Mostrando entradas con la etiqueta dude in distress. Mostrar todas las entradas
Mostrando entradas con la etiqueta dude in distress. Mostrar todas las entradas

martes, 8 de septiembre de 2015

THREE NIGHTS TALES - ASHE

Ashe's analyses on the Grimms' four three nights tales (motif D1978.4: False bride drugs bridegroom, heroine awakens him by purchasing nights from false bride):


The Singing, Soaring/Springing Skylark (Das singende, springende Löweneckerchen), 
type 425A, 
8th of October 2013:

Her husband was fighting a dragon, which was really an enchanted princess.
The south wind told the girl to strike the dragon with the reed, as a result her husband would be able to subdue it. After this, both dragon and lion would turn back into humans. 
The girl traveled and found everything to be as the south wind had said. She plucked the eleventh reed and hit the dragon with it. The enchanted princess made a fast move though, she grabbed the prince and hopped on the griffin instead of allowing his true wife to do so. The girl was devastated, but avowed that she would go, “As far as the wind blows and as long as the cockerel crows,” until she found her husband.
She came to a castle where both the princess and her husband were living. The princess was planning on marrying the girl’s husband. There was a wedding feast to celebrate the impending marriage and the girl remembered her gifts. She opened the casket that the sun had given her. Inside was the most splendid dress. She put it on and it made the princess jealous. The princess desired to have the dress and asked if it were for sale. The girl said, “Not for money or land, but for flesh and blood.” The princess asked the price and the girl told her the price was one night with the prince. The princess agreed, because she was devious. When the time for payment came, the princess gave the prince a sleeping draught.
The girl was expecting to speak with her husband that night, but he was in a deep sleep. She was sorely disappointed. The next morning she was led out of the room with nothing to show for it. The girl went to a meadow to be sorry for herself, but remembered the present from the moon. She broke the egg open and inside was a hen and twelve chickens all of gold. The princess happened to see the girls’ golden chickens and she wanted them. She asked their price. The girl gave the same answer. The girl asked the same price.
The prince had deduced that something fishy had gone on the night before and asked the servant. The servant confessed that the princess had given him a sleeping draught. The prince told him that this time he should pour the draught out. The servant did as bidden. This time the prince was awake when his wife entered the room. The prince declared that this was his true wife and they were going to leave.
They hopped on the griffin, flew on, and made their way home.
THEMES:

There is a ton of symbolism in this story. The sun, the moon, the north wind, the south wind, the east wind, the west wind, a reed, a dragon, a beautiful dress, an egg, a sleeping potion, a chicken, the number twelve, the number seven, the number three, the number four, and so on, and so on, and so on. I could probably spend a year writing about all the symbolism in this story. This is not a study that goes that in-depth into the world of the Grimm’s stories, this is just a survey more or less. So, unfortunately, I cannot discuss all of these points here.


He could have been severely depressed for seven years or going through a drug addiction.
Who is still with him this entire time? Who searches over the entire known universe for him? His wife. When another woman tries to steal him away, she’s still there. She reminds him of their commitments. She reminds him of their life together. She reminds him of the good things. He finally comes home. Their relationship finally levels out. 

This story, is a story of a marriage. This story is of one very determined woman. She is determined to keep her husband and be by him no matter what. It’s really an illustration of wedding vows, in sickness and in health, so on and so on.

OVERALL

As much as I hate to admit it, this is really a love story. It’s a story of a marriage and it’s a story of some extreme devotion. It has a lot of symbolism, which I love.




The Two Royal Children (Die beiden Königskinder), 
type 313, 
6th of December 2013:

Get ready for a long summary and many familiar elements.

After a while, it was arranged that the prince was to be married. The princess begged to go. She opened one of the walnuts, inside was a very beautiful dress. She went and stood by the altar. The bride-to-be saw this beautiful dress and desired it. She asked the princess how much it was selling for. The princess said it was not for sale, but that maybe it could be earned. The bride asked her to name her price. She asked to sleep outside the door of the prince for one night. The bride agreed, but commanded that the prince should be given a sleeping draught.
That night the princess poured her soul out to the prince behind the closed door. She told him how she had rescued him three times with her earth men and had turned him into three different objects, but he didn’t hear any of it because he was asleep, but a servant did.
The next day the princess opened up another walnut; it contained an even more beautiful dress. She went and stood by the altar again. The bride came in the dress from the day before, but desired the more beautiful dress. The bride asked the princess to name her price and she asked the same price. Once again, the princess bemoaned what she had done outside the prince’s door, but this night was different. The servant had given the prince a sleeping draught, but had also given him something in order to stay awake. The prince heard everything and remembered all. He wanted to go to the princess, but his mother had locked the door, so he could not.
The next morning, the prince went to the princess and told her everything. He asked her forgiveness. The princess opened the last walnut and inside was the most beautiful dress of them all. They dressed up, went to the church, and got married. The false bride had to depart.
“And the mouth of the person who last told all this is still warm.”
The End

OBSERVATIONS

This is a very long Grimm’s story. I tried to summarize it as shortly as possible, but unfortunately, that’s still quite long.

By the way, St. Christopher is labeled as “the Christ bearer,” as in physically carrying Christ. This pretty much symbolizes taking someone else’s burden as your own, which happens in this story. The false bride’s greed relieves the prince of getting married to her.
I have a hunch, that some of these stories that sound very similar, but aren’t exactly the same story, come from different regions. Maybe there was a little village where the story was told one way and there was another village where the story was told a different way. Over the years, the stories developed their own quirks as people traveled and created traditions belonging to that village.



