Mostrando entradas con la etiqueta headcanon. Mostrar todas las entradas
Mostrando entradas con la etiqueta headcanon. Mostrar todas las entradas

domingo, 15 de febrero de 2026

HEADCANON: ZODIAC SIGNS OF OTHELLO CHARACTERS

 So I am writing a Zodiac inspired fic series. Othello is a Scorpio

♏, Iago a Gemini♊, Cassio an Aries ♈, Roderigo maybe a Cancer ♋ or Pisces ♓, Bianca a Leo♌, Emilia an Aquarius ♒ (like yours truly). Desdemona should be a sign of Venus, but What sign?
Most votes said... LIBRA! ♎ (& ♓ Pisces For Roderigo)

(For the Zodiac signs of the Amis de l'ABC and their circle, Google "el semen de los ahorcados" or "StrixAlluka" on this very blog... Heads up: Enjolras is an Aquarius, Combeferre a Gemini, Courfeyrac a Libra, and Grantaire a Scorpio - the fic bible "why the seed of the hanged..." has the signs of everyone else!)

martes, 16 de diciembre de 2025

A SHORT, SUCCINCT GUIDE TO THE YULE LADS

One summer before the pandemic, Dad and I spent a lovely week in Iceland, and I loved everything: the language (practically unchanged Old Norse), the food, the landscapes, the history, the art and literature, the capital (Reykjavik is quaintly Nordic, the size of Castellón, and it's impossible to get lost - I warmly recommend the Penis Museum and a sculpture museum with statues based upon Norse myths - there is a Penis Museum; I will blog about it someday), but especially the Yule Family, though Christmas was half a year away. 

As the years went by, the Yule Family, especially the Yule Lads, but also their parents and family pet to a lesser degree, became stars and global celebrities - so why not give you my certified guide to the entire Yule Family? The source is Yule Is Coming, Jólin koma, a famous folk song that describes the family in detail, but I also add my own headcanons.

YULE LADS

The Yule Lads are the gift-givers, but also the tricksters, of Icelandic winters. Think the Seven Dwarves, but there are 13 of them and far more mischievous (is this why there are 13 dwarves in The Hobbit? Was Tolkien inspired?), though some of them are far more mischievous than others. Every Yule they come down from the icy volcanic interior of Iceland to the farms and towns that dot the coast of the land and make a grand tour, my headcanon is that they start in Reykjavik and from there go counter-clockwise around the entire coastline, harassing the local people and farm animals, but also leaving gifts everywhere along the way.

  1. Sheepcot Clod: His favourite food is sheep's milk, preferently straight from the ewe's udders. Fortunately, most Icelanders live in rural areas, so it's an easy craving to satisfy... if he didn't have TWO peg legs, making it impossible for him to bend the knees, the low-hanging udders always tantalizing him!
  2. Gully-Gawk: His favourite food is cow's milk, preferently straight from the cow's udders. Especially the fat and the foam on top of the milk. Fortunately, most Icelanders live in rural areas, so it's an easy craving to satisfy... he hides in gullies and enters the stable when everyone's guard is down. Also, he has no peg legs. In towns like Reykjavik, I presume he raids fridges and supermarkets.
  3. Stubby: Hide your frying pans and woks well, or wash them the best way you can, because short little Stubby loves the food crusts on woks and frying pans!
  4. Spoon-Licker: He looks more than thin, emaciated to be more precise, because he only licks the globs of food on wooden spoons (wash them well!). Seems to have an eating disorder, preferently anorexia nervosa.
  5. Pot-Scraper: Like his name suggests, he loves scraping the crusts on cooking pots, just like Stubby eats those on frying pans.
  6. Bowl-Licker: Has the weirdest craving of this quartet (do you see a pattern?), namely, he eats the pet food that your pets haven't eaten, straight from the pet food bowl. He appears to suffer from pica, like Candle-Stealer below. I headcanon all the Lickers and Pot-Scraper as quadruplets, for obvious reasons.
  7. Door-Slammer: A frustrated percussionist, who slams all the doors for pleasure in the middle of the winter nights, welcoming air drafts that cut like swords. Someone please give him a drum set!
  8. Skyr-Gobbler: my absolute favourite, since we both adore skyr (Icelandic yoghurt, also available in both Spain and Sweden), but his obsession comes to the point of looking like a drug addiction. In rural areas, "he lambasted the skyr tub (a big barrel where country folk make craft skyr) until the lid it broke." In towns like Reykjavik, I presume he raids fridges and supermarkets.
  9. Sausage-Swiper: Loves to, well, swipe sausages (Sausage-Swiper, don't swipe sausages! Sausage-Swiper, don't swipe sausages! - said in a Dora the Explorer voice!) dropping down from the ceiling, à la Mission: Impossible.
  10. Window-Peeper: described in Yule Is Coming as "a creepy little twit," and definitely the creepiest member of the Yule Family. My least favourite. Loves to, well, peep through windows (In towns like Reykjavik, I presume, through opera glasses), according to the poem for looking for valuables to steal, but in my headcanon also to watch out for more valuable things - ie to spy on attractive young ladies, and certainly on attractive young men, whilst they undress. Makes Santa's "He watches when you're sleeping, he knows when you're awake," sound far more innocent in comparison. If your Elf on the Shelf looks particularly fishy or ugly, please cover his eyes: you may have let in a Trojan Horse Window Peeper into your home!
  11. Threshold-Sniffer: has a remarkably large nose. Think Cyrano and J.P. Morgan added together. He has a particularly strong sense of smell, especially for Icelandic gingerbread , which is fried (though he also accepts regular, baked, gingerbread), and he always sniffs from the threshold to ensure that there is some gingerbread at home. Best to keep these Yuletide biscuits in a safe or under lock and key!
  12. Meat Hook: Has a hook in place of his right hand (how did he lose his real hand? Was it more like Captain Hook or more like Jaime Lannister?) and uses it to get the lamb shanks that are the stars of Icelandic Christmas. Best to keep that lamb somewhere safe too!
  13. Candle-Stealer: Last of all, the most ambiguous. Gives the largest and most expensive gifts, but enjoys stealing and eating candles, being in love with the texture and taste of wax - he definitely has pica, just like Bowl-Licker (I have eaten candles myself, since I have pica myself, and also raw pasta, raw rice, everything crunchy or crispy, napkins, and toilet paper - but I find pet food revolting!). In the medieval and early modern periods, before electric light, fires and candles were crucial for surviving the Arctic winter, so Candle-Stealer has the largest body count of all the Lads.

