lunes, 31 de octubre de 2022

OPTIMISM IN THE CHRISTMAS PIG - A SAMHAIN TREAT, MMXX

 Up until now, I had given short shrift to The Christmas Pig by J.K. Rowling, until today when I fell down a rabbit hole that led me to a decadent royal palace (for a change) in the Land of the Lost, where the crimson King Power rules with an iron fist. And there, I immediately fell for one of his courtiers:

But first let's set the scene.

... the golden palace doors.

... over the threshold of the palace. They now stood on a thick crimson carpet which was soft ....Twin fires burned beneath two marble fireplaces on either side of a magnificent staircase with golden bannisters.

And now let's meet the secondary character who has so enthralled me that he has to be the first one I have to introduce, including all his lines and mannerisms (for they give off a personality vibe rather similar to that of yours truly!):

... ‘and that,’ she said, pointing to a ball of orange light, inside which stood a young man with a plump, smiley face, ‘is Optimism. They’ll entertain you while I tell His Majesty his guests have arrived.’

...Optimism came bounding over ..., beaming from ear to ear. He had round, innocent eyes and, like Happiness, gave off a pleasant warmth. After seizing ... hand and shaking it, ... he cried, ‘Marvellous to meet you! What jolly good Things you are! I feel as though I’ve known you forever! Let’s be best friends!’

... said Optimism, bouncing excitedly on the balls of his feet.

...

‘Well, I’m sure you’ll find him! Everything will work out splendidly! And you’ll love our king! He’s a very good Thing –’ for just a second, Optimism’s smile faltered, but then he beamed as widely as ever ‘– deep down, you know!’

His theme colour is orange, my favourite. He gives off a pleasant warmth. He is "bouncing excitedly on the balls of his feet," and, to cap it all, he's Optimism personified! Absolutely my cup of tea... (guess my Enneagram type and get free virtual Dermark Samhain treats!) Moreover...

‘Oh, I’m sure it will be a smashing story!’ said Optimism, still beaming. ... wondered how he could smile so much without his face hurting.

...

Optimism settled into the seat opposite ..., smiling as widely as ever. ‘There’s no need to be nervous!’ he called across the table. ‘I just know everything will turn out wonderfully!’ 

...

‘And you, Optimism?’ demanded King Power. 

‘I told them everything would work out wonderfully!’ said Optimism, his lip wobbling. ‘I told them you were good and kind, Power!’ 

‘VOTE!’ thundered Power. 

‘Well, I vote “no”,’ said Optimism, with a little sob. ‘And I’m sure that deep down, Power – deep, deep down – there’s a little bit of good in you, and when you’ve thought it over, you’ll change your mind and let them live in the palace with us!’ 

‘SHUT UP!’ roared Power.

...


However, there is a dark side to this story, and the reason why is that King Power and all his courtiers had owners, also known as masters, in the Land of the Living, AKA our own Muggle Earth, who lost them, and that was how they wound up in this palace/courtly setting.

To start with the Crimson King himself:

The crimson figure standing in the doorway made even Ambition, who’d entered the room behind him, seem dim by comparison. 

Beauty, Optimism, and the Principles bowed, while Memory dropped into a deep curtsey and fell silent at last. 

... the figure casting the scarlet light. He was a big, fierce-looking man with a sour expression and a jutting jaw. 

‘Welcome,’ he said, in a booming voice.

...

‘QUIET!’ yelled Power, banging his huge fist on the table. One of the crystal goblets toppled over and cracked.

...

‘My owner,’ said Power, beginning to pace up and down, ‘lost me by failing to stamp down hard enough,’ he smacked one huge fist into the other hand, ‘on his ENEMIES! ‘Together, we ruled an entire COUNTRY! To keep me, my master kept the PEOPLE,’ as Power bawled this word, he screwed up his face in disgust and hatred, ‘in their proper places, which is to say, ON THEIR KNEES!’ he thundered, a mad look in his bright red eyes. ‘But THEN,’ he bellowed, ‘a boy dared CHALLENGE my master in PUBLIC! And THAT CHILD,’ shouted Power, ‘gave the PEOPLE courage to REVOLT!’ Power’s voice rose to a scream. ‘AND I WAS SUCKED DOWN HERE, TO THE LAND OF THE LOST!’ 


