viernes, 16 de octubre de 2020

THE DEATH OF IASE PENDRAHUL OF IBRIA

The Ibrian ambassador, Iase, paranoid and terrified of poison, was constantly tossing whatever he was served out the closest window.

*****

 After attending to her maquillage, Ursula put her muffler back into place and nodded approvingly at her public face in the mirror.

"Everything is arranged with the guards. Mistress," Flotsam hissed.

"Excellent. Now all I need to do is figure out this mess." She pointed at her throat, not bothering to whisper. No one was around who mattered. With a wave, she dismissed Vareet. The little maid scampered off, hopefully to make sure the rest of the royal apartments were being cleaned properly. That stupid dog's hair got everywhere.

"Perhaps a new voice would help? A new ...donor?" Jetsam suggested.

"That's not a bad idea," Ursula said thoughtfully. "Not a bad idea at all. I'll get right on that, later. So much to do.... cementing our relationship with Ibria so I can proceed with our military plans. ...But right now I have to deal with a petitioner. Ridiculous, really."

Her receiving room was little more than a large study with a few bookshelves and a partially hidden door in the back that led to the library proper. Taking up most of the space was a large naval-style desk strewn with the books she was currently reading, sheaves of notes, a log for meetings, and a small burner for the teas and tisanes she told people she enjoyed for their... medicinal properties.

Which was not entirely a lie. While being princess gave her a different land of power than she was used to—power over people rather than mystical forces—well, call her old-fashioned, but magic was still magic. Its potential for destruction surpassed everything else.

And she had none in the Dry World.

So she set to work researching magic of the land. Among the many occult trinkets she kept hidden were bloodstained crystals; the tongues of several extinct beasts; a curvy: evil-looking knife with a shiny black blade—and several books bound in strange leather that did not smell very good. They explained many things, from the proper sacrifice of small children to the use of certain herbs.

***

She played with the new golden chain around her neck and considered.

No, not yet. ... And an end to her fun with Tirulia! She had such plans for the little nation.... Maybe she would pursue the matter later. For now she would work with her rather prodigious non-magical powers: manipulation, deception, and all the gold in the coffers of the kingdom.

And as for the kingdom, right then she had to deal with more pressing princess duties. She settled herself primly mto a tiny, very ornate golden chair with delicate curled legs that ended m the sweetest little tentacles.

Flotsam took a polished brass urn from a shelf and carefully tapped out leaves that resembled ashes more than tea. Jetsam decanted water from a crystal jug into a tiny copper kettle and set it on the burner. How he lit it would have been unclear to any human watching the scene.

One never knew when a tea like this would be needed...

******

"Send in the next," Ursula said with a chuckle. The meeting with the fisherman had put in her a surprisingly good mood after all.

"Iase Pendrahul of Ibria," Flotsam announced.

With rather more sureness than she liked, the ambassador—spy—sauntered calmly into the room. Now that's a powerful gait, the sea witch thought. His skin was clear and his cheekbones high, his hazel eyes lit from within like an ember you thought you had put out. Thick, curly brown hair attacked the air around his head, barely contained in a riotous ponytail.

"My dear Iase," Ursula whispered indicating the only other chair—a stool, really, with no back, set there for the express purpose of making the other person feel lesser. Yet the representative from Ibria took it and sat arrogantly at ease.

"I've heard you have a cold. A thousand blessings on your health," he said, touching his heart.

"Forget about it, it's nothing," she whispered. "Let's talk about our alliance."

"We can talk—or at least I can," he said with a smile that didn't reach his eyes, "but I do not see any advantage to our siding with you. Your fleet is still short three of the warships you swore to provide—six, I believe, was the original promise. Your land skirmishes have been of questionable success at best. Burning down defenseless villages isn't really much of an accomplishment—I'm fairly certain Gaius Octavius would agree with me on that one. Ibria is wealthy enough. We have no reason to spend resources on a war that doesn't directly lead to our advantage."

"Oh, but it will," Ursula whispered, putting a hand on his arm.

Iase stared at her fingers with distaste.

"I'm sorry, what?" he asked.

"It will, " she hissed louder.

"You'll forgive me. Your Highness, but you have given me no proof of that. I see no reason to make deals with a princess who dresses prettily but lacks any strategic ability."

"You refuse to deal because I am a woman?" Ursula growled, perhaps a little loudly, in her own voice.

"On the contrary," Iase said, patting her hand and then removing it from his arm. "I have had many dealings with fine women I respect. Including at least one pirate captain. It is you, personally, Princess Vanessa, whom I am hesitant to entrust the resources or future of ray country with."

The two were silent for a moment, looking into each other's eyes. His were steady and dark; hers glittered strangely.

Ursula wished she were underwater. She wished she had her tentacles. She wished she had her old necklace. She wished she had anything she could smite him with—frankly, a large piece of coral would have done nicely.

First she lost her stolen voice, and with it the charm and forget spells that made dealing with the humans around her easier. Now it looked like she was losing a potential—and very powerful—ally. Not only would this be a severe setback for her war plans, but her failure would be the talk of the court. She would look weak and pathetic and incapable of mustering the help they needed to conquer their neighbours. And the weak were devoured. It was the way of the world.

"Thank you for your honesty-," she finally whispered.

"I beg your pardon?"

"Oh, never mind. I need some tea for my throat. Join me?" 

She indicated the bubbling teapot: this gesture was perfectly clear, even if what she said was not. Flotsam was suddenly at the desk, laying out a pair of beautiful Bretlandian teacups, golden spoons, a fat little jar of honey, and some lemon slices. 

"Don't mind if I do," Iase said carelessly. "Feel a tickle in my throat myself."

She put the pretty gold strainer—not silver, no no, never silver; when prepared properly the metal had the power to negate certain desired effects of a potion—over his cup and poured, and over her cup, and poured. Strangely grey liquid came out, neither opaque nor completely translucent. It was precisely the same color at different depths.