THE LADS' PARENTS

Of course they must have a mum, a dad (or in this case a stepdad), and a family pet! Though, this being the Yule Family, Mum, Dad, and the pets are definitely far more monstrous.

Mama Gryla gave the thirteen Lads, her children, giantess' milk, because she is a giantess, one of the jötnar of Norse mythology that were already mentioned in the Eddas. Like her kids, she leaves the Yule Family cave in December and makes a grand tour of the coast line, abducting misbehaving and disobedient human children, whom she stuffs inside her sack (which, like Santa's sack - and Hermione's handbag, and Mary Poppins' carpet bag - is a lot like a TARDIS, considerably roomier inside!). Back at home, she slaughters all the kids she's captured and makes her special stew for the entire clan (2 giant parents, 13 dwarf children, and a cat the size of a house: that's 16): there's enough to feed them all for the rest of the year, when the Yule Lads are not feeding on their respective favourite foods along the coast.

Her third and current husband, Leppalúdi, is only the Yule Lads' stepdad: their real dads are gone, and they were most likely dwarves themselves. These two dwarves were most likely eaten in harder times, when there was not enough food to go around. I headcanon Leppalúdi as an extreme case of couch potato, always playing videogames and watching sitcoms on a TV that Gryla stole for him on one of her raids because he always complained about life being tedious in the Yule Family cave. Leppalúdi even pees and poos in a chamber pot beneath a hole in the sofa, at anus height.

YULE CAT

And then, of course, there is the family pet, the house-sized Yule Cat, with exceedingly fluffy fur and big padded feet to withstand the Arctic winter. Now a cat that size won't feed on songbirds, frogs, or any other prey of normal-sized housecats. The Yule Cat preys on people. Humans. And not just any humans... Those who have not tried on the winter clothes that they have received for Christmas. Yes, I know, clothes for Christmas is such a disappointment to many (as a kid, I would rather prefer "hard" presents like dolls, storybooks, CDs, DVDs, or VHSs!). But it was key to survival in the Arctic winter before the electric heating, making the Yule Cat as much as a serial killer as Candle-Stealer. The Yule Cat plays a little with his human prey, as if they were songbirds or the other prey of a normal-sized cat, and then, when he gets bored, either devours them alive or takes them to Gryla, depending on how full his stomach is. Only Stubby can tame the Yule Cat, and he rides the huge beast across the wintry countryside.

lunes, 4 de marzo de 2019

Les Miscéllanibles



i love you, but do you have legbones? combeferre/enjolras


Enjolras/Combeferre, AU where supernatural creatures (werewolves, fairies, merfolk - take your pick) are real and one of them is a human and one is the creature.

“Sometimes I doubt your commitment to Les Amis de la Mer,” Enjolras says with an annoyed twitch of his tail. Combeferre presses a kiss against Enjolras’s gills and slides his hand down Enjolras’s pelvis, trying to feel for vestigial legbones. “I have no idea what you mean,” Combeferre replies.

tyrian purple looks black at night. combeferre/courfeyrac



Combeferre/Courfeyrac, Roman Gaul.

Courfeyrac drew the purple cloak closer around his body, letting it cling to where he was still flushed and bloody from their battle with the Romans. Combeferre fisted his hands in the soft fabric and pulled Courfeyrac in for a kiss, tasting sweat and the first of many cups of wine.
“You know, more snails were dyed for that cloak than men died today on the field,” Combeferre said.



Chapter 3: she was perfect. enjolras/grantaire

E/R Black Swan.

Enjolras didn’t smile as she settled over Grantaire, her red mouth drawn into the same predatory line as her spine. Grantaire shivered at the touch of Enjolras’s hair against her skin while Enjolras seemed to flay Grantaire with only a look; Grantaire was dwindling to nothing but the feel of Enjolras’s fingers trailing down her body. When Enjolras pressed merely the tip of her tongue to Grantaire’s sex, she knew she would be devoured.


Chapter 4: you have contracted dysentery. bossuet/grantaire/joly/musichetta 

joly/bossuet/musichetta/grantaire oregon trail au

Bossuet and Musichetta’s dysentery had started to put a crimp in their sex life, though it hadn’t stopped Musichetta from killing all the local wildlife every time they stopped so Bossuet could violently void all fluids from his body. Grantaire remained mysteriously unaffected, despite nursing the two invalids to the best of his limited ability and interest.
“There must be some reason why only half our number has fallen to this scourge,” Joly muttered to himself, taking another swig of whisky (he had avoided water ever since Bossuet had fallen ill, since there was no chance of it getting him drunk) to keep his courage up as the wagon turned into a place of pestilence, “some connection between myself and Grantaire; perhaps a freak of constitution, or a similarity in diet.”

3/4 sisters. ant au

les amis d'abc are female carpenter ants

Les Amies des Fourmis were a group which barely missed becoming historic; they were in greater part soldiers on good terms with the workers, and here are the names of the principal ants: Enjolrant, Combefourmi, Jehant Formaire, Formy, Courmyrac, Baformel, Bossuant, Jormy, and Grantaire, although Myrius Pontfourmy was known to occasionally frequent their secret gatherings in remote corners of the nest.
Enjolrant was once again infused with the scent of republicantism, her antennae gesticulating wildly as she released the pheromones of war, forelimbs akimbo and gaster upraised as she declared all ants 3/4 sisters. Grantaire did not stir from her sugary stupor except to lift the aphid’s anus to her lips and declare, “what fine chitin!”


Les Amies des Fourmis
Hey This Chair You Gave Us for the Barricade Has Carpenter Ants

Although to be an ant meant to be constantly at work, they did not deny their society enrichment. In the twisting and dark galleries of the fourmilière the scents of long-dead ancestors had immortalized their aspirations.
Familiar as the scents of their comrades, those ancestors warned, inspired, and continued, after the death of their authors, to strive.
 The great scent-trails of Plato-Formicidae recalled the lost scent of Socratant, from a fourmilière of antiquity. These scents said that they were born from the wood in which they lived -- and therefore they loved it; with unutterable loyalty and would die for it and for all their sisters.  Their souls were wood as well, Socratant had said -- the queen had a soul of teak, the soldiers souls of oak, and the workers souls of elm.
In their private meetings, held among the tangled scents of ’93, Enjolrant defied that philosophy: “For we are all made from the same wood, do we not have the same qualities? And therefore if we are deserving according to our nature, do we not all deserve to swarm one another equally, all our ¾ sisters together, when our pheromones call us to the orgiastic ritual of mating?”
A few antennae twitched, signifying interest, at that.
“Brava,” said Courmyrac. “But what’s to be done?”
“Everything depends on the workers,” said Enjolrant. “We must talk to them.”
Grantaire let forth the unmistakable scent of skepticism, and Enjolrant rose, offended.
“Well? You have an objection, that is plain, let us have it.”
“The workers will not listen to you. The workers like the way you look and they like what you have to say, but they’ll never block off our narrow pre-Haussmannt galleries for you; Enjolrant! Be serious.”
Enjolrant raised her forelimbs. “Have you not heard,” she said. “I am Ant-inoüs, farouche.”

