Mostrando entradas con la etiqueta joseph son of jacob. Mostrar todas las entradas
Mostrando entradas con la etiqueta joseph son of jacob. Mostrar todas las entradas

lunes, 14 de agosto de 2017

BOSOM SERPENTS

In Irish Celtic lore (The Wooing of Étaín), a sorcerous queen in her autumn years, seeing how her husband prefers a decades younger maiden, turns her rival Étaín (pronounced AY-deen) into a pool of water. The snag is that Étaín can also cast magic, and turns herself into a caterpillar or a dragonfly larva (different versions), that subsequently pupates...
Decades later, a flying bug (a dragonfly or butterfly, depending on the version) flutters into the Great Hall and starts garnering a lot of the king's attention. And of course the queen goes: FOLLOW THAT BUG! And all the warriors getting their butterfly nets ready... Sounds familiar? (Yes, just like in the Three Oranges/Lemons tale.)
Well, she catches that flying bug indeed, in some versions of the tale. But not in the expected way. So, Étaín flies away as fast as her little wings can take her. Either the rival queen or a chieftain's wife, a descendant of hers (in case this is a centuries-old dragonfly or butterfly) gets Bug!Étaín in her cup and drinks her. Must have been either too thirsty or too distracted, or most likely both, to notice that she had swallowed a living bug until it was too late.
Wincing and coughing and retching to get the little winged pest out of her system is to no avail. And what's most relevant is that the next day she gets morning sickness...
...and of course, nine months later, she births a healthy baby girl, whom she decides to name Étaín...
...she alit on the rooftree of a house in Ulster where folk were drinking, and she fell into the golden beaker that was before the wife of Étar, the champion from Inber Cíchmaine, in the province of Conchobar, so that she swallowed her with the liquid that was in the beaker, and in this wise she was conceived in her womb and became afterwards her daughter. She was called Étaín daughter of Étar. Now it was a thousand and twelve years from the first begetting of Étaín by Ailill until her last begetting.

In a similar manner, in the same mythology, Cú Chulainn is conceived when Ulster princess Deichtine (Dectera), sister to King Conchobar, quenches her thirst, a mayfly or a little humanoid of light having landed in her cup before it was drained; nine months later, due to the doubts about the child's parentage, Setanta -the future Cú Chulainn, before killing Culainn's watchdog- is raised in various foster homes. 


But the time came for her(Deichtire) to be married, so a match was made with Sualtim, who was of noble blood and her equal in every way. But while her fifty maids prepared the bride-to-be, she took a cup of wine, and so caught up as she was in the preparations that she didn't notice the mayfly she had swallowed with the same draught!

She swiftly fell into a deep sleep, and her maids along with her, and while she slept she dreamed of a tall young man with uncannily long arms, who introduced himself as Lugh, one of the Sidhe. He had been in the form of a mayfly, he said, when she had swallowed him, and he told them they had to come away with him.

At the feast, Dechtire was thirsty af (same tho), so they gave her some wine, but a mayfly flew into the cup and she swallowed it.
Afterwards she went to take a nap in her sunny parlor, accompanied by her 50 maidens. In her sleep, the god Lugh of the Long Hand appeared to her and said “Yo whaddup, it’s me, the mayfly. From the cup? Funny story- You and your maidens must come with me.”

But, as Sualdham passed the cup to her, a small white mayfly fell into the drink. Deichtire was so thirsty she drank it all down. She felt the mayfly in her throat, coughed and gasped, but by then it was too late to do anything but swallow it. They gave her more wine immediately.
After a while, whether from the wine or from the chase or from some property of the mayfly, she grew sleepy and left the festivities to take a nap. Conchovor ordered Deichtire's fifty female attendants to go with her to be sure she was all right.
Left alone inside the fortress, Deichtire fell asleep and began immediately to dream that a strange man approached her. He had radiant eyes and skin so bright she could not look long upon him. This man told her that he was Lugh Long-Arm. He had come to her disguised as the mayfly so no one would know him. Lugh wanted Deichtire to come away with him because she had such a gentleness about her that she brightened any place she went. He held out his hands to her and she reached out and touched him.

The parallels between Étain's conception and that of Cú Chulainn cannot be clearer, since they imply the same circumstances. In both cases, a thirsty royal maiden swallows a bug with her drink and subsequently finds herself expecting a supernatural demi-divine child.