Each person doctored the drink the way he or she liked: lemon, two lumps... Ursula put a candied violet in hers—one that had a silver dragee as its center.

"Good for the throat, eh?" he asked, holding the cup up to toast her. 'To life!"

"To friends," Ursula whispered over the rim of her teacup.

He raised his cup again before bringing it to his mouth—but waited until she sipped before taking a draught himself. She watched him, the grey liquid pouring over his lips and into his mouth... and he swallowed...

*****

Grimsby appeared like a shadow at his side.

"Yes, we met, we'll talk later—" Eric began.

"It's not that," Grimsby said, keeping pace and not looking at the prince, as if the two were just speaking casually. "The emissary from Ibria was found while you were out... dead. On the unused balcony on the third floor. Causes unclear."

Eric cursed under his breath.

"Poor fellow. Not the worst sort, for a known spy."

"Absolutely regrettable. But it's a dangerous occupation, sir."

Then the prince considered the situation more deeply, and the possibilities it presented him.

"Er, it's in rather poor taste, I know, but I could use the distraction right now to follow up on something... privately. If you would make sure Princess Vanessa directs the inquiry until I officially take part, that would be extremely helpful."

"Princess Vanessa direct...?" Grimsby said, eyes widening.

"I need her attention elsewhere," Eric said, giving him a look.

"Ah. Very good, sir. At once."

Like a well-trained military horse, Grimsby peeled away, intent upon his mission.

*****

In the world of operas, when a hero is searching for something, be it the identity of a woman who rescued him or the letter that will free his daughter from being unjustly imprisoned, the tenor sings heartbreakingly about his quest, wanders around on stage, picks up a few props, and looks under them. He finds the thing! Voilà. Done.

Real life was a lot more tense and a lot less satisfying.

And, unlike in opera, Eric's search was often interrupted by real-life stuff: sudden appearances of Vanessa or her manservants, meetings, rehearsals for the opera's end-of-summer encore, formal events he had to attend, or princely duties—such as hearing a coroner's report on the death of the Ibrian.

(No foul play discovered, although why such a healthy youngish man had keeled over would remain a mystery for the ages. Vanessa had no trouble getting along with his replacement, who was much more amenable to collusion anyway.)

Often when interrupted Eric would forget which was the last object he had looked at and have to start a room from the beginning.

****

As soon as the chef was gone Vanessa gave him a nastily patronizing smile. 

"Don't fret, darling. I really do have Tirulia's best interests at heart." 

"I highly doubt that you have Tirulia's best interests anywhere near what passes for a heart on you."

"Well, I suppose hearts are a mostly human condition, aren't they? Especially yours. You're so full of love and feeling for everyone around you. Your country, your little mermaid, your dumb dog, your butler.... Say, speaking of hearts, his is rather old, isn't it?"

Her words chilled Eric to his bones.

"Hate for anything to happen to it. A man at his age probably wouldn't recover from an attack," she said thoughtfully.

"I... I'm not sure how you could arrange that," the prince stuttered. "Since we just established you don't perform your witchery anymore."

"Oh, there are other magics, my dear," she said coyly. "And things besides magic when one must make do."

Eric fumed, unable to think of a snappy retort. The dead Ibrian lay like an unspoken nightmare in the middle of their table.

"So while you're keepmg everyone's best interests at heart''' she continued through clenched teeth, "perhaps it's best if you stay out of my way. If I so much as suspect you're helping the little redhead, Grimsby will be dead before the day is out. And if anything should suddenly happen to me, he is also dead. Along with a few others I have my eye on. Am I clear?"

"As seawater," Eric said, through equally clenched teeth.

And that was how the chef found them, glaring silently at each other, when he came back in with the sorbet. He shifted from foot to foot for a full minute before fleeing back mto the kitchens.

*****

She played with the heavy golden chain she wore under her dress: thinking. Things were in fact getting a tiny bit out of hand in Tirulia. Although the stubborn Iase had been taken care of, his otherwise agreeable replacement wasn't taken seriously by the long of Ibria. She was still three warships short of the fleet she had promised potential allies. The number of soldier recruits were down this week—the townspeople were growing uneasy about her military maneuvers.

****

Eric blinked.

He reread the instructions:

TO BE DELIVERED DIRECTLY TO THE HANDS OF KING OVREL III OF IBRIA, AND NOT A SERVANT OR FOOTMAN. ALSO CONDOLENCES ON THE LOSS OF YOUR EMISSARY, FROM PRINCESS VANESSA.


****

Eric looked out the window she had indicated, at the neat rows of flowers before the willow grove. Everything looked normal, if a little dull smce his grandmother had grown too frail to keep taking a personal hand in the seaside garden.

Then, squinting, he saw a patch that looked different from the rest. Freshly turned, and irregularly planted.

He leapt downstairs as fast as he could and ran outside.

The fact that there was an entirely new, if tiny, garden on castle grounds that Eric hadn't heard anything about was... disheartening. It was just one more detail that cemented Eric's flailing, ignorant, and useless place in his own castle. His grandmother would have known about it immediately. Would have been told the moment the gardeners started spendmg their time on anything besides her heirloom roses and exotic perennials.

The plants growing in this new patch were not roses—though they did more or less fall into the category of exotic perennial. Eric studied the leaves and little identifying tags.

Artemisia. Okay, that was like wormwood, what they made absinthe out of. His grandmother had always liked their pretty woolly silver leaves.

Belladonna. Clary sage, henbane. Old-fashioned herbs.

Mandrake.

He recognized the last because a sailor had once shown him a particularly fine specimen of the root; it looked like a little person. "There's folks in Bretland will pay a king's ransom for this. I just have to tell them it screamed when the farmer pulled it out of the soil."

Eric shook his head in wonder. Even to someone more skilled in the arts of the sea and music than farming, it was obvious Vanessa was trying her hand at a witch's garden.