Then Lady Ambition, his right-hand woman, ambassador, representative, and queen in everything but name, a scheming female figure who reminds me of Lady Mac... that Scotswoman with the bloodstains:

Here the mysterious figure threw back her hood. She glowed with violet light as Happiness had shone with gold, but gave off no heat. Her face looked older than that of Happiness, and rather less kind. 

'... we have a royal family here ... I am His Majesty’s ambassador. ....'

...

The violet lady accepted the news that they were ready to follow her with a brief smile, which showed her rather pointed teeth, then led them towards the palace, her black cloak flying behind her in the breeze.

...

‘The king’s in charge of the Loss Adjustors here ..., and I’m His Majesty’s representative. Good evening to you!’ she said grandly to the pencil sharpener and the mallet, who both bowed as each opened a door. The mallet’s head was so heavy he nearly toppled over, but saved himself by clutching the door handle. ‘

Good evening, Your Excellency,’ they said together.

At the foot of the stairs stood the very same diamond earrings .... They seemed to be employed now as maids, because they took the violet lady’s black cloak, bowed, then wriggled away, disappearing through a side door. 

...

 Now that she was unrobed, their companion filled the hall with her violet light. A tall, thin woman, she looked down at them as she said, ‘My name is Ambition.’ 

‘How does someone lose their ambition?’ ...

 ‘By being a fool,’ said Ambition coldly. ‘My mistress and I achieved great things together. She’s a politician – or rather, she was. She suffered a small setback – lost a trifling vote – but that oughtn’t to have mattered!’ cried Ambition, coming to a sudden halt, ... Her eyes emitted sparks, ... ‘We could have recovered from that setback and climbed together to even greater heights! But no… she lost me, the weak-willed fool!’ shouted Ambition, shaking her fist at the finding hole in the ceiling. 

The sound of her words echoing off the marble walls seemed to bring Ambition back to herself. She took several deep breaths. ‘My apologies,’ she said stiffly. ‘I’ve lived here in the palace for several years now, waiting for her to find me again. Sometimes I fear it will never happen… ....'

...

Hope says even: ‘Ambition has forgotten what night it is, up in the Land of the Living.’ (ie Christmas Eve during the setting of the novel)


Happiness radiates golden yellow light, just like a Hollywood star, because her owner/mistress was a celebrity actress:

... a dazzling golden light. It was as though the sun was sitting beside them.

‘I’m not a burning coal,’ said the same lady’s voice as before, which came from the very middle of the blazing light. It was so bright that ... had to close ... eyes for a moment, but he could see the Thing, even through ... ‘I’m Happiness.' 

....

A blaze of golden light filled the dining hall, as Happiness entered.

‘I – I thought you needed a rest after your long journey, Your Highness,’ said Ambition nervously, dropping into a curtsey as Happiness moved into the room, shedding golden light all around her. 

‘I didn’t think you’d want to be bothered with this tedious bit of business, the very evening you arrived.’ ‘How did you get OUT?’ demanded Power. ‘Come to that – how did you get through THOSE doors?’

... the extreme brightness of Happiness, and ... if ... peeped at her sideways, ... could just make out the form of a smiling woman in the middle of the dazzling light. 

...

‘How were you lost?’ ... 

‘Through carelessness,’ sighed Happiness. ‘My owner is an actress. She’s charming and talented, but she wasn’t as kind as she should have been to the people she cared about, nor as hard-working as she might have been, even though she loved her job. Her gifts once brought her friends and success, but through laziness and selfishness they slipped away and now, sadly, she has lost me, too.’

