Mostrando entradas con la etiqueta wes anderson. Mostrar todas las entradas
Mostrando entradas con la etiqueta wes anderson. Mostrar todas las entradas

jueves, 2 de marzo de 2017

FUTURA - THAT CHARMING TYPEFACE

FUTURA IN SPAIN: or how I first met Futura as a child
It was the word Caja as it's written here, with a straight j and as that do not look like usual printed A:s.
I knew Futura would have to do with my other home country because of the IKEA catalogues... which leads us to the following section.


FUTURA IN SWEDEN: or where I came further in contact with her


Futura in Sweden: a ubiquous sight when it comes to road and street signs, aside from IKEA.



FUTURA IN GERMANY: where it all began.
Futura in Germany, its place of origin, here employed iconically by the University of Leipzig

Land of Ideas: in its native land, Futura's become part of the German national identity.

But already the VW logo back in Spain gave a clue I sidetracked completely.
Futura is a staple of the Volkswagen aesthetic, and it's German...



FUTURA IN THE ANGLOSPHERE: of filmmakers and ice cream

(Since we’re considering type fonts, it is no accident that both the IKEA böring and the Häagen Dazs logo are set in a bold Futura, designed in Bavaria in 1928 by Paul Renner. Futura seems ideally muscular and, well, Germanic — tailored to the umlaut.)


Wes Anderson shares my passon for Futura. Notice the writing on RIVE GAUCHE.

Earlier artistic filmmaker Kubrick loved Futura as well.
DA DA DAAAA DA DAAAA... (Also Sprach Zarathustra)
This iconic opening scene leads us to our next section -- how Futura literally took to space!


FUTURA ON THE (EARTH'S) MOON: where no font has gone before
Yes, this plaque is on the Moon, and it's real!





viernes, 8 de abril de 2016

SNOW QUEEN - PROJECT ICEHEART

Project IceHeart

The Snow Queen - Retold

The quest of the young maiden Gerda from her provincial hometown of Rosenau to the icy Arctic fortress of the Snow Queen to save her boyfriend... eh, boy friend Kai (Kay? Keu? Keogh?), spirited away after a shard of her Mirror of Truth entered his heart through his left eye and made him a cold-hearted perfectionist...

Every chapter will be a homage to a certain author's style, that of a writer, filmmaker, and/or genre I am fond of.

MY DREAMCAST (STILL UNFINISHED)

  • as Kai/Keogh/the Narrator/the Mirrorsmith (in the prologue)
  • Sophie Turner as Gerda
  • as Grandmother Astrid
  • Imelda Staunton as Iduna (goddess of springtime and youth, springtime witch)
  • Alicia Vikander as Crown Princess Frederica
  • Richard Madden as Prince Consort Frederick/Tycho
  • Ewan McGregor as Will, the circus crow tamer (male/wild crow, in the original tale)
  • Emma Thompson as Emmeline, the handmaid (female/pet crow, in the original tale)
  • Natalia Tena as Asha, the bandit maiden
  • Helena Bonham-Carter as the bandit leader
  • Sacha Baron Cohen as the leader's right-hand man
  • Tilda Swinton as the Wise Woman of the Tundra
  • as the Snow Queen
  • as the voice of a Frog-Footman
  • Stellan Skarsgârd as the Royal Advisor
  • as the voice of a Snowy Owl
  • as the voice of the Reindeer


- Story the First: homage to the Disney storybook openings and the Star Wars opening crawl. The Mirror of Truth story is retold in a mix of both styles as a prelude.

- Story the Second: set in a quaint local community, this at first cozy and then sinister autumn-winter chapter in which 13-year-old Kai's heart freezes when a mirror shard enters his heart through his left eye, and then, in winter, he is spirited away by the Queen, is a homage to cult 1980s family/young adult fantasy; like Labyrinth, WillowThe Neverending Story, The Princess BrideReturn to Oz...

- Story the Third: springtime, Gerda's moratorium in the springtime witch's flower garden. This chapter is a homage to Lewis Carroll and Lyman Frank Baum; with sapient flowers, a grandmotherly Good Witch, and frog-servants and playing card motifs.

- Story the Fourth: summer, subplot of romance at the royal court. This chapter, in which the subplot is introduced and entwines with the main plot, is a homage to William Shakespeare (both tragedy and comedy): the courtly setting, iambic pentameter, commoner comic relief, love songs and passionate affection, mistaken identity, intense emotions, references to the Bible and to classical myth, any Shakespearean comedy's quintessential happy ending. There will also be reference to Wes Anderson in the use of colour, eccentric characters...