Her magic didn't work on land. So she was trying to learn new magic. Land magic.

Was that... a thing?

Was witchcraft real?

If it was, could Vanessa harness its powers? Would she be able to summon undead armies to do her bidding, call down storms and plagues on countries they were at war with?

Would she be able to cast new charms? Would Eric once again find himself foggy and forgetting, hypnotized and half-awake? Would he do everything his terrible wife said?

He swallowed, trying to control the panic that was coming on.

Boneset. Some said it was good for aches and pains. Modern doctors disagreed.

Wolfsbane.

Foxglove. A pretty flower, and dangerous to animals. It was also known as digitalis and contained a substance that destroyed the heart—literally. Eric remembered his father telling him not to let Max anywhere near it if they found some im the woods.

Whether or not witchcraft was real, poison certainly was.

No one really believed the Ibrian had died of natural causes. And here, more or less, was the proof: holes in the ground where some of the flowers had been pulled out. Used. The plant could be put into anything: tea, soup, tobacco mix for a pipe... Vanessa could make good on her threat at any time. Grimsby would keel over from a heart attack and no one would suspect anything—it would be sad, but an entirely natural, predictable death.

Nothing Eric could ever do would convince the butler to abandon his post, short of tying him up and putting him on a boat to the lands in the west against his will. Eric ran his hands through his hair, frustrated and at wit's end.

OUTLINE OF MY SQ ARCANA FUSION

https://tvtropes.org/pmwiki/pmwiki.php/Characters/TheArcana

https://thearcanagame.fandom.com/wiki/Characters

https://thearcanagame.fandom.com/wiki/Tarot_Deck

https://www.youtube.com/watch?v=KmUJNlJreU4&t=30s

https://www.youtube.com/watch?v=5ROGZWStn7Q

https://thearcanagame.fandom.com/wiki/World


EAST OF THE SUN, WEST OF THE MOON, NORTH OF THE STAR 

An Adventure in Seven Stories

Story the First: About a Shattered Egg of Mirrors

Wouldn't you like to see something strange?

At the Ivory Estate, five demonic Courtiers have gathered


Story the Second: Julian and Portia

"Now the seaport of Nevivon, for it is in Nevivon that our story proper begins, is a quaint little town, perchance a large village, but the people there live so clustered together in three-story townhouses that there is little room for every family to have a personal garden; therefore most Nevivonians have to content themselves with a pair of plant pots, or potshards full of soil worst-case scenario, upon their windowsill. But in the very heart of Nevivon, in a garret with eaves jutting out, above the local tavern, there lived a pair of orphan children who had a garden somewhat larger than a sill full of potted flowers. Julian and Portia were brother and sister, of the same flesh and blood, yet no other sibling pair had ever squabbled as little as the two of them, who tenderly loved one another."

carrot sprigs and pea tendrils with butterfly-like flowers grow and thrive on a crate, along with spearmint, parsley, and other kitchen herbs, in a crate on the windowsill of the siblings' room, on the upper floor,

One evening in autumn around the equinox while watching shooting stars from their windowsill garden, suddenly what appears to be stardust falls on Julian's right eye, and he breathes some of it in, wincing at the pain in his eye and then, after a coughing fit, in his chest

as winter approaches and the years go by he becomes more and more insufferable

one winter in the main square the snow queen whisks him away and kisses all his memories goodbye, gives him a heart-freezing potion


Srory the Third: Leaving Nevivon

when julian does not return in spring, everyone in nevivon thinks he's gone out to sea and will never come back having left to seek his fortune

that year and the next and the third, the signs of spring and especially the sun by day and the north star by night reassure portia, as well as her plants, that her brother is still alive

portia then throws her shoes into the strait, the ones she got for her birthday and ilya has never seen, into the strait, the waves return her footwear as if they had no one to give in exchange

that night she packs her luggage and early in the morning she kisses her grandmothers and cat pepi goodbye and heads out into the countryside

then it's like when psyche in c&ps by william morris bids the world farewell


Story the Fourth: Count and Countess

one day in a rocky outcropping she meets a raven --malak--after they make friends, malak tells her that he might have seen ilya - but that he might forgotten her

first things first they're in the kingdom of prakra

the youngest daughter of the rani is an exceedingly bright countess, but lonely in all her brilliance

suitors come and go but they are all stunned by the beauty of the taj and the courtiers' attires

one day a young man with bloodshot eyes and very fair skin comes along and is completely unfazed - he wins the countess with being curious about her intelligence and with his own wartime tales

portia thinks it may be ilya maybe not - she has to come to the palace, in spite of being a peasant foreigner, and attend the engagement event (even the rani and her consort are coming over from the capital of prakra) and see it with her own eyes

while portia waits and later sneaks in, malak chats with nadia's pet chandra - who lives in a tree taj in a ficus in the taj gardens - and, once she has entered the gardens, the owl drops a spare sari and slippers of navra's down to the garden floor for portia to wear

in the taj portia is breathtaken by the interiors and meets all the royal family - but when she gets to see nadia and her count in the ballroom - she is stunned - the young man is not julian, but nevertheless young and attractive

he has golden hair, both eyes bloodshot with red sclerae, a left arm of solid gold

portia explains the case of mistaken identity and nadia gifts her a spare bedchamber to sleep in for the night, under lavender-scented sheets after a warm bath

nadia also tells portia that she can address her by first name ditto all of her family, introducing them

the next day at the breakfast table, over tea and backlavas, nadia asks portia if she wants to be her handmaid and have her very own clothes and shoes and the bedchamber where she slept to live in, but she declines and prefers to resume her quest

so she is gifted a royal carriage with a coachman and postillions as well as lots of backlavas and the sari and slippers that she wore to the event (she still keeps her peasant dress in the trunk)


