Mostrando entradas con la etiqueta arya stark. Mostrar todas las entradas
Mostrando entradas con la etiqueta arya stark. Mostrar todas las entradas

miércoles, 13 de agosto de 2025

HERE'S TO US ALL LEFTIES

Here's to Link,

to Arya Stark,

to Ehud ben Gera, 

to Leo da Vinci,

to the Prince of Tennis,

to Joan of Arc,

to my grandmothers,

to my parents,

to yours truly,

the list is endless,

so that every day, not only the 13th of August,

would be World Left-Handed Day!

sábado, 2 de diciembre de 2017

ONCE UPON 24 TIMES... THE TWO FIRST ENTRIES

This Advent calendar will be a series of original fairytale fics and poetry, inspired by a fairytale tarot.
Since it's the 2nd today, you will have today's and yesterday's tale in the first batch.
The sorting will be an easy affair; I will do it with my eyes shut and move the mouse all over the fairytale tarot album on my FB, then stop. Where it rests, that will be the fairytale that will inspire the story or poem of the day. As the week goes on, more and more tales will be discarded...
Here are some spoilers:
*The Little Mermaid will be retold in abstract terms, like a Pugh Rogefeldt song, from the prince's POV --the heroine is called Éponine and the fiancée is Joline; referencing both Les Mis and Dolly Parton--. (Joline in my heart, Éponine on my mind... the fear that, in loving, I have been unkind...)
*Red Riding Hood will be the Finta Nonna, the original tale I blogged in Miss Dermark's Dirtiest Stories; macabre Eucharist and all!
*Snow White will be the Slavic version with the seven bogatyrs --and a Yuuri on Ice AU, with Czarevich Viktor and foreign tavern boy Yuuri; and evil Czarina Lilia!
*Rumplestiltskin will be a Tyrionsa story set at the Red Keep and pretty close to canon --Spinning Copper into Gold--, for which there already is a bunny since I took the plunge into Westeros
*A Slavic story of an ice maiden and a fire boy will be a superb Lyaegar AU, with some Ramayana overtones (or rather Ravanayana, for the enemy was no bloodthirsty ten-headed rakshasa, but an enlightened ruler; history is written by the winners) and those of a superb French film called Les enfants de la pluie (another one I recommend): The true story of the damsel and the dragon. Quenched and Thawed
*Peter Pan and The Flying Ship will get mashed up as a Ship of Lost Souls full of young people in steampunk skies, with Petyr(onella) Paan as the captain...
*Rapunzel will be autobiographical, with the blond maiden and her ivory tower full of cannons and a star fort as a metaphor for my own childhood and adolescence in isolation, first imposed by my elders, then self-imposed...

Anyway, on to the advent calendar itself! Let us begin, and when we reach Christmas Eve, we shall know so much more than we already know! There are 24 rabbit holes to explore as this month goes on, so are you ready to take the two first plunges?

Story the First:
Princess of Wands (Page of Wands) -
MESSYHEAD/KATE CRACKERNUTS (LURVEHÄTTA)
Arya is afoot again.
They've searched all over Winterfell, far and wide, high and low, left and right...
Indeed, Sansa wonders how this little hoyden can be her sister, with those messy dark braids, those tattered breeches, the hands of a blacksmith, that tendency to write with the left hand, and more inclination for straddling a pony or sparring with the lads.
Sansa, the prim and proper lady, full of grace, reddish hair perfectly sleek, perfectly ironed azure silks to fit the colour of her eyes, skill in music and the fine arts, is far more Tully than Stark.
After a few hours, they find her half on all fours in a corner of the courtyard, Bran helping the poor thing to get back up again, but the young girl shrugging her brother's attempt aside. Maester Luwin washes those bloody, scraped knees as Arya steels herself not to wince. Sansa just looks aside, daydreaming about ballrooms and right-hand-kissing.
The next day, it's Sansa herself who is missing at the breakfast table... and that in spite of her favourite, lemoncakes, having been freshly baked.
For a quarter only has her older sister tarried, when Arya storms upstairs with a tray of three lemoncakes in her right palm, a little clenched left fist rapping vigorously on Sansa's door.
KNOCK-KNOCK-KNOCK and the scent of lemoncakes. The door opens merely ajar, Sansa reaching out for a cake. A single cyan right eye, like a forget-me-not, looks slightly teary.
She lets Arya in. Tense at feeling that little Messyhead Crackernuts may upset her perfectly folded bedsheets, the wardrobe full of perfectly-placed ensembles next to the dressing table with the mirror above, and the string instruments in the music corner, and even stain the flowered tapestry on the floor --everything is just right, the Sansa way (for she does everything right), the way it should be...
...except Sansa herself. A pocket of pus the size of a pea mars the left wing of her nose. It makes her wince ever since before she saw its poison-green tinge in the mirror. Ever since the sharp pain has woken her up this morning.
Stuffing her mouth full of lemoncake in quite an unladylike manner, she turns her back to her sister and fidgets with her head sunken in thought. She will not even come down to see her friends, parents, and siblings, or to have Luwin tend to her...
"Trust me, sis!" Arya's left hand vigorously slaps her on the back. Sansa turns around. Arya smiles a wistful smile, that broken incisor that makes her look even cheekier comes to view. She saunters to the dressing table and takes up a sewing needle, then, straddling her sister's lap, pierces the pocket of pus and squeezes as strong as she can.
Blood and pus ooze out as Sansa screams like a banshee, her eyes clouded with tears, as Arya pins the needle to her sleeve. "Luwin will have to boil this needle clean."
In normal circumstances, Sansa would have dried up her tears and stanched the blood on a handkerchief. However, now she clasps her little sister and uses Arya's messy dark hair to cleanse herself of these fluids, no matter how unclean those half-undone braids may be.
"Thank... you... Arya..." the elder Stark girl sobs thankfully, as the younger one nestles in her soft royal blue skirt.

