Mostrando entradas con la etiqueta raoul de chagny. Mostrar todas las entradas
Mostrando entradas con la etiqueta raoul de chagny. Mostrar todas las entradas

viernes, 2 de agosto de 2019

CHRISTINA, GRANTAIRE, AND THE GREAT COMET OF 18**

This is just a crack AU; I made it under the influence of the hot sun, and I don't ship Daaétaire... Christaire... :'( but Chris*Raoul and Enjoltaire, obviously. The only canon pairing here is maybe Iassio...
So anyway it's a steampunk/gaslamp fantasy crossover filk (maybe an outright filk opera)... real people (mostly Queen Victoria), Les Mis, Shakespeare, Leroux... BTW, the Marianne who stars here is NOT the personification of France, but the fallen woman in Shakespeare's not-so-famous tragicomedy Measure for Measure, published at around the same time as Othello ;) (her name is most commonly rendered Mariana, but I altered it to fit the scansion!) oh, if I made her and Cassio siblings and Grantaire her husband and all that, blame the hot sun as well! BTW, Zéphine is here the Count de Chagny's mistress, in spite of being a plain jane in this AU, and they cohabit...


There's a war going on out there, somewhere...
And Raoul isn't here...
There's a war going on out there, somewhere...
And Raoul isn't here...
There's a war going on out there, somewhere...
And Raoul isn't here...

Ett-tu-tre!

This is all in your programme;
we are all at the opera,
you ought to have studied up a little bit
if you've got to keep with the plot...
This is a complicated crack crossover,
everyone's from one universe,
so please look it up in your programme,
we appreciate it thanks a lot,
da-da-da- da-da-da- da-da-dah...

Christina is young...
She loves Raoul with all her heart...

Christina is young,
and Raoul isn't here!

Luna is (Love-)good,
Christina's roommate and closest friend...

Luna is good,
Christina is young,
and Raoul isn't here!

Victoria is old-school, a grand widowed ruler,
Christina's guardian, and strict yet kind...

Victoria is old-school,
Luna is good,
Christina is young,
and Raoul isn't here!

This is all in your programme;
we are all at the opera,
you ought to have studied up a little bit
if you've got to keep with the plot...
This is a complicated crack crossover,
everyone's from one universe,
so please look it up in your programme,
we appreciate it thanks a lot,
da-da-da- da-da-da- da-da-dah...

Cassio is HOT!!
He spends his money on women and wine...

Cassio is HOT,
Victoria is old-school,
Luna is good,
Christina is young,
and Raoul isn't here!

Marianne is a SLUT!!
Cassio's half-sister, married to Grand'R...

Marianne is a SLUT,
Cassio is HOT,
Victoria is old-school,
Luna is good,
Christina is young,
and Raoul isn't here!

Iago is FIERCE,
but not too important...
Cassio's friend, and a very good shot...

Iago is FIERCE,
Marianne is a SLUT,
Cassio is HOT,
Victoria is old-school,
Luna is good,
Christina is young,
and Raoul isn't here!

Chandeliers and caviar,
THE WAR CAN'T TOUCH US HERE!!

--minor characters!--

Count Phil de Chagny is crazy,
and Zéphine is plain...
Raoul's family, totally messed up... (oh, that's an understatement...)
AND FRED WEASLEY'S JUST FOR FUN!!

Fred Weasley is FUN,
Philippe is CRAZY,
Zéphine is plain,
Iago is FIERCE,
Marianne is a SLUT,
Cassio is HOT,
Victoria is old-school,
Luna is good,
Christina is young,
and Raoul isn't here!

What about Grand'R?
Dear, bewildered, and awkward Grantaire...?
Wot about Grand'R?
Sarcastic, unhappily married Grantaire...
What about Grand'R?
What about Grand'R?
What about Grand'R?








miércoles, 18 de julio de 2018

CHANBARA AU:S (FOR WESTERN LITERATURE)

CHANBARA OTHELLO - The first one, the AU that started this whole jidaigeki trend:
Oni no Me mo Mi-mo Namida (Even Ogres have Tears in their Eyes)

