Mostrando entradas con la etiqueta cavaliers and puritans. Mostrar todas las entradas
Mostrando entradas con la etiqueta cavaliers and puritans. Mostrar todas las entradas

domingo, 16 de agosto de 2015

A CLEAN SHAVE



Gustavus Adolphus, Albrecht von Wallenstein


Wounded Cavalier and stern Puritan








Various eighteenth-century gentlemen.



In the seventeenth century, wearing a goatee with an impressive moustache was fashionable.
After the war, the beard completely vanished from the picture, and a thinner moustache would remain until the first decades of the next century (when Louis XIV noticed silver hairs on his upper lip, the latter trend was established).
Eager to Westernize his old-fashioned realm, Czar Peter the Great demanded that all the nobility in Russia should be clean shaven (the Orthodox clergy, however, was allowed to keep its white beards as a symbol of authority). The Czar alone displayed a fashionable dark mo (the rights of royalty, eh?).
There are several theories around about what had triggered the clean shave trend...

i) Puritans. After taking over the British Isles. Both in uniform and in civvies, Cromwell's adult male followers were always clean shaven. They shaved themselves clean for no facial hair to taint the host and the wine that are the flesh and blood of Christ during the Eucharist.

ii) Snuff. After the 30YW, powdered tobacco replaced pipes as the form of nicotine consumption in vogue, and facial hair would get all dirty should snuff would fall into it.

iii) Keeping mess out of the face, in general. This is a more general application of the snuff hypothesis above, relating to any kind of mess and to the now more polished courtly manners.

iv) Public security. Like the foot-length cloak (replaced with short capes) and the cavalier hat (replaced with the tricorn), the moustache and beard could as well conceal a criminal. A lighter kind of apparel made it easier to recognize a person as not suspicious or shifty.

v) To look more childish and cuter. The whole post-30YW courtly trend, with its pastel colours, its love of sweets washed down with chocolate and fruit liquor, its love for frills and lace, its gardens whose plant life was bustling with bright flowers... is generally light and airy, oriented towards cuteness, as a manner of finishing with a past that had been too dark and grim.

Most of these theories, except the Puritan one, stem from Wolfgang Schivelbusch's 

Tastes of ParadiseA Social History of Spices, Stimulants, and Intoxicants.


lunes, 30 de junio de 2014

THE STANDARD BEARER

For María Calzada and all the others who helped me, here is a poem about a Cavalier ensign which reminds me of Snoilsky's "Lützen":

THE STANDARD BEARER

I

“How can I tell,” Sir Edmund said,  “Who has the right or the wrong o' this thing?  Cromwell stands for the people's cause,  Charles is crowned by the ancient laws;English meadows are sopping red,Englishmen striking each other dead,—  Times are black as a raven's wing.Out of the ruck and the murk I see    Only one thing!The King has trusted his banner to me,  And I must fight for the King.”

II

Into the thick of the Edgehill fight  Sir Edmund rode with a shout; and the ring  Of grim-faced, hard-hitting Parliament men  Swallowed him up,—it was one against ten!He fought for the standard with all his might,Never again did he come to sight—  Victor, hid by the raven's wing!After the battle had passed we found    Only one thing,—The hand of Sir Edmund gripped around  The banner-staff of his King.
Henry van Dyke.

domingo, 9 de febrero de 2014

CAVALIER/ROUNDHEAD RESOURCES

For History class:


How and why the war broke out


What the war was like (as a musical!)


What the war did to improve medical science



The years, the battles, Charles, Cromwell, Chopin, Python

The Oliver Cromwell Song
(from Monty Python Sings)


The most interesting thing about King Charles the First is 
that he was five feet six inches tall at the start of his reign, 
but only four foot eight inches tall at the end of it. 

Because of...

Oliver Cromwell, Lord Protector of England
Puritan. 
Born in 1599 and died in 1658 
(September) 
Was at first 
only 
MP for Huntingdon
But then 
he led the Ironside Cavalry at Marston Moor 
in 1644 and won.
Then he founded the New Model Army 
and praise be! beat the Cavaliers at Naseby 
and the King fled up north 
like a bat! to the Scots.

But under the terms of John Pym's Solemn League and Covenant, 
the Scots handed King Charles the First over to...

Oliver Cromwell, Lord Protector of England 
and his warts
Born in 1599 and died in 1658 
(September)
But, alas! disagreement then broke out
Between 
the Presbyterian Parliament and the military 
who meant to have an Independent bent and so
The Second Civil War broke out
and the Roundhead ranks 
faced the Cavaliers 
at Preston, Lancs
and the King lost again, silly thing
(Stupid git)

And Cromwell sent Colonel Pride to purge the House of Commons of 
Presbyterian Royalists, leaving behind only the Rump Parliament...

Which appointed a High Court at Westminster Hall
To indict Charles the First of - tyranny 
Charles was sentenced to death, even though he refused to accept
That the court had 
jurisdiction 
(Say goodbye to his head!)