----------------------

But this is not the only mythology in which such strange things happen. The oldest fairytale in the world, the tale of Anubis and Bata, written in hieratic (stylized hieroglyphic) script, found in the d'Orbiney papyrus from Pharaonic Egypt, ends on a similar note. But what led up to this was equally bizarre:
So, there are two brothers on a farm. Older brother Anubis, married and childless, the heir to the estate; and little brother Bata, a young bachelor and farm worker. One day during sowing season, Anubis's cougar (lioness?) wife makes advances on Bata (who had come to the barn where she was resting, to fetch more grain) and then pulls a Wounded Gazelle Gambit to make it appear like he (Bata) was the one making advances on her. Of course Anubis believes his wife's little yarn and, after some honest fighting, the brothers split up, a disowned Bata leaving home.
(So far, just like the biblical Joseph son of Jacob/Yosef ben Yakov, or Hippolytus in classical myths. Tale as old as time in its oldest version recorded.)
So Bata goes to live in a secluded valley in Phoenicia (Lebanon) and decides to take his heart out of his chest and hide it in a cedar treetop as a cedar cone (basically, making the very first Horcrux ever in written records). As long as that tree is not felled and the heart is kept alive by the sap, heartless --though not emotionless!-- Bata will be alive. Should he die, as he explains to Anubis during their leave-taking, the older brother's mug of beer will completely foam over, leaving no liquid within.
Right, so Bata lives a more or less lonely hunter-fisher-gatherer existence in the Valley of Cedars in Phoenicia until the gods decide to make him a wife, out of the blue. So this turns into an idyllic young couple living in peace with nature and with themselves, like Adam and Eve in the Garden of Eden... (more biblical parallels!) until a serpent enters this paradise. The Wadjet cobra serpent on a royal crown, that is...
You see, a sharp branch accidentally cut a lock of the maiden's soft and scented raven hair, and the winds carried said lock across the sea and up the Nile to the reigning pharaoh's royal gardens. The still single ruler was smitten and hell-bent on making the owner of that soft and finely-scented lock of hair his queen, so he dispatched messengers, even whole regiments of warriors of both foot and chariot, to seek out the maiden... and they found her in the Valley of Cedars. Of course the Pharaoh was even more smitten after hearing the full description of such a beauty... and thus a whole royal expedition sets off lock, stock, and barrel for Phoenicia... not only bringing armed men with spears, and bows, and chariots... but also jewellery to bribe the maiden. She was so dazzled by the brightness of the gold and gems that she agreed to lead a courtly life and even told the Egyptians that her husband could only die if the cedar with his heart for a cone was felled. And thus, faster than you can say "TIMBER!!" both the young man and the heart-tree staggered and fell lifeless to the ground.
(Again, more biblical parallels, this time to Samson and Delilah!)
Back in Egypt on the farm, a widowed Anubis (whose wife had just committed suicide, unable to bear the remorse of her wicked deeds --just like Lady Macbeth!) found that all the beer he was served just foamed out of his cup. Time to rescue his li'l brother... So off he set with provisions, and even weapons for self-defense...
He entered the tower of his younger brother, and he found him lying upon his mat; he was dead. And he wept when he saw his younger brother truly was lying dead. And he went out to seek the soul of his younger brother under the acacia tree, under which his younger brother lay in the evening.
He spent three years in seeking for it, but found it not. And when he began looking in the fourth year, he desired in his heart to return into Egypt; he said in his heart, "I will go tomorrow morning". Now when the land lightened, and the next day appeared, he was spending his time in seeking the flower. And he returned in the evening, and laboured at seeking it again. Then he at last found a seed. He returned with it. Look, this was the soul of his younger brother. He brought a cup of cold water, and he threw the seed into it: and he sat down, as he usually did. Now when the night came his soul of his brother sucked up the water; Bata then shuddered in all his limbs, and he looked on his elder brother; his soul was in the cup. Then Anubis took the cup of cold water, in which the soul of his younger brother was; Bata drank it, his soul stood again in its proper place, and he became as he had been. They embraced each other, and they spoke together.
It doesn't just stop here, with a heart being lodged back into its owner's chest by getting poured down his throat with a cool drink.
There is also a similar ingesting-pregnancy motif in the second half of the story:
The resurrected Bata comes to and realises that his wife betrayed him. So he tells Anubis: "We head back into Egypt and I'll turn into such a lovely and healthy young bull that the royals will keep me as a pet." Said and done. (Wait... in classical myth, the royals of Crete did the same before it went disastrously wrong!)
But the Queen is in for a shock when her bull suddenly stops mooing and begins to speak, at least to her (everyone else at court must have been hearing this as mooing!), accusing her of her betrayal. So of course the arms race between Bata and the Queen is on. So she gets depressed, like really listless, and tells her husband that the only thing that may raise her spirits would be eating the liver of her pet bull. Of course the Pharaoh waits upon her hand and foot, and commands that the young ruminant should be sacrificed to the bull-god Apis, but the liver be cooked and served to his queen at the next supper feast.
Said and done as well.
Now you may expect that eating the liver leaves the Queen knocked up with human Bata. It does NOT.
However, as Bull!Bata was sacrificed and his throat was slit, two streams of his blood ran down to the left and right entrance pillars of the Apis temple, flanking the gate. Where two saplings instantly shot up...
About a lustrum later, nay, a decade, two decades, the teak trees, all grown up, entwined over the gate to the temple of Apis. It was then the Queen, now middle-aged and still childless, heard rustling in their branches about her betraying her true love and having a heart tree cut down.
Once more, she looked as depressed as before eating her pet bull, but this time she told her spouse that the cure for her melancholy would be having some nice teakwood chairs at the palace... made from the teak trees at the gates of Apis. Her will be done, as usual.
However, when the Queen is inspecting the cutting down of the teak trees from up close to verify that it's done right and that annoying soul won't resurrect...
...the royal wife, was standing looking on, and they did all that was in her heart unto the trees. But a chip flew up, and it entered into the mouth of the Queen; she swallowed it, and after many days she bore a son. And one went to tell His Majesty, "There is born to you a son." And they brought him, and gave to him a nursemaid and servants; and there were rejoicings in the whole land. And the King (the Pharaoh) sat making a merry day, as they were about the naming of him, and his majesty loved him exceedingly at that moment, and the king raised him to be the royal son of Kush (Crown Prince of the Upper Nile).
Now after the days had multiplied after these things, His Majesty made him heir of all the land.
So he is reborn into royalty and acknowledged as crown prince.

-----------------

The villainess in this Pharaonic tale has ironically rebirthed her own rival. So does, quite relevantly, the sorceress Ceridwen in Welsh myths (we're back in Celtic lore!) to Taliesin, at first her little orphan assistant Gwion. Ceridwen had a potion meant for giving immense powers to her own son Afaggdu, but Gwion accidentally downed the first drops, as he sucked his hands to cool his burned fingertips upon which the potion had splashed... and the chase was on. The shape-shifting interspecies arms race of a chase. The boy turned himself into a bunny to hop away faster than his mistress could run... and... voilà, she was a female greyhound hot on his heels. Taking advantage of the surging river nearby, Rabbit!Gwion plunged in as he turned into a salmon... too bad Greyhound!Ceridwen had become an otter darting off like a torpedo in pursuit of the salmon whose fish-tail had already begun to feel weary. So off he hopped back on land, turning himself into a grain... as Otter!Ceridwen leapt on terra firma, turned into a black hen, and did the very first thing you think a hen does upon spotting grain on the ground:
Then she transformed herself into a high-crested black hen, and went to the wheat and scratched it with her feet, and found him out and swallowed him. And, as the story says, she bore him nine months, and when she was delivered of him, she could not find it in her heart to kill him, by reason of his beauty. 
But of course Ceridwen was far brighter than the Egyptian queen above. So, after resuming humanoid shape, having downed the grain, and then awakened the next day with morning sickness, and the customary nine months (in late October, around Samhain; or in mid-April, around Beltane --again, sources vary), she tucked her newborn into a leather sack and shoved it downstream --down the same stream where the otter-vs.-salmon leg of their race had been swum--, in true Moses style. Fortunately, the new-reborn Gwion was fished up and happily adopted; significantly, on Samhain/Beltane (depending on the version) itself! He would become a great bard and enchanter, even Merlin's own master.
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In the Kalevala, "Marjatta, the fairest maiden..." a young girl afraid to death of commitment, does some berry divination about her fortunes when a lingonberry ("marja," notice the similarity to her name) suddenly seems to have developed a life of its own, popping into her mouth and down her throat:

Marjatta, korea kuopus, meni matkoa vähäisen, 
meni marjan katsantahan, punapuolan poimintahan
hyppysillähän hyvillä, kätösillä kaunihilla.
Keksi marjasen mäeltä, punapuolan kankahalta: 
on marja näkemiänsä, puola ilmoin luomiansa, 
ylähähkö maasta syöä, alahahko puuhun nousta!
Tempoi kartun kankahalta, jolla marjan maahan sorti. 
Niinpä marja maasta nousi kaunoisille kautoloille,
kaunoisilta kautoloilta puhtahille polviloille, 
duhtahilta polviloilta heleville helmasille.
Nousi siitä vyörivoille, vyörivoilta rinnoillensa, 
rinnoiltansa leuoillensa, leuoiltansa huulillensa; 
siitä suuhun suikahutti, keikahutti kielellensä, 
kieleltä keruksisihin, siitä vatsahan valahti.
Marjatta, korea kuopus, tuosta tyytyi, tuosta täytyi, 
tuosta paksuksi panihe, lihavaksi liittelihe.
Alkoi pauloitta asua, ilman vyöttä völlehtiä, 
käyä saunassa saloa, pime'issä pistelläitä.

