Mostrando entradas con la etiqueta threnody. Mostrar todas las entradas
Mostrando entradas con la etiqueta threnody. Mostrar todas las entradas

sábado, 30 de mayo de 2020

why a light to their path shines as a ficseries

Ten little lantern-sticks,
marching in a straight line;
one of them was left behind,
and then there were...

Nine little lantern-sticks,
hastening not to be late;
the gates closed in on one of them,
and then there were...

Eight little lantern-sticks,
four their records given  (Every second lighter is issued a small book called a record to note down any lamps in need of repair for the seltzermen to attend to.);
...,

and then there were...

Seven little lantern-sticks,
still but lantern-sticks;
...
and then there were...

Six little lantern-sticks
left so far alive;
...
and then there were...

Five little lantern-sticks
bolting the cothouse door;
...
and then there were...

Four little lantern-sticks,
struggling to break free;
...
and then there were...

Three little lantern-sticks,
few, yet hardy few;
...
and then there were...

Two little lantern-sticks
stood right before a gun;
one took a bullet to the chest,
and then there was...

One little lantern-stick
thought he would be a hero;
he looked his death straight in the eye,
and then there were zero.

Or (bowdlerised version, the one Aunt Gillenormand 'the Old Maid' used to tell)

One little lantern-stick
took his ladylove to wife;
they cared for one another
and soon brought forth new life.

With our Musain crew plus Éponine, Montparnasse, and later on Gavroche as lantern-sticks suddenly turned fully-fledged lamplighters in the Ichormeer, StrixAlluka actually created a shorter series than The Seed of the Hanged, yet one that delivers a powerful punch in its simple three-act structure:
  • I - the training at Winstermill (fodicar drilling, lighting of lamps along the Pettiwiggin... the basics), disappearance of Jehan Prouvaire in the woods, and sudden change of Lamplighter-Marshal after Pontmercy's demise (there is a short custody war for Marius against his maternal family), with suspicions that the new commander of all lamplighters might be a war criminal - Book the First: The Rise
  • II - the perilous eventful cross-Ichormeer journey of Q(uarto) Pontmercy from Winstermill to Cripplebolt, having suddenly received a promotion all of them (Captain Enjolras, Lieutenants Combeferre and de Courfeyrac, Sergeant Thénardier the Younger, and their lampsmen of various ranks), in order for the new Lamplighter-Marshal to get them out of the way since they know he's a war criminal (on the way, they encounter Cosette and her companions and chaptins -calendar senpai- as well as Jehanne Prouvaire, who is now in the Right of the Pacific Dove as well and has undergone sex-change surgery; this chara is always meant to be trans by Alluka) Book the Second: The Journey
  • III - settling down at Cripplebolt, reveal of a dark secret (R's identity) that makes the whole quarto defect from the ranks and seals their fate, and the subsequent wartime battles against their fellow lamplighters, including a siege of Cripplebolt, betrayed by Montparnasse, in which the party dwindles echoing the nursery rhyme about the ten little lantern-sticks, their wounds, referred to in the nursery tale, being the same as in canon, (Enjolras and Marius mirroring the two polarly-opposite versions of the final stanza). The person Enjolras gets killed for having killed is Franz d'Epinay, in single combat; he and Grantaire are killed off by a shocked Albert de Morcerf. Book the Third: the Fall