Ever since he was orphaned and fled persecution from the Catholic League and Inquisition in his native Low Countries (so it's 30YW times or such) by stowing away on a clipper, Louis has been a stranger in this strange island nation as rent by war as the Europe he left behind. Towering head and shoulders over everyone else, blond, blue-eyed, bearded, and burned rosy by the hot sun, he's had to struggle for his life, and for a niche in the establishment, ever since he landed here as a pre-adolescent.
With his second-in-command, personal translator, and boyhood friend Ritsu-kun, an Osaka lowlife, stevedore, and interpreter with his wits about him (and who sees the fair leader as more than just a friend), Louis Vreeswijk, now called Aka-Oni (Red Ogre), leads a rebel group against the shogunate.
However, a botched castle-storming has the paths of Louis and Ritsu cross with those of Ayame, a spirited, kind-hearted heiress (and daughter of the iron lady dowager Kikuhime); aside from her adopted brother and childhood playmate Hideki, and her intended fiancé Ryóga. By Ayame's and Hideki's side, Louis finally sees that there are those who love him, instead of dreading him, for his strange features, seeing the man instead of the monster... and the feeling is mutual, reciprocated.
Too sorry that a jealous Ritsu takes advantage of Ryóga's shyness, Hideki's weak head for liquor, and finally Louis's deepest fears about Ayame... all to keep the one he loves all for himself...

Cast:
  • Louis Vreeswijk (Othello)
  • Ayame Sengakuji (Desdemona)
  • Ritsu (Iago)
  • Ryóga (Roderigo)
  • Hideki Kisaragi (Cassio)
  • Akira (Emilia/Bianca; also significantly an onnagata, ie a crossdressing actor)


----------------------------------------------------------------------------------------------------------

SHARED FRENCH UNIVERSE - CHANBARA AU

This is a series of jidaigeki vignettes set in the Edo period, with a backstory in the Warring States era before, that fit together like the pieces of a puzzle - each story, originally a subplot in the original French novels, is standalone, but connected to the others by a series of common elements - the figure of Gozen-sama, rebels and courtiers seeking to depose the shogunate, the shinsengumi (praetorian guard), the wars of the past era, the performing arts -and the all-female Izumo Okuni troupe, one of a kind against the mainstream, foreshadowing Takarazuka-, xenophilia vs. xenophobia...


Tachibana-ichizoku (Danglars): wealthy bourgeois from Osaka, the spotlight is on them in "Izumo no Michi" (The Road to Izumo - compare La route de Belgique)
  • Yúto Tachibana (Julien Danglars)
  • Michiru Tachibana (Hermione Victoria Danglars)
  • Akira Tachibana / "Akio Tsubaki" (Eugénie Danglars / "Léon d'Armilly")
  • Kaede Tsubaki (Louise d'Armilly)
  • Tachibana-jiiya (Étienne)
  • --
  • "Prince André d'Orange" / Yukio Fubuki ("Andrea Cavalcanti" / Benedetto); a Eurasian bastard child, raised by an ashigaru who found him in the snow - now posing and completely performing as a royal prince of his real father's native land...
  • --
  • Okuni of Izumo / Izumo no Okuni (historical character, fills in the roles of the Italian theatre directors who employ Eugénie and Louise - employs Akira and Kaede in her all-female troupe)

Pluijter-ichizoku (de Villefort): immigrants from the Low Countries who, in spite of the racism they encountered, have risen to become prominent Edo-based magistrates. However, the patriarch's remarriage has created a dysfunctional household, with a scheming stepmother and an annoying little brat of a stepbrother:
  • Geeraert "Geert" Pluijter (Gérard de Villefort)
  • Renate Pluijter+ (Renée de Villefort+) 
  • Valeria Pluijter (Valentine de Villefort)
  • Cornelia "Oma" Pluijter (Composite character of Noirtier de Villefort + Mme. de Saint-Méran)
  • Willem "Will" (Barrois)
  • ---
  • Asagao Pluijter (Héloïse de Villefort - her given name means both "convolvulus" and "datura" >:3 )
  • Shinobu-Edward Pluijter (Édouard de Villefort)
  • ---
  • Masayoshi (Maximillien Morrel; a stateless ronin)
  • Sayuri "Yuri-chan" (Julie Morrel; a war orphan and Masayoshi's adopted sister)


