Mostrando entradas con la etiqueta explanations. Mostrar todas las entradas
Mostrando entradas con la etiqueta explanations. Mostrar todas las entradas

martes, 29 de diciembre de 2020

THE MANSION REARED BY DAEDAL JACK

 Behold the mansion reared by dædal Jack.


See the malt stored in many a plethoric sack,In the proud cirque of Ivan's bivouac.
Mark how the Rat's felonious fangs invadeThe golden stores in John's pavilion laid.


Anon, with velvet foot and Tarquin strides,Subtle Grimalkin to his quarry glides—Grimalkin grim, that slew the fierce rodentWhose tooth insidious Johann's sackcloth rent.


Lo! now the deep-mouthed canine foe's assault,That vexed the avenger of the stolen malt,Stored in the hallowed precincts of that hallThat rose complete at Jack's creative call.
Here stalks the impetuous Cow with crumpled horn,Whereon the exacerbating hound was torn,Who bayed the feline slaughter-beast that slewThe Rat predaceous, whose keen fangs ran throughThe textile fibers that involved the grainThat lay in Hans' inviolate domain.
Here walks forlorn the Damsel, crowned with rue,Lactiferous spoils from vaccine dugs, who drewOf that corniculate beast whose tortuous hornTossed to the clouds, in fierce vindictive scorn,The harrowing hound, whose braggart bark and stirArched the lithe spine and reared the indignant furOf Puss, that with verminicidal clawStruck the weird Rat, in whose insatiate mawLay reeking malt, that erst in Ivan's courts we sawRobed in senescent garb that seems in soothToo long a prey to Chronos' iron tooth.

Behold the man whose amorous lips incline,Full with young Eros' osculative sign,To the lorn maiden whose lact-albic hands,Drew albu-lactic wealth from lacteal glandsOf that immortal bovine, by whose hornDistort, to realm ethereal was borneThe beast catulean, vexer of that slyUlysses quadrupedal, who made dieThe old mordacious Rat, that dared devourAntecedaneous Ale, in John's domestic bower.

Lo, here, with hirsute honors doffed, succinctOf saponaceous locks, the Priest who linkedIn Hymen's golden bands the torn unthrift,Whose means exiguous stared from many a rift,Even as he kissed the virgin all forlorn,Who milked the cow with implicated horn,Who in fine wrath the canine torturer skied,That dared to vex the insidious muricide,Who let the auroral effluence through the peltOf the sly Rat that robbed the palace Jack had built.

The loud cantankerous Shanghai comes at last,Whose shouts arouse the shorn ecclesiast,Who sealed the vows of Hymen's sacrament,To him who robed in garments indigent,Exosculates the damsel lachrymose,The emulgator of that horned brute morose,That tossed the dog, that worried the cat, that kiltThe rat that ate the malt, that lay in the house that Jack built.

The anonymous poem above is actually a baroque expansion of an age-old nursery rhyme. Compare with the original! Should you not have understood some of the events occurring in the poem, the more laconic original may clarify any doubts:



     This is the house that Jack built.

Behold the mansion reared by dædal Jack.



    This is the malt that lay in the house that Jack built.
 
See the malt stored in many a plethoric sack,In the proud cirque of Ivan's bivouac.


This is the rat that ate the malt
that lay in the house that Jack built.

Mark how the Rat's felonious fangs invadeThe golden stores in John's pavilion laid.
This is the cat that chased the rat
that ate the malt that lay in the house that Jack built.
  
Anon, with velvet foot and Tarquin strides,Subtle Grimalkin to his quarry glides—Grimalkin grim, that slew the fierce rodentWhose tooth insidious Johann's sackcloth rent.
This is the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.
Lo! now the deep-mouthed canine foe's assault,That vexed the avenger of the stolen malt,Stored in the hallowed precincts of that hallThat rose complete at Jack's creative call.