Story the Fifth: The Warrior Queen

while crossing the southern steppes in a dazzling sun, the carriage dazzles some warrior nomads, who spear the coachman and postillion, seize the horses, and claim the spoils

the leader, a tall blonde in spotted catskins who drives a chariot and pets an eagle, takes portia prisoner as an indentured servant, kneading her lower back and buttocks and arms to feel for muscle

portia and the warrior queen set off in the chariot while some of the crew take up the carriage and the redshirt servants' liveries: the warrior queen tells her she will kill anyone who lays a fingertip on her, and if portia offends her captor, she will slit her throat quickly and painlessly

they set up camp at dusk and portia begins to pitch up tents with mallet and pegs 

by the fireside they all have a supper of roast meat - the warrior queen introduces herself as morga

the two of them decide to trade stories with one another


Story the Sixth: The Star, the Moon, and the Sun

portia enters the arcana realms

she finds herself in a labyrinth with walls of crumbling marble so high they block the skies above, statues flanking the great arched entrance

As the path goes further in, the geometry of the place becomes stranger and more unsettling, with stairs leading to nowhere and doorways bricked up or dropping off into a sudden abyss - but she keeps on walking, determined not to give up yet

at the top of the labyrinth she finds a lighthouse beacon made of a thousand little stars - through vast lighthouse windows a breathtaking view of an evening sky above and an equally vast ocean below -- there, a blue-eyed orange tabby catgirl who resembles portia herself comes eye to eye with her

the star explains to portia about their connection, congrats her and tells her she knew she'd pass the trials, and gifts her a vial of starlight

then tells her to plunge into the ocean to find the moon's realm

though at first skeptical, remembering the shipwreck that orphaned her and ilya, she shuts her eyes and leans out the lighthouse railing, taking the plunge

saltwater stings the sores on her worn aching feet, her drenched clothes drag her down

there is an islet with a female silver direwolf-anubis -the moon- in the middle of the ocean; she takes off her soaked clothes and the moon gifts her roe to eat and a fishing net to wrap herself in, then instructs her to find a moonstone from the bottom of the ocean trench, between the two sunken turrets

as she dives deep luminescent fish like a fierce anglerfish, or a school of fish which form a ghost of julian, try to seduce her in the midnight zone, but she still finds the moonstone as she reaches for it

as she resurfaces, her consciousness slips

she washes upon a beach-like shore with dunes and a wall along the shore, with a sunflower garden beyond the wall and up a white chalk cliff to the left: the sun's eyrie - the day sky above is cloudless and full of pure air

portia follows the wall up to the cliff and eats sunflower seeds from flowers that project above the wall before climbing up; there is a rill and a large nest in the middle of the garden, she drinks herself unthirsty

right then a humanoid golden eagle swoops down and lands in the nest

the sun sits down in the nest and preens her plumage... then lays a hot golden egg that portia receives



Story the Seventh: What Happened at the Snow Queen's Palace and Afterwards



Valerius as the Great Troll

Volta, Vulgora, Valdemar, and Vlastomil (the two latter made the Mirror Egg) as Trolls

Portia Devorak as Gerda

Julian Devorak as Kai

Mazelinka and Lilinka as the Grandmothers

Nadia Satrinava and Lucio Morgasson as the Prince and Princess

Malak as Mr. Crow and Chandra as Mrs. Crow

Morga Eirsdottir as the Robber Mother/Robber Maiden (composite character)

Jäger as the Wood Pigeon

The Star, the Moon, and the Sun as Finnwomen/donors/cardinal winds (ever read East of the Sun or the Singing Springing Lark?)

Anastasia "Tasya" Devorak as the Snow Queen


viernes, 9 de octubre de 2020

RECIPE FOR EVER AFTER

RECIPE FOR EVER AFTER

A DRARRY AT-520B TALE


i. vid vassen av den krökta ström

If you think that love is only for the lucky and the strong, think twice or thrice. Intense feelings can be found in the unlikeliest of places.

This is the story of a prince in lov... wait, of a lordling in love. And of the... obstinate and astute ragamuffin who put him to the test.

This is a new look at a classic tale, retold with exquisite sensitivity.

Dressed in his nightshirt of white tulle and covered in a coarse burlap sack, Harry got on the carriage that his guardian Sirius had sent him; a cabin mounted on two great cogwheels that immediately started moving. The vehicle crossed the kingdom at breakneck speed. Crossing a bridge, then another, then rolling across a lake and entering a thick forest of pines, birches, willows and chestnut. The young lad had fallen fast asleep. He did not awake until the end of the day, when the carriage stopped at the edge of the woods, not quite far from a village. Upon seeing the colours of the flag that waved atop the windmill, he knew he had left the kingdom his father had died to defend. He got off the carriage, which instantly disappeared.

Day flew by after day, each day identical to the previous and to the next; it seemed that time had frozen.

Whenever Harry finished his workday, he liked to return to his shack on the estate grounds, flick the wand in the palm of his hand and make appear the invisible trunk which contained his uniforms and his suits, full-body mirror, hairbrush, gold-rimmed spectacles, and everything else. He had even brought along a little musical box to play melodies that reminded him of his childhood. The cottage in Godric's Hollow, the deer in the woods around his village, his father Ser James standing tall and strong ere he left for the wars, nevermore to return... How far everything seemed to be!

One afternoon at the close of evening, while Harry was wearing his scarlet uniform and was playing his favourite tune on the musical box, singing to the tune in a dulcet tenor voice, a fair lordling passed by. He was the son of the leaders of the land, trying to explore new paths through the woods. Since he had a passion for speed, he had had a great lark leaving behind his entourage until he came to stop there, alone and breathless. The crystalline notes of music and, afterwards, the dazzling light shimmering off a sash and epaulets attracted him to the shack.

Vid vassen av den krökta ström
som tycktes kärlek, kärlek susa
låt ömma känslor dig berusa,
var lycklig, älska, njut och dröm!

An enchanting tenor voice resumed the melody, and the whole forest began to whisper at unison. The lordling, Draco, was left breathless once more.


ii. what's wrong with draco?