Jiyuu no Nakama (Amis de l'ABC): a rebel group at war against the shogunate and shinsengumi (praetorian guard) - they have their base at an izakaya, coming from different walks of life:
  • Atsushi "Enji" Kurenai (Enjolras): lordling, the aloof leader. Wears a blond wig and actor's make-up courtesy of Fujiko -is naturally Asian, raven-haired-.
  • Kakeru (Combeferre): the scholar of the group, and the only sane man as he says; wears spectacles
  • Kenpachi Sengakuji (Courfeyrac): lordling, uses his umbrella/parasol as a weapon, concealing a rapier within the cane and spinning it around for hypnotic effect, as well as using it for a parachute
  • Fujiko (Fujitaka) Hanasaki (Jehan Prouvaire): lordling, an onnagata who provides the group with atrezzo and costumes - including Kurenai-kun's blond wig and make-up he uses for the Enji identity; he became a crossdressing performer to overcome stage fright
  • Tsukasa Yakushiji (Joly): a meek, hypochondriac medicine seller and lovable eccentric - the medic of the group
  • Daikaku "Dai" (Grantaire "R"): idealises Enji-sama and would gladly die for him. A witty self-made trickster from Osaka and left-handed/left-footed drunken master of martial arts (drunken monkey/drunken fist style) who often signs with  the kanji for "dai/big" alone (much like Grantaire signs with a capital R)
  • Takashi "Ushiwakamaru" Yoshizane (Feuilly/Lesgle composite): an orphan from Hokkaido with a bald head and impossibly bad luck, he works at the izakaya where the others hang out
  • Yuuma Jinbashi (Marius Pontmercy): a translator and interpreter working for Europeans; disowned scion of the Narunogawa-ichizoku due to his father, Jinbashi-sama (the surname literally translates to "mercy-bridge"), being a freedom fighter. Finally, he marries Tsubame Kisaragi

Kang-ichizoku (Korean immigrants who have risen to prominence in the military):
  • Kang Jong-il (Ferran Mondiego de Morcerf): a shinsengumi captain - who betrayed the lieutenant of his company to become next in line, and that was only his first atrocious feat - commits seppuku at the end of it all 
  • Kang Chun-hyang (Mercè / Mercedes Mondiego de Morcerf): Not originally his fiancée, but he forced her into marriage. Is very close to her boy, whom she dotes on and whose real father is a secret she keeps
  • Kang Yong-koo (Albert Mondiego de Morcerf): an innocent and sheltered young man of high rank whose life is suddenly overturned when Gozen-sama saves his life and frees him from a brigands' lair...
  • Frans van de Doornroose (Franz d'Épinay): Yong-koo's European best friend since childhood. Holds a grudge against the Pluijters in general, and Geert Pluijter in particular. Frans is also in love with Yong-koo; 'tis a pity his beloved is straight!

Gozen-sama (The Count) and his entourage of European servants
  • Gozen-sama (real name ****???): (Edmond Dantès): a sailor from Osaka, marooned since he was accused of plotting against the shogunate, now he has returned in French court dress and with a new identity
  • Heidi (Haydée): a coast pirate from the Low Countries and Gozen-sama's mistress, adopted daughter, and overall personal assistant
  • Han (Ali): another coast pirate from the Low Countries, a bear of a man, and Gozen-sama's bodyguard (looks like Han Solo mashed up with Chewbacca)

The Kagurazuka Ryoukan (The Sergeant's Inn - also the Bell and Bottle counterpart in Izumo no Michi):
  • Ritsu Kagurazuka (Sgt. Thénardier): former arquebusier (ashigaru)
  • Azusa Kagurazuka (Mme. Thénardier) ran the family inn even unmarried, before marrying the surnameless ashigaru whom she nursed back to health
  • Isuzu Kagurazuka (Éponine Thénardier) - also, like Akira Tachibana, she is fond of the all-female Okuni Troupe as well as having feelings for Yuuma
  • Karin Kagurazuka (Azelma Thénardier)
  • "Gaku" Kagurazuka (Gavroche Thénardier)
  • ---
  • Tsubame -later adopted and surnamed Kisaragi- (Cosette Fauchelevent)