This is the cow with the crumpled horn
That tossed the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.
Here stalks the impetuous Cow with crumpled horn,Whereon the exacerbating hound was torn,Who bayed the feline slaughter-beast that slewThe Rat predaceous, whose keen fangs ran throughThe textile fibers that involved the grainThat lay in Hans' inviolate domain.
This is the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.
Here walks forlorn the Damsel, crowned with rue,Lactiferous spoils from vaccine dugs, who drewOf that corniculate beast whose tortuous hornTossed to the clouds, in fierce vindictive scorn,The harrowing hound, whose braggart bark and stirArched the lithe spine and reared the indignant furOf Puss, that with verminicidal clawStruck the weird Rat, in whose insatiate mawLay reeking malt, that erst in Ivan's courts we sawRobed in senescent garb that seems in soothToo long a prey to Chronos' iron tooth.
This is the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.
 
Behold the man whose amorous lips incline,Full with young Eros' osculative sign,To the lorn maiden whose lact-albic hands,Drew albu-lactic wealth from lacteal glandsOf that immortal bovine, by whose hornDistort, to realm ethereal was borneThe beast catulean, vexer of that slyUlysses quadrupedal, who made dieThe old mordacious Rat, that dared devourAntecedaneous Ale, in John's domestic bower.
This is the priest all shaven and shorn
That married the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.

Lo, here, with hirsute honors doffed, succinctOf saponaceous locks, the Priest who linkedIn Hymen's golden bands the torn unthrift,Whose means exiguous stared from many a rift,Even as he kissed the virgin all forlorn,Who milked the cow with implicated horn,Who in fine wrath the canine torturer skied,That dared to vex the insidious muricide,Who let the auroral effluence through the peltOf the sly Rat that robbed the palace Jack had built.
This is the rooster that crowed in the morn
That woke the priest all shaven and shorn
That married the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog that worried the cat
That chased the rat that ate the malt
That lay in the house that Jack built.
The loud cantankerous Shanghai comes at last,Whose shouts arouse the shorn ecclesiast,Who sealed the vows of Hymen's sacrament,To him who robed in garments indigent,Exosculates the damsel lachrymose,The emulgator of that horned brute morose,That tossed the dog, that worried the cat, that kiltThe rat that ate the malt, that lay in the house that Jack built.

lunes, 23 de mayo de 2016

WALTZING MATILDA

WALTZING MATILDA
is the unofficial national anthem of Australia, a story of passion, freedom, and suicide:

Once a jolly swagman camped by a billabong
under the shade of a coolibah tree,
and he sang as he watched and waited till his billy boiled:
"Who'll come a-waltzing Matilda, with me?"

Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me
And he sang as he watched and waited till his billy boiled:
"You'll come a-waltzing Matilda, with me."

Down came a jumbuck to drink at that billabong.
Up jumped the swagman and grabbed him with glee.
And he sang as he shoved that jumbuck in his tucker bag:
"You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me.

And he sang as he shoved that jumbuck in his tucker bag:
"You'll come a-waltzing Matilda, with me."

Up rode the squatter, mounted on his thoroughbred.
Down came the troopers, one, two, three.
"Where's that jolly jumbuck you've got in your tucker bag?
You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me
"
Where's that jolly jumbuck you've got in your tucker bag?
"You'll come a-waltzing Matilda, with me."

Up jumped the swagman and sprang into the billabong.
"You'll never catch me alive!" said he.
And his ghost may be heard as you pass by that billabong:
"You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me

And his ghost may be heard as you pass by that billabong:
"You'll come a-waltzing Matilda, with me."


EXPLANATIONS:

  • swagman: a drifter, an itinerant worker
  • billabong: a lake in the Australian outback
  • coolibah: a kind of eucalyptus, specifically a wetland eucalyptus
  • billy: kettle (both the kettle itself and the tea-water)
  • jumbuck: a young ram (male sheep)
  • tucker bag: a knapsack
  • squatter: a wealthy landowner, one who owns Crown lands to be more precise
  • Matilda: the name the drifter gives his sleeping bag: he's grown so close to it that he's given it a girl's name, much like some owners name their vehicles or weapons
  • Waltzing Matilda: wandering about the outback with the sleeping bag on one's back (from German "auf der Walz" for travelling on foot and the name "Matilda").



"Waltzing Matilda" in European English - the lyrics explained for us across the globe:

Once a merry drifter camped by a little lake
under the shade of a eucalyptus tree,
and he sang as he watched and waited till his kettle boiled:
"Who'll come a-waltzing Matilda, with me?"

Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me
And he sang as he watched and waited till his kettle boiled:
"You'll come a-waltzing Matilda, with me."

Down came a young ram to drink at that little lake.
Up jumped the drifter and grabbed him with glee.
And he sang as he shoved that young ram into his knapsack:
"You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me

And he sang as he shoved that young ram into his knapsack:
"You'll come a-waltzing Matilda, with me."

Up rode the master, mounted on his thoroughbred.
Down came the troopers, one, two, three.
"Where's that jolly young ram you've got inside your knapsack?
You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me

"Where's that jolly young ram you've got inside your knapsack?
"You'll come a-waltzing Matilda, with me."

Up jumped the drifter and sprang into the little lake.
"You'll never catch me alive!" said he.
And his ghost may be heard as you pass by that little lake:
"You'll come a-waltzing Matilda, with me."


Waltzing Matilda, waltzing Matilda
You'll come a-waltzing Matilda, with me

And his ghost may be heard as you pass by that little lake:
"You'll come a-waltzing Matilda, with me."


sábado, 5 de diciembre de 2015

REELING AND WRITHING V: CULTURAL REFERENCES

REELING AND WRITHING
or,
Miss Dermark's 2015 Advent Calendar

DAY FIVE

CULTURAL REFERENCES
or
CLERGYMEN'S WIVES, SUMAC, AND "LA GOTA FRÍA"


When I was a child, born and raised in a Spanish bourgeois Catholic environment, Andersen's mentions of clergymen's wives in, for instance, "The Red Shoes" puzzled me:
The pastor’s wife had pity on her, and took her into service. 
Mind that the Spanish version I read said "La esposa/mujer del sacerdote", without any Protestant innuendo. (The original Danish version has præstekonen.)
To my Catholic child mind, it seemed unlikely! A priest who is married? At least the typical Spanish curates have got their housekeepers or "amas de llaves" ("perpetue" in Italian): not their wives, but their servants.
It took until my adolescence with more frequent trips to Sweden and learning about the Reformation at History class to discover Protestantism and the difference between these creeds and the Catholic one. I have met both pastors' wives and female pastors in my other home country.
In a British text I had to translate at Jaime I University three years ago, the expression "Mrs. Reverend" popped up. I was the only one at class who could understand the reference and teach it to the other students. My version translated "Mrs. Reverend" as "la señora Reverenda, la mujer del Reverendo."

Not very lately, I re-read an online corpus of Palestinian Islamic folktales. One of them in particular, "Sumac, You Bastard! Sumac!" attracted me because of its unusual title. At first I thought Sumac was the hero's name, but, when I reached the coda, it turned out that it was not that way.
The brave young hero has got two lions as pets, and all three slay his voracious ghoul sister, whose blood falls on the ground. But this is not the end of the story. A caravan passes by and its impressed leader wants the big kitties for his own, so he takes a bet with the lions' owner:
As he was resting with the lions beside him, two merchants approached, leading a loaded caravan. When they saw the lions, they admired them and wanted them for themselves.
"Young man!" they called out.
"Yes," he answered, "what can I do for you?"
"How would you like to make a bet with us?" they asked. "If you can guess what merchandise we're carrying, you can take the caravan and its load. But if you can't guess, we'll take these two lions."
"All right," he agreed, "I'm willing."
He started guessing: "nuts, fava beans, lentils, wheat, rice, sugar ..." It was no use; he could not guess. When he was stumped, with no chance of guessing, the merchants took the lions with them and moved on.
By Allah, they had not led those lions very far away when a drop of blood, which had fallen from his sister to the ground when the lions ate her, shouted out, "Sumac! You bastard, sumac!"
After the merchants the brother ran. "Wait! Uncles, wait!" he exclaimed. "I can guess what your load is. It's sumac!"
Having guessed, he took his lions back and got the caravan with its load.
This is my tale, I've told it, and in your hands I leave it.
"Sumac", with a lower-case s (it's a common noun), is the cargo of the caravan. When I first read the story at the age of 16-17, I read it because of the title, an insult with exclamations! But now I realized that the sumac was the cargo. What was it... some spice (good guess)? So I googled "sumac". It IS a spice, a crimson powder, closely related to cashew. The Spanish word for this condiment is "zumaque", and it's "sumak" in Swedish.
Of course, sumac is far more popular in the Middle East than here in Europe, and thus, very few of us Europeans know the spice exists.
When I tell the story to Swedes in their language, I call the sumac "sumak" (instead of, for instance, the more international "curry." After all, sumac sounds funnier and more unusual than curry), and explain to them that it's a spice, crimson red, related to cashew. Otherwise, most of them would not even get a clue.