_____________________________________________________________

Story the Second:
Nine of Cups
SALMACIS AND HERMAPHRODITUS
I was always the odd one out
I only had a shawl for a clue
alone among all of my kindred
in the end, the yearning was too strong
liquid mirror, who's the fairest one of all?
I've walked through ice and fire, through storm and flood
but I still haven't found what I seek
but I still haven't sought what to find
a sprig of lavender would be nice in my hair
my head swims, my throat's seared, flames dance before my eyes
this clump of lavender bushes will be fine, won't it?
the sound of rushing freshwater smites upon my ears
braiding, with lithe and gentle fingers, these scented stalks
I bend the knees, cup both my hands, and quaff liquid crystal
the corsage fits my right wrist perfectly
it tastes like this refreshing spearmint, that grows all around
gulp, gulp, there must be a thirsty stranger at the spring
coursing down my throat, this draught quenches the inner flame
a stripling or a maiden? A young person, seen from behind...
splashing on my face, the perspiration is washed off
I tie my hair back in a golden sun of a chignon
now a rest in the shade until the afternoon falls
those sharp features... that dark shade on his lip... it's a he!!
the chirp of cicadas lulls me off to sleep
Now I stand right before you; you're in for a surprise!
GASP!!
Fair stranger, I have been waiting for you!!
She's popped up like a traitor, without forewarning!!
If not as a sweetheart, as a sister or a friend...
Flustered, I turn my head to the left as she clasps me!
At least I've kissed his right cheekbone! Shy pretty boy...
L-leave me al-lone, or I will l-l-leave this pl-lace!
He turns to the pond, not seeing me saunter behind him...
At last alone... ready to have a swim in peace...
this mastic bush provides the perfect hiding place to watch
my right foot, refreshed, shivers pleasantly; the left one plunges in
now he casts off his cloak... such dazzling white shoulder blades!
undressed, I wade until I stand up to the waist
his shapely legs cleave the water like a frog's
so free and so fresh I have never felt on land
this blaze sears me like a raisin in the sun
so fresh and so free I have never felt on land
only he can quench my insides, that no longer can hold this flame...
even the remembrance of my quest has dissolved
I WIN!!
she clasps me around the waist, plunging me underwater
he kicks, and writhes; I hold him even tighter
my lips are sealed to keep precious air within me
his shut lips constantly turn away from mine
at last all my limbs falter, my lips part, my lungs are flooded...
precious diamonds of air rise to the surface as he grows pale...
is this the way things should end?
is this the way things should end?
I make a wish to live through this icy, liquid darkness
I make a wish to give my own life to save his own
and the wish comes true, indeed
and the wish comes true, of course
both male and female, both dead and alive, and neither
both female and male, both alive and dead, and neither
and all who touch this spring may share our fate
and all who touch this spring will share our fate

_____________________________________________________

ANNOTATIONS:
Messyhead/Lurvehätta/Kate Crackernuts is a fairytale that is very rarely heard of, type 711. It concerns two sisters (usually royalty), one of them a prim and proper lady, the other one a tomboy to a higher or lesser degree (Lurvehätta, a fiery redhead who rides a billy goat in what is more than just Thor cosplay, actually surpasses Kate in badassery, pluck, and sheroism, having hunted trolls for a few years, before the story proper unfurls). When her more feminine sister gets enchanted with a curse that mars her appearance, Lurvehätta/Kate goes on a quest to confront the creatures of the night who cast the curse and save her sister's looks. (Of course she wins!)
Needless (Needleless!) to say a fluffy Arya*Sansa story would fit this premise to a T.
A retelling of this tale type I recommend is Lavanya and Deepika, from Demeter's Spicebox/Delinquent Spice (Lavanya is the tomboy/odd child, and Deepika the proper one; their mother a barren warrior queen conceived them through enchantment, and the sisters get each one a shoe from the same pair, the left and the right, for protection as a symbol of their union).

domingo, 13 de agosto de 2017

#LeftiesRule

Today is the 13th of August, International Day of Left-Handedness.


#LeftiesRule
Her fencing master Syrio Forel encouraged Arya to fight left-handed.
At last, my 16-year-old self had found a sinistral role model.