‘How will she get you back again?’ ...

‘It will be difficult,’ said Happiness, ‘because she’s looking for me in all the wrong places, and as she isn’t used to admitting fault, I’m afraid I may be in this place for a long time… perhaps forever.'


Then little old Memory, whose owner appears to be an old lady with Alzheimer's:

A ball of indigo light entered. ...   a very old lady shuffling along in its centre. 

‘Good evening,’ she said in a high, cracked voice.

...

‘This is Memory,’ said Optimism.

Memory peered ... for a moment or two, then said, ‘Eighty-five years ago my mistress owned a pig, but hers was of china; what we call a piggy bank. Its sides were painted with little blue flowers and she used to keep her pocket money inside it. One Sunday afternoon, eighty-four years ago, my mistress’s younger sister, Amelia Louise—’ 

‘Memory,’ said Beauty with a yawn, ‘nobody’s interested. Nobody cares.’

‘Oh, I’m sure it will be a smashing story!’ said Optimism, still beaming. ... wondered how he could smile so much without his face hurting.

‘—broke that piggy bank with the little blue flowers—’

'We’ve heard this at least a thousand times already,’ groaned Beauty, while Memory continued to mumble.

... 

‘Eighty years ago,’ piped up Memory, ‘my mistress’s sister, Amelia Louise, was caught lying when—’

...

‘Sixty-nine years ago,’ said Memory, in her high, cracked voice, ‘my mistress and her sister, Amelia Louise, went to see a movie called The Fugitive—’ 

‘Memory, concentrate,’ snapped Ambition. ‘We’re taking a vote. ...'

...

The old lady glowing with indigo light turned her gaze .... There was a long silence. Then Memory said, ‘No. They don’t stop me remembering things. I like them.’


The six Principles take the appearance of middle-aged gentlemen in business suits (their light sky blue) because their businessman master sacrificed them in the name of greed:

The door at the far end of the room opened again. Six balls of glowing sky blue light entered the room, each of which had an identical man inside it, all of them small and neat and serious-looking.

‘Good evening,’said the six blue men, speaking with one voice, and drowning out Memory, who continued to mumble her story about the piggy bank. ‘We are the Principles.’

They bowed in unison ...

The Principles seemed to have heard ..., because they answered together, ‘We are the Things who make humans behave with honesty and decency. Alas, our owner – a businessman – lost us one by one in pursuit of riches. He is now a wealthy crook. He likes the money, yet he is unhappy, because he knows he was better-loved and respected while he still had us. Unfortunately, lost Principles are among the hardest Things to find, so we expect to live here forever. We have therefore taken on a new job. We attempt to keep the king on the path of righteousness.’ 

‘And does the king often need your help?’ ...


Hope is a strongly-built female with pink light and angelic wings (she's the only courtier with wings) and she is somewhat an outsider at the palace, maybe because Hope is the virtue of underdogs, and, unsurprisingly, her mistress/owner turns out to be a female political prisoner living in a sordid prison in a dictatorship (Rowling had lived in Salazar's Portugal for a while, and even named Slytherin's founder after the Portuguese dictator):

... a woman as tall as Ambition, though far more strongly built. She was very beautiful, but the soft pink light she gave off was less bright than that of the other Things. Unlike her fellow royals, she had wings: not stiff, upstanding wings of golden plastic, ... but vast feathery wings of white shading to deep pink, which trailed behind her on the floor like a train.

Hope is very honest, even saying:  ‘Ambition has forgotten what night it is, up in the Land of the Living.’ (ie Christmas Eve during the setting of the novel)

In Chapter 49, 'The Story of Hope', we also get the story of her owner/mistress:

‘How were you lost, Hope?’ ...

‘That’s a sad story, I’m afraid,’ came Hope’s voice, over the beating of her wings. ‘My owner is in prison.’

‘Prison?’ .... ‘What did they do?’ 