The Iron Stove (Der Eisenofen), 
type 425A, 
30th of December 2013:

This story has many other similar elements of many other Grimm’s stories, but it still beloved by many people. There are some absolutely beautiful illustrations out there depicting this story. 
A box was brought. The princess was fed and put in a beautiful and soft bed. In the morning the old frog gave her three presents. Three needles, a plough wheel, and three nuts. She would need these to go on her journey. The princess started out. She came to a glass mountain. She used the three needles to put behind her feet, then in front of her feet, and slowly made her way up the mountain. After that she came to three piercing swords. She put herself on the plough wheel and rolled over the swords. She soon came to a great lake and crossed it.
She found a beautiful castle. She asked to be a servant there, knowing her prince was there as well. As it turns out, he was about to marry another woman because he had thought the princess long dead. The princess cracked open one of her nuts and inside she found a beautiful dress. The fake-bride saw the dress and desired it greatly. She asked how much it would cost and the princess said the price was one night in the prince’s chamber. The fake-bride agreed, but gave the prince a sleeping draught before the night commenced. The princess could not wake him at all, but poured out her heart to him and all the things she had done for him.
The next day, she opened another nut. Inside was another beautiful dress. Again, the fake-bride desired it. The price was the same and all went the same except some servants had been listening. The next day the process was repeated with the final nut, but this time someone warned the prince and he did not take the sleeping draught. When he heard the things the princess had said, he knew she was his true love and they absconded in the night on a ship. They carefully made their way back home over the three swords and down the glass mountain. When they came back to the little house with the frogs, it was a great castle and the amphibians within were people now.
They got married.
A mouse did run
The story is done.
The End

OBSERVATIONS

This is very much like several other Grimm’s stories in which the woman fails somehow then has to go rescue her man, who has already found himself another woman. Essentially that’s the essence of all of these similar tales. They are kind of sweet as a romance story, but they’re also kind of off-putting if you really want to think about it.

THEMES

Here’s the formula for this type of story:
  1. Woman finds man in a strange circumstance (polar bear, lion, in a stove, etc..)
  2. Woman promises to do something for said man
  3. Woman breaks promise to said man
  4. Said man goes very far away, where he finds another woman
  5. Woman uses extraordinary measures to to find her husband and travels very far distances
  6. Woman tricks other woman into spending the night in the man’s room
  7. Man gets a sleeping draught
  8. Man finally catches on and goes away with his first woman
  9. The end
Yep, that’s how it works every single time. It’s a very familiar pattern. On the one hand, I like these strong, determined women and feel bad that their man has found himself another woman, but on the other hand, I kind of feel they deserved it for not keeping their promise. It seems like both parties are a little at fault here.
So it’s a common story backbone. I think it does say something about relationships. These women in these stories are pretty awesome, but they always breaks their promises. Not that breaking a promise is a death sentence. It does happen and sometimes it happens out of your control, so someone should usually be forgiving when one promise has been broken, now, ten or twelve broken promises on the other hand, might not be so forgivable. I have no evidence that this princess broke her promise in any other way, besides her father trying to play the old switch-her-roo. The “her” was totally intended. I think the prince should have been a little more forgiving. Why does he thinks she’s dead? It was nine days in the forest, maybe she’s freaking related to Bear Grylls. She survived in those woods just fine. The prince just goes off and finds himself another woman. This other woman always tends to be evil, vain or both. That’s supposed to be better than this other woman who loved you? The woman only wins her husband back because she’s got swag and bling. It’s like there is some show called “Pimp my  Dress” and she was on it, now all the other women are jealous of her dress with blue lights underneath.
Look relationships can be rocky. Both parties can be really at fault in a disagreement. There are those times when one person is right, but the other is wrong. There are times it’s the other way around. There are times when nobody is right and there are times when nobody is wrong. You have to learn to get over those disagreements, not that I’m an expert. The princess tries so hard. She gives so much. She works her butt off. She puts her heart, her mind, and her body into getting her man back, but here he is sitting in luxury with another woman already. Does he deserve her? I don’t really think he does, but she loves him, so she crosses the world to be with him.
I think it was amazing that this princess accomplished all of this. You go girl! But, seriously, I don’t think the man deserved it. He didn’t deserve her. What did he do for her? Name something. Buy her flowers? Nope. Rescue her from certain death? Nope. She was two hours away from home, if you remember. She would have found home eventually. Give her chocolates? Nope. Let her visit her family often? Nope. Buy her nice things? Nope. She got her nice things from some frogs.

OVERALL

With all this said, I do still like this story formula. I love all the things the women in these stories accomplish. These are probably some of the more women positive stories in the Grimm’s tales, not that any of them are overly woman positive.




The Drummer 
(Der Trommler), 
type 313, 
20th of June 2014:

This story is really long, but it’s about a drummer. Sadly, I don’t really know any names of drummers. I’m more of a guitar and piano fan myself.

The maiden then said that the drummer could marry her. They wouldn’t need any money because there was plenty inside of the house. They gathered up some riches and the drummer was going to take her back home on the saddle, but she said, “No thanks, I have my magical ring.” She wished them back home, but outside of his parents house she told him not to kiss his parents on the right cheek, otherwise he would forget her. She said she would wait for him.
He went home, but the time he had been away had really been three years and not just three days. His parents were relieved that he was alive. He kissed them, but he kissed them on the right cheek. He emptied his pockets and showed them all the riches he had. They built a big castle. In the meantime, the princess was still waiting. The drummer’s parents arranged a marriage for him.
The maiden had been waiting this whole time. She knew that he must have kissed his parents on the right cheek. She then heard around town that the drummer was to be married. She thought that she could win him back.
On the first day of the wedding ceremonies she used her magic ring to wish for a dress as bright as the sun. She wore it to the festivities and the bride-to-be saw it and wanted it. The princess said the bride could have it, but she must exchange a night by the door of the room in which her husband-to-be slept. The bride made the deal, but gave the drummer a sleeping potion before he went to sleep. The princess sat outside the door and lamented:
“Drummer, drummer, I pray you hear!
Have you forgotten you held me dear?
That on the glass mountain we sat hour by hour?
Did you not plight your troth to me?
Drummer, drummer, hearken to me!”
But he didn’t hear because he was in a deep sleep.
On the second day of the wedding festivities, the princess wished herself a dress as silvery as the moon. The bride to be saw the dress and had to have it, so she once again made a bargain with the princess. The same thing happened all over again. Sleeping potion, lamentations, and no progress.
On the third day, the princess wished for a dress that glittered like the stars. The bride had to have the dress and made the familiar trade with the princess. As it turned out people had heard the woman bemoaning her fate outside of the drummer’s door the past couple of nights and began to talk. The drummer happened to hear some of this talk and poured his sleeping draught behind the bed. That night, the princess gave her same lamentations, but the drummer heard them.
He remembered her and scolded himself for being unfaithful. He wondered over how a kiss of joy in greeting his parents could have led to such unhappiness. He led the princess by the hand to his parents’ bedroom and told them that this was his real wife and that he couldn’t marry anyone else. Once they had heard the story, they said it was ok. They switched out brides at the wedding and the former bride was content with her new dresses.
The End

