(Yor, the blind Mountain-Man/Bergmann)
It was a strange figure -- like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child's proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white, and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm.
(The Ghost of Christmas Past)


Mind that both of these characters are personifications of Memory --as the recollection of the personal past-- and portrayed as aged but lacking wrinkles and facial hair, and being physically in youthful shape when it comes to vigour and stamina.
-Do you think the Ghost of Christmas Past influenced Ende's Yor?
-What is the significance of being "OLD" yet lacking wrinkles, and especially of lacking facial hair? Does it carry notions of both youthfulness and a non-binary/asexuated character?
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