Marjatta, korea kuopus, tuop' on tuohon vastoavi: 
"En ole miehen naimattoman enkä nainehen urohon. 
Menin marjahan mäelle, punapuolan poimentahan, 
otin marjan mielelläni, toisen kerran kielelläni. 
Se kävi kerustimille, siitä vatsahan valahti: 
tuosta tyy'yin, tuosta täy'yin, tuosta sain kohulliseksi."

Marjatta the petted damsel, 
Went a very little distance, 
Went to look upon the berry, 
And the cranberry to gather, 
With her skilful hands to pluck it, 
With her beauteous hands to pluck it.

On the hill she found the berry, 
On the heath she found the cranberry; 

'Twas a berry in appearance, 
And it seemed to be a cranberry, 
But from ground too high for eating, 
On a tree too weak for climbing. 

From the heath a stick she lifted, 
That she might pull down the berry; 
Then from ground the berry mounted 
Upward to her shoes so pretty, 

From her pretty shoes arose it, 
Upward to her knees of whiteness, 
Rising from her knees of whiteness 
Upward to her skirts that rustled. 

To her buckled belt arose it, 
To her breast from buckled girdle, 
From her breast to chin arose it, 
To her lips from chin arose it, 
Then into her mouth it glided, 
And along her tongue it hastened,

From her tongue to throat it glided, 
And it dropped into her stomach. 

Marjatta the petted damsel, 
After this had chanced grew pregnant, 
And it soon increased upon her, 
And her burden soon was heavy. 

Then she cast aside her girdle, 
Loosely dressed, without a girdle, 
Secretly she sought the bathroom, 
And she hid her in the darkness. 

Marjatta the petted damsel, 
Then replied to her in this wise: 
" Neither with a man unmarried, 
Nor with any married hero, 

But I sought the hill of berries, 
And I went to pluck the cranberries, 
And I took what seemed a berry, 
And upon my tongue I laid it, 
Quickly in my throat it glided, 
And it dropped into my stomach. 
Thus it is that I am pregnant, 
Thus it comes that I am pregnant." 

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It's even more enticing to find this motif in the New World First Nations lore as well. In a Pacific Northwestern tale (found all the way from Northern California to Alaska), the Raven takes on the role of Prometheus, stealing the light by means of freeing the sun and the moon. To do so, he needs to get closer to those who hoard the luminaries for themselves. And he does so by turning into a conifer needle that drifts downstream as a thirsty maiden of that clan approaches the stream with her drinking cup in hand:

Se changeant alors en aiguille de pin, il se laissa tomber dans le flot et descendit le courant juste à point pour être pris dans le seau qu'elle remplissait. Même sous cette dimension réduite, Corbeau était encore capable d'exercer ses pouvoirs magiques, assez tout au moins pour donner si soif à la jeune personne qu'elle but une grande gorgée d'eau et avala l'aiguille.
Quand il eut dégringolé bien au fond de son petit ventre chaud, Corbeau se nicha dans un coin confortable, se transforma une fois de plus, cette fois en un minuscule être humain, et partit pour un long sommeil. Tout en dormant, il se mit à grandir.

(le Corbeau) prend la forme d’une aiguille de pin, se retrouve dans le seau d’eau et, rapidement, dans le ventre de la jeune fille. Quelque temps après, elle met au monde un enfant étrange qui parvient avec ruse à faire ouvrir le coffre...

Se changeant alors en aiguille de pin, il se laissa tomber dans le flot et descendit le courant juste à point pour être pris dans le seau qu'elle remplissait. Même sous cette dimension réduite, Corbeau était encore capable d'exercer ses pouvoirs magiques, assez tout au moins pour donner si soif à la jeune personne qu'elle but une grande gorgée d'eau et avala l'aiguille. 
Quand il eut dégringolé bien au fond de son petit ventre chaud, Corbeau se nicha dans un coin confortable, se transforma une fois de plus, cette fois en un minuscule être humain, et partit pour un long sommeil. Tout en dormant, il se mit à grandir. 

Un jour il reconnaît les pas plus légers de la jeune fille, la suit ! Comme Corbeau est un très grand magicien, il se transforme en aiguille de pin et se laisse glisser à la surface de l'eau juste au moment ou la jeune fille plonge le seau dans la rivière... Et Corbeau qui a toujours ses pouvoirs fait en sorte que la jeune fille eut très très soif, elle boit une gorgée du seau et avale l'aiguille de pin qui s'enfonce le plus loin possible et le plus au chaud dans son corps...
Au fil des mois la jeune femme se transforme, son ventre s'arrondit...



Even in his much diminished form, the Raven was able to make at least a very small magic -- enough to make the girl so thirsty she took a deep drink from the basket, and in so doing, swallowed the needle.
The Raven slithered down deep into her warm insides and found a soft, comfortable spot, where he transformed himself once more, this time into a very small human being, and went to sleep for a long while. And as he slept he grew.
The young girl didn't have any idea what was happening to her, and of course she didn't tell her father, who noticed nothing unusual because it was so dark -- until suddenly he became very aware indeed of a new presence in the house, as the Raven at last emerged triumphantly in the shape of a human boy-child.

The Raven, a supernatural being, decided to transform himself into a
pine needle. The chief’s daughter would come out to draw water at the
waterhole. Soon she did, as she was thirsty. She was just about to drink,
when she saw the pine needle in the water. Though she wanted to blow it
away, it kept drifting to her mouth. In her impatience she finally swallowed
it. Soon she became pregnant, and eventually gave birth to a boy.

needle... [which got] caught in the basket the girl was dipping in the river...she took a deep drink from the basket, and in doing so, swallowed the needle... [Raven] went to sleep for a long while... [emerging] triumphiantly in the shape of a human boy child...

As she drank from the basket, she swallowed the needle. It slipped and slithered down into her warm belly, where the Raven transformed himself again, this time into a tiny human. After sleeping and growing there for a very long time, at last the Raven emerged into the world once more, this time as a human infant.

When she took a deep drink from the basket and swallowed the needle, the Raven slithered down into her belly. There, he transformed himself once more, this time into a very small human being, and went to sleep for a long while. And as he slept he grew. Months later, the Raven emerged triumphantly inside the house in the shape of a human boy-child, albeit a strange-looking one. 

He transformed himself into a conifer needle and slipped into a bucket of water. When the daughter drank the water and swallowed the needle, Raven changed himself into a tiny person inside her. He grew and grew until she gave birth. Raven-child looked strange indeed...

At length he (Raven) hit on a plan. He noticed that the daughter
went to the well every day for a supply of water. While there she often had a drink. So he
turned himself into the needle-like leaf of the spruce tree and floated on her drinking water
and was swallowed by her. In due season she gave birth to a son who was none other than
Ne-kilst-lass or Cauch (Ravenchild), who by this means was born into the family.

The Raven flew around the girl’s compartment but did not
see her. He stood outside and waited. Soon he saw her coming out of the
house. He turned himself into a pine-needle, fell into the water she was drinking,
and was swallowed. The young woman became pregnant, and gave
birth to a boy.