‘Nothing wrong,’ said Hope. ‘On the contrary, she was doing a good thing: protesting against a ruler very like Power. The ruler was furious, so he locked her up, pretending she’d broken the law. The judge was too scared to rule against the president, so my owner is currently in a cell with ten others, where there isn’t enough to eat and barely room to lie down.’ 

‘That’s terrible!’ ...

‘It is,’ agreed Hope. ‘At this moment, she can’t see how things will ever get better for her, because they’ve told her she’ll be in prison for twenty years. She lost me when she heard the length of her sentence, but she’ll find me again, and sooner than she thinks.’

‘How do you know?’ ...

‘She has a wonderful family and many friends outside the prison walls,’ said Hope. ‘When she realises that they’re working hard to free her, she’ll find me again and I’ll help her bear her situation, dreadful though it is. I may not shine as brightly as my friend Happiness, but my flame is harder to extinguish.’


But, surprisingly, of my favourite character Optimism's owner in the Living World there is nothing to be said in the novel. Who was Optimism's owner? Rowling never gives us the slightest hint of backstory. 

Given that King Power and all his courtiers are the same gender and probably around the same age as their owners in the Land of the Living, I have a hunch that Optimism's owner is male and probably still young... But what happened to him in order for this young fellow to lose optimism? Trauma? War PTSD? Drug addiction? Heartbreak? Surely a combination of at last two of them above is a subject too mature to be discussed in a middle-grade novel like The Christmas Pig, hence why the subject of Optimism's owner was left vague.



Beauty, by the way, whose backstory and owner/master in the Living World are not given either, is subversively portrayed as male, a dashing narcissist bathed in a green glow (maybe a reference to the dangerous arsenic-laced Paris Green dye?):

In front of another fire, in a ball of emerald light, stood a very handsome young man who was examining himself in the mirror over the mantelpiece. He looked delighted with what he saw there.

‘Good evening,’ he said, without taking his eyes off his own reflection, but turning his head this way and that, to get a better view of his profile. 

‘That’s Beauty,’ said Ambition, indicating the green man,... 

We can only assume that Beauty's master was also young and male, and that he was most surely disfigured in one way or another, thus "losing beauty" and that was how this personification wound up at the Palace of King Power, in the Land of the Lost.


PS. THE PALACE SCENE IN THE CHRISTMAS PIG AS PSYCHOMACHIA
... a questionable host, Power, who, like Lucifera, is a dangerous ruler consumed with pride. His “ambassador” Ambition may not seem to be quite as dangerous as Lucifera’s councilors, but her pointed teeth, like Beauty’s mirror, make both of them quite similar to Spenser’s personified Sins, and it is important to note that Power did not invite the Principles to dinner, only Beauty, Ambition, and Optimism, the Things that will allow him to get what he wants. 


By the time we enter King Power’s palace, this symbolism is well established and what Rowling writes in the chapters about the vote taken among palace inhabitants we get a much larger picture of soul than just its inner essence and noetic capacity. 

 The palace becomes a stage for the drama played out in every conscious person between the inner life of love, hope, and blessedness and the path of pursuing exterior advantage and power; the players are aspects of every person who must decide if they will serve King Power, a stand-in for ego and pride, or Jack Jones, the Christos (Saviour) within us.

On the side of Power are Ambition, Beauty, and three of the six Principles. The arguments Ambition and Power advance to win these votes are the necessity of carrying out punishments according to the letter of the law regardless of the injustice involved, a payout of some kind, i.e., personal advantage, and, obscure at first but clarified in Power’s rage, the threat of violence. They do their best, in addition, to lock-out voters they don’t want to participate in this run-off election in the capitol building or palace (‘capitol’ is derived from the word for ‘head’ and I think it helps to think of the palace as the movie location for our soul aspects debating whether Peter or John will triumph, whether the Heart lives or dies in that assembled body.