And, as a sinistral myself, I couldn't but post a little about the subject of this day in August being commemorated.
Both my grandmothers were subjected to a series of punishments to set them right: left arms tied to their backs, raps at the left wrist with a ruler, thousands of such things. Upon growing up, they decided not to set their respective sinistral children right, but rather encourage their left-handedness. And my own sinistral tendencies, of both hand and foot, were warmly encouraged as well.
In Christmas pantomimes, according to tradition, the villains always enter and exit stage left, while the heroes enter and exit stage right.
If one surveys the words for 'left' and 'right' in European languages, one finds that the latter are groups of cognates—dexiosdexterdestra and dirittoderechedireitadroitrechterightdeis—and the former mostly unrelated—laiossinisterlasciatoizquierdolinkegaucheleftclé. This is because words for 'left', with their negative connotations, have undergone taboo-substitution from foreign sources; izquierdo, for instance, is Basque ("ezkerreko"). So are esquerre and esquerdo (all Iberian Romance languages have adopted the Basque euphemism. In fact, Italian is the only Romance language to retain the original sinistro instead of replacing it with a euphemism!). To call someone gauche or sinister is to insult him—whereas to call him adroit or dextrous is high praise. It is no coincidence that right should have its two primary meanings, nor that left should come from a root meaning 'lame' or 'weak.'
Judas Iscariot, Cain, and Iago are depicted as left-handed; but on the flip side so are Link, Arya Stark, Emery Thane (of whom I have spoken before), Rei Hino, Rapunzel and her Eugene, Elsa of Frozen fame, Hiccup Horrendous Haddock III, the list goes on and on.
In real life, Napoleon Bonaparte, Joan of Arc, Andersen, da Vinci, Escher, Pablo Ruiz Picasso, and Jingoro Hidari (best known for the Sleeping Cat, below, and the original Three Wise Monkeys), among many others, were renowned sinistrals.
And looking at McCartney or Hendrix playing the guitar shows that they strum with their left and hold with their right. As I do myself with Trond Larsen's guitar app.
The Fair Folk were and are seen (as depicted in Andersen's Elfin Hill/Elverhöj) as being left-handed and left-footed, just like Yours Truly. Like freckles or reddish hair (two other traits that I possess), this may have been (aside from an outright sign of villainy in a fictional character) one of the signs that this was no ordinary human child, but a changeling that parent trolls, elves, or fairies had swapped in the cradle.
Still a faint aura of dextralism lingers over our society.
How many times is it presumed that righties, like men/males or straight people, are the default; which makes those who don't fit in deviants? In a Grimm story, for instance, a violinist gives a bear lessons:
Aber du glaubst auch nicht, daß er sie aufgebracht hat. Wie das vorbei war, holte das Schneiderlein eine Violine unter dem Rock hervor und spielte sich ein Stückchen darauf. Als der Bär die Musik vernahm, konnte er es nicht lassen und fing an zu tanzen, und als er ein Weilchen getanzt hatte, gefiel ihm das Ding so wohl, daß er zum Schneiderlein sprach: "Hör, ist das Geigen schwer?" - "Kinderleicht, siehst du, mit der Linken leg ich die Finger auf, und mit der Rechten streich ich mit dem Bogen drauf los, da geht's lustig, hopsasa, vivallalera!" - "So geigen," sprach der Bär, "das möcht ich auch verstehen, damit ich tanzen könnte, so oft ich Lust hätte. 
 When that was over, the tailor took out a violin from beneath his coat, and played a piece of it to himself. When the bear heard the music, he could not help beginning to dance, and when he had danced a while, the thing pleased him so well that he said to the little tailor, "Hark you, is the fiddle heavy?" "Light enough for a child. Look, with the left hand I lay my fingers on it, and with the right I stroke it with the bow, and then it goes merrily, hop sa sa vivallalera!" "So," said the bear; "fiddling is a thing I should like to understand too, that I might dance whenever I had a fancy. 
Presently the tailor took out a little fiddle and began playing on it. When the bear heard the music he could not help dancing, and after he had danced some time he was so pleased that he said to the tailor, 'I say, is fiddling difficult?' 'Mere child's play,' replied the tailor; 'look here! you press the strings with the fingers of the left hand, and with the right, you draw the bow across them, so--then it goes as easily as possible, up and down, tra la la la la--'
The same can be said about Comenius's "Sinistra tenet, dextra peragit," and the same author's "Ambidexter melior est quam scaevola." Unlike the non-dextralist Fenno-Ugric and Germanic words for equal handedness (se. tvâhänt, de. Zweihänder, hu. kétkezes, fi. kaksikätinen: all of which literally mean "two-handed"), the term ambidexterity refers to having two right hands. Ewww.
However, deviance can be positive or negative.
Whether wielding a sword or a tennis racket, for instance, we left-handers are sure to throw our opponents off-kilter. Nowadays during peacetime, in sports, it's a pretty valued trait... but, in the olden days, we sinistrals had pretty much of a more relevant advantage... a literal matter of life and death. Syrio Forel, for instance, encouraged Arya's left-handedness for this very reason.
The Old Testament stories of Ehud killing Eglon and Joab/Yoav killing Amasa have been seen in both a positive and negative light through the ages. Both stories involve greeting the opponent as a friend, reaching out a friendly right arm, while thrusting a hidden left-handed sword into the false ribs of that person in cold blood. Not in vain have these stories raised many an eyebrow in both fear and awe:
The second parallel (of Yoav) with Ehud is found in the account of the assassination of Amasa. Here, the focus seems to be on the unexpected thrust of the weapon using the left hand.
And Ehud came unto him; and he was sitting in a summer parlour, which he had for himself alone. And Ehud said, I have a message from God unto thee. And he arose out of his seat. And Ehud put forth his left hand, and took the dagger from his right thigh, and thrust it into his belly: and the haft also went in after the blade; and the fat closed upon the blade, so that he could not draw the dagger out of his belly; and the dirt came out. Then Ehud went forth through the porch, and shut the doors of the parlour upon him, and locked them.
--
When they were at the great stone which is in Gibeon, Amasa went before them. And Joab's garment that he had put on was girded unto him, and upon it a girdle with a sword fastened upon his loins in the sheath thereof; and as he went forth it fell out.
And Joab said to Amasa, Art thou in health, my brother? And Joab took Amasa by the beard with the right hand to kiss him.  But Amasa took no heed to the sword that was in Joab's left hand: so he smote him therewith in the fifth rib, and shed out his bowels to the ground, and struck him not again; and he died.
---
As for the unexpected left-handed thrust, in Judg. iii 21-22, Ehud’s
reaching with his left hand to draw the sword from his right to plunge
it into the king’s belly is clearly and vividly described. That Joab also
used an unexpected left-handed thrust to dispose of his victim is, however,
often overlooked. Here, although the text never explicitly states
that Joab used his left hand to kill Amasa, it is nonetheless a logical
conclusion given the way the assassination is described. For in 2 Sam.
xx 8, it is first reported that Joab’s sword accidentally fell out from
its sheath. Then, presumably to divert Amasa’s attention from the
fallen sword, Joab is said in 2 Sam. xx 9 to grasp Amasa by the beard
with his right hand to give him a kiss. The author then shows
Joab surprising Amasa with his sword plunged into his belly in 2 Sam.
xx 10, presumably even while the deceitful kiss was still in progress.
Here, since the narrator had taken extra care to specify that Joab
grasped Amasa’s beard with his right hand, the only hand left to pick
up the fallen sword and plunge it into Amasa’s belly without Amasa
noticing is the left. Thus, the unspecified "other hand" holding the sword in
2 Sam. xx 10 can only be the left. What this means, then, is
that like Eglon, Amasa had also died from an unexpected left-handed
thrust of the sword through his belly by someone not presenting himself
as a foe.
Incidentally, it is also worth noting that after Amasa has been killed,
the narrator reports in 2 Sam. xx 10 that his intestines poured out
onto the ground. This gory detail is reminiscent of the report in Judg.
iii 22 that Eglon’s excrement came out as a result of the stab to his
belly.
Secondly, a similar argument can also be made concerning the
implied left-handed thrust in the account of Joab’s assassination of
Amasa. Now in the Ehud account, Ehud’s left-handedness is significant
not only because it played on his tribal identity as a Benjamite or “son
of the righter-hander”, but also because it was this unexpected left-handedness
that allowed him to smuggle the weapon in by hiding it
on the side of his body where one would normally not expect a weapon
to be carried. But in the account of Joab’s assassination of Amasa,
although the author seems to have made it a point to note that Joab
grasped Amasa’s beard with his right hand, thus resulting in the deadly
thrust being delivered by the only other free hand, which is his left,
in the grand scheme of things, it actually would not have mattered
even had Joab grasped Amasa’s beard with his left hand such that the
weapon was deployed by his right (Admittedly, if Israelite society was one in which the proper use of the left versus the right hand was relatively well defined, then it would be unlikely that Joab would grasp Amasa’s beard with his left hand. But the point being made in the following
discussion would still stand. For if it is indeed natural and expected for Joab to grasp
Amasa’s beard with his right hand, then why bother specifying that the act was done
with the “right” hand? As it is, this unnecessary specification seems rather to draw
attention to the different activity each hand was occupied with). For from the description of the
assassination in 2 Sam. xx 9-10, one gets the impression that what
put Amasa off his guard was actually Joab’s unexpected display of
affection as he grasped his beard to kiss him (This is especially so given that Joab and Amasa had been fighting on opposing sides until not long ago.). Therefore, regardless
of which hand Joab might have used, Amasa would have been equally
surprised and distracted, thus giving Joab the opportunity to carry out
his assassination. What this means is that strictly speaking, the author