Vid vassen av den krökta ström
som tycktes kärlek, kärlek susa
låt ömma känslor dig berusa,
var lycklig, älska, njut och dröm!
Men vet att under kärlekstvång,
ack vilket tvång den hunnit giva!
För första känslan trogen bliva
ty hjärtat älskar blott en gång!

The lordling stopped his steed and got off. He approached the shack and tiptoed to take a peek inside, but a veil concealed the wall, and through the shack's only window came a dazzling light. The dark young lad, accompanied by the musical box, sang an old song which, as a little boy, he'd been lulled to sleep with in whispers by his mother, Dame Lillian. Draco could not restrain the tears. He climbed up the eaves to the rooftop and found a skylight. Shading his eyes with his hands, he finally caught a glimpse of the singer. He was sitting before a large musical box, radiant, and surpassed in loveliness the best-looking people, male or female, the lordling had ever seen. And that dazzle that reflected off his epaulets and the sash on his waist! From his vantage point on the rooftop, the lordling was about to fall backwards to the ground. Harry, who had caught a glimpse of him through the mirror in front of him, smiled and resumed his song. It appeared to him that the fair stranger was the most charming, with his great big eyes and that shocked expression. Suddenly he had a craving for getting to know him better.

But then the lordling's entourage arrived, all at once. The dark lad stopped singing, flicked the wand and once more he became Dirty Harry the ragamuffin, while Draco returned to the firm ground, still consternated by what he had just beheld.

Young Lord Draco returned home. He lived in an enormous edifice hewn out of stone in a cold and hard marble rock with streaks in faded colours. Since forever, it is still unknown of whether out of a whim or out of necessity, the local fashion obliged the inhabitants, including the ruling family, to wear pointed hats. Draco's family ruled the surrounding lands since so long ago that no one knew when the Malfoys had arrived thither.

As soon as he returned from the woods, Draco slumped into bed and plunged into terrible melancholy. Now nothing piqued his interest, except remembering the face of the young man in the shack. Lord Lucius and Lady Narcissa interrogated each other by looking into one another's eyes; they did not understand why their son, who was always merry and bright and wide awake, no longer left his quarters. Day followed day and the lordling kept himself shut, with an absent look in his eyes and lost in his dreams. He did not reply to the questions of his parents, he had stopped eating and languished beyond repair. Lord Lucius and Lady Narcissa were more and more worried for each time.

The only company that Draco tolerated was that of his three best friends: Blaise, Gregory, and Vincent. He had opened his heart to them and asked them to investigate: who was this beau who lived in the hut in the woods? The three friends returned at once, carrying bitter news with them: everywhere they had gotten the reply that this lad was a ragamuffin, one Dirty Harry, and that neither in that shack nor elsewhere in the woods there lived any beau or beauty.

"Well, I don't care!" Draco exclaimed, leaping at once out of his melancholy. "You want me to eat? Right, then I'll eat, but it has to be a brioche made by Dirty Harry expressly for me."

His parents were elated. The three friends left immediately, to give Dirty Harry the commission of the brioche for the lordling.

Petunia was most surprised when she heard of His Lordlingship's commission, but she tried to conceal her feelings. The Malfoy scion had shown interest in her estate, and that was the only thing that mattered to her. The older woman went to find Harry in the tool shed, gave him the commission and handed him eggs, milk, flour and everything necessary for making brioche. From a distance, the three friends saw Dirty Harry leave the shed. Upon seeing how filthy he was, all three winced, but Petunia insisted.

"Do not forget to tell His Lordlingship that the eggs are from our farm and that the flour has come from our mill."

Harry raced into the shed. It seemed fun to cook for the lordling. He waved his wand to put on his cream summer suit, style his hair, and adorn his cuffs with twin cufflinks. He also wished for a recipe to make the best of brioches.

A blank notebook began to fill with a list of recipes: gâteau d'amour, cherry heart pudding, forbidden fruitcake, kouign-amann or lovers' brioche...

Harry repeated "lovers' brioche," and the notebook began to fill with the recipe, as the necessary ingredients appeared one by one:


iii. kouign-amann or lovers' brioche

Flour (a little) and then

three eggs,

sugar (a lot),

and butter (even more),

a pinch of salt, yeast for fluff, diluted in some warm milk,

vanilla for smiles, and rhum to dream of south sea islands.

Knead with lots of care, mix everything with love,

once, and twice, and thrice.

Leave the dough to rest, open the oven and put it in, smother with melted butter (well).

Take out after exactly half an hour,

dust with sugar while the brioche is still hot,

serve as soon as possible and, if cooled, re-warm the lovers' brioche.

Harry poured, kneaded, mixed, folded the dough into three... and only doubted a tenth of a second before taking off his left cufflink with the crystal glass bead and letting it drop into the dough that he immediately afterwards tucked into the oven.

By the shack's side, the three friends were growing impatient. They did not understand what was happening: the shack had begun to glow so intensely that they could not peer through the window to see what was going on inside; yet it seemed to them, indeed, that the so-called Dirty Harry had an angelic voice. What a shame that he should be so filthy!

When the brioche was ready, the dark-haired lad, disguised under his burlap sack, handed it over to the three friends, who hastened to bring it to the lordling.


iv. cufflinks and suitors

Everyone at Court in the fortress awaited the famous brioche and wondered if at last Lord Draco would return to be his usual self and recover his lost mirth. The three friends stormed into his bedchamber with hats held in hand.

"The brioche!" Vincent announced.

"It's coming!" Gregory explained.

"Here it is!" Blaise murmured.

"And Dirty Harry?" asked Draco, crazy with elation. "Have you seen him?"

Two of the friends replied, visibly uncomfortable:

"Dirty Harry? That ragamuffin..."

"He's a scarecrow..."

And Blaise added:

"But he has the loveliest voice..."