So Raven feeds himself as a needle of fir or pine through the River 
and is consumed by the thirsty Daughter that he might gain access 
into the house he could not get into. Therewithin the daughter
births Raven, and their small family, being in darkness, does not 
see that it is Raven. 
Somehow the Daughter is impregnated ...this process allowed the
Daughter through her journeys to the River...this being BY Raven THROUGH
the River. This "impregnation" may be comprehended as the knowledge
OF THE LIGHT as understood through her thirst for it, as magnified by
the River: metaphorically... Raven becoming the seed and eventually
the son (the sun).

Raven transformed himself into a Spruce Needle and floated into her basket as she dipped it into the water. Being very thirsty she drank some of this water and carelessly swallowed the 'Needle'. It is through this, a magical conception, that she became pregnant and gave birth to Raven inside the Longhouse.

He transforms himself into a single (conifer) needle, floats down river into the daughter's dipping basket, gives her thirst so that she drinks him down, and enters the house inside of her. Having symbolically impregnated her, Raven emerges as a human child who begins to grow up, as all spoiled children do...

The baby-Raven, known as Ravenchild, cajoles his elders to let him play with the luminaries as toys, throwing hissy fits until he gets those bright balls in hand, and then throwing them away with a strength unlikely of any infant... thus placing the sun and the moon in the sky for everyone to see.

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Now let's move on to more recent times, in fact, to last decade. As a tween or pre-teen, I read in an online Swedish newspaper (Aftonbladet, 29th of June 2004) of an Iranian mother of two who had birthed a frog --a frog with nailed fingers and a human tongue-- for a third child. She said she must have ingested the tadpole when swimming in a murky pool:

Tvåbarnsmor påstår sig ha fött en - groda

En iransk kvinna påstår sig ha fött en groda. Hon säger att hon fått i sig grodlarver när hon simmat i en smutsig pool och de sedan måste ha utvecklats inne i hennes kropp.
Doktor Aminifard, som sett grodan, säger till tidningen Etemaad:
- Den har vissa mänskliga drag, fingrarnas form och tungans storlek och form.
Grodan ska undersökas av genetikexperter.
Kvinnan har tidigare fött två vanliga barn.
The woman’s gynaecologist confirmed that the lady in question, whose period had stopped for six months, had undergone sonography in May which showed she had a cyst in her abdomen and that following severe bleeding, she gave birth to a live grey frog accompanied with mud.
Numerous news outlets subsequently carried the story, but in the manner of reporting that an Iranian paper had run the item, not as a confirmation of the facts of the account.

But the yarn --in which the heroine accidentally drinks frog spawn, octopus eggs, or even human sperm which a previous male swimmer had ejaculated!-- was already known in post-30YW Saxony, with a peasant woman, Katharina Geisslein, who had a full frog-pond ecosystem: bugs, frogs, and even snakes inside her gut. Only that she vomited the insects and herptiles instead of birthing them. Moreover, she drank frequently from her village pond.
The rumour spread, and soon both a Leipzig University lecturer and the Court Physician of Denmark were researching on Katharina, to see if it was possible through the scientific method. But all they could yield, using themselves and Frau Geisslein as test subjects, were dead, partially digested herptiles after consuming an emetic; and it turned out to be a hoax, with Katharina having swallowed her animals very shortly in advance before she chucked them up.

---

In the medieval parable Patience, Jonah dwells for those three days in a hyrne (nook or corner) of what is called the "wombe" of the whale or sea monster (whose gender is never specified), but is actually most likely its duodenum (having entered through the mouth and down the throat, and then wound through the belly into a sharp bend). This is even more confirmed when this place is referred to as both "wombe" and "gutte" later on in Patience. The womb and the gut conflate, like in all of these mystical pregnancy tales, in other words...
...and so may do the chest through which the gullet runs as well, the thoracic esophagus being conveniently right behind the heart as it plummets from right to left. Why is it called heartburn, and why the stabbing pain right in the chest, at heart height, upon downing a cold drink in haste? Or that cozy warmth from within after drinking liquor in haste? It's as if it went right into the heart --instead of the gut--, or at least somewhere else inside the chest. Isn't there where we feel that life throbs, as heartbeats and breathing? My witness be (aside from Bata in that Pharaonic papyrus) Calderón de la Barca as he explains, in La vida es sueño, the way a drugged prince loses consciousness:

Viéndole ya enfurecido
           con esto, que ha sido el tema
           de su dolor, le brindé     
           con la pócima, y apenas
           pasó desde el vaso al pecho
           el licor, cuando las fuerzas
           rindió al sueño, discurriendo
           por los miembros y las venas 
           un sudor frío, de modo
           que, a no saber yo que era
           muerte fingida, dudara
           de su vida.  En esto llegan
           las gentes de quien tú fías   
           el valor de esta experiencia,


Después en las plantas superiores, una progresión se afirma: la región abdominal más cercana al suelo, cargada de transferencias de la materia viva, con las funciones de conservación y crecimiento por la nutrición y la sexualidad. A partir del diafragma, esta vida primaria, puesta al servicio del pensamiento individual, en el misterio de las funciones de los pulmones y del corazón.

---

Which brings us further "up north" in the human system, towards the nightmare-inducing description of the Eighth Plague in Théophile Gautier's Roman de la momie, with locusts getting stuck in people's tracheae, entering through their mouths and their nostrils as they breathe in:
[···] elles se succédaient par tourbillons, comme la paille que disperse l’orage ; l’air en était obscurci, épaissi ; elles comblaient les fossés, les ravines, les cours d’eau, éteignaient sous leurs masses les feux allumés pour les détruire ; elles se heurtaient aux obstacles et s’y amoncelaient, puis les débordaient. Ouvrait-on la bouche, on en respirait une; elles se logeaient dans les plis des vêtements, dans les cheveux, dans les narines; leurs épaisses colonnes faisaient rebrousser les chars, renversaient le passant isolé et le recouvraient bientôt...
They followed each other in swarms like the straw blown about by the storm; the air was darkened; they filled up the ditches, the ravines, the streams; they put out by their mere mass the fires lighted to destroy them; they struck against obstacles and then heaped up and overcame them. If a man opened his mouth, he breathed one in; they found their way into the folds of the clothing, into the hair, into the nostrils; their dense columns made chariots turn back; they overthrew the solitary passer-by and soon covered him.

---

Moving away from the realm of mystical pregnancies and the effect of drugs, there are also the stories of joint-eaters, parasitic magical creatures that are unwittingly ingested by unaware hosts... and have them consume far more than the host can handle, giving rather rapid metabolism but also constant fatigue. From the Japanese gaki to the Celtic alp-luachra, the joint-eaters can be seen as an irrational explanation of what real-life endoparasites, unseen in the olden days, do to their hosts. Sometimes the naughty little things even spawn inside their hosts!
The most effective method, time and again, for all kinds of joint-eaters is making the host thirsty, thus making the joint-eaters thirsty as well, but having the host refrain from drinking until the little newt-like or frog-like beasts are forced out through this war of attrition --through the mouth, just as the first one entered.