- Story the Fifth: autumn, Gerda captured by outlaws. This chapter is a homage to Quentin Tarantino: the gruesome bloodshed, the witty dialogue, the bare female feet, the sexiness (of the outlaw maiden), the swearing and the drinking and other adult content... and 360º shots, POV shots, God's Eye shots, tracking characters, flashbacks in black and white, and references to other fiction, violent awakening, carriage scene, black and white uniforms, "don't be such a square."

- Story the Sixth: encounter with the Wise Woman of the Tundra, Gerda and Kai on opposing fronts, prelude to the climax. This chapter is a homage to Jostein Gaarder, with all of his metaphysical magical realism and the questions he asks the readers of his works. This becomes even more pronounced when the Ice Warriors, led by Kai himself, retreat as Gerda sings her leitmotif.

- Story the Seventh: finale. At once, as the finale unfurls, the various homaged referents are once more recalled, beginning with Gaarder until Gerda and Kai solve the puzzle together and leave the ice palace, then Tarantino, Shakespeare/Wes Anderson, Carroll/Baum, and finally cult 1980s family/young adult fantasy.

jueves, 2 de abril de 2015

THE GRAND BUDAPEST HOTEL - REVIEW

The Grand Budapest Hotel, the best inn in all of Rurit-... Zubrowka,
a fictional country in the former Habsburg Empire.
You know... The old country-esque land 
with picturesque environments and a Germanic/Slavic culture.
This place lives up to its redoubtable name.
(I mean, the GBH, not Zubrowka.)

And Gustave, its concierge, a legend
endowed with the French flamboyance of Lumière (from BatB)
and the queer flamboyance of Renly Baratheon.
He even writes epic poetry.
Long story short:
More than just a gentleman of wealth and taste.


And Zero (his name IS Zero!), the new bellhop, a stateless young foreigner 
and orphan of war, who looks up to Gustave and will become his sidekick...

...though Zero prefers the company of the other gender.
Like Agatha at the local bakery.
She's his fiancée.

The most loyal regular at the Budapest 
is the elderly Dowager Countess Céline, a good friend of Gustave's.

However, when she dies of strychnine poisoning,
the French concierge is unjustly accused and arrested.
And subsequently imprisoned in a fortress that serves as internment camp...

With the aid of Zero and Agatha,
Gustave succeeds in breaking prison, but, upon his return,
he finds the hotel occupied by Nazi High Command.


And behind it all is the sinister, elusive Dimitri,
the son and heir of the late Countess
(and a collaborator with the occupants),
in pursuit of a painting his mother had bequeathed to Gustave...


When I first heard of this film, I thought: I HAVE TO SEE IT! And here is a list of the reasons why I perused this magnum opus and why I recommend you to see it (and surely relish this masterpiece):

  • A cultured, French, queer hero for a change.
  • A young sidekick who sticks to more than one sidekick trope (orphaned? Check! eager? Check!), yet somehow eschews many of them, and even shares the spotlight with the older leader.
  • The setting is Rurit-... Latver-... Syldav-... Slovetz-... Borograv-... I mean, Zubrowka, a small fictional country in the former Habsburg Empire. The old country-esque land with picturesque environments and a Germanic/Slavic culture.
  • Nazis.
  • Strychnine.
  • High society.
  • Fine Arts.
  • Concentration Internment camp. In a FORTRESS PRISON!
  • Prison break.
  • International secret society. Of CONCIERGES at five-star hotels!
  • Slapstick comedy.
  • Art Nouveau and Baroque architecture.
  • Thrilling action scenes.
  • A painting as a McGuffin, coveted by everyone.
  • The heroes need to take this painting from the Nazis...

Some elements (the cultured French hero, queer issues, Third Reich occupation, the McGuffin painting) sounded straight of my favourite WW2 comedy, the British masterpiece 'Allo, 'Allo. Gustave is basically René and Lieutenant Gruber mixed thoroughly together and sprinkled with a dash of Renly. Plus magnifique? Impossible.
Zero is no zero. Rather, he's pretty much the Loras to Gustave's Renly. The younger more than sidekick to the flamboyant leader. Get used to the picture. Except that it's Zero who has got the girl, Agatha. Don't let the fair-haired, sugar-incrusted pâtissière fool you: she's got skills beyond your ability to guess them.
I would also compare Zero to a male Arya Stark, for more than one good reason. I also see his name as a reference to the Fool on Tarot: an innocent child who is coming of age and whose eyes are being opened to the world gradually.
Dimitri, on the other hand, is a pretty convincing villain. Love to hate him and his cronies. He might as well be a Death Eater, with that sinister, gaunt look and those expressions of his. No surprise he is allied with the Reich. However, he also conspires against Gustave for more personal reasons...
Long story short:
Setting: wonderful. Characters: a cast to admire. Plot: hooks instantly, and unable to shake off.