did not need to specify in 2 Sam. xx 9 that it was with the right hand

that Joab grasped Amasa’s beard. He could have simply left out the

word “right” and the overall plot would not have been affected in the

least. This suggests, therefore, that the subtle attempt to frame this

assassination as a left-handed one is not motivated by internal plot

necessity, but more likely, by a desire to provide a specific parallel
with Ehud.
Finally, there is the matter of the pouring out of Amasa’s intestines.
As has been noted, the description of Amasa’s intestines pouring out
after Joab’s sword was plunged into his belly is reminiscent of the
detail about Eglon’s excrement coming out after Ehud’s sword was
plunged into his belly. But here again, while the detail of Eglon’s
excrement coming out seems relevant to the advancement of the plot,
the description of Amasa’s intestines pouring out strikes one as unnecessary.
For in the case of Eglon, the foul smell that resulted from the
coming out of his excrement may have been what caused the attendants
outside to conclude that Eglon was relieving himself. This thus
explains their hesitancy to barge in, which in turn gave Ehud sufficient
time to escape. But the same plot relevance appears to be absent
regarding the detail about Amasa’s intestines. True, the sight of Amasa’s
corpse wallowing in blood in the middle of the road did become somewhat
of a distraction for the soldiers in 2 Sam. xx 12-13. But even
there, no further mention was made of the intestines. The focus was
instead only on the large quantity of blood, something to be expected
from a stab wound. Thus once again, one can argue that the detail
about Amasa’s intestines pouring out may have been included only to
provide a parallel with the Ehud account and not out of internal plot
necessity.
But if the above three observations indeed suggest that, from a
rhetorical standpoint, the assassination account of Ehud has priority
over the two concerning Joab, such that it is the latter two that make
allusions to the former, then what the author of the Joab accounts
seems to be doing was presenting Joab as a latter-day Ehud. 
At least as Bar-Efrat understands it, David’s condemnation of Joab in
1 Kgs. ii 5 refers essentially to the fact that “Joab did not kill Amasa in the course of battle but during times of peace, in the guise of friendship, when the victim suspected nothing.” Thus, to Bar-Efrat, what David objected to was “the treacherous way in which the murders
were implemented”.
But regardless of whether it is the assassinations themselves or
the treacherous way they were carried out that is the focus of the
condemnation against Joab, the simple fact is that Joab’s assassinations
are not presented as honourable acts. And in light of this overall negativity,
one can hardly give any part of the accounts a heroic reading.
And that brings us back to Ehud. If Joab’s two assassinations are
indeed meant to be understood negatively, then by virtue of the fact
that each makes allusions to Ehud, one can infer that there must have
been aspects of Ehud’s assassination that were also viewed negatively
by the author of the Joab accounts. And since the allusions seem to
concentrate especially on the use of deception, one can only conclude
that this use of deception must have been what was viewed negatively
by the author of the Joab accounts.
Furthermore, not withstanding the current debate about how Ehud
should be evaluated, this negative take of Ehud’s use of deception must
have been sufficiently well established among contemporaries of the
author of the Joab accounts for him to simply make the allusions without
having to worry about his audience missing the point. What this
seems to suggest, then, is that, a negative take on Ehud’s use of deception
may have early intra-biblical support, and is therefore not as “disturbing”
and counter intuitive as Andersson thinks. While this does
not necessarily justify a uniformly negative evaluation of Ehud such as
Klein’s, it does leave open the possibility that, in spite of a deliverance
that deserves be celebrated, there is room for disquietude when
it comes to Ehud’s use of deception.
So what could be made out of Ehud and Yoav? Clever trickster liberators or underhanded, sinister traitors? Benjamites, sons of the Right, yet dextrally challenged (the L-word, though mentioned elsewhere in the Tanakh, is implicit in both stories).
I know what my own humble opinion on these tales, as a proud, young, subversive sinistral, is.