---

All of these tales might be considered variations of the “bosom serpent” legend, described by Harold Schecter as a tale in which “through some unfortunate circumstance or act of carelessness . . . a snake. . . is accidentally ingested by, or grows inside the body of, the unlucky individual, where it remains until it is expelled or in some way lured out of the victim’s body.” This motif remains popular in films such as Alien, which features a crew member “impregnated” by an alien creature; once the incubation period is complete, the alien lifeform is “born” by bursting out through his chest. As Schechter notes, “like the traditional, oral versions that have been popular for hundreds of years, [the] only purpose [of the birth scene in Alien] is to produce emotional response: shock, revulsion, morbid fascination.”

After all, our own inner workings were thought to be sacred for ages, leaving yet another frontier (aside from the skies and the oceans) on which the establishment could write HERE BE DRAGONS.
What's it like in there? Warm, soft, throbbing... and dark, and generally unknown. Prime territory for fantasies of both humans entering oversized monsters and undersized monsters entering humans.
It was normal for people to have fantasies about evil spirits within them, invasion of their innermost privacy, as normal as it is now... in spite of our whole system being charted down to the last synapses. There is a certain anxiety, especially if the bosom serpent is drunk or breathed in by its host --after all, we are conscious of how important it is not to thirst or suffocate to death--, that the invasion cannot be avoided: it's ineluctable. It may strike us when we least expect it, when our guard is down...



martes, 9 de febrero de 2016

MISS DERMARK'S COMMENTARY ON GENESIS 38

This is my own personal commentary on Chapter 38 of the Book of Genesis... my simple opinion. Retold in my own Lemony style...


0) AND NOW FOR SOMETHING COMPLETELY DIFFERENT...
Chapter 37 of Genesis ends with some slavers selling Joseph (the slavers had bought the boy from his stepbrothers) to the commander of the reigning pharaoh's royal guard. Chapter 38 opens not with the continuation of this lad's adventures, but with Judah, the stepbrothers' leader, leaving home and going to live with a certain friend of his, a pagan/believer in the old gods, called Hirah. It's like if John Fricking Cleese popped up at the commander's mansion and went: "And now for something completely different: Judah leaving home to eke out a living of his own!" followed by a cut back to the clan camp and Judah waving his birth family goodbye. The subplot is surreptitiously and unexpectedly inserted in the middle of the Joseph story for no inherent reason, like any good Big-Lipped Alligator Moment. However, unlike most BLAMs, this one makes up for its nature by simply being a great standalone story of its own.

1) WHEN JUDAH MET SHUA
The chapter begins with Judah leaving home to found a new clan of his own and seek his fortune. Flying the coop, one could say. And the first thing he does upon leaving home, obviously, is finding a friend, one Hirah or Hiram, whom I imagine as older than Judah and a more experienced mentor. And a Canaanite/pagan/believer in the old gods as well. So Judah goes to live with said new-found friend, and, during their travels, Judah sees a certain daughter of Canaanites, whose name is Shua (alternately spelled Shuah, with a final H). Maybe Hirah introduced the young people to one another. The narrator does not explain if he was lovestruck or he found out that her family was wealthy, but the story gives away that he plans to marry her. And, obviously, he marries Shua (not without asking her parents for her hand or arranging the wedding first, I imagine, for that would be the most obvious course of action). So, Judah has flown the coop, made at least a friend, and married. And what comes next, obviously, is sexual intercourse.

2) THEIR THREE SONS
Judah and Shua make love off-stage, in a pretty fairytale-ish manner that disregards the ins and outs of coitus: "he lay with her, and she was pregnant and gave birth to a son," thrice in a row (If you have the intent to read some Biblical erotica, I warmly recommend the Song of Songs). So Judah and Shua have three boys in a row and call them... Dimitri, Ivan, and Alyosha? (Facepalms) Oops, wrong story. Another try... Robert, Stannis, and Renly? (Facepalms and groans) Uh-uh. Let's see: Er, Onan, and Shelah (or Shaila, which sounds as cutesy and stripling-esque as Alyosha or Renly). The three-brother pattern is often found in fairytales, with the youngest one (Cinderelliot/Cinderlad, Ditzy Ivan, Jack the Fool) being the lucky one, and the two unpleasant older ones being punished. Now the parents didn't choose the names in vain: Er is Re backwards, and Re is something like bad/evil/wicked. So Er is like Dab or Dekciw in English, which, by warding off evil through reversing the order of letters, would sound positive: this lad would be anything but bad/wicked... IRONY, as we shall see. Onan means Strong, yet another highly optimistic name that time will prove ironic. And Shelah... it means like Wish, or Petition. A third optimistic name chosen without thinking of the consequences. It's also worth noting that not only is he the youngest son/brother, but also the only one whose place of birth is mentioned: Shua gave birth to him on some spot called Kezib (or Chezib). These clans are nomads and move from place to place (but we will soon discover that the key player in the story hails from a farming village society, with different mores). Neither Er's nor Onan's birthplace are mentioned, but Shelah's is, which at first also appears relevant (yet, as you read on, it will prove another red herring).

3) ER WHO ERRED
Some time later (Genesis does not give the length of the time skip) Judah finds a wife for his firstborn and heir, and said wife's name is Tamar (Not much about her is said, but, later on, she will be revealed to hail from a nearby farming village and to be an orphan, bereft of both her parents). This is a marriage of convenience, arranged by the parents against the will of the bride and groom, and thus we find (like many other times across history) both young newlyweds trapped in a loveless marriage, literally till death do them part. Thank the gods that the rights of women and children in the present, and the freedom and comfort these outgroups are offered, are far more widespread in our days than in the past. Fortunately, Tamar is saved by a rather literal case of deus ex machina: Er is wicked (there comes the irony I had spoken of), and thus, the LORD puts him to death. What kind of wickedness led Er to merit such karma and how the LORD smote him are never explained (Genesis, always that ambiguous!), I picture him as a lout who drank hard and beat his wife. Yes, there are still that kind of bastards, most of them (but NOT ALL of them) white trash, in our days. And, to keep on with that conjecture, he was killed in a brawl outside the local tavern. (Er became such a lout to develop a bad boy persona as protest against parents who, in his eyes, were living his life.) So, good news for Tammy. The children she never had would never suffer...
No, Tamar can't be free, for she is widowed and childless. And thus, Tradition steps into the stage to fill the vacant slot of antagonist...