Poor King Charles laid his head on the block 
- January 1649 -
Down came the axe, 
and in the silence that followed 
the only sound that could be heard was the solitary giggle, of...

Oliver Cromwell, Lord Protector of England
Born in 1599 and died in 1658 
(September)
Then he smashed 
Ireland
Set up the Commonwealth 
and more
He crushed the Scots at Worcester, 
and beat the Dutch at sea in 1653 
and then
He dissolved the Rump Parliament
And with Lambert's consent 
wrote the Instrument of Government
Under which Oliver was Protector at last.
The end.

"Oliver Cromwell" is a song recorded by Monty Python in 1980 but not released until 1989 where it featured on their compilation album Monty Python SingsJohn Cleese, who wrote the lyric, originally debuted the song on February 2, 1969 in the radio show I'm Sorry, I'll Read That Again, where it was introduced as "The Ballad of Oliver Cromwell". It is sung to Frédéric Chopin's Heroic Polonaise, and documents the career of British statesman Oliver Cromwell, from his service as Member of Parliament (MP) for Huntingdon to his installation as Lord Protector of the Commonwealth of England. The lead vocals, often heavily multi-tracked, are performed by John Cleese, with interjections by Eric Idle.
"Oliver Cromwell" is sung to the first ("A") section of the Polonaise, including the well-known main theme; it does not use the "B" section. The piano introduction is accompanied by a spoken-word introduction, setting a tone of macabre humour ("The most interesting thing about King Charles the First is that he was five foot six inches tall at the start of his reign, but only four foot eight inches tall at the end of it"), as are the subsequent connecting passages. All three instances of the main theme are given a tutti chorus followed by a recounting of the battles and other events of the period; sound effects are added, mostly sounds of battle and of horses. To the interlude is set King Charles I's trial and execution, with rubato adding atmosphere; the only sound effect is implied to be that of Charles's head falling (followed by a solitary giggle from Cromwell).

Battles, events and personages[edit]

Introduction[edit]

First theme: January 1642 – May 1646[edit]

Connecting passage: 1647[edit]

  • John Pym's Solemn League and Covenant; this (1643) agreement between Scotland, England, and Ireland respecting the Presbyterian church in Scotland and (ostensibly) committing England to Presbyterianism was influential in persuading the Scots to deliver Charles I to Parliament (in 1647)

Second theme: 1647 – 19 August 1648[edit]

  • Cromwell's "warts and all" quote famously reflects on his strength of character
  • Second Civil War; the Independent leanings of the Army led to conflict with the Presbyterians in Parliament, a disagreement exploited by the Royalist faction
  • Battle of Preston (1648)Lancashire; the final battle of the Second Civil war was an overwhelming victory for the Independents ("Roundheads") over the combined Royalist ("Cavaliers") and Presbyterian armies

Connecting Passage: 6 December – 20 December 1648[edit]

Interlude: 2 January – 30 January 1649[edit]

Connecting Passage: 30 January 1649[edit]

  • The headman failed to utter the customary words, "Behold the head of a traitor!"

Third theme: August 1649 – 16 December 1653[edit]


Seventeenth-century Marvel AU. Dum-Dum Dugan is a Cavalier driven abroad by Ironsides:
When the soldier (Steve Rogers) had exhausted every story of warfare and battle that he knew, the robbers began offering tales of their own. The man with the red moustaches (Dum Dum Dugan) told of men armed with pikes and halbards and a religion even harder than their iron breastplates, who had swept across his home country, burning and killing whatever they could find, and how he had left his land and gone south with the geese to fight another kingdom's battles in Spain (The Catalan/Roussillon theatre of the 30YW).


domingo, 12 de enero de 2014

LESSONS FROM ART HISTORY


Let them grow into tolerance and freedom...

...teaching them to strive to be great heroes,
yet in a non-violent way...
                                     
...to spare loved ones too sudden a farewell...

...not to experience want and/or suffering for what they will call
"a higher cause"...
...for which a higher prize may be paid.
Neither let them become too passive...
...leaving them helpless on their own.

May our boys grow into sensitive gentlemen...
...unafraid of recognizing that they have feelings...
... and our girls, into dynamic ladies...

...unafraid of making a stand.


Neither gender shall clip the other's wings.
Equality will bring the best out of everyone.
The great ones should not merely revel and celebrate
their own success...
...but rather care for the plight of the little ones in need.
As for the other little ones,
don't let the passions of the other great ones
deprive them of their innocence.
Show them the way with the Light of Reason.
For they are our hopes.
Yet do not leave Reason completely unchecked,
lest too bright a light should spawn monsters.
Only if all these conditions are fulfilled,
should we break away from our legacy of
intolerance, violence, and helplessness...
...on a new and better daybreak...
...full of light, love, and life.



miércoles, 18 de septiembre de 2013

OLIVER CROMWELL BY MONTY PYTHON

Only Monty Python can combine the works of Oliver Cromwell and those of Frederic Chopin. There you have it: the great general's career sung to a polonaise. It opens with a typically British and Pythonesque black joke (and a brilliantly told one!) about the height of Charles I Stuart:





Oliver Crom-well... Lord Pro-tec-tor of Eng-land (and his warts!)... Olé!