Memory, the mother of the nine mythological muses and a necessity for coherent thinking, is represented as a good-hearted if obviously senescent older woman. She votes against King Power despite being bullied by Ambition and told by Green Beauty she is a bore because “They don’t stop me from remembering. I like them” (206). Memory has a clear connection with tradition and only those with great recall or prodigious study of history appreciate the primacy of the Heart in the human person.

Three of the six Principles are persuaded by CP’s plea that turning Jack and himself over to the Loser would be murder and “that’s the worst crime of all!” Principles, who claim to be “the Things who make humans behave with honesty and decency” (199) based on their inner prompting in resistance to external temptations, clearly are not sure votes when it comes to choosing between the Petrine law and Johannine justice.

Optimism votes against the King though he, too, is brow-beaten by King Power. Optimism gives the first impression of superficiality and of being a glad-hander. It turns out he is only a mental posture that is sensitive first to the “deep-down, you know!” (199, 206) — and Jack and CP are the deepest aspect of the soul, that is, the Heart — so he votes that they not only be saved but also that the king “change your mind and let them live in the palace with us!” (206). He presents the possibility of Ego and Pride co-existing peacefully in the thinking of the same individual mind with the humble but all-powerful Heart and Conscience. Certainly an optimistic idea given the profundity of the contraries, like Harry and Draco being buddies.

Hope and Happiness were not told about the meeting or invited by Power and Ambition. The Principles were told to stay in their rooms but elected to come because “it would have been against ourselves” to stay away. Happiness, in contrast, was locked in her room and left unaware of the vote. Both she and Hope were locked out of the Palace room in which the vote was to be held.

Ambition had told that she was lost by her owner, a politician, after the “small setback” of not winning a “trifling vote” (194). She clearly has counted the votes in advance, consequently, and been sure that Hope and Happiness will not be on the side of Power. Why?

Hope clearly is an interior virtue, one somewhat akin to Optimism but is the strength and sustenance primarily to the underdog, the person or, in this case, the faculty of soul that has little to no exterior aspect or power. It is easy to imagine Hope residing in the Heart; this attribute certainly proves to be the saving virtue Jack demonstrates having acquired in the Land of the Lost during his confrontation with the Loser in his Lair. She is the bain of Power and the friend of Happiness and the Heart.

Happiness is warmth and light, so, as mentioned, she is representative of the logos light of the world that is the inner life of every human This is difficult to see at first because we have been taught to think that happiness is getting all things we want, especially advantage, pleasure, and power. Rowling is careful to have Happiness explain to the hide-aways in her gondola that she is more of a cross between empathy and healthy self-awareness:

‘How were you lost?’ ... 

‘Through carelessness,’ sighed Happiness. ‘My owner is an actress. She’s charming and talented, but she wasn’t as kind as she should have been to the people she cared about, nor as hard-working as she might have been, even though she loved her job. Her gifts once brought her friends and success, but through laziness and selfishness they slipped away and now, sadly, she has lost me, too.’

‘How will she get you back again?’ ...

‘It will be difficult,’ said Happiness, ‘because she’s looking for me in all the wrong places, and as she isn’t used to admitting fault, I’m afraid I may be in this place for a long time… perhaps forever.'


The actress is not a reflective person, is unkind even “to those she cared about,” is negligent with respect to her vocation, which is to say, her defining idea, is insensitive to the spiritual light and darkness of her environment, and, worst, “she isn’t used to admitting fault.” These qualities expel Happiness — and all of them are the marks of someone insensitive to the logos within his or her self, the capacity to love another person as oneself, and, as noted above, to feel remorse or repentance after injuring or being insensitive to the others who share the same ontological ground. Happiness, as Ambition recognized, is a sister of Heart, more eudaimonia — ‘blessedness,’ “the good composed of all goods; an ability which suffices for living well; perfection in respect of virtue; resources sufficient for a living creature” — than self-focused cheer on account of faring well and having great pleasures.