4) ONAN THE BARBARIAN
After Er has croaked, Tradition (ever so obstructive!) forces Tamar to marry Onan, the next brother in line. The unwritten law of Canaan stated that a childless widow had to marry the next-in-line younger brother of her late husband, and this was seen as a ghost marriage, in which the bridegroom stood for his late older brother-in-law. The children Tamar would have from this second marriage would be regarded as Onan's nephews, as children of the late Er. No wonder that Onan is so frigging pissed: his claim as heir to the dynasty is, thus, at stake. Like Scar. Like Stannis Baratheon, in fact, less like Scar and more like Stannis. At least both Onan and Stannis had a point. Fortunately, Onan knows what to do... Whenever he sleeps with Tamar, he spills his seed on the ground. Now this seed of Onan's is the milk-like liquid more familiarly known as semen ("seed" in Latin) or sperm ("seed" in Greek).
Which leads to the next item in our agenda: debunking the sin of Onan. This sin was NOT masturbation, NOT sex for pleasure, NOT any deviance from the ideal of straight sex within marriage. The sin of Onan was COITUS INTERRUPTUS. He made love within marriage, but he pulled his sword out of the scabbard as soon as he felt it harden. Nevertheless, the LORD isn't that sweet on coitus interruptus either, so he smites Onan with death as well (I think of a stroke or a heart condition during the sexual act, which would up the ante of irony on so many fronts...). Yes, Onan was a barbarian. A barbarian with a point to support, but nevertheless a barbarian in the eyes of the LORD. And Tammy is once more widowed and still childless. Next in line is the youngest brother Shelah, but he's still a little boy, while our heroine, or rather our shero, is still an adolescent. Doesn't that remind us of a certain Westerosi character?

5) TAMMY AND THE MARGAERY TYRELL CURSE
Indeed, Tamar appears to share something with Margaery. Married a young man, who suddenly died leaving her childless. Married a stripling, who suddenly died leaving her childless. Now betrothed to a child, whom she will marry when he comes of age, and regarded by society as a cursed black widow. TaMargaery, for that could have been our shero's name as well, is now established as an outcast, unlike her charming and heart-ensnaring Westerosi counterpart (Yet there is a happy ending to this story... wait and see!). So her father-in-law tells her to return to her parents' home (it's mentioned, but her parents are never mentioned themselves) and wait until Shelah has come of age. And thus, Tamar returns to her birthplace and waits and waits and waits for years... not entirely, I mean, it's tiresome waiting in idleness for so long, so I picture her doing odd jobs, running errands, doing the washing, anything that might affect her life and the other villagers' and distract her from waiting. Tammy, Tammy, Tammy... In the end, the bridegroom has come of age (a boy became a stripling, nay, a young man at 12 in those days: life was so fooking short). Tamar's been surely waiting for three or four years. But Judah won't give the only child he has left to marry this lady who appears to be cursed and give the kiss of death to her every husband (Mind: Tamar IS NOT Sarah, the demon mistress who will appear oodles of books later!!). To spare Shelah an untimely fate, Judah uses... PARENTAL MARRIAGE VETO!! It's super effective! One of the few rare cases in which it's the male character's father who opposes the marriage. Unlike Cersei, Shua does nothing. And what happens next cements, for once and for all, the fact that she is expendable.

6) EXIT SHUA, STAGE LEFT
"Shua died". Yes, about the same time as Shelah came of age, his mum croaked, becoming part of the many deceased mothers in folklore and literary tradition. So many mums that pass away to make their husbands turn into drunken louts or into brooding career jocks, and/or to make their children helpless waifs in a hostile world. The Plot Reaper took away the mums of Cinderella, Snow White, Hansel and Gretel, the Little Mermaid, the Little Matchgirl, Oliver Twist, Eveline, Merope Gaunt, Mayella Ewell, Colin Craven, the Lannister twins and imp, the von Trapp children, Cosette, etcetera. Rare is the case of the fairytale family in which mothers and children (especially daughters) are both alive, by one another's side. And now the Plot Reaper steps in to whisk Shua away... Fortunately, Judah doesn't take to drink or corporal punishment: his response to widowerhood is the one observed in Captain von Trapp, Sir Archibald Craven, and Tywin Lannister, id est, that of becoming a brooding career jock without any emotions. So, Shua is as expendable as all the other examples given above and exists solely to marry, bring children to the light and raise them, then die only for the purpose of breaking her husband's heart. That's Shua in a nutshell. A stark contrast to Tamar, who can fend herself on her own and defy Tradition and Society, minding her own business, standing her own ground on her own two feet, aggressive, dynamic, self-centered, self-reliant, willful. Shua is the Perfect Wife, while Tamar is the Deviant who may be a dangerous Femme Fatale or an Iron Lady ahead of her times (I vote for the second option).

7) JUDAH'S BAD ROMANCE
To take Judah's mind off the loss of Shua, in steps his bestie Hirah, who invites the brooding widower over to the sheep-shearing festival in Tamar's home village. Yes, sheep were so important in those days' Canaan that their shearing (cutting off the wool) was a reason for revels, though the springtime equinox may be another cause of the celebration (sheep are shorn in spring). Indeed, it's springtime and everything is sunny and in bloom, and Judah surely needs some guilty pleasure and some social life. He agrees, at first a tad reluctantly. Now if you look at every single example of Manic Pixie Dreamgirl's brooding love interest in the media (except Mary Poppins), you'll find that the brooding, uptight fellow's backstory usually features a Lost Lenore, i.e., a deceased wife or girlfriend, always the catalyst for the male character's introversion and formality, otherwise the trope would not have effect (Mary Poppins being the exception, 'cause she's a servant and below the master on the ladder, hence the master's wife alive and kicking and a successful suffragette). Since Judah is a regional VIP, the rumour that he will attend the festival spreads like wildfire, and soon it reaches Tamar's ears. By now, she has assumed that Judah has abso-freaking-lutely no intention to make her a daughter-in-law for the third time. But Tammy won't despair. Like a certain 90s superduck, she thinks: "Let's get dangerous!" So she dresses up as a sacred prostitute, a sex priestess (there WERE sex priestesses in those communities in those days) and pops up by the wayside at the village entrance, the typical haunt of the average sex priestess. Basically, Tam dons some pretty sexier clothing and veils her hair and face like a hiyabi. The Clark Kent effect ensures she's unrecognizable, and so does the evening twilight. A trap has been set for Judah, and he falls into it hook, line, and sinker. Like... he doesn't recognize her and goes "Hello-o-o priestess!" (said with the "Hello-o-o nurse!" voice of Animaniacs). Love at first sight for sure, and Shua is soon forgotten as Judah and the priestess, at twilight, have a roll in the grass by the wayside. At dawn, when they part and it's half dark, they agree on the payment of the "priestess's" services: one young goat, one young goat, one goat my father for two coppers bought... Sorry, I got too carried away, but the facts are that they agree that the "priestess" should be paid with one young goat. (Must resist urge to sing that song!!). To remember the agreement, Judah gives Tamar his (phallic power symbol of a) herding staff and a charm he wears, called a signet. Don't forget these, 'cause, according to Chekhov's Law, the signet and the staff will prove very important at the climax of out story!!! Then they part ways and carry on with their lives... A while later, Judah sends his friend Hirah into Tamar's hometown with one young goat, one young goat, to be paid to a young sacred whore. (Did I sing it!?) The locals, however, deny that there ever was a sex priestess around on their turf during the shearing festival days. And Hirah is puzzled. So the whole incident with the priestess is soon forgotten... until spring turns to summer and Tam, and her fellow villagers, discover something rather unpleasant...