 

Chapter 6: unwelcome visitors. courfeyrac/joly 

genderbent amis mermaids vs nightmare space moths thank
Joly could hardly remember the last time she could look out at the stars without fear, without watching for the black shadows of the Visitors; death came on wings thin as paper and delicate as a feather star, and her hand tightened on her spear as she watched the sky. She startled when she heard a splash at her side, but it was only Courfeyrac, come back from her patrol with a brace of severed antennae and long red scratch on her chest from a proboscis, though she grinned at Joly as if she were unharmed.
“Don’t frown, mademoiselle, lay down your spear and dance a spell,” Courfeyrac sang, laughing as she took Joly’s hand and pulled her back into the water, “it won’t do for our merriest to moan at moths – why, you can fly yourself on your four wings!”


Chapter 7: mad about the boy. courfeyrac/marius 

courfeyrac tries to get out of marrying his own sister in hellenistic/roman egypt your choice

It wasn’t that Corfeiranus disliked his sister, or found her unattractive; no, the problem with marrying her was that he didn’t want to settle down with someone simply because she happened to come from the same womb and it would keep all the money nicely in the family.
Naturally, the solution was to convince his family that he was so hopelessly queer there was no chance of grandchildren from the union, and Corfeiranus decided to employ his friend Marius to that end (although he had not yet consulted Marius on the matter, he was sure that Marius would figure it out eventually and would support Corfeiranus wholeheartedly).
Corfeiranus had draped himself over Marius at a family gathering and suggestively eaten a sausage, which left his family sadly unconvinced after Marius made a strange sequence of outraged noises and went pomegranate red; then there was the incident when Corfeiranus almost embarrassed himself by lunging for Marius’s body when his uncle joined them in the baths - Marius foiled that attempt with a girlish shriek and flapping his arms about like some sort of lunatic, knocking Corfeiranus’s head painfully against the tile, which was what finally made Corfeiranus realize that he had a bit of a thing for the boy after all.


Chapter 8: is a man not entitled to the sweat of his brow? enjolras. 

modern au where enjolras reads "atlas shrugged" at college and comments on it

Enjolras entered the Café Musain in a great hurry, his face flushed from the cold and a thick book in his hand. He rushed to the small, barely functional fireplace and threw the book inside with a dramatic flourish that was wasted when the weight of the book put out the meager flame.
“It’s so selfish, it won’t even give off warmth,” Enjolras huffed.


Chapter 9: how do you solve a problem like nuntaire? grantaire. 

grantaire is legitimately a nun. grantaire is a nun c. 1300s England I guess? grantaire is a nun anywhere. any nunnery. just do this.

The following scrap of parchment was found in the walls of the convent of Chichester. Modern punctuation has been added to ease reading comprehension.
‘To my dear sister in Christ,
I must recommend the relocation of Sister Continentia – she has become even worse since the incident with the communion wine, which she drank after being banned from working in the brewery. She attempted to repent for drinking the wine by leading the evening prayers, but instead of beginning the Pater Noster, she proceeded to recite some obscenity on ‘sol natis’ before vomiting dangerously near to the monstrance and passing out. Sister Continentia tempts her fellow sisters into all manners of vices – or at least she tries, if they would only respond to her constant mooning about. Though she has considerable talent for illumination, her marginalia are perpetually indecent and she is a sloppy copyist. I cannot suggest how Sister Continentia should be put to work, as I have detected no bent towards industry in her, other than towards the consumption of spirits and the representation of genitalia. Nevertheless, please – take Sister Continentia somewhere else.’
Written in the marginalia of the epistle, in a different hand, was the note saying ‘the wine wasn’t even very good,’ accompanied by a picture of a woman in nothing but a wimple.

singlesticks more like rubbin' dicks. enjolras/grantaire 

For someone who claimed to be good at singlestick, Grantaire seemed to be uniquely bad at it; he was, granted, much more nimble than Enjolras had expected and he was quick to use his scarf to deflect a blow, but Grantaire kept tangling their feet together and setting them tumbling onto the floor, offending both Enjolras’s spine and his dignity as Grantaire repeatedly rubbing against his groin provoked a reaction.
Grantaire’s latest misstep had Enjolras falling on his already bruised tailbone, Grantaire’s solid weight pressing him even harder against the floor and Grantaire was already mumbling an apology, incapable even at getting up as his hips jerked once and Enjolras found himself letting out a breath that sounded too much like a moan.
“Grantaire,” Enjolras said, speaking very low and forcing Grantaire to look him in the eye by tugging on his curls, “you are going to finish what you very clearly started and we are never going to talk about this again.”


i got yr cherry bomb. javert/montparnasse 

Javert/Montparnasse, wallsex.
The rough brick of the wall scratches at Montparnasse’s cheek as the inspector fucks him, Javert’s hand on his throat keeping Montparnasse in place even when Javert thrusts hard enough to set Montparnasse on his toes, scraping his lip against the brick and he knows it’s split, he can feel the blood welling up and threatening to spill on his clothes.
“You can do better than that, old man,” Montparnasse says, pressing his tongue into his cut lip.
Javert’s hand tightens around Montparnasse’s throat; at last Montparnasse’s heart beats faster and he can feel the weight of it in his chest, aching more than his own untouched cock as Montparnasse’s head spins and he imagines what a beautiful corpse he would make, laid out in the snow with a crimson smile.


the tongue of saint-simon. combeferre/courfeyrac 

fem!courfeyrac going down on ANY LADY canon or genderbent pLS

“I am not certain that this was what Saint-Simon meant when he spoke of the rehabilitation of the flesh,” Combeferre says, stretching out on their shared bed and opening her legs, letting Courfeyrac trace a path up Combeferre’s thighs with her tongue.
“Both the spirit and the flesh are an expression of Heaven’s love,” Courfeyrac replies, looking up archly before pressing her mouth to Combeferre’s sex, kissing the most sensitive part with her eyes closed in an affectation of spiritual reflection.
Combeferre struggles to keep herself from moaning too loudly as she feels Courfeyrac’s tongue slip inside her, so gentle and quick and eager to please as always, and Combeferre thinks there is much more of the paladin than the priest in her friend.