THEMES

This story has many similar elements from other Grimm’s stories. We have a woman who laments by her love’s door for three nights. We have three dresses in the three degrees of glory. We have a woman who is so vain that she would trade a night with her boyfriend to a random woman for a dress.
I don’t know about you guys, but I don’t like fashion that much. I’m not going to trade my husband for a nice dress, but I might consider it one day if he gets too annoying. Women don’t go around letting other women borrow their men. Oh you can have him on alternate Thursdays. Nobody does that.
Obviously if you’re willing to trade your man for a dress, you don’t care for your man very much. This all points to the idea of “true love” circulating around in these tales. The other woman would never trade the man for a dress, but the fake bride totally would. The true love would stay outside her love’s door for three nights detailing all the things they had been through. The new love would let the old love have three nights with her man. Part of what these stories is trying to say is that the false love is willing to let go of the man while the true love isn’t willing to let go no matter what.
Sure, you may call this true love, but some people would call this stalking. This princess is like the ex that never goes away. The man is about to get married for crying out loud, they’re celebrating the wedding festivities, but she shows up and steals the man back. Hasn’t she ever heard the phrase, “If you love something let it go”? Sometimes, if you really, really care for a person you have to be willing to let them go. Sometimes, you look at them and see they would be happier in another situation or with somebody else. It just comes to a point when it’s selfish on your part to continue that relationship. I think the adult thing for this woman to have done would have been to go away and find herself another man. It sounds kind of harsh, but this man had already built a new life. His had a castle. He was a respected man in the community. He provided for his parents. He had found a new wife and I can guarantee you that he knew her longer than three days before marrying her.
Say you do love someone…wouldn’t you want them to happy even if that meant not being with you? If you did have them and you could see it made them very unhappy would you feel ok with that? Sure, you satisfied your selfish need to have them around, but they’re over there languishing in depression because they’re not with the person they want to be with.

OVERALL

This could be on an episode of Maury.



General remarks, 31st of July 2014

In most epic stories, the man rescues the woman, but that isn’t always the case, even with the Grimm’s stories. There are actually more stories than you would think where a woman rescues a man in the Grimms' collection. A woman being the rescuer isn’t as common as the man being the rescuer, but it happens. The main difference between the rescue scenarios, besides frequency, is the relationship status between the rescuer and the rescuee.
The men go around rescuing potential wives, as in not a wife yet, merely a girlfriend and in most cases a woman they had just met recently. The women rescue their husbands, with one exception that I remember where the woman rescues her fiancé. What does that say about these stories? What does that say about society?

Now, the women–some of them do some rescuing. They don’t fight dragons or anything like that, but they do go on very long journeys, wear disguises, and trick enchantresses. They may not kill dragons, but they’re still pretty awesome. These men they’re rescuing are not boyfriends. These men are their husbands. They’ve known them for years. They have kids together. This is not some guy they just met. This man means a lot to these women. They have memories together. They have a life together. These women are literally trying to save their world.
Why not save a boyfriend? Honestly, is your boyfriend worth it? As a woman, I know I’ve had some alright boyfriends and some pretty great boyfriends, and then there are those guys you don’t even want to dignify with the title boyfriend. We generally have a few specimens to compare our men to.
Now think about what these women did. They traveled hundreds of miles, maybe thousands. They often watched their men with another woman. They fought as hard as they could to get their man back. Is a mere boyfriend worth all of that trouble? Maybe I haven’t had very good boyfriends, but I don’t think there is really one of them that I would travel thousands of miles for on foot, maybe on a plane, but not on foot. For a man who isn’t even committed to you, that would be a lot of struggle on your part.
A husband on the other hand, is committed to you, at least on paper. It would make sense to sacrifice for the father of your children. It would make sense to fight that hard for your relationship.
The whole thing is also a societal expectation. Women were expected to drop everything and have their life revolve around their husband. 
Women historically have given up a lot for men. When I say these women were fighting for their entire life, they were really fighting for their entire life. Everything they were was dependent upon their husband. If it were you, you would fight just as hard because it’s not only this man who you may care about, but maybe not, but it’s your everything. Unfortunately, these women had to have this particular man to continue the life they knew. You better believe they fought.
This whole thing was also a double-standard. It was ok for a man to be chivalrous, if you want to call it that, but it wasn’t ok for any woman to pay any man much attention unless she was married to that man. If a woman sacrificed anywhere remotely near what these women were sacrificing  for their husbands, there would be some awful rumors floating around. Maybe she just really liked the guy, but society would start saying things like, “Well, maybe she’s just really pregnant with the guy’s baby, out of wedlock.”

lunes, 29 de junio de 2015

GO PRINCESS PRECURE 21: A HEARTFELT SACRIFICE

Go Princess Precure ep 21: Adiós Twilight, 'Allo Towa. And Kanata...


START OF DARKNESS
DELIVERANCE
HEROIC SACRIFICE

We discover that Princess Towa had been missing for some time, and that without her the Hope Kingdom became unable to resist Dyspear. When Prince Kanata and the Princess Precures find her in episode 20, she does not recognize Prince Kanata and she believes herself to be the daughter of Dyspear.
As Princess Twilight, she sees herself as the 唯一無二 yuiitsumuni (“one and only”) Princess and she describes herself as 気高い, kedakai (“noble”), 尊い toutoi (“precious, valuable”), and 麗しい  uruwashii (“beautiful”). It is interesting because these traits do not seem bad in and of themselves.
Being noble and precious can be forms of setting oneself apart from others. Another clue is that she refers to herself as the “one and only” Princess.
Setting oneself apart from others... being an outstanding individual... 




When Prince Grand Kanata looked at the usurper's daughter, his own sister's face came to mind.

KANATA: Towa...

TWILIGHT: I am the Dark Princess, Twilight.