Crossover is of course also present in A Light To Their Path, mainly Les Mis/Monte Cristo (Albert and his parents move into Winstermill when Ferran [Fernand: Alluka uses the Catalan names for both him and his wife Mercè/Mercedes] becomes the next Lamplighter Marshal after Pontmercy's untimely death due to an ostensible "stroke"; Eugénie Danglars and Louise d'Armilly, with the same social ranks as in canon, fled their hometown of High Vesting and arranged marriage to join the Right of the Pacific Dove, and became Cosette's senpaitachi Ena and Wiske) ---- even though cameos from other series are added, for instance Ritsu Sohma gets a funny cameo at one point (at the expense of young Lt. Gillenormand when he thinks to have bedded a wench).
Of note is not only that Grantaire is a rossamünderling or humanoid monster (the R on his foundling's swaddling stood for that) who is in star-crossed love with Enjolras... and this reveal leads to the defection of the entire quarto to protect the innocent enemy in their midst. Also that the relationship between Lesgle/Bossuet (a dexter - ie a kind of super with both electric and psychic powers, with arrows like Aang's tattooed on his skin) and Jolllly (his factotum - ie healer manservant), alongside their calendar ladylove Musichetta, is even better developed in A Light To Their Path thanks to the constraints of the setting; one can tell the chemistry - no pun intended - and even feel the survivors' angst once one of them is killed off.
Also of note are Ermengarde Johannitz (St. John in canon), Wendy Darling, and Christine Daaé, as well as Musichetta and Jehanne Prouvaire, as Cosette's companions at Herbroulesse and later on as part of the Takarazuka-esque theatre troupe Eugénie and Louise wind up leading in the ending.
The Mariusette/Lougénie finale is heartwarming straight on, - even after the revelation that Ferran shot himself as per canon when facing the facts that he was a war criminal as a young lieutenant, and his career has been founded on corruption and betrayal. - 
At the end, it is revealed that the straight surviving couple, caladine (lone high-ranking calendar) Cosette and herbalist Marius in High Vesting, are singing the "ten little lantern-sticks" nursery rhyme as a lullaby to their daughter Éponine (Catherine in The Seed); they later on watch, for the evening after tucking her to bed, a performance by the queer couple, of a story eerily similar to Swan Lake or the Little Mermaid Disney film with Eugénie as the prince and Louise "Wiske" as the villain enchantress, introducing Christine Daaé in the title role; Wendy and Musichetta as scriptwriters. We then get the POV of Lougénie and Chrisraoul and it's as satisfactory as Mariusette's... (even a marriage between Éponine Pontmercy and Gustave de Chagny, both as toddlers, is discussed in the finale... and these two, as adults, wind up being the authors and compilators behind this epic!!).

The story employs a switching POV chapter by chapter just like Westeros, but generally using the records Combeferre, Feuilly, Marius, and Éponine, as well as Wendy, J. Prouvaire, Musichetta, and Cosette, keep as a framing device and a first-person (think of all these "Dear Diary" fiction and you get the idea).

There are also stories within the story, most of them told as fireside yarns throughout the trip across the Ichormeer; - one of them, told by Éponine, is how the Thénardiers got their inn and it's basically the Cat's Arm legend (the severed paw of a gigantic housecat turns out to be a human hand, and a female nearby has suffered a hand amputation-proving she's the werecat). Also, Courfeyrac, Grantaire, and Éponine sing Bellman songs. LOTS of Bellman songs!! And Carmina Burana!

The Twilight Robbery AU As The Luck Would Have It may have crystallised Enj's first name as Paragon, and Madame Defarge being Madame Thénardier's mother (ie the siblings' maternal grandmother), for all of StrixAlluka's crossovers, but the Half-Continent is a rococo world as enticing as the fortress village of Toll (by Day and by Night), aside from one more territorial and militaristic - and it shows, the leading cast cutting a figure in their military ranks and uniforms - linking A Light to Their Path to El semen de los ahorcados, with uniformed and ranked characters at an academy of adventure setting (well, only at the start of Light compared to Hogwarts AU Seed) as a way to find common ground.


A LIGHT TO THEIR PATH
An Ichormeer Scenario
  • lanternsticks amis - all + éponine in the same quarto (q pontmercy)
  • enjoltaire
  • courferre
  • mariusette
  • lougénie
  • franzbert
  • jolesgletta
  • montponine
  • éposette
  • enjonine friendly
  • courfeyrius friendly
  • courfsette friendly
  • cosettaire friendly?
  • calendar!cosette
  • calendar!musichetta
  • calendar!eugénie - calendar!louise
  • calendar!christine daaé
  • captain!enjolras
  • lieutenant!combeferre - lieutenant!courfeyrac
  • lamplighter sergeant!éponine
  • healer!combeferre - healer!jolllly
  • dexter!bossuet (with air nomad arrows)
  • factotum!joly (with joestar birthmark)
  • trans!lamplighter-turned-calendar!jehanne prouvaire
  • rossamünderling!lampsman!grantaire
  • lamplighter sergeant!sgt. thénardier
  • winstermill cook!mme. thénardier (formerly wayhouse landlady)
  • lamplighter marshal!pontmercy (dead "of stroke" actually poisoned) and his aide lieutenant théo gillenormand (the foxglove poisoner)
  • lamplighter marshal!ferrán mondiego (as successor) - mercè and lieutenant!albert (captain!franz senpai at winstermill)
  • lieutenant!raoul de chagny
  • foundling!gavroche (joins the quarto as servant from his mum's wayhouse)
  • cameos from oc:s
  • cameo from lady syntyche vey (as expected)
  • cameo from toddler threnody vey
  • cameo from hikaru sulu (lamplighter in same quarto as albert+franz)
  • cameo from count jean de satigny
  • cameo from lt. paul d'arnot (still a polyglot, still goes m.i.a. and returns)
  • cameo from lt. charpentier (still d'arnot's childhood friend)
  • cameo from alistair mccooley (from oscar pill book series; lamplighter in same quarto as albert+franz, ie q eastwood -- for charles eastwood, not clint!)
  • cameo from lloyd asplund + cécile croomy
  • cameo from ritsu sohma (as an okama in highvesting)
  • and these are only a few of the cameos
  • +over with other works
  • like hanged men's seed but in the ichormeer instead of hogwarts (and sans condesce or lady alistair or "chewblacka" bossuet)
  • like in gankutsuoh; except that enjolras (taking on edmond's role) is the one to duel and kill franz in lieu of albert, and albert kills enj (+r) for revenge
  • three acts - winstermill as prentices (academy of adventure) - en route to cripplebolt - cripplebolt