what goes unsaid. enjolras/grantaire 

E/R Enjolras owes Grantaire money

It was going on the third week that Enjolras owed Grantaire three francs; Grantaire couldn’t even remember what Enjolras had needed, there was only the memory of Enjolras looking vaguely embarrassed when he realized he’d left his wallet at home and Grantaire offering to pay, receiving a ‘thank you’ for the trouble and three interminable weeks of wondering if he would ever see his money again.
“You must broach the subject with him, my friend,” L’aigles said, chewing thoughtfully on the shared lunch they’d brought with them to the Luxembourg, “for otherwise, he will never pay you back – rich people have no concept that money exists, because it is something they never worry about, and I am certain that if you only asked him, Enjolras would erase the debt and likely give you some interest, which you must nobly refuse, because he won’t realize he’s being patronizing.”
Grantaire watched longingly as Enjolras and Courfeyrac engaged in an unseemly bout of wrestling in the grass, hoping that Enjolras’s wallet would accidentally fly out while Courfeyrac struggled to pin him and spare everyone the pain of mentioning the unmentionable.


m. de dents has cils-ed your fate. enjolras/grantaire 

Enjolras and Grantaire, first meeting

Gros points him out first, the tall young man who stood out from the crowd by the fineness of his clothes and his foppish blond curls, declaring that M. de Dents (for he has truly exquisite teeth when he smiles at his friends, even from the polite distance the Baron and Grantaire are keeping) would be a fine artist’s model only so long as he kept away from the fearsome Mlle de Hors, out for his money and a sprawling country mansion.
Grantaire picks up the narrative, trying to fill in the mysterious past of M. de Dents – oh, there is great tragedy there, for M. de Dents is not only fleeing the Mlle de Hors and the bastard child they had conceived during a night of ill-advised and illusory passion, but also from himself, and his strange, crippling addiction to wheels of brie and its imminent threats upon his delicate figure.
Then Lesgles, of all people, seems to pop up from nowhere at all, greeting M. de Dents as a friend before catching sight of Grantaire and dragging the handsome monsieur over, introducing him with an Occitan mouthful of a surname which sounds like Angel-something or other, and Grantaire bursts out laughing.


the love doctor. courfeyrac/joly 

Joly is checking his tongue in Courfeyrac's exquisitely polished pocket watch. Courf suggests something better to do with said tongue. Things proceed from there.

Courfeyrac was a bit startled when Joly’s hand went sliding into his coat pocket, disappointed when Joly was only reaching for his pocket watch, and bemused when Joly took advantage of its polished silver to check his plump tongue.
“Have you ever considered suffering from a more glamorous illness – say, erotomania – and checking for it orally?” Courfeyrac asked, feeling like the question was hardly unwelcome to the person who had been sitting in his lap and wiggling his arse for the past hour.
Joly snapped the pocket watch shut with a flick of his wrist and after implying that Courfeyrac was some variety of nun (untrue), pulled Courfeyrac into a kiss full of tongue and the taste of shandy.


the ingeNU. courfeyrac/marius 

Courfeyrac has a thing for people taking their clothes off. Marius has no shame.
“Marius, as a guest in my house, I would prefer you spend the evening nude,” Courfeyrac said, because he found himself in a perverse mood and Marius would never fulfill his freak of a request.
“If that’s what you would like,” Marius replied with a shrug, before undressing with more efficiency than Courfeyrac had ever seen the boy display elsewhere.
Courfeyrac had the mind to ask if Marius was coltish because his father was very clearly a horse.



No moaning of the bar when I put out to sea

Courfeyrac adopts Booby!Marius.
 
The bird had large blue feet, a wide and maniac stare, and an awkward way of moving that was not suited for land or sea. Its disposition was frantic. It struggled to wander off, but Courfeyrac set it on the table.
Joly, who had only just arrived, regarded the bird shortly, and said: “How diverting, a cormorant with a circulatory disorder, but what is its purpose?”
“Diverting,” Courfeyrac said, drawing himself from his chair and into an oratorical pose, “would be bringing the seabird — not a cormorant, but Sula aubreyi, the blue-footed booby — to the café to say, I have a new and exotic pet. A laugh would be for me to introduce him. Thus: Please make your acquaintance with Marius, inverted comically from Mamurius Veturius. But a true joke — one to send to the lists, to bet on, is also his purpose: I have through art I dare not reveal (for I hold the lady in great esteem) enrolled young Marius in the law school.”
“You haven’t,” said Joly.
“And yet, I have. He’ll be a plaignant in a month if he’s studious, and as I confidently expect him to be studious, we shall have our own man before the bar, though he is a perfect booby.”
Bahorel laughed, and as he was drinking wine, he choked. He recovered himself and drew a hand across his mouth. “You’ve gone through days of toil to lay the groundwork for ‘though he is a perfect booby’? I applaud you, Courfeyrac, I drink salutaria to you. I venerate and revere you — with fearful worship. I couldn’t waste so much time if I labored at it, and I have trained in the very field this young booby is to enter! So I shout bravo, and I admit I am a dilettante where you should be a doctor of loafing.”
“Trained in the field,” said Courfeyrac, trying to pet the bird on the face and getting his gloves bitten continuously. “That is one thing. But only if you work at it every day, and combine practice with study, can you reach distinction. “
“Where did you even find this creature?”
“It could be said that he has been kidnapped,” said Courfeyrac, with speculative length to his words. “Or even stolen. But it would be affirmed that he once gave his address as the menagerie at the Jardin des Plantes, and now he shares my lodging. Though I am positive that at some point he was refuged at Minturnae in Latium — I pray that you have not forgotten his name is Marius. “
“You can’t care for a seabird,” said Joly.
“The devil,” said Courfeyrac. “He is quite content. He does rather clutter the place with law books, but that’s the condition to which he’s promised himself and can’t be helped.”
The booby had at this point fixed his shocked stare on the map of France.
“He has quite an interest,” Bahorel observed.
“I should mention that his inclinations make him something of a Bonapartist,” said Courfeyrac. “There’s no doubt he’s gazing in rapture at the borders of empire. But then he’s in a good position, for I will indulge him in anything.”
“Except the appropriate diet,” Joly was heard to mutter.
Courfeyrac ignored him coldly, and went on: “For isn’t it just nearly that parody Combeferre sings of Alcest: If Caesar had given me glory and war, I should say take your scepter and chariot! J’aime mieux mon oiseau de mer, ô gué! J’aime mieux mon oiseau de mer.”