8) TAMMY: EXECUTED?
Yes, Judah knocked Tammy up. But she's not in the predicament of Juno McGuff, but rather in that of Fantine or the French Lieutenant's Woman. A jilted single mother was always an outcast in the olden days. So there's gonna be a tragedy. The rumour, again and as usual in such local communities, spreads like wildfire, and Judah is soon made aware of the bun in Tamar's oven. There is a council of both nomadic chieftains and farming villagers held, in which Tammy's parents are as absent as ever (confirming my theory that they are deceased), to discuss the punishment of Tam's fornication, and Judah sentences her, coldly and precisely, to burn at the stake (a fate also given by the law to witches, queer people, and heretics, since their sins are too serious even for such offenders to be buried outside sacred ground). So they're going to burn Tammy at the stake, without any habeas corpus, Miranda rights, or even the witch test (to dunk her into water and see if she floats, or to weigh her against a duck). Yes, it was an unfair world back then. When being pregnant and not married was punished with death. Judah has been cold, precise, harsh, Tywin Lannister-like: "Burn the fornicator." And now we're expecting the worst, until Tam comes out to the stake and, before being tied, shows the public her Chekhov's trinkets as a last wish...

9) TAMMY'S EVIDENCE
In tales like Belle-Belle or The Six Wild Swans, the heroine is unfairly accused and sentenced to death, but she manages to escape her public execution thanks to an eleventh-hour last wish (The Tinderbox has the same scenario, but with a male hero). The same happens here, meaning this turn of events is not an unusual occurrence in fiction at all: "Now whose are this signet and this herding staff?" Tamar asks everyone present at the execution, as she shows them the objects she names. Judah stands there with eyes and mouth wide open like The Scream by Edvard Munch, upon recognizing his own status symbols. "Tam was the sex priestess all along!?" Rapidly, he changes his mind: "Pardon her, set her free. She has been far more righteous than I, for I did not give her Shelah." Indeed, the ruse has allowed Tamar to retaliate and force-feed her b***ard of a father-in-law a large helping of humble pie, and make him meet his Waterloo. A shrewd girl, a clever girl, who stands on her own two feet. That is what our Tammy is. An unlikely female way ahead of her times, which makes her awesome. But this pardon, and the fact that she marries neither Shelah nor his dad, is not the end of the story. Let us skip forward to the winter of that year, when we find out that Tamar has twins, twin boys! The midwife ties a scarlet thread to the wrist of the one that ostensibly comes out first, reaching out one arm, but his brother is the one to come out completely first... isn't that unexpected? Not only that, but the twin without the scarlet thread, Perez (yes, like the tooth mouse in Spanish folklore), turns out to be an ancestor of Jesus (whose whole lineage is composed of badasses, Tamar included). The other twin, Zerah... nothing more is said about him. And, though she has no man to care for her, and does neither marry Judah nor Shelah, making her an outcast and an outsider for being an emancipated female, Tammy raises her twins and does odd jobs and minds her own business on her own, careless of what others have to say. "Screw Tradition" is surely her motto. That could be called a happy ever after, can't it?

10) BACK TO JOSEPH... AND HIS MASTER'S WIFE
And there's the Cleese voice again re-jerking us back to Joseph. "And now for something completely different: the slavers sold Joseph to the commander of the reigning pharaoh's royal guards, who holds him in high esteem and sets him free, making him the household steward. The commander's wife, however, is a cougar, and she is sweet on Joseph." As if the Tamar story had never happened, and we returned to Joseph and his long road of trials: the cougar, the dungeon, the cupbearer, the seven years of fat cows, the seven years of gaunt cows, being made a vizier, the test of the stepbrothers. At least we know about what kind of family Judah had in the meantime. But now we return to Joseph and treat the Tamar events as things that happened in the meantime, while Joseph was stalked, imprisoned, foretelling dreams, busy as Hand of the Pharaoh gathering grain and then rationing it among the smallfolk. Not only does this story give Judah more humanity, it also presents us the first emancipated female (and one of the very few) in the Good Book: a really awesome and inspiring character.

sábado, 23 de mayo de 2015

MORE ASSORTED MUSINGS

In one of his songs, Joaquín Sabina says he is "inútil como el semen de los ahorcados", as useless as the semen of hanged men. Yet there is the belief that mandrakes, those sentient humanoid tubers, grow from the semen of hanged men... Is that so useless, then?

Speaking of mandrakes, my second favourite passage in Genesis (after the Joseph story) is the "mandrake arms race" between Rachel and Leah: the beautiful, childless younger sister and the homely, extremely fertile older sister. When Leah's eldest son Reuben finds some mandrakes... Leah is not loved by her husband Jacob, who cheats on her and prefers her sister-in-law, whom he loves (the marriage to Leah was of convenience) in spite of Rachel's infertility. Till Leah bribes Raye to nearly quit Jake and Jake back into bed with the cunning use of mandrakes, which Raye LOVED (mandrakes to her were like panna cotta to me), and which allegedly were an aphrodisiac and fertility raiser. Turned out Rachel needed those mandrakes to have children, but to nearly no avail... The arms race escalates until Leah has her ten boys and dies, Jacob remarries Rachel and Joseph is their first child. Of course, the whole mandrake ruse had given as a result most of the ten older stepbros, and the stage is set for the Joseph story proper.

Speaking of Rachel, Joseph's mum had another heroic moment in escaping her parents' home to join her sister and darling brother-in-law for love's sake. So Raye's clan has got these household gods (lares, or whatever they might be), little figurines of fertility gods... She steals them from her dad Laban to bring them with her for good luck. Eventually, Laban catches up with Jacob, Leah, and a Rachel who travels with them, in their camp. And Laban is furious because the household gods of the estate have somehow vanished. So Raye picks the best hideout for the little figures: she sits on them! When dad inquires, she gives this clever excuse for why she can't stand up: "Sorry, I've got the period!" Laban fell for it hook, line, and sinker.

Speaking of uselessness, nipples on a breastplate are far more useless than the semen of hanged men.

Speaking once more of Sabina, his lyrics are so baroque and full of allusions that I warmly recommend them.

jueves, 12 de febrero de 2015

domingo, 11 de enero de 2015

REVIEW: GENESIS, THE JOSEPH STORY

Today I am going to review one of my favourite stories from Bible texts. The Joseph story... which has been remade into an animated film, into the musical Dreamcoat, and whose development may have inspired the epic tale of Edmond Dantès.