As Ambition must have anticipated, hence her attempts to have the meeting in the mind about Heart without Hope or Happiness, the ‘Do or Don’t turn them over?’ will not win the majority of the qualities of mind. King Power, however, our ego exteriorization as a character, is a true servant of the Loser who feels free to break the rules of His own kingdom. He sics the Palace Loss Adjusters on Jack and CP who escape them by the blinding light Happiness gives off and by Hope’s rapid and powerful intervention to save them.

If Compass were telling this story, she would provide a moral or motto; my re-telling should list a simple explanation of Rowling’s allegorical decision making process in the Palace.

  • The question in play is whether Power or the Heart will be the guiding concern of Everyhuman, whether their focus will be on the inner Up There (Living World) or on worldly exterior concerns in the visible plane.
  • The vote is very close because, especially today, trusting the Heart to discern what is best for the person in the long and short term rather than faculties adept to calculating privilege depends entirely on the presence of Hope and Happiness, the virtues the Power-ego will do everything to prevent them to have a voice in the decision.
  • In the rare case that the Heart wins, fair and square, Power — the demands and concerns of exterior life, the desire for approval and confirmation from without but not above or within — will do everything to divide the Heart-servant from the Truth to be found on the Island of the Blessed.
  • If Power decrees his rule overrules the law within the mind, the Heart is fed to the loser and the Heart-within dies. The death of “the Living Boy” or Heart, akin to the murder of the ‘Boy Who Lived,’ is the spiritual death of the person and their surrender to the ephemeral understanding to be had on the horizontal plane divorced from the greater reality Up There.
  • The light of Happiness and the wings of Hope deliver the Heart from the dualistic or dis-integrating forces serving ego and pride, the powers of corruption in alliance against the Heart, to a paradise well removed from the Palace of the Soul and its capacities. Heart learns the Truth necessary to defeat the Loser-Satan, a shade of life without the inner life of love-logos, and return to the greater reality Up There in which the Heart can experience accept the Love.
This is a Medieval Morality Play, one very similar in construction to the Chamber of Secrets confrontation between Harry the Heart saving his best friend’s sister from the Memory of an Ego that never knew his mother’s love. (Not to mention the ties to Memory, Ambition, and Beauty; can you say ‘Gilderoy’?). I close here with the promise of writing more on the anagogical psychomachia of this story and of Rowling as a sacred artist depicting the soul’s journey to perfection in the Spirit.

... the Psychomachia in the Palace of Power vote of Soul Faculties to decide the fate ...

Hope and Happiness, though borderline mythological compared to other lost Things, play the roles of ex machina saviors ...


miércoles, 5 de octubre de 2022

ROSALINE, GODOT, AND ALL THE OTHERS

So I am listening to Grimm Reading Podcast's Christmas Special 2021, just because it features "the decidedly Dickensian tale The Story of a Cat by Mary De Morgan." (as said by the podcasters themselves). I am always eager to listen to some old unsung Victorian literary fairytale, especially if it has been forgotten because of its author's gender and/or sexuality (in this case, it is only the former). As I listened, I found it hard to connect with the tale's leading gentleman because of his gender, old age, and insufferably misanthropic personality... "The Story of a Cat" failed to pique my interest until a secondary character, a male so-called "acquaintance," mentions an upcoming Cat Show and another character who is sure to make an appearance:

"...for the new Princess is quite crazy about cats, and she is coming to it (the Show), and it is said she doesn't mind what she gets for a cat if she sees one she likes."

So I waited with bated breath all story long for the Show... ever since the acquaintance said "the new Princess" and every "she" in that sentence he uttered thereafter. Here was a young female character I could relate to, as young and female and crazy about cats as I was! But there was no Cat Show and no Princess in the story except for that mention made by the acquaintance; everything was confined to the leading gentleman's townhouse, to my utter disappointment.