1. Sorry not sorry Tennyson
2. Canon and backstory stolen from Carmarthen's amazeballs O Sula Mio - The lady Courf' mentions is of course Cosette, whom Booby!Marius met at the zoo ;)
3. Okay so the backstory on Sula aubreyi is that the blue-footed booby needed to be discovered way earlier than Darwin (which wouldn't have been reported until like 1836?) so obviously the answer is that Stephen Maturin discovered them and named them after Aubrey. Every kudo on the planet to Carmarthen for Making it Work.
4. Not sure how booby jokes and oiseau de mer can work in the same fic (two jokes in two different languages) so
(looks around furtively, backs toward the wall and crashes through the window)



the booby chamber. prouvaire+marius

Jehan attempts to introduce Actual Booby Marius to poetry.

“I do not think this booby knows anything of poetry,” Prouvaire said, observing how Marius looked askance at the Purgatorio, but he could not blame the bird terribly for it and found himself stroking Marius’s neck feathers, ignoring for the moment his inability to scan lines or read Italian.
“This is what you get for trying to teach a lawyer immensity – it will shit on your efforts, make a sound like a piping kettle, then waddle on the destruction (I recommend you take Dante away from his feathered backside) – lawyers are of the lineage of Gilles de Rais, and this one is no exception, but with blue feet in place of a blue beard,” Grantaire replied, contradicting his avowed sentiments by feeding Marius jarred anchovies.
“His dancing is entirely disruptive to my melancholy; I can compose nothing in the face of – well, in his ridiculous face,” Prouvaire said, avoiding the earnest bird’s worshipful gaze to glare at Courfeyrac’s latest letter, begging Prouvaire’s pardon for extending his trip in the country to wring money from his relatives and never once acknowledging that Marius was too perfect a booby.


Our Lives (Thy Song) 

For the adorable Kinkmeme prompt: "Some years on, bluestocking 30ishCosette is making a living writing; her elderly pet seabird always sits on her writing-desk to keep her company."
(The title is a little tribute to my college, where I've made friends with way too many winged fauna. Plus, bluestockings were very common here back in the day.)

It was an odd settlement, all the ladies of the Bas Bleus agreed. Mmselle. Fauchelevent was, even at 35, an attractive woman with excellent taste in fashion and in planning soirées of any type (when she chose to throw them, that was...).

Why on Earth, then, did she devote herself to a ridiculous seabird?
*****

“Marius, do you like that line?”  Cosette asked with a giggle as the awkward bird titled his head and shifted from one blue foot to another.

And so the young man strode on to the apple field, knowing that living through the here and now was to be in a greater war than any his father had fought in.” At the sound of her voice, the bird squawked and opened his wings a bit, prompting Cosette to laugh again and give him a little pet on the head.

“Be careful, mon cher!  You aren’t as young as you were, now!”  she scolded, reaching for a tea cracker in the drawer of the newspaper-covered table next to hers (“Marius’s desk” she called it fondly) and held out her hand to the bird.  Marius quickly snatched the treat out of her hand and gobbled it down as Cosette smiled.

“My, I’ll have to go to the market tomorrow to get you some fish...you’ll grow fat if all you eat is tea crackers!” 

Cosette calmly turned back to her writing again, pen and inkwell hard at work while Marius continued to snort and squawk softly, watching his mistress with utmost devotion.  

*****

A quarter hour had passed in relative quiet when Cosette heard the chiming of the bells and straightened up.

“Ten o’clock, Marius!  Come here, mon cher, and let me put you back into your cage-we don’t need another 5th of Junr, now do we?”

At this, Marius quirked his head and stomped his feet, seemingly ready to do battle. 

“No, no, Marius, you’re right,” Cosette amended quickly, “I shouldn’t be trivializing that...what a horrible day!  You new to the Rue Plumet and a revolution breaking out!  Dear Papa, chasing you through the streets and coming home half...”

Cosette felt her eyes burn, and quickly turned away from her pet, who immediately waddled over her papers to curl by her side.

After a moment, Cosette recovered herself enough to speak again. “Or do you simply not want to go to bed?  Silly thing,”  she inquired fondly as she stroked his sleek feathers, calming herself with the mindless motion.  “You’ll be right next to me, like always.  You know that.”

Seemingly satisfied with Cosette’s answer, Marius allowed her to lift him into his cage and carry it with her into her bedroom, making happy noises all the way.


Les amis des homards 

Combeferre and foil of your choice, lobsters and mechanical flight, go!

“I dreamt of flying,” said Combeformard, when someone asked what he was contemplating. He made a gesture with his maxillipeds that described an upward motion. “I wonder if it is possible -- what art or mechanism could take us from the sea, from our caves and crevices? The world is vast.”
“To what good?” said Grantairephropsis. “Like that seabird you met on a rocky shoal one day said. Lobsters are admired by all. A gilded race, Titans who can conquer the world twice, by force and by dazzling, to be a lobster is to be sublime! And you wonder about flying. What noise.”
Grantairephropsis had only one chela, the other having been left in the sand some thirty years ago after a vicious duel. His carapace was a mottled brown; he was unbeautiful, but he was also rude -- anticipating the reaction he caused, this made him a cynic. If he believed in one thing, it was Chelaenjolras, who said often and beautifully that their own nature did not permit death — aside from accidents, to be a lobster was to be eternal. It was the same philosophy that had appealed to Combeformand so many years ago.
“I wonder about flying,” said Combeformard, “because I wonder about being free.”
They were grouped inside one of those undersea structures that appeared often enough. Seeing it, Chelaenjolras had let a current carry him inside to inspect, and the rest had followed.
As Grantairephropsis prepared his reply, they unexpectedly shifted, falling against the walls.
“Is this moving?” said Jolobster. “It is moving.”
The structure was being lifted from the sea floor, and accelerating. The floor was a hash of metal wires; their legs and maxilipeds fell through and they struggled to right themselves.
“Well,” said Grantairephropsis. “You have your flying mechanism! Now let us see if the result is that you shall have freedom!”

Note: It was a lobster trap.



viernes, 1 de junio de 2018

better than drinking alone

"Yes they're sharing a drink they call loneliness,
which is better than drinking alone."