domingo, 9 de junio de 2019

A LAMP TO LIGHT THEIR PATH

A LIGHT TO THEIR PATH
An Ichormeer Scenario

  • lanternsticks amis - all + éponine in the same quarto (pontmercy quarto)
  • enjoltaire
  • courferre
  • mariusette
  • lougénie
  • franzbert
  • jolesgletta
  • enjonine friendly
  • courfeyrius friendly
  • courfsette friendly
  • cosettaire friendly?
  • calendar!cosette
  • calendar!eugénie - calendar!louise
  • captain!enj
  • lieutenant!combeferre - lieutenant!courfeyrac
  • healer!combeferre - healer!jolllly
  • dexter!bossuet (with air nomad arrows)
  • trans!jehanne prouvaire
  • rossamünderling!erre 
  • lamplighter sergeant!sgt. thénardier
  • winstermill cook!mme. thénardier (formerly wayhouse landlady)
  • lamplighter marshal!pontmercy (dead "of stroke" actually poisoned) and his aide théo gillenormand
  • lamplighter marshal!ferrán mondiego - mercè and albert (franz senpai at winstermill)
  • cameos from oc:s
  • cameo from toddler threnody vey
  • cameo from hikaru sulu (lamplighter in same quarto as albert+franz)
  • cameo from count de satigny
  • cameo from alistair mccooley (from oscar pill book series)
  • cameo from lloyd asplund + cécile croomy
  • cameo from ritsu sohma (as an okama in highvesting)
  • and these are only a few of the cameos
  • +over with other works
  • like hanged men's seed but in the ichormeer instead of hogwarts (and sans condesce or "chewblacka" bossuet)
  • three acts - winstermill as prentices (academy of adventure) - en route to cripplebolt - cripplebolt




jueves, 22 de diciembre de 2016

NO EXPORT FOR YOU!? OR WHAT...

I was lucky to get the third Waterfire novel in Warnemünde, Mecklenburg, Germany last summer. Now it's on to getting the finale, which sadly will be a bit of a challenge due to the fact I got banned from foreign holidays (unjustly, long unfair story), I'm the only child of a loving mother, but mostly because Planeta pear-shaped the Waterfire Saga in Spain because of this trope:

No Export for You

This is when a work was not released in a country even though there were good reasons to export it there. It has to meet at least one of the following conditions:
  • It is part of a franchise which has previously proven to be successful in other regions (e.g. Sailor Moon).
  • It was made with the specific intention of being sold overseas (e.g. Sin and Punishment).
  • Its genre and/or sensibilities make it the sort of thing that would be exported in the absence of foreign fans clamouring for it.
The Waterfire Saga fits all three conditions.

But, just because a Vocal Minority believes something from abroad should be released for them, doesn't mean their country is a viable market. The distributors have to think of the money.

So it can be the reason a work isn't released is problems with other parties who worked on it wanting too much money, or being unable to get permission for some of the included songs, or deciding it's too much trouble (or there's considered not enough money to be made in a release) to justify going to the effort and trouble to work out all of the necessary clearances.

May also invoke Screwed by the Network if it's only later seasons of a show that is not being exported and the show has been taken off the air in said markets where the show had been screwed, which may result in a case of Keep Circulating the Tapes.

Indeed, the real culprit in the Spanish/Italian Waterfire case is not Planeta -- but CAPITALISM. The INVISIBLE HAND of the law of supply and demand, as Adam Smith would say.
And here's when I take a little turn to the left.










Yet, considering the implications of both systems, capitalism is the Scylla to five-year-planning's Charybdis.
(For those who don't get the reference to classical myth; Scylla guards the right shore of the strait and ensures you will lose a certain number of men; Charybdis guards the left shore and is a maelström that sucks in all or nothing... and nothing is the outcome in the rarest cases).