I was not the only one. Apparently the podcasters were disappointed too. I quote them: "We were promised the Princess at a Cat Show... and I was like WHOA! I wish we'd gone there, but ..." It was as if the podcasters had been reading my mind.

Nevertheless, "the new Princess" in "The Story of a Cat" by Mary de Morgan did something else aside from only being mentioned and never appearing in person/in the flesh; that disappointment did send me down a pretty interesting rabbit hole about fictional characters who share that distinction. The proper term, in narratology, is UNSEEN CHARACTER. And our one-sentence royal du jour is not the only one.

Anyone familiar with Romeo and Juliet knows that, before Mercutio spurred Romeo on to sneak into the Capulets' masquerade ball, the Montague scion was pining for a certain unrequited Rosaline, of whom we neither get to see hide nor hair, in spite of Romeo's praises of her. Rosaline is maybe one of the first unseen characters that come to mind and one of the most famous in the Western canon, maybe because she was the Bard's creation.

In Waiting for Godot, a series of characters while away the hours waiting for, well, whom else? Yet Godot never shows up; he is only mentioned by the rest of the cast, making him another classic unseen character. 

How old are unseen characters as a plot device? According to Wikipedia, already the Ancient Greeks wrote unseen characters. In Oedipus Rex, King Laius and the Corinthian royals Polybos and Periboea are prime examples. So is Jason's new wife (Creusa or Glauke, depending on whom you ask) in Medea. All of these characters are only mentioned, never make an appearance, yet they are crucially relevant to the plot of the Greek tragedies in which they are named.

A more recent example of unseen character in 20th-century mass media would be Mrs. Columbo. Lieutenant Columbo mentions his wife constantly, yet we never get to see her in the flesh throughout the TV series.

In French, unseen characters are referred to by the eponym ARLÉSIENNE, referring to the title character and love interest in a popular French play, who, just like Godot, happens to be an unseen character. The term has even trascended narratology into common everyday life: "jouer l'arlésienne," literally "to play the Arlésienne/the unseen character," means to be on everyone's lips/the subject of everyone's conversations without showing up in society. "Une arlésienne" is also an idiom for an event that is very expected to come, but that never occurs.

There are unseen characters and unseen characters, depending on their degrees of plot relevance: from tertiary or quaternary characters (Rosaline in Romeo and Juliet, or the new Princess in "The Story of a Cat") to titular roles (Godot or the Arlésienne) via hinge characters, ie vital secondary roles that cannot be disposed of (Jason's new wife, Laius, Polybos and Periboea): one can see them, just like the seen characters in their respective stories, as planets orbiting nearer or further away from the suns that are the stories' leading men and/or ladies. Also Mary Anne, the White Rabbit's human maid, is an arlésienne (though she appears in headcanons like Heartless, about the youth of the Queen of Hearts, or Unbirthday, in the Twisted Tale series!). Another ghost character would be the Dursleys' friend Yvonne, who is unable to babysit Harry because she is on summer holiday on Majorca.

According to Wikipedia, "Unseen characters are causal figures included in dramatic works to motivate the onstage characters to a certain course of action and advance the plot, but their presence is unnecessary. Indeed, their absence makes them appear more powerful because they are only known by inference. The use of an unseen character takes advantage of one of the simplest but most powerful theatrical devices: the manner in which verbal references can make an offstage character extraordinarily real [...] to an audience, exploiting the audience's tendency to create visual images of imaginary characters in their mind."


domingo, 2 de octubre de 2022

Pidiendo la luna...

 A saber:

Quienes siempre andan

pidiendo la luna,

que vayan practicando

a subirse a una escalera.

Para quienes siempre

están en la luna

no existe remedio conocido.


PD.

Mentir es decir la verdad desde el otro lado de la realidad. (Greguería)

Grisgrís, haz magia en un tris

 GRISGRÍS, HAZ MAGIA EN UN TRIS

Grisgrís

Da suerte.

Negronegro

Trae la muerte.