Or: the waitress and the businessman in Piano Man were once Othello and Desdemona, and the prince and princess in Story the Fourth of The Snow Queen, in a past life. Not to mention Savitri and Satyavan.
This could make for a nice crossover headcanon in which the red string runs as a tangent through the whole plotline.
(PS. My own parents, divorcés and amicable exes, are a former waitress with a sheltered upbringing and a businessman of the world... so is this red string running along the plot all way round? Ersatz names Sixten and Nena?)

martes, 17 de octubre de 2017

COLD COMES AND GOES, LOVE REMAINS

Cold comes and goes, love remains

domingo, 23 de julio de 2017

CRYSTALCOCOON: THE SNOW QUEEN

More Persinette, aka crystalcocoon, on The Snow Queen (seriously, I just could not only post about the Princess and the Prince in Story the Fourth being her Andersen OTP, but also a lot of many other things she's told about this Andersenian tale, which happens to be her favourite --here be adaptation reviews, headcanons, and the reveal of her straight and queer OTPs in this tale!):


ON WIZART'S SNOW QUEEN


I wanted to get my thoughts down on the trailer for the Snow Queen from the Russian studio Wizart Animation (not Disney’s Frozen). It turned into my thoughts on Hans Christian Andersen’s story as well.
I initially thought that that it looked too slapsticky for my taste, but that’s probably just the marketing. I’m not sure how I feel about the Snow Queen being a threat to the world rather than a personal threat to Kai. However, one aspect of Andersen’s story that I’m not keen on is the Snow Queen and the mirror shards representing ‘cold reason’. It’s just too much of the 'scientists can’t appreciate beauty and wonder’ trope, which couldn’t be further from the truth. (It does make me giggle to think of Gerda going 'Fuckin’ magnets, how do they work?’) So I can’t say I’m surprised at the film-makers choosing a different interpretation.
I do hope that the Snow Queen does actually affect Kai’s heart/mind and doesn’t just turn him into ice, though. I love the part in the story where Gerda melts Kai’s frozen heart. No doubt they will need a final confrontation with the Snow Queen as well.
Honestly, it bothers me that the Snow Queen just disappears from the story and there’s no final meeting with her. My vision for the 'personal threat’ version of the confrontation: Gerda makes it to the Snow Queen’s castle, meets the Queen, and says she’s there to take Kai home. The Snow Queen says she’s welcome to speak to Kai, but he’s there of his own free will, and she cannot take him if he does not wish to leave. Gerda melts Kai’s heart and the ice shards form 'eternity’. The Snow Queen must honour her promise and give Kai his freedom (and the new pair of skates helps them leave the icy castle more easily).
Kai and Gerda being siblings (by blood): I like it. I appreciate that their relationship in the story is ambiguous, rather than clearly romantic, and I don’t think it’s a bad thing for adaptors to decide they want to take the focus off romance. (Plus if Kai’s out of the running as a potential love interest, it’s easier to ship Gerda with the Robber Girl!)
The troll (Orm): I don’t like him. The Snow Queen is Gerda’s journey that she travels alone. She finds friends, advice, and assistance along the way, but in the end she has to do it herself. Even the reindeer leaves her, and she’s left without boots or gloves in the Snow Queen’s domain, with nothing but her faith and love for Kai to keep her going. The trailer implies that this is the troll’s journey as much as Gerda’s, and he needs to find the courage to stand up for himself to the Snow Queen or some such. In fact, the trailer focuses on him even more than Gerda, but I suppose we can’t possibly expect people to come and see a movie if they think it’s about a girrrrl.
Hopefully the major episodes will all appear: the old woman with the flowery garden, the Princess, the Robber Girl, and the Finnmark Woman. Certainly the flowery garden seems the be there, but the old woman seems rather more violent than in the story! There also seems to be a castle and knights involved, so hopefully that means the Princess will be there. The Robber Girl seems to have become a pirate (captain's daughter). She still has her reindeer, so no objections here. The 'About’ page on the website has a picture of what appears to be the Finn Woman. I wouldn’t be at all surprised to see them combined into one, no point in Gerda having two near-identical encounters at that point.
Overall, I’m looking forward to it. They’ve made some interesting choices and it’ll be great to see how their interpretation works out (I can’t see myself ever liking Orm, though). I’m pleased to see the story getting some attention after Disney decided they didn’t want to bother with an adaption after all.
FROZEN VS. THE SNOW QUEEN
So the main characters of Disney’s Frozen should be white because they’re based on a Danish fairy tale, Andersen’s The Snow Queen. They’re just being ‘true to the story’.
What this means, then, is that (going by the information we have on the movie thus far) the following are not important aspects of the Snow Queen story:
  • Gerda’s name and age
  • Kai’s existence
  • the purpose of Gerda’s quest (getting Kai back from the Snow Queen)
  • the Snow Queen’s nature
  • the Snow Queen’s relationship with Kai
  • Gerda’s relationship with animals and nature
  • the magic mirror
  • the 'reason vs emotion’ themes
  • the fact that Gerda is helped or hindered by powerful women on every step of her journey
  • the fact that Gerda spends much of her journey either alone or accompanied only by animals
None of that is significant. But the fact that Gerda is white (Caucasian)? Absolutely vital, how could you even think of changing it!
MORE ON THE WIZART FILM
Want to see an animated film that actually does adapt The Snow Queen?
I wrote about the trailer earlier (see before). It seems there are some differences to Andersen’s story, most notably that Gerda and Kai are now brother and sister by blood (fraternal twins), and that the Snow Queen has become a threat to the world. However, the basic story appears to remain the same: actual heroine Gerda goes on a quest to rescue actual dude-in-distress Kai.