Well, maybe this is a self-centered faux-left turn caused by a member of a vocal minority interested in fairytale/early modern fantasy. After all, finding the final Waterfire book outside the Protestant North is a Herculean task compared to, let's say, catching a wild Vaporeon in Pokémon Go! Or a Shiny Dunsparce, for that matter.

Still, with today's primary distribution point being online for music (iTunes, Amazon), games (Steam), movies (Netflix), books (Amazon)and television (Hulu), you gotta wonder about the motivation behind regionally restricted release when manufacture and shipping costs simply don't apply.

After all, Amazon... well, let's say I have always been a bit of a shopping Luddite, even though I now have got a card of my own.

  1. Maybe because of sheer impatience; Instant Home Delivery of printed books is something that only exists in fiction as an Acceptable Break from Reality: 

  1. 1. Instant Home Delivery: When you buy something, it shows up instantly or at least much faster than in Real Life. Waiting for a month for backorders is already frustrating enough in real life, so why would that be included in a game intended to be enjoyed?
  2. Maybe because of the never-to-be-underestimated force of custom (usus tyrannus, the Romans already said). 
  3. Maybe because shipping costs will be added to the prize of the novel. 
  4. And maybe because of my own privacy concerns and fear of giving personal information on the Net in the paying form (what if someone finds out my name, ID number, physical address. et al, and uses these data for sinister purposes?). 
In fact, the real reason for my shopping Luddism is all four of them above.
Seeing the film Storks and regarding how it depicts online shopping (In that film, basically the premise is that the baby-delivering storks are bereft of their usual duties to do Instant Home Delivery for online shopping sites... until two human orphans, a teen and a baby, step into the picture... I won't spoil the ending, but merely give you a clue that it's a pretty pungent and precise satire of online shopping!) confirmed my shopping Luddism even more.

Add this only child's mama hen who would rather jump off a viaduct that see me travel on my own, friendless and unchaperoned, from my hometown of Castellón to the Ruhrgebiet... and you get another hurdle.

Very many shopping malls are in decline (so-called "dead malls") with competition from [···] online shopping  

So I'll still cross my fingers and hope for: 
1) my dad to gift me the book from Amazon
2) an order at Argot to be made and succeed ---Shiny Dunsparce chance, but who dares wins!
3) to get a chaperone --maybe mum herself-- to escort me to the Ruhr ---snowball's chance in Purgatory...
No Export For You / Literature
  • The Norwegian series Phenomena has only been released in Norway, Sweden, Denmark, Finland and Germany. It sells well in both Norway and Germany, but still no word of it ever to be given out in other countries.
  • Another Norwegian series Halvgudene has only been translated into Icelandic.

There is a Waterfire wiki, but no trope page (see here: http://tvtropes.org/pmwiki/pmwiki.php/Literature/TheWaterfireSaga).


Though the Waterfire Saga uses so many tropes that there SHOULD be a trope page, right?
To quote a few: Fantasy Counterpart Cultures, Gotta Catch 'Em All, Aloof Ally, Love Makes You Evil, Magical Girl Warriors, Bastard Bastard, More Than Mind Control, Careful What You Wish For, Rage Against the Heavens... the list is endless.
Three words: SHINY BLOODY SMEGMA!!!

Maybe a dooming factor in the Spanish/Italian perception of the Waterfire Saga happens to be this sort of Public Medium Ignorance:

Girl Show Ghetto

Mainly, the Double Standard most people have regarding media: that women's entertainment should only be enjoyed by women with no crossover allowed — despite it being okay for women to watch shows primarily marketed towards men — keeping in mind most media is male-focused. Not to mention the stigma that media specifically tailored for women is 100% guaranteed to be of inferior quality, no exceptions.
Women-targeted entertainment has a reputation of being worse than other shows. Common criticisms are that women's media is overly touchy-feely, simplistic, poorly-written, and shallow. This is mostly due to the aesthetics of the media (and not to mention a lot of it is fashion-based). The men can be the badass heroes and problem solvers who go on questsbut women don't do much except entangling themselves in their relationships and wallowing in a soup of hormonal emotions.
Actually, the Waterfire books are a feminist fantasy saga that subvert these stereotypes. And this Girl Show Ghetto perspective led to Waterfire slumping in Romance languages half-way across the saga. While Germany and Denmark have completed the saga. 