TWILIGHT (post-transformation): Sublime, regal, elegant.
I am truly the one and only princess.

Kanata was shocked by Twilight not remembering him at all.





THE EPIC BATTLE (BEST ONE SINCE THE START OF THIS MONTH) OF DARK TWILIGHT

TWILIGHT: I am the Princess in Black. I will make this world full of despair.

KANATA: Towa...!


DYSPEAR'S VOICE IN TWILIGHT'S MIND: Twilight... bury the Princess Precures 
and Prince Kanata.
TWILIGHT: Yes, Lady Mother.
(She gathers a ball of magenta light in her right hand and flies off at full speed towards the Cures)
KANATA: Towa!
(Twilight fires a great quantity of magenta fire at the Cures, who deflect the flames)
CURE FLORA: You are Kanata's younger sister! What happened!?
(All three Cures attempt to attack Twilight, but she dodges their attacks)
CURE TWINKLE: Seems like our words aren't reaching her.
KANATA: I'm sorry, Cure Flora. It's all my fault.

CURE FLORA: I felt a power greater and more fearsome than any Black Key we have faced before.
It was a very dangerous feeling. As if she is trying to let herself burn up.

KANATA: The power of despair from the Perfume... is that going to swallow Towa, too?
AROMA: That means Princess Towa will...
CURE TWINKLE: Well, a reunion between siblings should be more touching, eh?
KANATA (overjoyed): Everyone! 
(Determined) With the Dress-Up Keys and the dream power of the Princess Precures,
I'm sure we can defeat the power of despair and release Towa from the Black Key!
(Twilight flies at full speed towards the Cures once more. Cure Twinkle forces her to rush backwards with a rain of shooting stars. Cure Mermaid traps Twilight inside a bubble. Cure Flora fires a storm of white lily petals at Twilight, who appears to be unhurt and not the least fazed.)
AROMA: Use Mode Elegant while she's still down!
(But Twilight has already changed to her own Mode Elegant...)






Changing into Mode Elegant, as her skirt is enveloped in blue flames.
Then, Twilight fires from her left hand, as she plays air violin with the right one, a sphere of Prussian blue fire, that turns into a powerful ray, at the Precures.
Luckily, Kanata is quick to raise his scepter and make a rainbow-coloured hemispherical deflecting shield, similar to a force field, to protect the Cures.


KANATA: Stop this, Towa! If you keep this up, you'll... Towa!
DYSPEAR: It's useless. (Kanata is shocked once more.)
DYSPEAR: Twilight can't hear your voices anymore.
 (Twilight keeps on firing her dark blue and purple ray of fire at full power, giving it all to breach the force field.)
DYSPEAR (ironic): What's the matter, Prince Kanata?
This is the power of despair.
KANATA (shocked, gasping): Dyspear!
DYSPEAR: Your sister had a dream...




Shut is still in love with Twilight, even after her transformation, and seeing her curb-stomp the Cures.
SHUT: Beau-... Beau-... Beautiful!!!
Princess Twilight! What a noble form!
LOCK (popping into the hall): Hmm, seems like things have gotten interesting.
SHUT (overexcited, doing a Large Ham as he breaks the fourth wall): Grrr! Princess Twilight! Meeting you is the most glorious moment of my life!
(Upon realizing that he is facing Dyspear): Uh-uh!
DYSPEAR: A despicable sight.

When Cure Flora fights one-to-one with Twilight, Shut is not amused:
SHUT (furious): Curse you! How dare you treat Princess Twilight that way!? (He rushes into the fight.)
LOCK (wistful): You're full of openings, Cure Flora! (He rushes into the fight as well.)
(Cure Mermaid and Cure Twinkle back Cure Flora in the Angels Pose. The former wards Lock off with a Full Moon Humming, the latter wards Shut off with a Frozen Ripple. Both generals, screaming, are sent away to crash on opposite walls.)






HOW TOWA WAS CORRUPTED

Little Towa was playing the violin on one of the green hills around the Royal Palace.
But she was not pleased with her performance at all...

TOWA (sighs): I failed again.
I need to get better so I can play well like my brother.
And become a wonderful lady. A Grand Princess. (sobs)
I want to become one so badly...

BLUE WILL-O'-THE WISP (with a voice like Dyspear's): You can.
(The air around Towa grows clouded by a grey mist)
TOWA: Eh? 
(She looks around, surprised by the mist and the black thorns that have suddenly sprouted.)
TOWA: Who's there?
VOICE OF THE WILL-O'-THE-WISP: Let me make your big and strong dream come true.
TOWA (excited, gasps, turns around with a smile): Ah! Really?

A pair of glowing red eyes like Dyspear's appear through the grey mist.
VOICE OF THE WILL-O'-THE-WISP: Come to my side.
(Towa, afraid, takes a few steps backwards)
VOICE OF THE WILL-O'-THE-WISP: I see. Then it can't be helped.
(The grey mist thickens into fog)
VOICE OF THE WILL-O'-THE-WISP: But if you let go of this amazing chance,
then I'm sure your brother would be quite disappointed.
TOWA (surprised): Sigh! (Desperate) Wait!

TOWA (determined): I want to become a Grand Princess.
I want to make my dream come true!
(She walks confidently into the fog and the thorns, until she disappears. 
Thorns entwine and close tighter and tighter behind her.)


DYSPEAR (coldly, to Kanata): Your sister had a dream.
As the Hope Kingdom's princess, she wanted to live up to her name.
She worked hard all by herself every day, cultivating that strong dream.
But the more she worked towards that dream, the further away it seemed.
She was worried about her own immaturities and awakened me.
And then...

TOWA: I want to make my dream come true!
DYSPEAR: The Princess dove deep into the forest of despair all by herself!
KANATA (shocked): Into the forest of... despair...? Towa went... all by herself?
Then, why!? Why did you take Towa away!?
DYSPEAR: I want to take away the very symbol of hope from you!