Kisaragi-ichizoku (not a proper clan, since it only consists of an older benefactor and his adopted child):
  • Yonjuuro Kisaragi -real name Shuntaro, surnameless- (Jean Valjean / Ultime Fauchelevent)
  • Tsubame Kisaragi (Cosette Fauchelevent) - later marries Yuuma and becomes Tsubame Jinbashi (Cosette Pontmercy)
  • ----
  • Toshiro Hijikata (Javert) - a real-life shinsengumi lieutenant and the founding father of the corps, of peasant birth and orphaned as a young child - here he takes on the role of Javert

Sengakuji-ichizoku (main branch of the clan):
  • Shinichiro Sengakuji (Philippe de Chagny)
  • Shinjiro Sengakuji (Raoul de Chagny)
  • ---
  • Christina Sengakuji, née Daaé (Christina Daaé); a refugee from the Low Countries who got on the wrong boat as a child when she and her father were about to leave for Sweden due to Habsburg persecution; was adopted by the Sengakuji brothers - she is also the latest member of the Okuni Troupe
  • ---
  • Nadeshiko Hanasaki (Carlotta Giudicelli) - a proper lady and the star of the Okuni Troupe; Christina's rival. She is also Fujiko's sister (Fujiko of Jiyuu no Nakama), although no one would tell
  • Hinagiku Shiroi (Meg Giry) - Christina's confidante; her name translates literally to "white daisy"

Narunogawa-ichizoku -high-ranking elite courtiers, faithful to the shogunate-
  • Yoshizane Narunogawa (Luc-Esprit Gillenormand): the patriarch, a century-old eccentric
  • Kikuhime Narunogawa+: the prodigal daughter, who ran off with a rebel and died in childbirth
  • Suiren Narunogawa: the dutiful daughter, Yuuma's aunt and governess
  • Suiren's children: a shinsengumi lieutenant and a pampered little girl




miércoles, 28 de febrero de 2018

THE NÄCKEN'S SONG

The Näcken's Song

Along the gravelly, rutted rues
Of wintry Paris; worn and weary, 
Trod the bundled, frigid few;
To their home-hearths blazing cheery,
Afore the night’s unfurling gloom
Should swallow them in snowdrifts dreary.
Nay, one lady, grave and fair, 
Remain’d atop the Garnier
Enfolded in the frozen air,
Wringing icy fingers; waited
Where the grey roofs tower’d high
And gargoyles perch’d, sublime and sated;
Sentinel lords o’er passers-by,
For her love, two hours’ belated,
Until the darkness cloak’d the sky.

Christine Daaé, Northern daughter,
Flaxen locks and rosy face;
Whispers tales her father taught her:
Trolls and goblins, dolls and lace.
Of Skogsra leading hunters’ slaughter,
Children of the changeling race.
Or milking maids, who at first sight
Would fancy Näcken water sprite,
And dared give chase in blind delight.
Tho’ the best-loved tale, she oft did say
Was Little Lotte, asleep in her bed;
And in her dreams, was carried away 
By an Angel’s voice inside her head. 
On seas of song, she’d blissfully sway
Til into the night, day brightly bled.

Upon the stones, this poor Mam’selle,
In ribbons blue and bobbles borrow’d,
Breathed a song she knew very well,
Hiding hated tears and sorrow,
Fearful of the fate befell’d
Her childhood friend; for on the morrow
With the dawning of the sun,
Man and Wife would wildly run
Toward Sweden’s freedom, finally won.
Raoul de Chagny, her youthful lover
Swore to steal her away that night
From watchful, yellow eyes that hover,
Lurking in shady, shelter’d heights,
Or depths of the opera ne’er discover’d
Where darkness reigns in place of light.

Cursing cold black’s baneful tiding,
O’er her lost love bitterly wept,
Unaware in bowers hiding—
Death’s Mask—to the shadows kept;
In cavernous hell no more residing,
Closer to empyrean crept,
Bent to banish from his life,
Long lonely years; no more in strife
With Christine as his living wife.
The Shadow beckoned to his singer;
Calloused by her hidden tryst, 
He steeled his smile and wrapped cold fingers 
Round her little, lily wrist.
Above her hand his corpse lips linger’d,
Blessing it with a ghostly kiss.