Compare this to the similar case of A Series of Unfortunate Events. Not a girl-show, but actually unisex, with an interesting equal-opportunity cast (aside from a Lemony Narrator that hearkens back to the nineteenth century and inspired Yours Truly's narrative style). Suddenly interrupted in Spain, where the last book released was eighth installment The Hostile Hospital, but which was completed to the very last book, The End, the very last out of 13, in Germanic languages (German, Danish, and Swedish to name three).
Similarly, all three Monster Blood Tattoo books were released in the Anglosphere; second book Lamplighter (introducing both Winstermill [the Academy of Adventure setting, a monster-hunting cadet boarding school] and Threnody Vey [IMOHO, a really badass female character and a true predecessor to Merida Dunbroch of Brave fame]) was released in Sweden and Germany, unlike the trilogy finale Factotum; while the Spanish edition (in detriment of hardass Threnody fans like Yours Truly) never made it past the first book.
The 2010s Little Prince graphic novels and DVD'd episodes were all of them published in France; their Spanish translations halted release after The Planet of the Astronomer, volume 5 out of 24, leaving a lot of exciting adventures which had been screened in Spain never to get a printed (or, for that matter, a DVD) release in the same country and in many others.

Yes, there have been critics ranting and raving against the Waterfire Saga and Monster Blood Tattoo; just like my favourite Sailor Moon series Sailor Stars and my favourite Yu-Gi-Oh series Zexal appear to have far more detractors than they have got fans like me. Add the fact that my mum is a hardcore Jar Jar fan, which makes me think that my preference for obscure and/or criticized fiction runs in the blood.

sábado, 9 de julio de 2016

WIT AND WINTERFELL: MBT/ASOIAF CROSSOVER

What if... Sansa Stark lived Threnody Vey's life and vice versa?
How would it unfurl for a badass wit to live at the Red Keep, and for a fragile court lady to adapt to military life, overnight?



This bunny is a crossover with cross-transplantation, confusion left and right, 
a rebellious only child and a demure older sister switched and catapulted into one another's worlds in a mysterious storm (actually, a tesseract), Lannisters, Tyrells, lamplighters of the Haacobin empire, cothouses, calendars, cathar's treacle, the Right, a dashing Dornishman and an enlightened surgeon who both become interested in this  "Sansa..." (yes, both Oberyn and Qyburn are naturally curious about Threnody), firearms, fodicars, and seltzer lamps (things about this brave new world that Sansa is curious about)...
From Winstermill to Herbroulesse, from King's Landing to Winterfell, these are the stories of a wit in Westeros and of a Westerosi princess on the Half-Continent.
 The question is: will they stay in their new homeworlds or return to their old at the end of the day?

jueves, 4 de febrero de 2016

MY READS - GASLAMP/ FLINTLOCK/ FAIRYTALE FANTASY

MY READS - GASLAMP/ FLINTLOCK/ FAIRYTALE FANTASY

Here's a genre of stories that I have always <3ed and sought inspiration for. And here are my picks for the genre, meant for Spanish readers. Mind that all of them pass the Bechdel test (yes, the test that female characters talk about other things than men in conversation), and star female characters:

The Academy, Book One, Amelia Drake
Historical setting: late nineteenth century
Geographical setting: Danubia (fantasy counterpart of Vienna)
Noteworthy: all the orphans at the local Kinderheim are surnamed after numbers, and there is a military academy and hussars in their sharp uniforms. Stephen Seventy, the love interest (Twelve, the heroine, is also a character worth noting and loving), wants to be a hussar and winds up as a cadet in said Military Academy (capitalized). The setting verges between monarchy and oligarchy, and there are lots of airships and houseboats so elegant...
This book was my self-gift for my own twenty-fourth birthday, this very week...
Book Two has been released only in Italy so far. And there is the reveal that there is a man in an iron mask in a dungeon... (the king's twin brother, I presume?)



Ada Goth Saga (trilogy, so far), by Chris Riddell
Historical setting: early nineteenth century/Regency
Geographical setting: the English countryside
Noteworthy: Ada and her father are fantasy counterparts of Ada Lovelace and Lord Byron. Lots of other fantasy counterparts of historical figures and literary characters abound. A drinking game of my own invention relies on spotting as many of these allusions as possible. Ada is also a great heroine, like Astrid, Becca, Twelve, and many others on this list... There's also another thing that I like, and it's the Building of Adventure setting: the outside world is mentioned more than once, but the leading characters never leave the vast estate of Ghastlygorm.