DYSPEAR (to Kanata): Do you know?
How important the princess is to the kingdom?
The Hope Kingdom fell into a deep sadness ever since they lost their princess.
Despair overcame them.
That despair fed me and became my power.
(We see the blue will-o'-the-wisp in the forest of despair. Thorns grow around the blue flame and
entwine to form the silhouette of a slender lady, as the blue flame glows brighter and purple.)
(Cut to an unconscious Towa, surrounded by thorns.)
DYSPEAR: I could just have left the princess alone, but I thought of something more interesting.
"I will erase the princess's memories, her heart, and her dreams.
And raise her as the Dysdarks' princess."
The Princess of Hope became the Princess of Despair. 
And she will eliminate all hope with her own two hands.
There is no greater despair for you than that.
Towa's own perfectionism and insecurities awakened Dyspear, who had been somehow sealed away... Interesting. Is this another metaphor of our potential for doing evil?


DYSPEAR (ironic): But, in the end, she was a failure who couldn't get the Dress-Up Keys or defeat the Precures. Twilight, at least show me you can be useful until the end. Burn the Princess Precures, the last bit of hope. 
With your life on the line!!!
(Twilight keeps on firing the dark blue ray from her left hand at the force field. Kanata shudders, doubting.)
KANATA (shocked): Towa...
TWILIGHT (coldly): Yes. As you wish, Lady Mother.
KANATA (desperate): Towa!
(Twilight increases the power of the dark blue ray, which overpowers the force field, shattering it.)
KANATA, PRECURES, PETS: (scream in agony)
(The magenta jewel hilt of Kanata's sceptre cracks and he reels backwards, closing his eyes.)
KANATA: Towa...
(Everyone on the good side is lying unconscious on the ground.)





HOW TOWA WAS REDEEMED, YET AT A HIGH PRICE


Kanata never gave up trying to reach Towa, seeing still his sister in his opponent.
Yet, after the revelation of how she had been corrupted...

KANATA (desperate): Towa!
(Twilight increases the power of the dark blue ray, which overpowers the force field, shattering it.)
KANATA, PRECURES, PETS: (scream in agony)
(The magenta jewel hilt of Kanata's sceptre cracks and he reels backwards, closing his eyes.)
KANATA: Towa...
(Everyone on the good side is lying unconscious on the ground. Twilight advances, through a room full of blue flames, towards Kanata.)

TWILIGHT: The light that illuminates the Hope Kingdom becomes smothered in darkness.
(Looking at unconscious Kanata) You have lost your dreams, and now, even your hope.
You have lost everything.

Kanata opens his eyes to behold Twilight face to face with him, with a defiant and cold look in her masked eyes.
TWILIGHT (ominous): Now only despair remains. (A sphere of magenta light forms and glows in the palm of her left hand. Kanata's dazzled eyes still look on. This may be his last stand.)



In response, she curb-stomped her brother and closed in to end his life...

CURE FLORA: Dreams still exist. Dreams and hope still remain!
KANATA (surprised, relieved): (Gasp!) Cure Flora!

DYSPEAR: Even after all this, why do you stand back up, Princess Precures?
CURE FLORA: Because hope still exists. (Remembering Twilight playing the violin) Right in front of my eyes (looking at Twilight).
(Kanata is surprised and encouraged as he tries to stand up, supporting himself on his sceptre.)
DYSPEAR: Then, you shall meet your end by your so-called "hope!"
(Twilight gathers a new ball of magenta power in her left hand and clashes with Cure Flora. They drive one another back)
CURE FLORA: You said that the violin is an instrument that locks away your heart.
But I was extremely moved by your performance. I wanted to play just like you!
(Twilight gathers more blue fire into a magenta sphere with both her hands.)


(Cure Flora and Twilight have a Priori Incantatem of pink petals and blue flame. Both waltz through the air, firing and dodging such attacks.)
CURE FLORA: I'm sure the melody that you play is a dream that cannot be locked away! And it's full of the feelings you wanted to express to Kanata, far away!
(Kanata, now on his knees, is astonished by Cure Flora's words.)
DYSPEAR: I told you. The Princess's heart has disappeared.
(Twilight flies towards Kanata, but Cure Flora quickly interposes herself)
CURE FLORA: Someone without a heart could not have put on such a beautiful performance!
(Cure Flora and Twilight have a Priori Incantatem of fists sent to punch one another.)
CURE FLORA: Your heart is just being locked against your will! Your dream and your feelings towards Kanata are still there!
(Using his sceptre, Kanata stands up, regaining hope.)

The Cures gave her a nice lecture and a Trinity Explosion, but
that didn't faze Dark Twilight the least. The Explosion and another great ray of dark blue flame from
Twilight's left hand collided in yet another Priori Incantatem, until, finally, the Cures' combined attacks reached Twilight, who shielded herself with the Black Keys.

DYSPEAR: It's useless. You cannot destroy the despair from the Black Keys I have created.
You don't even have the power of all twelve of the Dress-Up Keys.
CURE FLORA: It's not just us. The power of hope...

KANATA: ...and dreams...

KANATA: ...are within you, Towa. 
(He begins to play a tranquil, soft melody on his violin.)
KANATA (warmly, smiling): Towa, do you remember this song?
(Flashback of both of them as children, on the green hills around the palace.)
I wanted to see your smile and played this song countless times.
KANATA: Seeing you practice it with all your might filled me with so much joy.

KANATA: I want to play the violin with you again. 
That is my dream.
It's a dream that can't come true without you.
Towa, please remember.
(Flashback of child Towa telling child Kanata her dream)

KANATA: You told me your dream back then.
As long as you wish for it, I'm sure your dream will come true.
(A teardrop, after getting through her mask, trickles down Twilight's right cheek and falls to the ground. The teardrop glows and forms a bright, warm ray of rainbow light that shoots up towards Twilight, reaching her.)
KANATA: What?
PUFF: That's... the light of dreams?
(The light of dreams strikes Twilight in the middle of the chest.)
(The Dyspear in the hall is revealed to be an oversized hologram, that suffers from interferences)
HOLO-DYSPEAR (buzzing like a faulty audio): Impossible... The dreams I've erased are returning?
(She fades away.)

Twilight's mask shatters, and the shards rise upwards, revealing a languid face with scarlet tareme eyes (contrast with Twilight's tsurime eyes!) full of tears.
TOWA (shedding tears): Big brother... (She cries as she shuts her eyes and the warm, white light envelops her, purifying her.)