Fairy Tale Challenge | Day One → Favourite Fairy Tale
The Snow Queen – Hans Christian Andersen
“She is flying there where the swarm is thickest. She is the largest of them all, and never remains on the earth, but flies up to the dark clouds. Often at midnight she flies through the streets of the town, and looks in at the windows, then the ice freezes on the panes into wonderful shapes, that look like flowers and castles.” [x]
I wrote about this tale in another post, but let’s just say that one of the main reasons why I love this story is because, in general, it holds up quite well, in comparison to most of its contemporary tales. Most of the fairy tales have a very heavy imprint of the time in which they were written or adapted, so we are clearly aware of how different times were in comparison to ours: damsels in distress, instant marriage, beauty and virtue above other values, anthropophagy, etc. Here we have a story in which a little girl makes a complicated journey to save the life of her best friend, sorting obstacles using her determination and help from others who, after listening to her story, resolve to assist her (or not). The Snow Queen is a tale that, in contrast to many others of its time, doesn’t necessarily shove moral values at your face, but provides more freedom to the reader and presents many possible themes: the power of friendship, not giving up, learning through the way, asking help when you need it, seeing things from other’s perspective, and I could go on because it’s in how you read it and interpret it where you get the message, if you want one
In addition, The Snow Queen has some of the strongest female characters I’ve read in these kinds of stories and in this time period: from Gerda, the little girl who saves the boy and not the other way around, to the Princess, who is looking for a husband who can intellectually satisfy her (and of whom I’ll talk more about in the next question), to the little Robber Girl, who is feared by all despite her young age but who understands empathy when meeting Gerda and hearing her story. And that leads me to the actual Snow Queen, who doesn’t show up as much as other characters and which makes you consider: is she really the villain of this story or are the obstacles in Gerda’s way more important than the actual Queen? Is there really a villain in the terms of other stories’ villains or is it more about a quest and not giving up despite all? 
To conclude (for now) let me point out that this is a story in which there isn’t an explicit romance between the main characters, which makes it all the more valuable. Many interpretations and adaptations have been made in which not only Gerda gets paired up with Kai (like the Hallmark one) but others in which she also has a relationship with the Robber Girl (Catherine Breillat‘s Sleeping Beauty/La belle endormie) and others in which it remains uncertain (like Lev Atamanov’s 1957 animated version). But the actual story isn’t entirely explicit in whether there is romance or not and it is OK. I don’t think romance is necessary here, Gerda risked her life for Kai and that is more than enough. Friendship wasn’t explored that much in fairy tales, especially not when the friends were a girl and a boy, but here there’s no promise of marriage at the end of the road (save for the Dumas version!) and it’s refreshing and interesting. All in all, The Snow Queen is a story that works today much easily than other stories of the time, that has interesting characters who aren’t necessarily completely good or completely bad, and that lets you gather from it whatever message you want, instead of giving you an explicit moral like Perrault’s or Grimm’s stories did. All in all, I consider this story a masterpiece of literature. 

Fairy Tale Challenge | Day Two → Favourite Character of Royalty
The Princess and Prince (The Snow Queen) – Hans Christian Andersen
“He was quite free and agreeable and said he had not come to woo the princess, but to hear her wisdom; and he was as pleased with her as she was with him.” 
First of all, I promise there are more fairy tales in this challenge, but these two questions were one after the next and it was a coincidence. Now, I have to pick these two characters together because I think they’re both great and their love story is probably one of the most romantic ones I’ve read in fairy tales. 
Here we have a Princess, described as “wonderfully clever”, who one day decides that she wants to get married, because she’s bored and doesn’t have anyone to talk to or who can challenge her or interest her.  She decides that she wants to get married, she isn’t forced, she isn’t rushed, and she isn’t looking for a hero who can save her but a man who can talk to her. So, she sets the rules for her courtship: her husband to be will be the man who can speak the best, who can converse with her as equals. 
After many rich and gorgeous men that are unable to say something interesting meet the princess, a young man who is very poor, looks nothing like the rest, and who, listen to this: “(did) not come to the palace to woo the princess but to hear her wisdom” turns out to be the one. That’s right, that’s what he wanted, to talk. He supposed he didn’t have a chance but he wasn’t embarrassed by his appearance or poverty, he just wanted to talk to the woman that everyone admired for her vast knowledge. Needless to say, they got along quite well and eventually got married. 
Isn’t this fantastic? We not only have the courtship organized by a woman, a Princess, but it is based in common interests, in conversation and not in a ball or a parade of contestants who have to prove their value by beauty, titles, or irrational life-risking tasks. Not only that, but they both decide they’re pleased with each other, it’s a common understanding and not a decision only made by the Princess. The young man doesn’t think that he’s less than her for being poor, he accepts her as much as she accepts him for what she knows, how she speaks, and how they get along. If these two aren’t the most capable pair of rulers a tale can have, I don’t know who they are.


ON THE CLASSIC ATAMANOV FILM:
 
 
What movie is this? Looks amazing!
It’s the 1957 Snow Queen movie animated in Russia, and my favourite Snow Queen adaptation of all time. You can easily find the full movie with subs on youtube. 
If I could say one thing about this movie that sets it apart from the rest, it’s the portrayal of the Snow Queen herself. (It’s slightly spoilery from here on, so watch the movie first, if you want to see it for yourself.)
It’s established very early on in the book that the Queen is a personification of a force of nature, a fey, maybe. She’s not a person, she has no emotions, no way of understanding love, and no real motive for her actions. She basically kidnaps Kai because, well, she felt like it. This is important. A lot of other adaptations (like the Hallmark channel one, and the 1995 UK-animated one) make her rationalize her actions - she’s evil because she needs her mirror fixed, she wants eternal winter, yadda yadda. Basically, they make her have a reason for her villainy. Here? Nah, they don’t ever explain why she does what she does - the writers are fully aware that they’re dealing with winter itself - winter makes no distinction between right and wrong, it freezes to death innocent people and horrible ones without distinction. This woman is not human, and she shouldn’t, by right, act like one.
That sense that you couldn’t reason with her, topped off by her sheer unpredictability was TERRIFYING to watch as a kid. No other Snow Queen has been this menacing. 
Secondly, the Snow Queen in the climax was incredible! She appears as a giantess, a jötunn, in front of Gerda, several stories tall with a blank emotionless mask for a face. Gerda, our heroine, has grown into an independent woman by now - she’s walked across the earth BAREFOOT for her best friend Kai and now she’s found him and isn’t about to let him go - she screams to the Snow Queen to leave them alone, that Kai is no longer her’s to control. The tension builds, the standstill continues, and just as the climax gets unbearable, the Snow Queen on her throne… slowly vanishes. 
She disappears. The strangest western standoff you’ll ever see has come to it’s anticlimactic end. It’s important to remember Gerda didn’t defeat her, she didn’t vanquish her, the Snow Queen is still out there. The Queen disappears and in her place is a sunny warm landscape - she’s conceded to Gerda “You’ve won this battle, have your warmth, but you can never defeat me,” I think that’s the perfect way for her to go. There are PLENTY of adaptations that strive to give us a traditional happy ending, some have the Snow Queen ‘cured’ and turned into a human being (I’m looking at you, Egmont’s Fairytaler and Hallmark!) but that defeats the purpose of the original story. The Snow Queen is winter itself, and no one man (or girl!) can truly defeat winter, no matter how much magic you have on your hands. Nature itself is greater than any human power. 
The Snow Queen is a story of the power of faith and love, and how those will help you succeed. And by ‘succeed’, I don’t mean ‘defeat the personification of all that is wintry and cold and merciless’. It’s not about the triumph of humankind over the elements, it’s just a simple story about keeping love and innocent faith in your heart until you reach your goals, and and no movie has ever stuck more true to that than this one. 