PS. SINISTER STORMTROOPERS


Imperial Stormtroopers are all left-handed, speaking of which.

They were at first all cloned from the same cookie-cutter, Jango Fett; a sinistral cookie-cutter, and thus, all assault rifles produced by the Palpatinian Empire were made for left-handed marksmen, with the firing chamber on the left side.
As the ranks of the Empire broadened to include more and more non-clone troopers, including dextrals (and non-human humanoids), no right-handed guns were produced, leading to "set left," against their will, the non-sinistral members of the military.
For once, the left --at least in a fictional sci-fi universe-- is the default and the right is the deviance.

lunes, 29 de mayo de 2017

WESTEROS: TASTE THE BIFAUXNEN RAINBOW

WESTEROS: TASTE THE BIFAUXNEN RAINBOW

Most anime series only have one resident bifauxnen, whether her name be Haruka Tenoh, Falsetto, Akira Kenjo, Seira Azuma, Anna Hart, Benio Amakusa, or whatever.
The Westeros universe, just like Sakura Wars, overcomes this limit by showing us the different flavours that bifauxnen come in...

The Princely/Knightly Bifauxnen: Brienne of Tarth
EXAMPLES IN ANIME: Falsetto (from Eternal Sonata), Seira Azuma, Akira Kenjo/Cure Chocolat, Haruka Tenoh/Sailor Uranus (after joining the Inners and not to the Inners; the trope codifier), Anna Hart (after solving her dad issues), Rei Hasekura, Amane Ohtori, Lucrezia Noin, Ryuken Ishima...
This is the Princely Young Man-flavour kindly bifauxnen, that acts like a knight, prince charming, or the women's ideal man (handsome, thoughtful, romantic, cultured...) Used to wear long tresses (think Utena, Oscar de Jarjayes...), but the advent of Sailor Uranus made this kind of character have Boyish Short Hair since the early 90s instead. Still, the essence of the character remains the same.
Brienne, the Maid of Tarth, plays this character straight while also highlighting a naiveté and insecurities that we very rarely see in any kind of bifauxnen. And we see her rose-tinted glasses fall off little by little as she comes to grips with reality, with her own strengths and weaknesses... for Westeros is no adventure-friendly magical land, but a world full of darkness and crud, isn't it?


The Aloof Bifauxnen: Asha-Yara Greyjoy
EXAMPLES IN ANIME: Haruka Tenoh/Sailor Uranus (to the Inners before joining them; the trope codifier), Leni Milchstrasse, Maria Tachibana, Benio Amakusa, Anna Hart (before solving her dad issues), Kaname Kenjo, Akito Sohma.
This is the Sailor Uranus expy who gets allotted the role of the Aloof Ally, and thus, frequently given an "ice king" and/or "grumpy" personality to match... they form most often a Battle Couple with a proper lady Oneesama (another page out of Uranus's book). But Yara never does. Once more, our expectations are subverted. In some cases (see Kaname Kenjo, Akito Sohma), she may be a villainess of the sexpot baroness kind.
Yara fits, however, the general aloof bifauxnen template, only that our pirate queen is contrasted (instead of with an oneesama) with her effeminate brother Theon, seen as a failure to the Greyjoy surname. And there are no cracks in her armour. The result is one of the most badass sheroes in Westeros indeed. She does lose her throne and leave for the mainland on exile, but her journey is not fruitless at all... but the most striking difference is that between the hot-blooded Yara and all those cool-as-a-cucumber aloof Uranus expies!


The Tank/Thug Bifauxnen: Maege Mormont
EXAMPLES IN ANIME: Kanna Kirishima... I cannot think of any other example than Kanna Kirishima. Maya Yookoo may fit as well...
This is the rare female example of a Large Ham Bruiser. Frequently a hard drinker and/or a brawler, this badass has a bodybuilder physique and pec-like bosoms to accentuate it, as well as being as tall as she is muscular. In spite of being such an imposing sight, she has a heart of gold. She's frequently also older than the usual (late-teen or early-twentyish) bifauxnen, being in her thirties or forties (Kanna is late-twentyish, so it counts, idem Maya).
Maege does not only fit this characterisation; she is also a family woman and quite the mama bear (pun intended) with whose five daughters you would never like to mess!


The Kid Bifauxnen: Arya Stark
This one is a child or pre-teen example: they may be either a princely young boy/lordling or a plucky ankle biter, or change from the former kind to the latter if faced with a Copernican twist of fate (this is the case of Arya herself).
EXAMPLES IN ANIME: Yuri Miyazono, at 15 and in secondary school, can be seen as a borderline case of kid bifauxnen, attending secondary school like the leading characters and, despite wearing a skirt (like Akira Kenjo) as part of her school uniform, playing the male lead role in the School Play. Another borderline case would be Shizu ShidoRiccardo Russo of Baccano! fame is also a younger, pre-teen kid bifauxnen about Arya's age. Character of the Week Yuki Tachibana (Alex in the Anglophone dub) from the Silence card episode of Cardcaptor Sakura Season 1 is also a kid bifauxnen.
However, unlike the shy Yuki, Arya has more of a backbone. In the fact that this is her coming of age, her character arc is far closer to Riccardo's. But Arya reminds me the most of Yuki, what with the dark hair and being daddy's girl and, after losing her father, having to become strong for his sake, no matter if she has to mistrust others for fear that said "friends" turn against her... Only that Arya, being instead a POV lead instead of a Victim of the Week, is far more fleshed out.

martes, 19 de abril de 2016

HOTTIES OF WESTEROS

Oh, and Margaery's name being misspelled is merely a typo, due to her name being only known in Cyrillic to the author. I do not own these blazing, searing hot pics; credit goes to the Russian artist who drew them.


