAS SOBRE LA ESPERA (GLORIA FUERTES, DR. SEUSS)

 Gloria Fuertes, TODO ESPERA QUE TE ESPERA

Todo espera que te espera,

a la ola,

la playa con su arena.

Espera ser flauta el pito,

el huevo espera ser pollito,

la flor espera ser pera.

El gusano de seda espera ser capullo,

el capullo espera ser mariposa,

la mariposa espera ser otra cosa,

la otra cosa espera ser otoño,

el otoño espera ser invierno,

el invierno espera ser cuaderno,

el cuaderno espera ser libro,

el libro espera ser leído.

Todo espera que te espera:

a la ola,

la playa con su arena.

El relámpago espera ser trueno,

el trueno espera ser rayo,

el rayo espera ser lluvia,

la lluvia espera ser mayo,

mayo espera ser flores.

Todo espera que te espera

***************************

Dr. Seuss, THE WAITING PLACE

Waiting for a train to go or a bus to come,

or a plane to go or the mail to come,

or the rain to go or the phone to ring,

or the snow to snow or waiting around for a Yes or No

or waiting for their hair to grow.

Everyone is just waiting.

Waiting for the fish to bite

or waiting for wind to fly a kite

or waiting around for Friday night

or waiting, perhaps, for their Uncle Jake

or a pot to boil, or a Better Break

or a string of pearls, or a pair of pants

or a wig with curls, or Another Chance.

Everyone is just waiting.

Somehow you'll escape

all that waiting and staying.

You'll find the bright places

where Boom Bands are playing.

martes, 21 de octubre de 2025

OTHELLO AND IAGO: OR ONCE UPON A NEWT

 OTHELLO AND IAGO: OR ONCE UPON A NEWT

or,

THE MOOR, THE ENSIGN, HIS WIFE, AND HER LOVER

Well, Othello done as a school play is as original an idea as "for once, leading characters don't get to act in the play" in The Ember Island Players (though the Dornish arc makes, just for fanservice, shipping, and a little excitement, no use of the latter). Think of that: Othello done as a school play. In Fictionland, as the School Play article on TV Tropes proclaims, the most common dramas to be staged, both written by the Bard of Avon, are Romeo & Juliet for teenagers and MSND for primary school children. Othello is considered too controversial (steamy, and allegedly racist) to be performed by teens in the average fiction series. I loved the daring premise of having this for a school play. So I loved the fact that I (in Game of Wands) did one of my favourite Shakespeares for a change. --this was written in 2015

After noticing the astounding lack of instances of Othello as a School Play in canon, Idlewild (a pretty recent example from this very decade, 2020s) being the only instance so far listed on TV Tropes,

  • School Play: All the major characters star together in the Idlewild production of Othello, which, despite the pretentious aspirations of many of the cast, has the typical issues with forgotten lines, bizarre and unconvincing performances, and costumes that don't quite fit the chosen antebellum setting.

then I recalled my Othello School Play in Game of Wands, my ASoIaF Hogwarts AU, and the result is a new gaiden for El semen de los ahorcados (Les Mis Hogwarts AU), in which an amateur production of Othello for Shakespeare Day the 23 of April (taking place in the leads' third year, so they're 13), performed at Hogwarts by the core members of AS-SORTED (and with the whimsical title The Moor, the Ensign, his Wife, and her Lover), goes completely haywire and turns into something very similar to other School Play episodes, most often anime (Cinderella in Fruits Basket, Journey to the West in Love Hina, Mac**th in Space in Jimmy Neutron)... no longer a serious adaptation, but one stuck with JoJo's references, Star Wars references, even a part where Iago (Montparnasse) and Othello (Bossuet/Lesgles) fight each other with quidditch bats, that is obviously a reference to Jamón, Jamón. 

Things started to fall apart when Cosette, who played Desdemona, caught the mumps and had to be quarantined in the Hospital Wing... at which point Montparnasse (who was already stealing rhe rehearsals as a flamboyant Iago Sissy Villain - think Zoisite, Fisheye, and Cytomander rolled into one!), suggested that Éponine (the producer/director) cast Enjolras as Desdemona, as a joke, but 'Ponine took it seriously (Enj with his fair skin, sapphire eyes, and golden hair that he kept long --until sixth year--, would make a perfect Desdemona, also this universe's Éponine being a yaoi fangirl and casting 'Parnasse as Iago for obvious reasons saw all the possibilities between Enj as Desdemona and the male cast!). 

As a result of this, Grantaire wanted the part of Cassio to be able to kiss the new Desdemona, so he gave Courfeyrac some newt potion and had him say "if things are this way, I am a newt!" to turn poor Courf into a newt (whom Combeferre found and kept in a fishtank). This turns out to be the backstory for R himself becoming a newt this way in Book 1 (the one where Javert takes the helm and the house system becomes more or less a caste hierarchy). It also explains how Combeferre found out that the cure for the newt potion is a true love's kiss. 

From these changes on, the play went completely off the rails, with everyone's butterbeer spiked with firewhisky in the drinking scene, Musichetta as Emilia wearing a very Leia-like fanservicey bikini, JoJo's references galore, the quidditch bat duel previously mentioned, and Combeferre as Ludovico finding a very familiar newt on the stage, kissing him, and a half-naked Courfeyrac in human form (no longer a newt) introducing himself as Mercutio, who survived and left Verona --the finale has him asking for Ludovico's hand and starting a threesome with Cassio and Ludovico (also, Desdemona is not quite dead, thanks to her stand Molitva --a stand that takes the form of Marija Serifovic in a suit!). In the final battle everyone turns out to have stands (aside from the male cast's lightsabers and the female cast's blasters), and these stands are different from patroni (according to StrixAlluka, you can have both a stand and a patronus; a stand is a personification of your willpower and personality, while a patronus is more like a spirit animal). The stands only crop up at the end of this gaiden, but this being a universe where everything except resurrecting the dead is possible, it is possible that these characters still had stands in the main saga, only that, being more experienced Hogwarts students (4th-7th year), they rely more on magic.

THE MOOR, THE ENSIGN, HIS WIFE, AND HER LOVER

Produced and adapted by Éponine Thénardier

STARRING

  • Wilbur "Bossuet" Lesgles as Othello
  • Anne-Euphrasie "Cosette" Fauchelevent as Desdemona
  • Paragon Ganymede Enjolras as Desdemona (final production, due to Cosette getting the mumps)
  • Caractacus Montparnasse as Iago (as a mincing Camp Gay with a fey scarf and colourful extensions) 
  • Sejanus Cassio Hercule de Courfeyrac as Cassio (until Grantaire had him turned into a newt)
  • the same Courfeyrac as Mercutio (when he was kissed on stage and became a human again)
  • René "Grand'R" Grantaire as Cassio (final production)
  • Musichetta as Emilia
  • Marius Pontmercy as Roderigo
  • Jules-François Combeferre as Ludovico

SOBRE LAS OBRAS DE TEATRO ESCOLARES

 En el episodio de hoy de Historias sin Secretos, Elena (la madre de la niña, una joven limpiadora) habla de "obras de teatro escolares mediocres". Yo opino que se equivoca.

No todas las obras de teatro escolares son mediocres. Detrás del género hay obras de arte, y en el instituto es un grupo extraescolar quien las hace, no una clase. Las obras de teatro escolares son algo muy serio y que mueve a muchas personas. Para dar un ejemplo, en las versiones escolares de Peter Pan y de Mary Poppins, se alquilan arneses y tirolinas para que Peter y Mary puedan "volar" (y sí, esos arneses son seguros para niños y adolescentes).