Caramelos

Para consolarse cuando el grisgrís

no sirve para animarse.

Frutas prohibidas

Para hacer los caramelos.

Diente de león

Rallarlo y espolvorearlo a escondidas

en la cama de vuestro mayor enemigo (o enemiga).

Él (o ella) se hará pis encima.

Amapola negra

Muy rara, no crece más que en las inmediaciones de los cementerios.

Para deshaceros de las personas que detestáis,

basta con que un ramillete les ofrezcáis.

No volveréis a verlas jamás.

Jamás, jamás, jamás...

También para quienes no os caen bien

(por si no encontráis amapolas negras

o si os dan miedo los cementerios):

Hay que fabricar un muñeco

que se parezca al sujeto,

vestirlo con ropa horrorosa,

colocarlo en posturas dolorosas

y raparle el pelo.

Las diecisiete mariquitas

LOS NOMBRES DE LAS DIECISIETE MARIQUITAS:

Para empezar

están Pétrula, Arnestina,

Ermelinda y Adelina.

Después van Pomposina,

Pipicastrela y Cebulina.

Y están también Melusina,

Serafina y Eufrosina.

Jovita y Gabrielita.

Tricota y Carlota.

Borlilla y Campanilla.

Y, por fin, la exquisita Dorita.



Perfumes de hada

 PERFUMES DE HADA

Agua de noche

Sábanas limpias, rocío de la noche y grandes esperanzas

mezclados con el halo de un beso

componen el perfume ideal

para quien quiera soñar.

Chocolate caliente

Para días de invierno.

Dejarlo refrescar antes de utilizarlo para evitar abrasarse.

Más refinada que otras fragancias,

como Perro mojado y Botas embarradas.

En otoño se recomienda usar

Agua de Charco, muy lograda.

Especialmente apreciada por sus aromas

de fuego de bosque y de castañas asadas.

Día de lluvia

Unas gotas son suficientes para convertir

una mañana soleada en una tarde mojada.

Se vende sin paraguas, pero con aburrimiento garantizado.

Domingo por la tarde

Deberes sin hacer, tristeza y gran pereza

componen esta fragancia un poco pesada y cabezona.

Huerta de la abuela

Aroma de buen guiso en la cazuela, tomates de la huerta,

agujas de calceta y palabras mimosas. Produce un bienestar

un poco anticuado que siempre gusta encontrar.

Extracto de pizarra

Recogido en los rincones de las aulas,

y con verdadero olor a tiza y borrador usado.

Tan conseguido que, al cerrar los ojos,

se puede oír gritar a la profesora.

Pesadilla

Escobero, cuarto oscuro y patas de araña componen

un aroma poderoso para ofrecerlo a quienes molestan.

Chispa

Un perfume vivo y brillante que une a la perfección

las esquirlas de cólera y las de carcajadas.

Pluma de luna

 PLUMA DE LUNA

Más ligera que el aire,

ni te cruzas con ella, ni la ves.

Ella nunca conoce su camino,

no sabe adónde va, de dónde vino.

Siempre lleva su tutú blanco, en cualquier clima,

incluso cuando el viento se transforma en huracán.

---Es tan elegante... ---suspira extravagante.

A veces, se la ve flotar ligera

en un soplo de brisa pasajera.

Corres y saltas, la intentas atrapar,

pero desaparece, como si se hubiera evaporado.

También se la ve en el bosque, entre la maleza,

pero si te acercas desaparece con gran destreza.

Una tarde, por casualidad,

cayó en la palma de mi mano.

Con gran celeridad cerré mi puño:

yo sabía que era suficiente

una pluma de luna para saber volar.

En mi palma la sentía palpitar,

como si su vida viese amenazada,

y se me encogió el corazón.

Abrí la mano y la vi despeinada:

soplé y se fue lejos, muy lejos, muy muy lejos.

Créelo si quieres, pero fue como si yo mismo volara.