#KissedByFire


#QueenOfTits&Wine


#LadyInRed


#Oathkeeper


#FromDorneWithLuv


#RoseOfTheReach


#AdroiteOneesama


#GaucheImouto



viernes, 26 de febrero de 2016

CUANDO LOS SIETE ERAN UNO

CUANDO LOS SIETE ERAN UNO

Sandra Dermark

26-2-2016



Un poema sobre los hermanos Stark, más el bastardo y el adoptado. De cuando antes de que se separaran y sus vidas cambiaran...



Antes de la tormenta... 
Los siete eran uno solo, 
como los días de la semana, los colores del arcoíris o las notas de la octava. 
El hermano mayor aún sólo lideraba a los suyos en su grupito. 
Su mejor amigo era un chico simpático y legal, aunque un poco rebelde. 
El bastardo se sentía como el patito feo, pero no dejaba de ser uno más. 
La joven diestra soñaba con el amor verdadero. 
La niña zurda soñaba con grandes aventuras. 
El niño que trepaba daba de comer a todas las aves del castillo en sus nidos. 
Y el benjamín dormía en la cuna o en brazos de su mamá. 
YA NADA ES IGUAL A COMO FUE EN AQUELLOS DÍAS FELICES... 
El verano ha acabado, y la infancia también. 
Y SE ACERCA EL INVIERNO...

jueves, 24 de diciembre de 2015

REELING AND WRITHING XXIV: NOT TODAY!

REELING AND WRITHING
or,
Miss Dermark's 2015 Advent Calendar

DAY TWENTY-FOUR

NOT TODAY!