The lordling sniffed the aroma of the brioche, tore off a good chunk and put it into his mouth while exhaling a sigh of joy.

The three friends watched him with their hearts in their fists, as well as Lord Lucius and Lady Narcissa, who had joined them in the room. All of them, leaning over Draco, expected the brioche to cure him. But then the lordling turned fuchsia, then scarlet, then purple. He tried to scream in vain, clutched his throat, put a finger into his mouth and began to retch and gag, trying to dislodge the foreign object from his trachea.

Lord Lucius, Lady Narcissa, and all three friends looked at him, petrified and without a clue of what to do, when suddenly Draco drew deep breaths and his face returned to its usual fair colour. He held between his fingers the crystal cufflink and looked at it with a smile. In the act, instantly, the lordling himself knew exactly what to do as well. The cufflink was so shiny, so small... seeing it, no one could connect it to a ragamuffin. Suddenly, Draco came up with a stratagem to impose Harry as his fiancé in front of his parents and the entire Court.

"I will marry the person, male or female, who owns a cufflink that perfectly matches this one, no matter their gender, where they come from, or who they are."

Therefore, the proclamation was spread throughout the land and far beyond its reaches: the lordling was to marry the person with only one cufflink that matched his own perfectly.

Horses and other mounts of all species galloped forth, from hippogriffs to horntail dragons, as well as vehicles on wheels, on sails, propelled by air... They combed the country down to each and every shire, because no one had to be forgotten.

And the suitors --all suitors without exception, male or female or non-binary, young or old, meek or bold--, began to apply massage on their fingers, to butter them up with essential oils that would allegedly make their hands more delicate, or to sleep with their hands wrapped to moisturise their dry skin; some even went as far as to resort to hire master forgers to produce the matching cufflink.

On the day that had been appointed came the invasion of an immense crowd. Suitors streamed into the royal halls one right after the other. They were so numerous that one could not see the end of the queue. And they were of all ages, short and tall, chubby and lanky, fair and dark and ginger and nutbrown. Even some villagers from a distant shire, who wore stuffed songbirds for hats, had arrived. 

They seemed to compete in caquetage, and they all speaking at once made so much noise that it was difficult to keep track of conversation, or even to hold a conversation in the first place.

In between a push and a shove, they accused one another of cutting in line. But suddenly the horns of His Lordship resounded, and everyone present kept silence.

In the great hall, Lord Draco sat on his alabaster throne, surrounded by his three bosom friends. His Lordship and Her Ladyship, sitting comfortably on twin thrones a little further, were impatient to see the result of all these events.

First a maiden presented herself, a cute-looking redhead, slender and smiling. Yet, when the cufflink was produced, only the crystal on her ring was shown to come from the same quarry as the cufflink's. Then came an enormous person of uncertain gender, their skin milky white, who barely could hold the cufflink in between their fingers. A toddler also tried her luck, but she was too young and the jewel felt to the ground with a clink immediately.

An old peasant wench guffawed at the top of her lungs while the cufflink trembled between age-twisted fingertips. She wanted to have fun and dream herself as well. The lordling addressed her with a smile.

The fifteenth suitor, a tall golden-haired young man, would have pleased him, if the image of Dirty Harry had not left his mind's eye. Furthermore, this fellow could not produce the matching cufflink either. After three hours, Lord Draco had begun to grow horribly bored. By his side, his three friends were yawning. Yet still there were many suitors to see... Lord Lucius fell asleep. The test kept on in its course, to the pace of His Lordships's yawns and His Lordlingship's sighs.

At nightfall, there were still over a hundred suitors waiting. Still Draco did not give up that easily and he wanted to see them all. Farm folk with weather-beaten hands, artisans with callused hands, metalworkers with muscular hands softened by the leather gloves they wore at work, travellers with dreamy eyes, circus performers who tried to produce the matching cufflink and did not succeed but who delighted everyone assisting with their crazy somersaults, musicians, dressmakers, teachers and students, everyone... All of the suitors tried to produce the matching cufflink, yet no one succeeded.

When, at the end of the night, the last suitors were left, when the fingertips of the last maiden were outstretched in vain towards the cufflink, the lordling asked if they had warned Dirty Harry. Amidst the crowd of spectators, lanky Petunia let out a guffaw:

"Dirty Harry? That tatter on two legs!?"

Lord Draco stood up and commanded his men to bring him to the throne room.

And so it was done.

Harry came in the end, at last, escorted by the three friends of His Lordlingship. He walked alone across the immense throne room, barefoot, head sunken beneath his burlap hood and supporting the heavy sack he wore for a cloak. The whole crowd held its breath.

His Lordlingship could not marry such a freak!

Dirty Harry approached the fair young man, produced a petite hand from out of the sack and presented it to him. In the hollow of that silky palm, a cufflink twinkled like a little star. Lord Draco did not even dare to breathe a word. He tried to lock eyes with Harry, icy blue with emerald green, and, with a slight tremble, he produced the other cufflink.

When both cufflinks were thus shown to match perfectly, Dirty Harry lifted his head and let the burlap cloak fall to the marble floor. He was wearing his mess uniform, crimson and embroidered with golden thread, and his luminous beauty dazzled everyone who was present. A sparkle of light awoke Lord Lucius, who looked towards his wife and stifled a childish scream of high-pitched glee in seeing the young stranger's splendour.

"My boy, you have found the most... radiant of partners!"

He seized Harry by the wrist, raised it, joined it with Draco's hand, and exclaimed:

"I now pronounce you husband and husband!"

The lordling gently kissed Harry's fingertips.

"Harry, do you want to marry me?"

The dark young lad looked at the marble hall.

"May I plant and grow flowers, ivy, and ferns here?"

"All that you wish."

"And... can we free all magical creatures, all animals, and feed only upon seeds and plants?"

"Eat seeds? Well... of course, why not?"

"Thus only then, fair Draco, will I marry you."

They kissed.