La calle Andersen (Andersen Street), Sofia Rhei & Marian Womack
Historical setting: mid-nineteenth century/Biedermeier
Geographical setting: Copenhagen
Noteworthy: This is the story of what happened to Kai and Gerda when they returned home from the Snow Queen's realm. They discover that they've got powers: he retains some magic mirror inside his eyes and can only see people's flaws (this helps him tell realistic automatons from flesh-and-blood humans), while she can somehow communicate with plants and animals (making Gerda an omnivoxa) like during her quest. Kai is the dark boy and Gerda the auburn girl. Then there's Ada, an albino orphan who lives with her ailing grandmother and sells matches on the streets: the Little Match Girl with a Targaryen colour scheme that soon attracts the villains' attention. And Joachim Maximilian Ernst III, a clever and wealthy stripling (eldest son of always absent classical musicians, English-style boxer, and amateur inventor) whose courtesy and refinement impress Gerda, leaving her to decide between this aristocratic young prodigy and her childhood friend. The plot concerns the disappearance of several street children, a snake oil seller who moonlights as an alchemist, an automaton maker whose creations are so lifelike that they can be mistaken for the real thing... There are lots of nods to many different Andersen stories and the Danish setting... the authors love these fairytales as much as I do, so this (last Christmas's self-gift) is next to the Waterfire books on my shelf. Another reason why I give it a plus is the fact that there's a gender-equal ensemble.

Which brings us to the Waterfire books themselves...

Waterfire Saga, Jennifer Donnelly
Historical setting: twenty-first century (in parallel mer-realms)
Geographical setting: several mer-realms, fantasy counterparts of real-life human cultures from the past. Most awesome is Ondalina, the Arctic Northern European counterpart culture.
Noteworthy: This is the series with Astrid Freaking Kolfinnsdóttir in it. That's enough to interest you. Aside from the fact that there are counterpart cultures, fortress towns, grand palaces, fierce dragons, kobolds and other Norse mythical creatures... and that's only the tip of the iceberg. So I'm still waiting for Dark Tide to reach Spain (muttering curses under my breath when it failed to come last winter), and I keep my fingers crossed for this springtime or summer. 


Princesses of the Realm of Fantasy, (illustrated by) Silvia Bigolin
Historical setting: eighteenth century (in the Realm of Fantasy)
Geographical setting: several allied kingdoms, fantasy counterparts of real-life human cultures from the past.
Noteworthy: There are counterpart cultures here, aside from a cast of ridiculously attractive young people. In my headcanon, the male love interests/princes in this series are so good (the illustrator is a real artist!) that I have used them for a few boys' love AUs (from retelling Othello, Eugene Onegin, and The Snow Queen to historical settings such as the Great War and the Thirty Years' War). They have as much presence and relevance as their distaff counterparts, which is rare in the gender-equal ensemble of a girl-oriented book series.

The Witch's Boy, Michael Gruber
Historical setting: eighteenth century
Geographical setting: shifts between the generic Central European fairytale kingdom (the concept of provinces mentioned, communities of various sizes, a baroque royal palace), the Realm of Fairies (exceedingly beautiful and intelligent, with violet eyes, think Tolkien elves or Targaryens), a warm country-esque land with stately castles and nuns' convents that is obviously a counterpart culture of France, and a rocky coastline dotted with villages and granitic islands (reminds me of Sweden, but could as well have been Scotland).
Noteworthy: period military life, of a cavalryman and a camp follower, implied. The titular witch, who is more of a wise woman, and her cat changed into human form (a slender young man with a Dalí moustache, a powdered wig, and grape-green eyes), go to war and live in camps for a while, and the result is the gem of a following quote:
Falance went for a soldier, and we joined the war. 
"The war?" 
Well, I was what they call a camp follower. I helped with the wounded and robbed corpses. You know, I have always admired the ravens, and it is much the same sort of life. Also battle is exciting, though stupid, like a stampede of elk. As for Falance, you know he loves to kill - it is his nature - and I did not want to deny him. He made a fine-looking soldier too, with a plume, dangling cartridges, and boots to the hip, his mustache waxed to point and his hair in tight braids. We were of the White Dragoons. Seven years we followed the drum, and then some doctors noticed that their patients died while mine lived and kept their limbs, and an accusation was lodged against me, and we had to desert.