This Christmas's Westeros AU story

Twilight on the docks of King's Landing, a busy day of hustle and bustle, of sellers calling out their ware on the streets and sailors, both Westerosi and foreign, sauntering on and off the docks, as night falls and the stars appear.
Through the motley throng runs a young girl in rags, nimble as a stray cat, barefoot and with tangled dark hair. Both her skin and rags are filthy, and she leaves a trail of blood in her wake, from a glass shard she has trod on, and she still feels the pain. Once she had worn a dirty kerchief on her head, but a wistful breeze has carried it away. Once she had worn a belt, and a rapier thin and hard as a needle, to stick it into whoever stood in her way with the pointy end, but Lord Tywin's men have taken them away, saying that it is best for a child like her. In spite of all the suffering that she is going through, she is beautiful beneath the mess and the filth, yet she only cares for her own life.
She limps with her left foot, still sore and red from the pain that racks her from that point up to her narrow hips. And she carries bundles of liquorice roots in her dirty frock. Still as many as when she left, for no one has ever cared to buy her ware. Yet she won't give up, nimble yet limping, racked with pain and starving yet still young and able to move. She is reeling, yet still alive.
More stars appear in the night sky. The crews return to their ships, the landlubbers to their homes, and poor Arya has not earned a single copper half-penny. She runs as fast as she can, as if her feet had wings, in spite of the pain and the weakness. Dare she return to the orphanage? A twinge of fear has cut through her mind, like a summer storm. If she ever returns empty-handed, Lord Tywin's men will beat her. Or even do more terrible things to her, like they did to so many women and maidens during the war.
No, no, no. Never in her short life. She will live like a stray cat on the banks of the Blackwater tonight, feeding on some of the liquorice she hasn't been able to sell. But she'll save at least two thirds of her ware to try her luck the next day.
The pain is now too much for her. It extends at least to her chest, and throbs like a drum on the battlefield. Crouching in the shadow of a barrel by a shady tavern, she unties one of the bundles of liquorice and puts one of the roots to her lips. In the light that comes through the clouded window panes, she notices a silvery twinkle, which fills her steel-coloured eyes and her heart and her mind with joy as she swallows her first liquorice root, her first meal since the morning, and feels contented.
A silver stag on the ground, so close to her? The thought lights up Arya's mind and banishes all the demons to the depths of her subconscious. For a while, she feels that both her parents are still alive, and that she is in the warm and cozy, vast Great Hall of Winterfell. Picking up the twinkling piece into her filthy left hand, she sighs in disappointment. It is square, and its shine is more like that of steel or iron. A foreign coin, discarded for being as out of place on the streets of King's Landing as she is herself. Still, it might be of some use, by giving it as a gift to the cabin boy of some foreign ship the next day.
The shouts and songs of drunken crew members, in both the Common Tongue and Valyrian, echo from inside the tavern. The warmth of the scene indoors and the cheers of these unknown men cause Arya's mind to drift away. Slowly shutting her grey eyes, she suddenly finds herself well-dressed at a finely furnished supper table, in a Great Hall somewhere in the North. Her mother and father are there, Lord Ned and Lady Catelyn with their honest smiles, and so are Robb, Theon, and Jon Snow, talking older boys' things like warfare as Arya listens, sitting by her dark-haired and serious stepbrother's side. Next to Lady Mother sits Arya's older sister, the bronze-haired Sansa, cutting her roast with as much refinement and politeness as a court lady. Even though the little girl found her sister annoying and tiresome, now she misses Sansa more than ever, how ironic it might sound. The younger boys are sitting at the other end of the table, Old Nan, the nanny of Winterfell for generations, so elderly that her age was unknown to Arya and her life shrouded in mystery, is feeding Rickon, then still a baby. Healths go round, everyone sings, and glasses clink, and Arya is allowed to take more than just a sip of warm mulled Reach wine, which sears her throat and makes her feel all warm and cozy inside. Then the warmth under her waist turns to heat, to pain, to the worst of sufferings. To the pain in the wound tainted by the glass shard. The Great Hall and the loved ones have vanished into thin air, and she is still curled up beside a barrel outside a tavern on the banks of the dying Blackwater. Awakened, startled, frightened. What if only those happy days could return!
Taking up what is now her fourth liquorice root, Arya barely notices that she is holding her square coin in the same left hand. After a while, when she swallows, she notices that something hard and cold is falling down her throat. Looking among the bundles of liquorice, she tries to find her treasure in vain, to finally realize what she has done. No matter, she thinks, that coin is hard and tomorrow it will come out the other way.
No matter if her rapier has been taken by Lord Tywin's men, she needs no weapons to survive. Even if wasted sailors, in a fit of rage, lunge at her. Arya is quicker, and she will kick them where it hurts the most.
Weary and racked with pain, though still treasuring that faint hope, she looks up to the shred of sky above. A shooting star leaves a long trail of silvery fire. Feverishly struggling for her life, Arya quietly whispers to herself: "Someone is about to die."
According to Northern lore, whenever a star falls, it is to make place for the star that is the spirit of a new deceased person. Thus had Old Nan told her and the rest of her siblings the first time she saw one. Will the next star be Arya Stark? The pain begins to fade and her eyelids slowly close, and whom does she see before her eyes?
Now there is light all around her, and in the light stand the Seven Gods, bright and radiant, all of them except the hooded Stranger with such expressions of love. And the Mother is warm and auburn, with eyes like blue lakes, just like her own, Lady Catelyn, and the Father is stern and serious yet able to listen, with her own dark hair and eyes of steel like the Lord of Winterfell. The Warrior, tall and bold, with his hand on the hilt of his sheathed sword and bravery in his blue eyes, could as well be Robb, her eldest brother, the leader of her childhood games. The fire-haired and sapphire-eyed Maiden is lovely, sweet and demure, and she curtsies, just like her older sister Sansa. The sooty and sturdy Smith, his trusty sledgehammer in hand, is a bearded old craftsman in his sixties or seventies, confident and strong like Mikken in the forge of Winterfell: the one who made Arya's own Needle. And the Crone, the oldest and wisest of them all, with her silver hair and countless wrinkles, and those clever eyes, might as well be Old Nan, so full of lore and of tales. Only the Stranger's face is not seen, but hidden beneath the cowl of his raven-black cloak. Arya pictures herself a non-human face, like that of a wild beast, like the little she had seen of the Stranger's face in the sept of Winterfell.
The other gods suddenly make way for the Stranger as Arya shudders. The male gods to the right, the goddesses to the left, and the ominous hooded figure slowly advances towards the little one. Could this mean that the Stranger is coming for her? Is she going to die tonight? "Valar morghulis," everyone must die. Thus said her Braavosi fencing master. And he had also told her what to say face to face to Death: two simple words that weighed more than the powers that rule our lives. Two words that are now in Arya's throat, eager to spring, like bolts from a fired crossbow, through her parted lips.
The air is cold and the Stranger is face to face with her, towering above her little frame.
"Not today!"
The Stranger's hands are those of a young man, five-fingered and pale, yet they look surprisingly healthy. Putting them to the crown of his head, he slowly takes his cowl off, and what Arya Stark beholds makes her resolve falter for a while.
The face of the god of death is not that of any beast. His hair, eyebrows, and stubble are black as the darkest midnight. His features are fine and well-arranged, more than those of the other six. And there are sparkles of both mischief and sorrow in his dark grey eyes. The Stranger is a likeness of Arya's favourite sibling, her stepbrother Jon Snow, who left Winterfell for the Night's Watch right before she moved to the capital. Ever since, Jon had always been in her dreams, both before and after the dreadful day of the execution, but even more after it. And there he is, so bright and radiant, so mild, with such an expression of love... Never formerly had he been so dashing and so tall. And the light is now as bright as if it were noonday.
"Come with me, I will take you with me, where there is no want, or fear, or pain, or wickedness. You will be with the Stranger, in the Stranger's Heaven high above the other six, and see beautiful things very few have ever beheld." And he takes the little maiden in his strong arms, taking her to soar higher and higher in brightness and in joy, but something inside her still resists. Arya still wants the life she leads, with its sorrows and its worries, with the constant fear of Tywin's men and of drunken scoundrels, and the neverending longing for those days long gone. Though the Stranger takes after her beloved stepbrother, though he offers her a world devoid of sorrows, which is but half a world, she will rather keep her painful life on Earth, a suffering that no one will ever envy in their lives.
Thus, she looks with tearful steel eyes at the god of death. And, as he loosens his grip around her waist, the little girl shouts once more, this time so loud that all of Westeros can hear it:
"Not today!"
And, as the Stranger loosens his grip and fades away, and the light around her gives way to utter darkness, she falls, falling deeper and deeper into the void, into uncertainty, hoping that she will fall into life. Then, everything is liquid around her, and she feels the taste of both fresh and salty water at once. She draws the mixed waters deep into her chest, into her lungs, as the wound on the sole of her left foot is seared and gives away a mixture of both pain and burning, making Arya feel alive.
In the end, she opens her eyes, to find herself unexpectedly on the deck of a foreign merchant ship as its sails have already unfurled. Slowly rising up, she can merely see the heights of the Red Keep and the Great Sept as they disappear into the horizon. King's Landing is far away, and, for the first time in ages, she feels happy.
The day sky is sapphire blue, not obscured even by a single cloud, and the golden sun shines warmly upon her. Yet, shaken by the motion of the ship on the waves, which she has never encountered before, Arya suddenly feels her entrails twist and turn and writhe inside her, making her retch and throw up what she had swallowed during the night: a mess of liquorice fibers in which the square iron coin shines brighter than any star. The cabin boy picks up the coin and leads Arya to the captain's cabin, where she is dressed in a fine shirt and puffy satin breeches. The captain, a sharply-dressed Braavosi who reminds Arya of her fencing master, is kind and clever, and he gets the coin. He explains that the coin Arya had once swallowed came from Braavos, just like the crew itself, and that the secret order of the Faceless Men employ it as a token. The Faceless had hitherto merely been stories, but the captain's tales about them encourage Arya to dream of a new life in which she can be any person she wishes.
The surgeon on board tends to Arya's wounded foot, which is now cleaned and stitched. And her heart becomes more joyful for each day spent helping the cabin boy. Thus, when the lookout announces that the crown of the Titan's helmet can be seen, the young girl raises her eyes and thanks the Stranger for having paid heed to her request, as her heart and mind fill completely, for the first time in years, with hope.