The next reference I am going to cover is to the climate of my birthplace, the Spanish East Coast. Rains here are a rather rare occurrence, and, when it rains, it pours down, especially in autumn. Some years, there have been considerable autumn floods, especially in the coastal lowlands. The phenomenon is known as "la gota fría" (literally, "the cold drop"). I retain the Spanish name of this phenomenon, add the literal translation (between parentheses), and explain it concisely as "autumn flood".

To quote a good example from "The Snow Queen", Story the Fourth:
the "pebernödder" (ginger nuts) that the royal carriage is filled with become "des croquignoles" (the French national pastry) in the Alexandre Dumas translation-expansion, and "rosquillas de alajú" (a kind of nougat) in the Spanish translation by Jimena Licitra: the Scandinavian local colour is lost in both cases (and replaced with French/Spanish local colour instead!). The Romanian translation says "covrigi" (salty and ring-shaped "Romanian pretzels"). And Marià Manent, the Catalan canon author, opts for "cireres de ginebró", which refers to juniper berries instead of any kind of pastry... while Albert Jané's more modern Catalan translation has "pa de pessic", ie sponge cake. On the other hand, remaining true to the spirit of Andersen and to Scandinavian/Germanic culture, Italian translations say "panpepato", and the Spanish versions I praise the most, Alfonso Nadal's to begin with, employ "panes de especias" (Nadal, for instance) or "panes de jengibre". And the official French Andersen, which says "pain d'épices".
Not to mention that Germanic languages keep the reference, be it "gingerbread nuts" (English), "Pfeffernüsse" (German), "pepparnötter" (Swedish), "pepernoten" (Dutch/Flemish)... for the referent exists within their culture, it's part of the cultural heritage they share with Danish culture.
Esperanto goes for "spiconuksoj", Polish for "piernik", and Hungarian for "mézescsók": the last of these choices is the one closest to the concept of gingerbread nuts.
Russian translation has "пряниками" ("prinikami"), which is a Slavic word related to "piernik", while Croatian has "kolača" and "medenjaka"; the former refers to any kind of cake, while the latter specifies honey-based Croatian gingerbread. Last of all, the FutureLearn John Irons English translation has "small spicy biscuits." Just like the Alejandro Tobar translation for Edelvives has the more general "galletas de repostería".

After all, some cultural references are butchered in translation, and here you have but a tad of the proof (when we come to Blâvinge, who was made Licenea rather than the more suiting Alazul, and to how Sybill Trelawney was turned into a more suiting Sibilla Cooman, we'll see failures and improvements when it comes to translating speaking names)...

domingo, 28 de septiembre de 2014

EAH FANON - NAMES OF FAIRYTALE CHARACTERS

For those who are fond of Ever After High, my fanseries thereof, and different fairytale characters... here are the names of the featured fairytale characters in different languages:

CHARACTERS

The Clever Princess
Spanish: la princesa inteligente
German: die kluge Prinzessin
French: la princesse sage et savante (chez Dumas) / la princesse intelligente
Hungarian: az okos királykisasszony

The Little Personage (The Clever Prince)
Spanish: el personajito (el príncipe inteligente)
German: die kleine Person (der kluge Prinz)
French: le petit bonhomme (chez Dumas) / le petit personnage (le prince intelligent)
Hungarian: a fiatal legényke (az okos királyfi)

The Robber Girl / Robber Maiden
Spanish: la pequeña bandolera
German: das Räubermädchen
French: la fille des brigands
Hungarian: a kis rablóleány

Alice Liddell
The same name in all languages featured.
Except in Spanish: Alicia Liddell.