And with calm countenance barely shor’d,
Vaingloriously gestured to her hand.
She braved a glance and to her horror,
Found on it a golden band:
A wedding ring, no less no more,
To bind her to the darkness, damned. 
“Erik, poor Erik,” she whisper’d low,
“Pray, do not take me there below,
‘Cross Averne’s lurid ebb and flow
To your bleak tomb’s dank recess
Where daylight bold holds little worth.
And thus embrac’d by death’s caress,
I’ll sleep upon my funeral berth.
I ask no silk, jewel or largess,
Nay—just to live above the earth!”

But Angel cruel refused to listen,
Sweeping down dark halls, unheard,
Halting not, ‘til torchlight’s glisten
Met them in the mirror blur’d.
And wounded by her grim admission, 
To his bride, cried, undeter’d:
“None, save this, I can deny!
Gentle wife, your eyes please dry;
Your husband loathes to see you cry.”
Beneath the opera they descended
Thru labyrinths iced in winter’s wake;
His boat o’er waters veer’d and bended
To his lair beyond the lake.
With fair Christine, the ghost intended
Day forever to forsake.

He asked, “Recall sweet Music’s fire?
Thru memories veil’d, sift and sieve. 
It lifted you to lofty spires
And in my song, you’d joy to live 
Beneath the spell of Apollo’s lyre; 
Music anew, I’ll gladly give.”
Her gaze was bright and glassy-eyed,
But trembling lips at once belied
Her saddened soul. In vain, he sigh’d,
“Those perilous paths, my warning heed:
A fool’s death waits, if there you roam.
Christine, take refuge here with me;
Happily make this place your home.
Now rest your head upon my knee
And listen to this fairytale tome.

“You’ve heard of ellevolk’s leafy keep,
Of gygers’ knolls, or wood nymphs’ tails
In forests bosky, play and sleep;
Or of drown’d draugs’ shrieks and wails,
And sailors call’d by sirens deep
To lose their way in violent gales.
But water Nacken, solitary,
Is wickedest of all the fairy.
O’er his fine form, maid’s eyes tarry
Til desire clouds right and wrong,
And with fair fiddle, wooden hollow,
Lures her from life’s clanging throng
To watery grave in beryl streams shallow. 
If e’er you hear the Näcken’s song—
Christine, please swear you will not follow.”

With bated breath, she flinch’d in fear
When spider fingers deftly brush’d
A wayward lock behind her ear.
Ashy cheeks red ruddy flush’d,
Leapt to her feet, lest he draw nearer,
And to her bedroom’s haven, rush’d
To bolt the door and turn the lock, 
Then hours listen’d for a knock
Til hands turn’d quarter round the clock.
Thus into dreams at last she stray’d
When all about was eerily still;
Specters cut in hues array’d
Wove their gossamer webs until
Sleep’s feeble fabric quick was fray’d
By a violin’s muted trill.

The music danced, the music addled; 
Bow strokes strong to pierce the gloom.
She rose from her bed and lit a candle,
Afraid she’d wake her ghoulish groom;
With fingers shaky, turn’d the handle,
Bent to find she knew not whom.
Mind bewitch’d by music’s guide,
She flung the front door open wide,
Wander’d to the waterside;
Down she trod, as one bemused
And knelt o’er mirrors, unaware;
Smiling faintly, nimbly loosed
The soft waves of her yellow hair; 
And in her image pale diffused,
Saw the water’s deep despair. 

Slipping to the boat unseen,
She steered the way she’d come before.
Beyond the lake, a pale white sheen
Glided ‘cross the distant shore;
The fine form of Raoul de Chagny
Her love, she’d thought to see no more.
Blue eyes wide in disbelief,
Faint heart ousting bitter grief,
She leapt to rocky ground’s relief
For northern Sweden ready to fly;
Cast away her dismal fate
To dream of morning’s blessed sky,
And dusky sunsets roseate.
She bade the lair one last goodbye
And frantically cried “My dearest, wait!”

Mid-stride he halted, taken aback,
Then calmly, languidly twist’d round
His mouth was wide and yawning black,
Yet from his lips there came no sound.
At once he vanish’d thru stone cracks
Into forbidden undergrounds.
With steadfast mettle she trail’d along,
Winding thru the labyrinth long,
All the while, listening for the song.
She walk’d in silent darkness slowly
Fearful that she’d never find him.
Fingers grazed o’er flint walls lowly,
Braced for doppelganger grim, 
When thru the murk rang music holy:
A violin’s doleful Requiem.