IS THE SPRINGTIME WITCH THUMBELINA'S MUM? (HEADCANON)
Suppose the old woman with the garden of eternal springtime in The Snow Queen and Thumbelina’s mother are the same person?
Imagine it: Thumbelina disappears. Her mother searches, but never finds her. She knows Thumbelina is a magical being - if she learns magic, perhaps she’ll find a way! And she came from a flower - if she builds a garden with every kind of flower that’s always blooming, maybe she’ll come back!
But the years go by, and Thumbelina never comes back. And suddenly, here’s this little girl. Maybe she looks like Thumbelina. And she loves flowers too! So the woman keeps her. She’s been waiting for so long, and at last she has her daughter again. She even gives Gerda a pillow with violets embroidered on it, like the violets Thumbelina slept on.
But once again, her daughter disappears, and she is left alone.

WHY DID THE SNOW QUEEN WHISK KAI AWAY? (HEADCANON)
In Hans Christian Andersen’s The Snow Queen, why does the Snow Queen take Kai away with her? The story is vague, and there are as many interpretations as there are readers. This is mine.
I believe that the Snow Queen appears to people who call out to her in some way. Even before the mirror shards, Kai was interested in her - when he first hears the story from his grandmother, ‘Let her come! I’ll throw her into the fire! I'll melt her!’ he says, though he runs from her when she appears. After he gets the mirror shards he becomes fascinated by snowflakes and frost, and considers ice crystals more perfect than anything else in the natural world. While the Snow Queen doesn’t go around kidnapping people who aren’t drawn to her in the first place, she’s not very interested in informed consent. What’s it to her that Kai is only receptive to her because he has the shards of an evil mirror in his left eye and his heart? She didn’t put them there. It’s not her responsibility to make sure his true self wants to go with her. The Snow Queen’s morality is that of a snowstorm - not evil, but incredibly dangerous and implacable. 
So why does the Snow Queen take people away in the first place? Well, she isn’t the only snow entity that appears in the story. When she is driving away with Kai, they are surrounded by huge snowflakes that look like ‘great white chickens’ and appear to be under her control. When Gerda arrives in the Snow Queen’s domain, she encounters snowflakes in various monstrous animal shapes which are stated to be alive, and the Snow Queen’s guards. I think that the snowflakes had once been human, and if Kai had stayed in the Snow Queen’s domain long enough he would have become one of them.
What’s up with ‘Eternity’? The Snow Queen tells Kai that if he can make the word ‘Eternity’ out of some pieces of ice, she will give him ‘the whole world and a brand new pair of skates’. I think that in this story there are two types of eternity: the physical and the spiritual. If Gerda had never come and Kay remained in the Snow Queen’s domain, he would have become a living snowflake and gained physical eternity. He would gain ‘the whole world’ because he could go anywhere (anywhere cold at least) and live for as long as the world existed - but he would lose his soul. But when Gerda came and helped Kai to remember his feelings of love, he gained spiritual eternity. He would remain human in body, but his soul would be immortal.

THE SNOW QUEEN - NOT A VILLAINOUS ANTAGONIST?
I’m not sure she’s an antagonist at all. She’s a force of nature.
It’s such a spiritually rooted story. The fights are intellect vs. emotion, faith vs. reason, good vs. evil. And the queen isn’t evil. She’s just a step on Kai’s journey. You can say the demons who made the mirror at the beginning are evil, but I think that’s about as far as you can go. The Snow Queen didn’t lodge the glass in his heart and his eye. She didn’t kidnap him. She wasn’t even exactly holding him there. She’s got about the moral standing of a strong gust of wind, blowing Kai far, far away so Gerda could go out and save him from himself. Not from her. From the shards of a demon-mirror stuck inside him.
You are absolutely correct!
The snow queen was not an antagonist; she was more so a plot element for the theme of the story that good does not always have to overcome evil for goodness to prevail. Hence why at the ending of the story, Gerda does not fight the Snow Queen to save her precious Kai. In addition to this, the Snow Queen is the embodiment of the winter; there is no way anyone cannot stop the winter, it comes and goes just like every other season. So, when the Snow Queen left at the end of the story, winter had came to an end. The Snow Queen is just part of life. She is temptation to Kai when he is memorized by her beauty and her healing kisses. She is the final step on Gerda’s journey to save Kai. She is the end of the life cycle when she comes in and the beginning of the life cycle when she leaves. The Snow Queen is the character that makes the fairy tale very compelling! She is a complex character that seems to be an antagonist is truly not. It is kind of a shame that most of the adaption of this fairy tale portrays the Snow Queen as an antagonist when she truly is not one. She never kidnap Kai; Kai was memorized by her beauty and agreed to come with her because she heal his frozen heart with her kisses to a certain extent and being in her palace help him alive. If it was not for her, Kai would have been dead a little after the glass entered his eye and made his way to his heart. Even though the Snow Queen kept Kai alive, she could not take away the glass shard because she did not posses the one thing that Kai needed, which was love. As the embodiment of winter, she can only make things cold and die, which is why she could not kiss him a third time because he would die. She let Kai know that! So, when she leaves Kai alone at the end and Gerda comes to Kai, crying and kissing his body to make it warm again with the love of her innocent heart, Kai is healed because of the love Gerda has shown, which marks the beginning of spring!

AFTERWORD ON THE LITTLE MERMAID (HER BOY'S CLOTHES/MANDSDRAGT)
Next, he has some boys’ clothes made for her so they can ride horses together.
Is she his pet? Is she his little brother? I have no idea. When I told my mum the story, she said, “So basically what he wants is a pet friend.” I think that sums up the situation pretty nicely.

... Why? Because this guy’s a loser.

You give a girl ... You treat her like a boy. ... You tell her you love someone else. And what do you do next? You kiss her.

This is not Prince Eric. This is not Disney. Reading this story, I don’t want her to end up with this prince. That’s not a happy ending at all. He doesn’t even treat her like a person, and she deserves so much better.
Noticeably, Crystalcocoon AKA Persinette gives "en mandsdragt" as "some boy's clothes" and explains that maybe the prince sees her as "his little brother" and "treats her like a boy"  (note the masculine terms) - plus, her mother explains the prince's opinion and intentions with the epicene expression "pet friend."