The White Rabbit
Spanish: el Conejo Blanco
German: das weisse Kaninchen
French: le Lapin Blanc
Hungarian: a Fehér Nyuszi

The Mad Hatter
Spanish: el Sombrerero Loco
German: der verrückte Hutmacher / der wütende Hutmacher
French: le Chapelier Fou
Hungarian: az Őrült Kalapos / a Bolond Kalapos

The March Hare
Spanish: la Liebre de Marzo
German: der Märzhase
French: le Lièvre de Mars
Hungarian: a Kerge Nyúl

The Cheshire Cat
Spanish: el Gato Risón
German: die Grinsekatze
French: le Chat du Cheshire
Hungarian: Vigyor Kandúr

The Queen of Hearts
Spanish: la Reina de Corazones
German: die Herzkönigin
French: la Reine de Coeur
Hungarian: a Szív-Királynő

The Knave of Hearts
Spanish: la Sota de Corazones
German: der Herzbube
French: le Valet de Coeur
Hungarian: a Szív-Felső

Tweedledee & Tweedledum
Spanish: Tweedledee y Tweedledum
German: Zwiddeldum und Zwiddeldei
French:  Tweedle-Dee et Tweedle-Dum
Hungarian: Subidam és Subidu

Captain Hook
Spanish: Capitán Garfio
German: Captain Hook
French: Capitaine Crochet
Hungarian: Hook kapitány

Herr Drosselmeyer
The same name in all languages featured, except in:
Hungarian: Drosselmeyer úr

Puss in Boots
Spanish: Gato con Botas
German: der gestiefelte Kater
French: le Chat Botté
Hungarian: Ciszmás kandúr

The Art Professor at the University
Spanish: el profesor de Estética de la Universidad / el profesor de arte de la Universidad / el profesor de la Facultad de Bellas Artes
German: der Professor der schönen Künste an der Universität / der Kunstprofessor der Universität 
French: le professeur d’art à l’Université
Hungarian: a művészetek egyetemi professzora

Note: University = Universidad = Universität Université = egyetem. "Facultad" is related.


The one whose armour was inlaid with gilt flowers
Spanish: uno cuya armadura tenía en incrustación flores doradas / uno, cuya armadura llevaba incrustadas flores doradas
German: einer, dessen Rüstung mit goldenen Blumen inkrustiert war 
French: un, dont la cuirasse était émaillée de fleurs d'or
Hungarian: egy harmadik katona, aranyvirágokkal díszített vértben

The Lieutenant
Spanish: el teniente
German: der Leutnant
French: le lieutenant
Hungarian: a hadnagy

The Colonel
Spanish: el coronel
German: der Oberst
French: le colonel
Hungarian: az ezredes

Note: these three, and the three ones below, are in the stories known only by their ranks.

Court Lady
Spanish: dama de la corte
German: Hofdame
French: dame de la Cour
Hungarian: udvarhölgy

The Loveliest of the Queen's Maids-of-Honour / A beautiful girl
Spanish: la más bella de las damas de honor de la Reina / una bella muchacha // la más bella de las damas de honor de la Reina / una bella muchacha // la más bella dama de honor de la Reina / una preciosa joven / la muchacha // la más bella de las camareras de la reina / una linda muchacha
German: die reizendste der königlichen Ehrendamen / ein hübsches Mädchen / die Dame // die lieblichste der Ehrendamen der Königin / ein schönes Mädchen
French:  la plus belle des demoiselles d’honneur de la Reine / une belle jeune fille
Hungarian: a királyné legkedvesebb udvarhölgye / egy szép fiatal lány / a lány

Her lover
Spanish: su novio / su amante / su amado /su prometido
German: ihrem Liebsten / ihrem Geliebten
French: son amoureux
Hungarian: szerelmese / a férfi

Red Riding Hood
Spanish: Caperucita (Roja)
German: Rotkäppchen
French: Petit Chaperon Rouge
Hungarian: Piroska

Goldilocks
Spanish: Ricitos de Oro
German: Goldlöckchen
French: Boucle d'Or
Hungarian: Aranyfürtöcske

Frau Holle
Spanish: Señora / Doña Holle
German: Frau Holle
French: Dame Holle
Hungarian: Holle anyó