Sanctus did its summons sing,
Leading her to the depths of hell.
Shadows stretch’d like devil’s wings
Thru endless paths; she tripped and fell
O’er cellar rats and unknown things,
Til death hail’d with its silver smell.
Candle high like funereal mourner,
She cross’d herself and turn’d the corner,
Screaming at the sight before her:
Everywhere the walls ran ruddy,
Swath’d in red-fringed drapery;
Sick, she knelt on stone floor muddy—
There, sprawl’d cold upon the lee
Was the murder’d body, bloody,
Of her love, Raoul de Chagny.

His eyes and lips were frost’d hoary;
Round his neck, a rope’s death mark.
She back’d away; on slick ground gory, 
Slip’d and snuff’d the candle dark.
All around the Näcken’s story
Fiercely plea’d for her to hark;
Death’s cold fingers clutch’d her mind;
She stumbled through the passages blind,
Caring not which way they’d wind.
Thru icy tunnels, terror chill’d
The violin’s song grew wildly welter’d
—Fleeing, lest she too be kill’d.
Willy-nilly, helter-skelter,
Here and there; she furiously will’d
Lead feet to carry her to shelter.

“Erik, my Erik!” she cried in anguish,
Frantic in the throes of strife,
“Do not leave me here to languish—
Come and find your little wife!
You’ve won,” she sobbed, “my soul is vanquish’d
I swear I’ll live with you for life!”
Still, escape ever eluded her;
Jutted, jagged path stones hew’d her
As the Näcken’s song pursued her.
A dervish, round the tunnels whirl’d
Fire feet ached and raw throat burn’d
Until, at last, the path unfurl’d
To well-known ground, where rock met silvern
Thru the cavern, echoes purl’d
Above the noxious Lake Averne

Down to the lake front, she went dashing
Where the boat bobbed ‘long the edge
And heedless, ran thru waters, splashing
Midst the slippery silt and dredge
Til all at once, she came down, crashing
Thru a sunken, rocky ledge.
The shifting bed of Averne thunder’d
Perilous stones collapsed asunder
Neath her feet and pull’d her under.
She flail’d and fought against the rocks,
Yet they held fast, like pitiless tyrants
Pinning down her frilly frock
With crushing weight, so swift and violent,
She ne’er had time to cry in shock
Before her captor forced her silent.

Black and hellish, heavy laden
Waters clasp’d her cold limbs chilly,
Til her struggle slowly faded
And fingers flutter’d against chantilly
Clouds of cloth ‘round her cascaded,
Pale drifting like a waterlily
By peaceful waves; her frenzy slaked
And seal’d her fate, no more to wake—
Drown’d upon the glassy lake.

Along her death path, Shadow strode,
Pierced by eerie light within:
A pair of yellow eyes that glow’d
Behind a figure, shroud’d thin.
Humming remnants of an epode,
He drew from his cloak, a violin.

Bloodless face and yellow eyes stared,
Admitting neither rage nor hate,
As one who’s wholly unprepared
To see such forlorn, tragic fate; 
So slowly was his mind ensnared
By bitter care of one too late
To save his beloved, macabre bride. 
He dove down to her watery abide
And pull’d her to his corpsy side
Beyond the tumbling waves’ rote, 
From waters slithering serpentine.
In blood-red ink: his requiem’s notes
He scrawl’d on paper white pristine,
Then finally ‘cross the top he wrote
In messy letters, “For Christine.”

He placed it under her cold, dead hands
And slid his bony fingers, tangled,
Into her hair of seaweed strands
With ragged breath; his heart was mangled
When he glimpsed her wedding band,
And said in low voice strange and strangled:
“Christine, Christine, my careless reacher
I warned about the Näcken creature,
Yet you’d not listen to your teacher.
Dear, do you find this game grows dreary?
All that could be giv’n, we gave;
Now on me, rest your heavy head weary;
Know, with you, I’ll share my grave.”
With one last kiss to each eye bleary,
He let her slip beneath the waves.

Bent to do just as he swore,
The phantom return’d to sepulchral shore
And lies there, still, to rise no more.

Christine Daaé, Northern daughter,
Death-dim eyes and tresses long;
Believed the tales her father taught her:
Truth or fable, right or wrong.
Now she sleeps below the water,
Victim of the Näcken’s song.