The suitors who wore chickens, ducks, geese, or songbirds for hats clucked in delight; how pretty was this Harry boy at the end of the day! Petunia discretely dried up a tear of joy that welled up in her left eye. The most bitter among the suitors had to choke on their pain, and the most jealous ones had to realise it: Harry and Draco made for a wonderful couple.

They kissed once more as the crowd yelled a "HOORRAY!" that resounded even in the neighbouring countries.


v. ever after drarry

Still today the marriage of Draco and Harry is remembered. There was dance and song, an endless stream of dishes come from distant worlds, a labyrinth of silken cloths in intense colours for decorating the streets, games, perfumes... When the wedding was celebrated, all cages in the country were opened, and all flying avians launched off towards their freedom, drawing a cloud of clarity in the turquoise blue skies.

Crossing the entourage of guests, Harry's guardian appeared. He touched the bespectacled young man's hand and planted a tender kiss upon his brow.

"My lad, how happy I feel! What kind of insanity took over us during the war?"

Harry nestled in Sirius' arms, recovering the childish impulse that he had missed for so long.


vi. a tale as old as time

Type 520B is one of the oldest fairytales that exist. The Female Bear (L'Orsa), a primitive version thereof, appears in the Pentamerone, the first compilation of magic and fairy tales ever, by Giambattista Basile, released in Southern Italian dialect in 1635. The Grimms retook the tale in 1819 with Allerleirauh, the Russians tell the story of Pigskin, the British Isles inspired Shakespeare's King Lear with the folkloric Coat O'Rushes... Everywhere in the world, similar stories of this kind are told.

In all versions, in a manner similar to Cinderella, who is also forced to conceal her beauty, don a magic gown and reclaim her true identity thanks to an object, Donkeyskin or Catskin or Allerleirauh is, however, a more active young person than her sister heroine of the cinders. She winds up concealing her beauty under a cloak of animal or plant remains and flees her home. Finally, she deliberately places a surprise (a ring, a spool of gold thread...) in a cooked dish (chicken gratin, brioche, soup...) destined to the prince or lordling, in order to be discovered by her love interest/husband in the moment that she has decided herself.

I have enthusiastically followed the steps of this intelligent young person who does not resign themselves. Allerleirauh/Donkeyskin/Sapsorrow is one of those princesses who know what they want.

Illustrations that especially stress the plant kingdom, for I have rooted the tale in the power of nature, in the midst of oceans and woodlands. The hero/ine, fallen from grace, regenerates in the forest, that world so close to women that once were called witches, women who told children tales in order for them to cross their inner boundaries and grow up without fears. And thus the circle is closed.

I have loved to rewrite this tale. I have experienced once more that childhood sense of wonder from when I first watched fairytale and Shakespeare films on TV for the first time. I have fed upon these universes made by filmmakers and poets.

The value of a tale that is key for me... I thought that weaving these threads would be complicated. But the words welled up as if they had always been there, waiting since my childhood. Following the steps of old Victorian narrators, the melodies of fairytale films, and turning the pages, I have enjoyed a lot to give my voice to this Sapsorrow tale. I hope that, for each read of this queered version, each and every person may recover the echoes of the wonderful world that enchanted my childhood.

miércoles, 7 de octubre de 2020

UPCOMING FEUILLETON - SNOW QUEEN THE ARCANA FUSION

 So I downloaded The Arcana visual novel and I was hooked instantly by both the premise and the occult motifs (Tarot, chakras) as well as the ensemble cast that I thought - why not a Snow Queen fusion starring the Devorak siblings - and also with East of the Sun, West of the Moon motifs? Right in time for Samhain I will alternate my rewrites of stories in Swedish with this feuilleton that will contain also references to Utena and to Shakespeare (Story the First will be a reference to Macbeth with Valerius and the courtiers speaking in rhyme) and William Morris' Cupid and Psyche (

Thenceforth her back upon the world she turned

As she had known it; in her heart there burned
Such deathless love, that still untired she went:
The huntsman dropping down the woody bent,
In the still evening, saw her passing by,
And for her beauty fain would draw anigh,

But yet durst not; the shepherd on the down
Wondering, would shade his eyes with fingers brown,
As on the hill's brow, looking o’er the lands,
She stood with straining eyes and clasped hands,
While the wind blew the raiment from her feet;
The wandering soldier her grey eyes would meet,
That took no heed of him, and drop his own;
Like a thin dream she passed the clattering town;
On the thronged quays she watched the ships come in
Patient, amid the strange outlandish din;
Unscared she saw the sacked towns' miseries,
And marching armies passed before her eyes.
And still of her ...
None did her wrong, although alone and fair.
Through rough and smooth she wandered many a day,

Till all her hope had well-nigh passed away.

...

NOW, midst her wanderings, on a hot noontide,
Psyche passed down a road, where, on each side

The yellow cornfields lay, although as yet
Unto the stalks no sickle had been set;
The lark sung over them, the butterfly
Flickered from ear to ear distractedly,
The kestrel hung above, the weasel peered


From out the wheat stalks on her unafeard,
Along the road the trembling poppies shed
On the burnt grass their crumpled leaves and red;
Most lonely was it, nothing Psyche knew
Unto what land of all the world she drew
Aweary was she, faint and sick at heart,
Bowed to the earth by thoughts of that sad part
She needs must play: some blue flower from the corn
That in her fingers erewhile she had borne,
Now dropped from them, still clung unto her gown;
Over the hard way hung her head adown
Despairingly, but still her weary feet
Moved on half conscious, her lost love to meet.
So going, at the last she raised her eyes,
And saw a grassy mound before her rise
Over the yellow plain, and thereon was
A marble fane with doors of burnished brass,
That ’twixt the pillars set about it burned;
So thitherward from off the road she turned,
And soon she heard a rippling water sound,

And reached a stream that girt the hill around,
Whose green waves wooed her body lovingly;
So looking round, and seeing no soul anigh,
Unclad, she crossed the shallows, and there laid
Her dusty raiment in the alder-shade,

And slipped adown into the shaded pool,
And with the pleasure of the water cool
Soothed her tired limbs awhile, then with a sigh
Came forth, and clad her body hastily,
And up the hill made for the little fane.
But when its threshold now her feet did gain,
She, looking through the pillars of the shrine,

Beheld therein a golden image shine

...

she passed
The brazen threshold once again, and cast


A dreary hopeless look across the plain,
Whose golden beauty now seemed nought and vain
Unto her aching heart; then down the hill
She went, and crossed the shallows of the rill,
And wearily she went upon her way,

 There, waking at the dawn, did she behold,
Nor any homestead passed upon that day,
Nor any hamlet, and at night lay down
Within a wood, far off from any town.