When the light fades away, Kanata is kneeling in the middle of the Great Hall, cradling an unconscious Towa, just like a Pietà. The pets and Precures advance towards them.
KANATA: Towa...

SHUT (gasping in horror): AAAAAH!!!! What is going on here!!?? Who is that girl over there!?
Hey, Lock! What ever happened to my Princess Twilight!!??
LOCK (aloof, shrugging): Princess Twilight disappeared and became a normal girl.
SHUT (sobbing, crying): No way! This cannot be!!!
LOCK (sighs): Things have gotten boring again.
(Shut keeps on sobbing. The whole palace quakes.)
LOCK: Look, let's get out of here before everything falls apart.
Seems like Dyspear is quite angry right now. 

Shut's reaction to Twilight's heel-face-turn: priceless. (Lock won't care, obviously).
What does it mean for us Shutlight shippers?

However, it's back to serious business once more, 
as Kanata is left in charge and Towa briefly awakens...

In her throne room, on her throne, Lady Dyspear is enveloped in black flames, that shoot towards the ceiling. The whole palace quakes. Black thorns spring from the ground all over the throne room.
Kanata, cradling Towa, leads the rest of the team outside, running for their lives.

KIRARA: I have a bad feeling about this.
MINAMI: I don't think they'll let us leave like this.
AROMA; There's a door up ahead!
PUFF: We went to your world through that door!
KANATA: We cannot go up against Dyspear's power right now. You don't have any energy left from that last fight. We have to get out of here first.
VOICE OF DYSPEAR: You aren't getting away.
(Kanata is frightened)
VOICE OF DYSPEAR (in the quickly slithering bundle of thorns): I will destroy your dreams and eliminate hope itself. The world will become covered in despair.
HARUKA: Whoa! What's that?
AROMA: Dyspear's magical powers!
(The Cures and their allies reach a circular hall with an open door into a dark blue void: the portal to Earth.)
PUFF: Over there! Hurry and jump in!
Now Minami and Kirara are the ones cradling Twilight, for Kanata needs to wield his sceptre.
The thorns lunge against the Cures, but Kanata is quick to raise his sceptre and ward them away with a force field of rainbow light.
AROMA: That was close.

(Towa comes to in Kirara's arms. The first thing she sees is Kanata, sceptre in hand, from his back.)
TOWA: Big... brother...
(Kanata, surprised, turns around. Then, he smiles to his sister.)
KANATA: Welcome back, Towa. There's nothing to worry about anymore. Towa, I will definitely protect you.
(Towa smiles.)
KANATA: Go! To the door!
PRECURES: Yes, sir! (Minami and Kanata rush towards the portal, with a once more unconscious Towa in their arms.)

HARUKA: Let's go, Kanata!

KANATA: Go on ahead. 
I will destroy that door after you all leave.
Dyspear's powers will follow you into your world if I don't do that.
I must stop that from happening.
HARUKA: No! That's too dangerous! I will...
KANATA: Thanks to all of you, I was able to meet Towa again. I found the hope I had lost. 
(The thorns breach the force field, making cracks appear in it.)
KANATA: I'll come right after you. You still have a dream you want to fulfill, right?
(As Haruka leaves, propelled backwards and into the portal by the light from Kanata's sceptre, the force field is more cracked by the thorns. The doors close.)
KANATA: Haruka, please take care of Towa.
(Both the ruby hilt of Kanata's sceptre and the force field shatter.)

Minami and Kirara bring Towa through the portal to Earth, 
closely followed by Puff and Aroma...

...and she comes to once more in Kirara's arms, during the trip between dimensions...

(The thorns breach the force field, making cracks appear in it.)
KANATA: I'll come right after you. You still have a dream you want to fulfill, right?
(As Haruka leaves, propelled backwards and into the portal by the light from Kanata's sceptre, the force field is more cracked by the thorns. The doors close.)
KANATA: Haruka, please take care of Towa.
(The ruby hilt of Kanata's sceptre cracks, and the force field shatters. The thorns close in on the prince, and so does the dark figure among them.)

Kanata turns around, defiantly, to face Dyspear, whose ruby eyes glow like embers.



Now Kanata releases, from the even more cracking hilt of his sceptre, rays of bright pink light.
KANATA: As long as my heart yearns to meet them again, I'm sure...
Let us meet again!
(The ruby in the hilt of his sceptre shatters, as the pink light shines brighter and more powerful. This light pervades even the space between the Hope Kingdom and Earth.
HARUKA (desperate): Kanata!!


Now what will happen to Prince Grand Kanata? My guess is that Lady Dyspear
may gain a son as compensation for losing a daughter.
That's right, maybe Kanata will be mind-raped or something worse.

Meanwhile on Earth... The sun is setting over the coast near Noble Academy. Towa and the Princess Cures, and their pets, are lying unconscious on the sand.
Towa lets go of a faint sigh as she awakens. 
TOWA: Big brother... (She closes her eyes once more.)

Though she's shorter than the other Cures, Towa is now officially in their ranks.




MY OWN HUMBLE OPINION:


For those who loved Twilight as a villain, you could say it was a bittersweet day for us. Twilight is no more and Princess Towa is back with her memories and saved- at the cost of her brother Kanata sacrificing himself in order to prevent Dyspear from following them back into their the girls’ origin world.
Considering the circumstances and the stage we are at now, I would say what had happened during the battle and the outcome was fair enough. Dyspear’s buff up was powerful, at the cost of the power progressing to consume her. She outright said she was ready to cast Twilight/Towa aside because she failed her tasks and was no longer a useful tool. It took many special attacks and holding out on Trinity Explosion simply to buy enough time for Kanata to be able to play the violin (upon his own choosing) in hopes of unlocking Towa’s heart and memories.
Her sound was so beautiful, it convinced her that was one of her ways of subconsciously channeling out her true emotions. And when you think about it, it’s true. Dyspear wiped out every little bit of her identity, but her heart couldn’t be fully erased. Her love for the violin persisted even in her new form, and that itself was the key to freeing her dreams from Dyspear’s clutches.
So what happened to little Towa was Dyspear sensed her insecurity and exploited it. At first Towa didn’t trust Dyspear because she was scary, but Dyspear managed to persuade her by claiming she can help make her dream come true. Towa who was frustrated at her progress and was losing hope in herself to become the Grand Princess then decided she would take up the offer and went to Dyspear side. As result of being the people’s hope the kingdom fell into despair which provided Dyspear the fuel she needed to become stronger. That was supposed to be it, but then Dyspear thought it would be fun to make use of her in another way and that is how the Dark Princess Twilight was born.
With Kanata having sacrificed himself in order to protect his sister and the precure, I am hoping with all my might that they will make him into the next big bad. Actually when I think about it, I am surprised I hadn’t thought of the possibility sooner, and truthfully, I love the possibility and it would certainly fill in the opening that Twilight had left us with her awesomeness. Also, I have the mighty need for dark!Kanata. I am a total sucker to these things when a love counterpart or friend gets brainwashed/possessed into the dark side. Certainly it is not the most original idea, but I always consider it to be the most fun and angst.
Now if Dyspear chooses to use Kanata, I wonder what kind of touch ups she would do to make sure the same mistake does not happen again. Erasing the memories, heart and dreams weren’t enough, so what else could she do to make it more difficult for the Precures? Twilight already had a very strong personality, but as soon as the Precure started getting the better of her, she started losing confidence in herself as well as her emotions.
Next week! It looks like Towa will be experiencing post-trauma stress disorder. I love that they are doing this because gosh, it would be weird if she didn’t. In order to overcome her trauma and guilt from what she had done as Twilight, appears she will be debuting as Cure Scarlet next week. The only thing is… *cringe* the Cure Scarlet design… I will wait until I get a better picture of it next week, but I can’t say the preview it is leaving me with a good impression at all.

I had been impatiently waiting for this episode for a fortnight. I was burning with desire to find out how Towa became Twilight, and if she'd be reformed in this episode. The interactions between Twilight/Towa and Kanata in last episode left me hanging at the edge of a cliff for all these days...
I also wondered if Shutlight shipping would pay off post-coat turn, if Shutowa could be a reality as well. That ship has definitely been sunk.
Sparing Shut and Lock kind of hooked me. When would these two ever be offed? I thought they would be killed by the Cures, but obviously there is more than meets the eye and these two will stay until the series finale in December, maybe they will survive, maybe share Close's fate (knowing that this is more or less the Westeros of the Precure-verse...) Only time will tell.

And Princess Towa's start of darkness? Pretty nice, Dyspear, luring a perfectionistic, innocent child into the Lost Woods with the pretext of granting her wishes. Towa, being a child in primary school age and a sheltered royal, knew as much of the world's malice as Sansa Stark or Rapunzel. So she was lured away from court, trapped and mind-raped. Uh-uh... One can understand the Hope Kingdom population's adult fear.
Plus, the fact that their parents are absent and Kanata is still crown prince (instead of king), being in his teens, gives me the vibes that a regency was ruling the lands until his coming of age... before the Dysdark invasion. Where would the siblings' parents ever be?
Besides, that will-o'-the-wisp and that mist reminded me of Brave, a great film about an unlikely princess led astray and reformed.
Anyway, Towa's innocence and naiveté are somehow to blame, Dyspear or the power behind her using these traits to waylay her and then, when she was all alone and lost, corrupt her. As easy as luring a child into a trap. And then taking advantage of all her loved ones' combined concern for her safety, and their losing hope, to claim that throne.
Anyway, why would Lady Dyspear mind-rape Towa for other purposes than weakening the Hope Kingdom? To replace a deceased or estranged child of hers? To get a more powerful warrior than Shut and Lock? To have a puppet ruler on the throne once Kanata was completely disposed of...? Surely, Her Ladyship's own start of darkness may clarify all of these doubts. And, in Pretty Cure series, the big bad's start of darkness flashback comes always in December, as the third or fourth episode from the end of the season. So we will have to wait another half year...
The deliverance through music reminded me of both Orpheus and Gerda in "The Snow Queen", two other cases in which the power of music to bring back memories and warm hearts has been proved. Especially in the latter case, in which a song in particular is used to bring back a possessed and estranged sibling figure, by moving that person to tears that somehow expel the darkness within:

Without waiting for an answer, he struck his lyre and sang to them the story of his life, and of how he had loved and lost Eurydice. The eyes of the pale queen brightened when she heard him, and the colour came back to her cheeks, as the song brought back to her mind the days of her girlhood and the sunlit meadows of Sicily. Then a great pity filled her heart for Eurydice, who had left the green earth for ever, and might not return, as she herself did, in the springtime, living only the dark winter months below. As Orpheus ceased his song she laid her hand upon her husband's.
"My lord," she said, "grant his boon, I pray thee. He is brave and true-hearted, and he sings as no man has ever sung before."
But the stern king sat with his head upon his hand and eyes cast down, deep in thought. At length he spoke, and his voice was soft and kind.
"Orpheus," he said, "thou hast touched my heart with thy singing."
...


But he sat quite still, stiff and cold.
Then little Gerda wept hot tears, which fell on his chest, and penetrated into his heart, and thawed the lump of ice, and washed away the little piece of glass which had stuck there. Then he looked at her, and she sang:

“Roses bloom and fade away,
but true love will always stay.” 

Then Kay burst into tears, and he wept so that the splinter of glass swam out of his eye. Then he recognized Gerda, and said, joyfully: “Gerda, dear little Gerda, where have you been all this time, and where have I been?” And he looked all around him, and said:
“How cold it is, and how large and empty it all looks,” and he clung to Gerda, and she laughed and wept for joy.