The Oliver Cromwell Song
(from Monty Python Sings)


The most interesting thing about King Charles the First is 
that he was five feet six inches tall at the start of his reign, 
but only four foot eight inches tall at the end of it. 

Because of...

Oliver Cromwell, Lord Protector of England
Puritan. 
Born in 1599 and died in 1658 
(September) 
Was at first 
only 
MP for Huntingdon
But then 
he led the Ironside Cavalry at Marston Moor 
in 1644 and won.
Then he founded the New Model Army 
and praise be! beat the Cavaliers at Naseby 
and the King fled up north 
like a bat! to the Scots.

But under the terms of John Pym's Solemn League and Covenant, 
the Scots handed King Charles the First over to...

Oliver Cromwell, Lord Protector of England 
and his warts
Born in 1599 and died in 1658 
(September)
But, alas! disagreement then broke out
Between 
the Presbyterian Parliament and the military 
who meant to have an Independent bent and so
The Second Civil War broke out
and the Roundhead ranks 
faced the Cavaliers 
at Preston, Lancs
and the King lost again, silly thing
(Stupid git)

And Cromwell sent Colonel Pride to purge the House of Commons of 
Presbyterian Royalists, leaving behind only the Rump Parliament...

Which appointed a High Court at Westminster Hall
To indict Charles the First of - tyranny 
Charles was sentenced to death, even though he refused to accept
That the court had 
jurisdiction 
(Say goodbye to his head!)

Poor King Charles laid his head on the block 
- January 1649 -
Down came the axe, 
and in the silence that followed 
the only sound that could be heard was the solitary giggle, of...

Oliver Cromwell, Lord Protector of England
Born in 1599 and died in 1658 
(September)
Then he smashed 
Ireland
Set up the Commonwealth 
and more
He crushed the Scots at Worcester, 
and beat the Dutch at sea in 1653 
and then
He dissolved the Rump Parliament
And with Lambert's consent 
wrote the Instrument of Government
Under which Oliver was Protector at last.
The end.

"Oliver Cromwell" is a song recorded by Monty Python in 1980 but not released until 1989 where it featured on their compilation album Monty Python SingsJohn Cleese, who wrote the lyric, originally debuted the song on February 2, 1969 in the radio show I'm Sorry, I'll Read That Again, where it was introduced as "The Ballad of Oliver Cromwell". It is sung to Frédéric Chopin's Heroic Polonaise, and documents the career of British statesman Oliver Cromwell, from his service as Member of Parliament (MP) for Huntingdon to his installation as Lord Protector of the Commonwealth of England. The lead vocals, often heavily multi-tracked, are performed by John Cleese, with interjections by Eric Idle.
"Oliver Cromwell" is sung to the first ("A") section of the Polonaise, including the well-known main theme; it does not use the "B" section. The piano introduction is accompanied by a spoken-word introduction, setting a tone of macabre humour ("The most interesting thing about King Charles the First is that he was five foot six inches tall at the start of his reign, but only four foot eight inches tall at the end of it"), as are the subsequent connecting passages. All three instances of the main theme are given a tutti chorus followed by a recounting of the battles and other events of the period; sound effects are added, mostly sounds of battle and of horses. To the interlude is set King Charles I's trial and execution, with rubato adding atmosphere; the only sound effect is implied to be that of Charles's head falling (followed by a solitary giggle from Cromwell).

Battles, events and personages[edit]

Introduction[edit]

First theme: January 1642 – May 1646[edit]

Connecting passage: 1647[edit]

  • John Pym's Solemn League and Covenant; this (1643) agreement between Scotland, England, and Ireland respecting the Presbyterian church in Scotland and (ostensibly) committing England to Presbyterianism was influential in persuading the Scots to deliver Charles I to Parliament (in 1647)

Second theme: 1647 – 19 August 1648[edit]

  • Cromwell's "warts and all" quote famously reflects on his strength of character
  • Second Civil War; the Independent leanings of the Army led to conflict with the Presbyterians in Parliament, a disagreement exploited by the Royalist faction
  • Battle of Preston (1648)Lancashire; the final battle of the Second Civil war was an overwhelming victory for the Independents ("Roundheads") over the combined Royalist ("Cavaliers") and Presbyterian armies

Connecting Passage: 6 December – 20 December 1648[edit]

Interlude: 2 January – 30 January 1649[edit]

Connecting Passage: 30 January 1649[edit]

  • The headman failed to utter the customary words, "Behold the head of a traitor!"

Third theme: August 1649 – 16 December 1653[edit]