Through the green leaves, a glimmer as of gold,


Worthy to be the ransom of great kings;

...

Then wearily she went upon her way,
1560

And so, about the middle of the day,
She came before a green and flowery place,
Walled round about in manner of a chase,
Whereof the gates as now were open wide;
Fair grassy glades and long she saw inside
1565

Betwixt great trees, down which the unscared deer
Were playing; yet a pang of deadly fear,
She knew not why, shot coldly through her heart,
[434] And thrice she turned as though she would depart,
And thrice returned, and in the gateway stood
1570

With wavering feet: small flowers as red as blood
Were growing up amid the soft green grass,
And here and there a fallen rose there was,
And on the trodden grass a silken lace,
As though crowned revellers had passed by the place;
1575

The restless sparrows chirped upon the wall
And faint far music on her ears did fall,
And from the trees within, the pink-foot doves
Still told their weary tale unto their loves,
And all seemed peaceful more than words could say.
1580

Then she, whose heart still whispered, "Keep away,"
Was drawn by strong desire unto the place,
So toward the greenest glade she set her face,
Murmuring, "Alas! and what a wretch am I,
That I should fear the summer's greenery!
1585

Yea, and is death now any more an ill,
When lonely through the world I wander still."
But when she was amidst those ancient groves,
Whose close green leaves and choirs of moaning doves
Shut out the world, then so alone she seemed,
1590

So strange, her former life was but as dreamed;
Beside the hopes and fears that drew her on,
Till so far through that green place she had won,
That she a rose-hedged garden could behold
Before a house made beautiful with gold;
1595

Which, to her mind beset with that past dream,
And dim foreshadowings of ill fate, did seem
That very house, her joy and misery,
Where that fair sight her longing eyes did see
They should not see again; but now the sound
1600

Of pensive music ringing all around,
Made all things like a picture, and from thence
Bewildering odours floating, dulled her sense,
And killed her fear, and, urged by strong desire
[435] To see how all should end, she drew yet nigher,
1605

And o’er the hedge beheld the heads of girls
Embraced by garlands fresh and orient pearls,
And heard sweet voices murmuring; then a thrill
Of utmost joy all memory seemed to kill
Of good or evil, and her eager hand
1610

Was on the wicket, then her feet did stand
Upon new flowers, the while her dizzied eyes
Gazed wildly round on half-seen mysteries,
And wandered from unnoting face to face.
For round a fountain midst the flowery place
1615

Did she behold full many a minstrel girl;
While nigh them, on the grass in giddy whirl,
Bright raiment and white limbs and sandalled feet
Flew round in time unto the music sweet,
Whose strains no more were pensive now or sad,
1620

But rather a fresh sound of triumph had;
And round the dance were gathered damsels fair,
Clad in rich robes adorned with jewels rare;
Or little hidden by some woven mist,
That, hanging round them, here a bosom kissed
1625

And there a knee, or driven by the wind

About some lily's bowing stem was twined.)

, as well as the Tale of the Brother from Kissing the Witch...
And, passing on, amidst an oak grove found
A gold-adorned pillared temple round,
Whose walls were hung with rich and precious things,


https://tvtropes.org/pmwiki/pmwiki.php/Characters/TheArcana

https://thearcanagame.fandom.com/wiki/Characters

https://thearcanagame.fandom.com/wiki/Tarot_Deck

https://www.youtube.com/watch?v=KmUJNlJreU4&t=30s

https://www.youtube.com/watch?v=5ROGZWStn7Q

https://thearcanagame.fandom.com/wiki/World

Without further ado, let me introduce this year's Samhain feuilleton: 

EAST OF THE SUN, WEST OF THE MOON, NORTH OF THE STAR 

An Adventure in Seven Stories

Story the First: About a Shattered Egg of Mirrors

Story the Second: Julian and Portia

Srory the Third: Leaving Nevivon

Story the Fourth: Count and Countess

Story the Fifth: The Warrior Queen

Story the Sixth: The Star, the Moon, and the Sun

Story the Seventh: What Happened at the Snow Queen's Palace and Afterwards

Valerius as the Great Troll

Volta, Vulgora, Valdemar, and Vlastomil (the two latter made the Mirror Egg) as Trolls

Portia Devorak as Gerda

Julian Devorak as Kai

Mazelinka and Lilinka as the Grandmothers

Nadia Satrinava and Lucio Morgasson as the Prince and Princess

Malak as Mr. Crow and Chandra as Mrs. Crow

Morga Eirsdottir as the Robber Mother/Robber Maiden (composite character)

Jäger as the Wood Pigeon

The Star, the Moon, and the Sun as Finnwomen/donors/cardinal winds (ever read East of the Sun or the Singing Springing Lark?)

Anastasia "Tasya" Devorak as the Snow Queen


There will also be a playlist --- and here is a little foretaste with Valerius' theme (which also fits Iago like a glove), of which some lines will be used in Story the First:

https://www.youtube.com/watch?v=Ymj3ZsyRweM

Right is left and wrong is right,

in the darkness is the light...

The egg must shatter,

the shards must scatter...