THE END.



PS.

WINTER SEASON'S GREETINGS TO ALL OF YOU, DEAR READERS!!!
THANK YOU FOR YET ANOTHER WARMING WINTER CELEBRATION ONLINE!!



domingo, 25 de octubre de 2015

THE RED KEEP TANGO



THE GREATEST CELL BLOCK TANGO FILK SONG SO FAR!

I never thought of it myself, and it surpasses my own works!



LYRICS:


MURDERESSES:
Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!



Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!

MOCKINGBIRD (PETYR BAELISH):
And now the six merry murderesses of The Seven Kingdoms
In their rendition of 'The Red Keep Tango’

MURDERESSES:
Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!

Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!

CHORUS
Winter is coming, winter is coming
They only had themselves to blame
If you’d have been here, if you’d have lived it
I betcha you would have played the game

Dracarys! Sip! Squeal! Uh uh! Westeros! Lannister!
(REPEAT)

DRACARYS (DANY TARGARYEN):
You know how people have these little habits that get you down? 
Like... Kraznys. 
Kraznys liked to sell people. 
No, not sell -- Enslave!
So, I came to Astapor this one day
And I'm feeling disrespected 
and I’m looking for 8,000 Unsullied,
and there's Kraznys
Speaking low Valyrian and selling...
No, not selling -- Enslaving!
So, I said to him, I said
"You enslave a man one more time..." and he did.
So, I took control of them all, brought in Drogon, and with one word 
Burned off his head.

MURDERESSES:
He had it coming, he had it coming
He deserved to be in flames
If you’d have been there, if you’d have seen it
I betcha you would have done the same!

SIP (MARGAERY TYRELL):
I met Joffrey Baratheon from King's Landing after the Battle of Blackwater
And he told me he was a king and we were married right away
So, we had our wedding
There was a feast, a dwarf play, he’d sip wine, we had a pie.
And then I found out, king he told me.
King, my ass!
Not only was he not Baratheon, oh no.  He had BLONDE hair.
One of those Lannisters, ya know?
So, later when he was sipping his wine
He realized his drink was a little unusual
You know, some guys just can't hold their Strangler!

MURDERESSES:
He had it coming, he had it coming
He crushed a flower growing strong
I didn’t do it, but if I done it
How could you tell me that I was wrong?

SQUEAL (CERSEI LANNISTER):
Now, I'm standing in the castle, having a drink before dinner
Minding my own business
In storms my husband Robert in a jealous rage!
"You been screwin' your brother!” He says
He was crazy, he kept screaming
"You been screwin' your twin brother!"
Then he ran into that boar.
He ran into that boar ten times.

MURDERESSES:
If you’d have been here, if you’d have lived it
I betcha you would have played the game

UH-UH (BRIENNE OF TARTH):
What am I doing here?  They say I stabbed Renly in the back.  But, it’s not true.  I am innocent.  I was guarding his tent.  I loved him.  I defended him.  I don’t know where the shadow came from but it just vanished.  How do you fight a shadow?  I tried to explain to his Kingsguard but they didn’t believe me.  I had to run.  

SQUEAL (CERSEI):
Yeah, but did you do it?

UH-UH (BRIENNE):
Uh uh! not guilty!

MURDERESSES:
Valar Morghulis, Valar Morghulis

WESTEROS (ARYA STARK): 
My captor, The Hound and I are heading to my aunt’s
And my sword, Needle is out there somewhere
Now every night before I go to bed 
I have this little prayer I say
Joffrey, Cersei, Ilyn Pyne, the Hound, Polliver, The Mountain
Six names, one right after the other
So, this one day in our journey
We’re traveling around Westeros
The two of us arguing, he’s demanding chickens, and I want a horse
So we go out to get one
We go to a tavern, open the door
And there’s Needle with this Lannister guard
It’s Number Five: 
Polliver!
Well, I was in such a state of shock, I completely blacked out.
I can’t remember a thing, 
it wasn’t until later
When I was washing the blood off of Needle
I even knew he was dead

MURDERESSES:
Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!

Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!

LANNISTER (SHAE):
I loved Tyrion Lannister more than I could possibly say
He was a real romantic guy, sensitive, a dwarf
But he was always trying to find himself
He’d go out every night looking for himself
And on the way, he found Tysha, 
Alayaya, 
Sansa, 
and Bronn.
I guess you’d say we broke up because of irreconcilable differences.
He set me aside
And I set him up.

MURDERESSES:
The Game of Thrones, thrones, thrones, thrones, thrones 
The Game of Thrones, thrones, thrones, thrones, thrones
Valar Morghulis, Valar Morghulis 
In the end all men must die
If the Iron Throne, was yours to own
I’d betcha you woulda killed a guy

They had it comin', they had it comin'
You shouldn’t have to ask us why
‘Cause when you play it, you can’t forsake it
You either win it or you will die

DRACARYS (DANY):
You enslave a man one more time...

SIP (MARGAERY):
Baratheon my ass!

SQUEAL (CERSEI):
Ten times.

UH-UH (BRIENNE):
How do you fight a shadow?

WESTEROS (ARYA): 
Number five, Polliver.

LANNISTER (SHAE):
Irreconcilable differences.

MURDERESSES:
Dracarys! 
Sip! 
Squeal! 
Uh uh!
Westeros!
Lannister!