There's a bit of a cliffhanger in that Kanata stayed behind to fight Dyspear... The Dysdarks' agenda for such a valuable person intrigues me. Maybe Shut and Lock will get a third comrade in the form of a white-haired and aloof Dark Prince (after all, last season also featured the "brainwashed love interest" factor of Sailor Moon and all its ripoffs) (evil Kanata means more shipping between generals?) (What will Kanata's name be changed to, should he experience a face-heel turn?)
Still, I just LOVE the dude-in-distress formula because it shows a passive, imprisoned or drugged male love interest freed by an aggressive and dynamic heroine. I had the great fortune to be a child in the late nineties, that decade of girl power, and grow up with countless subversive dude-in-distress stories, from the Duke of Norroway tales ("lost husband tales") and The Snow Queen all the way to Sailor Moon and Princess Sissi. Stories which I still adore, honestly. So I LOVE the idea of Grand Kanata becoming a dude in distress, with possible brainwashing and mind-rape. Making him now the Cain to Towa's Abel, reversing the original roles, gets me as hooked as waiting for next season of Game of Thrones.
Towa's own perfectionism and insecurities awakened Dyspear, who had been somehow sealed away... Interesting. Is this another metaphor of our potential for doing evil? And, if Dyspear is an ancient evil sealed in a can, have we got the old Pretty Cure message of "You can lock evil away, yet it will always escape and exist?" Is Dyspear's blue will-o'-the-wisp form possessing more than a bundle of thorns (like, a person)? And is there a more powerful dark force behind Dyspear?

In Feminist Frequency, Anita Sarkeesian gives a critique of the dude-in-distress subversion of damselling:
"So what is the difference between traditional narratives that place female characters in powerless positions and stories in which a male character requires rescuing by a woman?
On the surface the Dude in Distress and the Damsel in Distress may appear similar — however they’re not actually equivalent. To understand why they are different we need to examine the broader historical and cultural implications of the two plot devices.
First there’s been no shortage of men in leading or heroic roles in video games or in any other creative medium for that matter. In fact one recent study found that only about 4% of modern titles are exclusively designed around a woman in the leading role. Since men are still largely the default for protagonists, the rare dude in distress plotline does not add to any longstanding gendered tradition in storytelling.
Second, and perhaps more importantly, damsel’ed female characters tend to reinforce pre-existing regressive notions about women as a group being weak or in need of protection because of their gender, while stories with the occasional helpless male character do NOT perpetuate anything negative about men as a group since there is no long-standing stereotype of men being weak or incapable because of their gender.
The two may appear the same, but they don’t mean the same thing in our culture.  This [damsel] is still a problem while this [dude] is not. Again because one reinforces pre-existing stereotypes about women, while the other does not re-enforce any pre-existing stereotypes about men.
That said I don’t necessarily think equal opportunity damseling is the answer. Simply reversing the gender roles of a problematic convention so that more men are damsel’ed in more games is not the best long-term solution, even if the practice might be subversive in the short term to help demonstrate a very real gender disparity in the medium. Ultimately we need to think beyond the cliché altogether.
As a quick side note, It’s important to point out that a kidnapped male character saved by a woman and a kidnapped female character saved by a man are not equivalent, because while a damsel in distress reinforces longstanding regressive myths about women as a group being weak or helpless specifically because of their gender, a dude in distress does not reinforce any such ideas about men."
I object to Anita Sarkeesian's view of the plot device. Though Sarkeesian is merely talking video and computer games, there is a dude-in-distress tradition in storytelling, dating back to the age of ancient empires: Osiris, Hermaphroditus, the Duke of Norroway, Pintosmalto, Charmant (both of them love interests in literary seventeenth-century lost husband tales), Kai in The Snow Queen, Perlino (Laboulaye's take on Pintosmalto), the Poodle Prince (also by Laboulaye), Gaston le Hussière (whose imprisonment of war gives Salgari's female Captain Tempest a reason to venture into enemy country), Shinobu Ijyuuin (whose disappearance gives Benio Hanamura a whale of a quest)... up to our own days' Jaime Lannister, redeemed by Brienne of Tarth.
MÄRCHENATLAS:
Der Mann verschwindet daraufhin an einen weit entfernten, magischen Ort, wo er eine andere Frau (typischerweise die Tochter einer bösen Fee) heiraten soll. Die Schöne ist bereit, bis ans Ende der Welt zu gehen, um ihren Liebsten zu finden und zu erlösen, wobei ihr Zauberkräfte zuwachsen. Mit kostbaren Gegenständen erkauft sie sich drei Nächte bei ihrem Mann. Die neue Braut versucht, den Mann durch einen Schlaftrunk unempfindlich zu machen, doch in der letzten Nacht kann die rechtmäßige Frau ihn erreichen und erlösen.
There is a tradition of narratives about male love interests both overpowered by villainesses and redeemed by heroines. A tradition of male powerlessness, playing on the dominant gender's fear of weakness or castration (the use of drugs and/or injuries previously received on the typical dude in distress), and of reassuring that female support, with a great deal of pluck, can bring about the wounded male's redemption. Thus, I have written more than one such "three nights tales", and I ship Jaime and Brienne, and Benio and Shinobu, so hard. So I'm more than obviously overjoyed that Kanata has been left behind, most likely to be "duded" (if there's a spear counterpart for "damselled"), for Towa's character to develop and, together with her new teammates, to give everything to set him free.

In addition to all of this, that separation from Kanata has given his sister a quest, a purpose to fulfil during this series, to let her grow more of a backbone and stop being an innocent maiden, just like Sansa Stark.

"Will Shut and/or Lock forfeit their lives in battle? And will Towa be the one to free Kanata?
Only time will tell..."


NEXT EPISODE: 22 (THE LAST TEMPTATION / RISE OF CURE SCARLET)

There is an image of Towa with mind-control eyes, imprisoned in a bud-shaped cage of tendrils in a dark forest.
And also a flashback of Child!Kanata and Child!Towa in happier times, before present-day Towa awakens in a two-story bed in Noble Academy, surprised.
She appears to be haunted by Dyspear in her dreams, and is startled by a sudden feeling that frightens her and forces her to cover her ears in bed (Does she hear Dyspear's voice tempting her?) There is also an unquiet dream of Towa's, in which Lady Dyspear invades her personal space and tries to coax her... By the look of next episode, it seems that the others will go on a Journey to the Centre of Towa's Mind...


Welcome to Noble Academy, Your Highness. 
Hope you make yourself at home on post-industrial Earth, with the culture shock and all that.


In next episode (22), Towa, born royalty as she is, 
will try to adjust to a new life at Noble Academy
(her dream will be, surely, saving her brother).
Yet the Dysdarks have not forgotten her coat turn 
and will try to tempt her (most likely with freeing Kanata).
However, Towa will find the strength to resist temptation
and become the fiery Cure Scarlet...