So our young hero Joseph is born into a nomadic clan, with parents so loving that they actually spoil him... and with ten older stepbrothers. A case worse than Cinderella's.
And why is Joseph nearly stifled with so much affection? OK, The stepbrothers' late mother Leah, obviously Jacob's first wife... theirs was an arranged marriage, but Jacob and Rachel loved each other passionately... So, when Leah died, he remarried Rachel for love, and Joseph is the fruit of this much-expected second marriage. That's why his parents take even to spoiling the poor lad, as if he were an only child, because he is their only child.
So, when Joseph's mother makes a coat in the colours of the rainbow and gives it to him for a present, the ten stepbros, sensing favouritism for the umpteenth time, fall prey to the green-eyed monster.
It doesn't help any more that Joseph has had a dream in which the sun, the moon, and ten little stars (symbolizing his lovable yet screwed-up family) all shone on him at the same time.
One day, Joseph feels old enough to leave the encampment and join his stepbrothers on the pasture. He obviously has his own way, as it always has happened. But when he meets Leah's sons at the head of their flock... they are not amused at all. Instead, they finally see their chance to leave Joseph to an unpleasant fate. They tear his coat apart (like Cinderella's pink gown...), leave him in a cave, then stain the torn garment with blood to make it appear as if the poor lad has been preyed upon by wolves. And, when a caravan of slavers passes by (is this by chance?), the young men do not hesitate to sell their little stepbrother. How would Joseph have felt? Devastated.
Back in camp, Jacob and Rachel mourn their greatest treasure, taken from them by wolves, lions, or some other kind of wild beasts. They are not aware that he is still alive and well, toiling for bread at a general's estate.
OK, so Joseph is so clever that the general (leader of the ruling pharaoh's whole army) is convinced that such a sharp young man, who can even read and write, should never waste his talents as a mere household slave... and thus, the general makes him a free servant and the steward of the whole estate. So, it's back to a life of privilege, my dear...
But not for long. I love to compare the Joseph story to a roller coaster: it has its ups and downs, at lightning speed, and you have to ride it till the end...
There's the general's wife, a kind of pre-Christian Mrs. Robinson, one of the very first cougars in world literature. Grown weary of her husband, she seeks a younger lover. But Joseph refuses her advances.
One day, while the master is out (Has he been summoned to court? Is he at a military review?), the lady invites Joseph to come over to her room. And, once she's got him, she locks the door... and it's FEMALE RAPE TIME!
(For once, a female raping a male!)
However, Joseph is still unwilling to consort with the consort of his lord. And thus, he successfully tries to escape, not before tearing away his clothes to escape her embrace (What's this? Is tearing clothes a leitmotif in this story?). Fortunately, her spouse soon comes home... and then, she shows him the clothes and tells him, sobbing, that the steward attempted to rape her. Nice scheme, pretending that he was the one who raped you!
Anyway, it succeeds, our hero is framed!... and soon we have Joseph no longer a steward, being a prisoner once more, this time in a state prison fortress on a remote island. And we blame his master's wife, like we blamed the stepbros before. But do not despair... for the next up, and freedom, are around the corner.
One day, quite unexpectedly, the royal cupbearer gets framed for an attempt at a poisoning plot (it must have been tough as nails to be a cupbearer in the olden days: ask Tyrion Lannister!). And he winds up in the same prison as Joseph, in the same cell to be more exact.
Which allows for a little homo cooing in the straw bed (Zeus, for instance, did it with his cupbearer!).
So one day, when they wake up, the cupbearer tells Joseph the dream he had during the night. It involved grapes. Three clusters of grapes growing on the same vine: "Then, I squeezed them into a cup and served the juice to my liege".
According to Joseph, the three clusters of grapes are three days, after which the cupbearer would be set free and reinstated at court. And three days later, the dream comes true.
So, while Joseph is feeling pleased and lonely at the same time, the tension at the royal palace is mounting. The pharaoh has a terrible dream about some cows, night after night, and none of the soothsayers at court can give an answer.
However, the cupbearer knows of one who can.
So we have Joseph before the throne, surrounded by splendour and elegance, yet as little fazed as the spouse of the Clever Princess. And ready to interpret His Majesty's recurring obsession:
"Well, I am sunning myself on the riverbank, and seven lovely fat cows are ruminating there peacefully. Then, from the waters of the Nile rise seven gaunt, lean cows... which, as soon as they have landed, proceed to do the least thing we expect a herbivore to do. Each of the gaunt cows devours one of the fat cows, swallowing it whole. Then, I wake up in a cold sweat."
Joseph knows the meaning of the dream: "The cows are years. Fourteen years: seven years of plenty followed by seven years of want. During this year and the six following, we should gather as much grain as possible in state granaries, then ration the grain and distribute it among the population during the seven bad years to come. And you should need a clever and modest advisor to help you with these matters of state."
In less time than it takes to read the story to come, Joseph is now a vizier and a good chancellor at that. He even gets a fancy estate of his own and marries the niece of his former master (they love each other, are pleased with each other, and thus happily married!). And all that power doesn't go to his head even the least. Moreover, if we should believe the Book of Genesis, Joseph has just laid the foundations for the welfare state!
So, when the years of lean cows come, Joseph has managed to save the realm, and even foreigners flock to his granaries to receive their share of the grain surplus (The Spanish government should have learned this lesson back in the 80s and 90s, don't you think?).
One day, ten of these foreigners appear before Joseph and he recognizes them (guess who they are!). But they don't recognize him for all the jewelry and make-up and fine wig. They're stark unaware of who the vizier is. Now the past has finally caught up with Joseph, and he gets to know that his mother is deceased (he never got to say farewell to her) and that he has had a little brother, Benjamin, whom the now widowed and elderly Jacob keeps beside him at home as an ersatz for Joseph. Nevertheless, the past having caught up with our lead awakens painful memories... Now, Joseph, will you get revenge like Edmond?
Well, he actually invites all of his stepbrothers to a feast at court. Knowing that they were starving, it comes as no surprise that they accept... and everything seems fine... until Joseph has one of the stepbrothers arrested and imprisoned in the same dungeon where he once met the cupbearer. Then, our lead character blackmails the shocked nine free sons of Leah: he will set their brother free only if they produce Benjamin in exchange. They do so, the prisoner is set free, and all twelve are reunited. But no sooner have the stepbrothers and Benjamin received each a sack of grain than an armed detachment comes towards them... It appears that a valuable golden chalice has disappeared at the palace during the feast, and the sons of Leah are the main suspects.
So, Joseph has the sacks ripped one by one, until the precious cup is discovered in Benjamin's sack. This time, he has his own little brother arrested and imprisoned in the same dungeon where Joseph once met the cupbearer.
The old framing trick, as I have seen it in both Othello and Clear My Name episodes of various series, isn't it? And wasn't Joseph framed when he was the general's steward? Tit for tat...
As their youngest stepbrother is arrested, the others offer themselves instead... They feel guilty of having sold their other stepbrother Joseph to some slavers and made it look like wolves had killed him. And they wonder whether he is still alive.
Only then does the vizier have Benjamin pardoned and reveal his true identity: "I am Joseph".
What a pleasant surprise! The whole gambit was actually a test of character for the stepbrothers, who have finally revealed that they have hearts of their own.
So the whole large family goes to live at the palace as courtiers, old Jacob included. And they live happily ever after.
All's well that ends well!

So Joseph reminds me of Cassio in Othello, because both are young gents whose entitlement leads them into various predicaments that they finally come through. I love this kind of character arc. The story is also reminiscent of The Count of Monte Cristo (riches to rags to riches to rags to riches, and the past coming back to haunt the lead character), only without the violent revenge. Which spelled T.R.O.U.B.L.E. for Edmond. Joseph wraps up better and with less complications just because he knows revenge is stupid and makes amends instead.