KINGDOMS / NATIONS
Ever After Land
Spanish: País de Siempre Jamás
German: Ever After Land
French: Pays des Contes
Hungarian: Mesevilág

Lilienstiel
Spanish: Lilienstiel
German: Lilienstengel
French: Tige-de-Lis
Hungarian: Liliomszár

Wonderland
Spanish: País de las Maravillas
German: Wunderland
French: Pays des Merveilles
Hungarian: Csodaország

Neverland
Spanish: Nunca Jamás
German: Nimmerland
French: Pays Imaginaire
Hungarian: Sohaország

Frau Holle's underworld
Spanish: Inframundo de Doña Holle
German: Frau-Holle-Welt
French: Monde souterraine de Dame Holle
Hungarian: Holle anyó külvilága

COMMUNITIES AND OTHER PLACES
Book End Village
Spanish: Érase una Vez
German: Book End
French: Village de Book End
Hungarian: Fusselvéle falva


Bosforo University
Spanish: Universidad de Bósforo
German: Universität Bosforo
French: Université de Bosforo
Hungarian: Ökörváradi Egyetem

Lügenmaulberg University
Spanish: Universidad de Lügenmaulberg
German: Universität Lügenmaulberg / Uni L-berg
French: Université de Lügenmaulberg
Hungarian: Lügenmaulbergi Egyetem

CULTURE
Unbirthday party
Spanish: fiesta de no cumpleaños
German: Nichtsgeburtstag
French: non-anniversaire
Hungarian: születéstelennap / nemszületésnap

Court-ball // State-ball
Spanish: baile de corte / baile de la corte / baile que se celebra en la corte
German: Hofball
French: bal de la cour // bal officiel
Hungarian: udvari bál

Legacy Day
Spanish: Día del Destino
German: Schicksalstag
French: Jour de l'Héritage
Hungarian: Örökség napja

Royals // Rebels

Spanish: Reales // Rebeldes
German: Royals // Rebels
French:  Royaux // Rebelles
Hungarian: Előkelők // Zendülők 

True Hearts Day

Spanish: Día de los Corazones Sinceros
German: Herzenstag
French: Jour des Coeurs Sincères
Hungarian: Tiszta szívek napja

Late Bards' Alliance
Spanish: Asociación de Difuntos Bardos / Alianza de Difuntos Bardos
German: Verbund seligen Skalden
French: Société des Défunts Troubadours
Hungarian: Megboldogult Költők Köztársasága

ARC WORDS


"How wonderful the stars are, and how wonderful is the power of love!"
Spanish: ¡Qué maravillosas son las estrellas!, ¡y qué maravilloso es el poder del amor! / Qué hermosas son las estrellas, ¡y cuán prodigioso es el poder del amor! / -¡Qué hermosas son las estrellas y qué poderosa es la fuerza del amor! / ¡Qué hermosas son las estrellas y qué maravillosa es la fuerza del amor!
German: Wie wunderschön sind doch die Sterne, und wie wunderbar ist die Macht der Liebe! / Wie wundervoll sind die Sterne, und wie wundervoll ist die Macht der Liebe!
French: Combien les étoiles sont belles, et combien est puissante la force de l’amour !
Hungarian: Milyen csodálatosak a csillagok, és milyen csodálatos a szerelem hatalma!

"Why should I not be married?" (song)
Spanish: ¿Y si me buscara un marido?
French: Il est temps de me marier (chez Dumas) / Pourquoi ne pas me marier?
German: "Weshalb sollt' ich wohl heiraten!"/"Warum sollte ich mich nicht verheiraten?" / "Weshalb sollte ich mich nicht verheiraten?"
Hungarian: Férjhez megyek én, miért is ne mennék!

"How good men/ (the) people are!"
Spanish: ¡Qué buenas son las personas!
German: Wie gut sind die Menschen!
French: Oh! que les hommes sont bons dans le vaste monde! (chez Dumas) / Comme il y a des êtres humains qui sont bons!
Hungarian: Milyen jók az emberek!

"Off with their heads!"
Spanish: ¡Que les corten la cabeza!
German: Ihren Kopf ab! / Ihre Köpfe ab!
French: Qu'on lui coupe la tête!
Hungarian: Üssétek le a fejét!