The Twistrose Key, Tone Almhjell
Historical setting: late eighteenth/early nineteenth century
Geographical setting: the Sylver Valley, with the village of Sylveros (a Scandinavian counterpart culture), located on the northernmost edge of the Realms of Dream and Thorn, the dreamland of humans, which has a Regency/Biedermeier ring to it.
Noteworthy: The heroine looks and acts like me. Lindelin "Lin" Rosenquist is a riddle-loving, clever, plucky adolescent tomboy from our days' Scandinavia, freckled and golden-haired and honey-eyed. Also, there's the Winterfyrsts, the royalty of the region, raven-haired, ice-blue-eyed, lilywhite, exceedingly beautiful humanoids: Clariselyn, the missing ruler who returns in the end, and Isvan, her only son, a brooding and quiet boy. These three characters reminded me of Gerda, Kai, and the Snow Queen more than usual... There's also the countless shop signs that line the Sylverosi townscape, magnificent ice caves, the warm waffles at the Waffle Heart, where Isvan is a regular, washed down with mulled cider... and the Margrave, Edvard Uriarte, a redoubtable evil overlord with a scarring Freudian excuse (he lost all of his friends and family to the 1918 "Spanish flu")... The Scandinavian inspiration and the pace at which the story moves hooked me as instantly as the quaintness of the setting and the characters.




Lamplighter (Monster Blood Tattoo, Book the Second), D.M. Cornish
Historical setting: mid- to late eighteenth century
Geographical setting: the military academy of Winstermill and its environs, on the far reaches of the monster-infested Half-Continent
Noteworthy: The premise, penned by an Aussie who has showed their fricking worth, is instantly addictive and completely my catnip: Hogwarts (AKA Extranormal Boarding School Academy of Adventure) with cadets at a military academy in an eighteenth-century setting? BRING IT ON!!! It also features one of the most touching and lifelike relationships between mother and daughter EVER written in flintlock/fairytale fantasy, between dark-haired noblewoman Lady Syntychë Vey of Herbroulesse and her fiery daughter Threnody (the girl above), both of them badasses, a conservative marquise and her rebellious child who remind me of Queen Elinore and Princess Merida in Brave, respectively. Carrot-topped ace markswoman Threnody, my fave leading character in the book, is also a wit (esper telepath) and malaise-inducer and the leader of an all-female detachment of monster hunters... as well as the token girl at an all-male military academy (a first step to making Winstermill gender-equal) and a sarcastic black sheep of the clan à la Tyrion Lannister <3 <3 <3 (blowing her some kisses).
In Sweden, this novel was broken down into two books (so there's Book the Second Part One and Two). I got them second hand on the island of Tjörn and now they are on a sacred place in my bookshelf.

Oh, and, in France, different illustrations, by LACOMBE himself, are used for this series, there called Terres des Monstres. Here is Lacombe's redoubtable rendition of Tedronille (Threnody's French name!)... <3 <3 <3 


Il visconte dimezzato (The Cloven Viscount), Italo Calvino
Historical setting: mid-eighteenth century
Geographical setting: the shire of Terralba, somewhere in northern Italy
Noteworthy: Here we've got another premise that still haunts me every day. Long story short: a young lieutenant, heir to the count of Terralba, is struck right in the middle of the chest by an enemy cannonball on his baptism of fire. Both halves catapulted each to a side of the battlefield, left half saved by wise old lady of the woods, right half saved by regimental surgeons. Both half-men survive, against all odds. Self-centered right half returns to Terralba, causes his father's death, rules the shire with an iron fist, imprisoning his old nanny and burning French Protestants at the stake, to mention only some of his cruelties. Enter his left half, who sets right everything that the tyrant has done wrong, but has no concept of self, and thus, does more harm than good by completely meddling in the lives of others. Neither Lefty nor Righty want to reunite with their respective other halves. And then... Enter love. A village maiden of middling descent, whom both half viscounts adore: Righty threatens her at gunpoint, Lefty showers her with poetry and wildflowers. She does not want either of the half-men to ruin her life, and thus, she decides to marry both of them, with neither suitor knowing that she has also accepted the other!!! Naturally, they challenge one another to a duel and severely injure one another: stitched together by the household surgeon of the Terralba lords, now one person, neither too selfish nor too selfless... the viscount and his clever damsel live happily ever after. 
This is a whale of a fairytale, that speaks volumes in the metaphor at its core... Naturally, Villazuk made a song about it, and here is the song for those who wish to hear it...
Three paths lead up the Hill of Difficulty:
  1. The path to the left is beautiful and easy, yet treacherous and fraught with Destruction.
  2. The path to the right is beautiful and easy, yet treacherous and fraught with Danger.
  3. The middle path, straight up the hill, is steep and straight and narrow, yet it leads to a Pleasant Arbour where the weary find repose.
This is an illustration of the Golden Mean and shying away from extremes (in ethics as well as in any other field of life). There's no "right is good and left is bad" symbolism, but rather "both left and right are the wrong paths," the middle one, the third one, right in between the extremes, is the one most recommended to choose. And The Cloven Viscount (Il visconte dimezzato), a superb fairytale fantasy by Italo Calvino, illustrates the same value. Neither a completely self-centered person nor a completely altruistic one can be considered human, and Lieutenant Viscount Medardo di Terralba learned this lesson firsthand.
Once upon a battlefield, this young lieutenant, this viscount, shot down in the middle of the chest by enemy fire, was literally split in twain. His right half (completely self-centered) became a dreaded iron-fisted tyrant, while his left half (completely altruistic) became an insufferable silk-gloved goody-two-shoes. Neither one wanted to be reattached to his other half. Until the same young maiden won both the half hearts of the righthander and the lefthander, knowing that both of them would ruin her life, and decided to marry both of them without each other knowing the other's betrothal. The bridegrooms clashed at the altar and challenged one another to a duel, they drew steel at unison and seriously wounded one another with their rapiers, only regaining life after a long convalescence, having already been stitched together. And, of course, he and his bride married and lived happily ever after...
I leave you with the song by Italian band Villazuk, which sums up the story perfectly and is one of my favourite songs in the language of Dante:


Cavalcava la pianura tra gli stormi di cicogne 

munito d’un cavallo e uno scudiero

in Boemia era diretto e li la guerra contro i turchi

gia cosparso avea la terra di carogne

al mattino successivo cominciava la battaglia

pensava al nuovo grado di tenente

scintillavano i suoi occhi tra paura ed entusiasmo

era giovane Medardo di Terralba

e dall’alto della sella scorse due artiglieri turchi
puntare contro il fuoco d’un cannone
l’inesperto cavaliere che copriva l’obiettivo 
fece un salto in aria con un colpo in petto
alla sera lo raccolsero sul carro dei feriti
mutilato interamente alla sinistra
ed il giorno successivo dopo sconce operazioni
con stupore dei dottori respirava 

Al ritorno in terra propria nel mantello nero avvolto
portò con se malvagia e cattiveria
fece un torto uccidendo un volatile del padre
che seguì nel sonno il povero animale
gli abitanti del castello se ne accorsero in quel tempo 
che l’uomo aveva perso ogni bontà
incendiava gente e case di ugonotti ed appestati
coronando una miriade di condanne
solamente una gran donna la sua balia Sebastiana
rimproverava tutti i suoi misfatti
ma l’insana crudeltà giunse presto e la sua sorte
fu l’esilio nel paese dei lebbrosi
l’abitudine a quel male di brutalità e follie
facea vegliar la notte sentinelle
mai nessuno compativa la sua giovinezza offesa
che temevano anche i cari più vicini

Ma un fanciullo che dormiva sopra il bordo d’un torrente
sentì la mezza ombra sulla testa
mentre un ragno scivolava sopra il collo del ragazzo
quella sola mano ne procurò il morso 
sotto il suo mantello nero con il suo mezzo sorriso
salutò affettuosamente suo nipote
che si accorse sbalordito di quel nuovo atteggiamento
e che la mano gonfia era la sinistra
dopo un po’ fu noto a tutti l’altro mezzo è ritornato
a portare aiuto a chi era disperato
a soccorrere i più poveri regalando carità
a fermare le violenze ed i peccati
ma la virtù del buon mancino era troppo disumana
predicava ai vecchi di non lavorare
disturbava le abitudini e le vite della gente
che non sopportava neanche il mezzo buono

Questa storia prende svolta come tante volte accade
per mano di una giovane fanciulla
che riuscì a farsi contendere da due metà divise
da quell’uomo che portava cuori opposti 
era scalza grassottella e vestiva sempre rosa
rifiutava le due anime contrarie
l’uomo buono era pietoso quanto l’altro era crudele
non voleva rovinarsi l’esistenza
la ragazza era scocciata e con un gesto d’imprudenza
decise di sposarli tutti e due
ma di farlo all’insaputa dei due mezzi cavalieri
che incrociarono i due occhi sull’altare
si lanciarono una sfida in un duello regolare
con entrambe mani armate d’una spada
così l’uomo combatteva contro la sua stessa parte
e poi cadde a terra in un bagno di sangue

Ora il corpo dei feriti sotto ardue cuciture
sottoposte dal dottore del castello
dopo giorni di pazienza tra gli sguardi sempre incerti
sotto gli occhi dell’amata prese vita
la sua vita fu felice molti figli e un buon governo 
e per quello che gli accadde fu il più saggio
più non c’era cattiveria più non c’era troppa pena
ma di tutt’e due portava l’esperienza.