Mostrando entradas con la etiqueta greenhouse. Mostrar todas las entradas
Mostrando entradas con la etiqueta greenhouse. Mostrar todas las entradas

sábado, 20 de diciembre de 2014

FORGET ME NOT: CHAPTER III

NO-ME-OLVIDES
Por Sandra Dermark

Un fic de Vocaloid basado en la novela homónima de Putlitz.

3. EL BAILE DE COMPROMISO

No tuve la suerte de abrir mis pétalos en plena naturaleza, sino entre cuatro paredes de cristal y acero, rodeada de plantas extranjeras con sus respectivas hadas flores: tiarés, orquídeas del género Cattleya, camelias, crisantemos y otras tantas. ¿Quién podía describir su nostalgia?
En cambio, este país era mi patria, pero estaba fuera de temporada: los humanos habían engañado a la Primavera, a la cual pertenecía, para mantenerme viva en pleno invierno, contemplando un paisaje nevado a través de enormes ventanas cubiertas de escarcha.
Le solía preguntar al hada de una violeta tricolor que crecía junto a mí por qué Ellos nos mantenían prisioneras de ese modo.
-¿Por qué a nosotras, sencillas flores europeas, casi “malas hierbas”?
No tuve mucho tiempo para pensarlo, porque una de Ellos nos recogió , nos agrupó en ramilletes y nos subió en un carrito, para luego llevarnos dentro del baluarte contiguo a la jaula de cristal. Una gélida corriente de aire heló mis pétalos y mis mejillas durante el trayecto. Casi no notaba la resignación del hada de una flor de tiaré al aguantar la temperatura del aire, ni cómo las de dos fucsias buscaban abrigo bajo sus pétalos. De pronto nos iluminó de golpe una lámpara de araña, ¡y estaba yo con la mirada fija de hito en hito en el esplendor de un salón de baile! ¡Nunca habia visto algo igual!
La luz que irradiaban las arañas se reflejaba en la recargada decoración de las paredes, y allí se reunió una troupe alegre y elegantemente vestida. Un cuarteto de cuerda tocaba valses vieneses y las parejas se pusieron a dar vueltas como trastocadas por el rayo:
-“Un-deux-trois,”  “un-deux-trois” -se marcaba el compás.
Pusieron nuestro carrito delante de unas cortinas y , desde allí, podía verlo todo sin llamar la atención.
Ofuscada por el ritmo de los valses, las vueltas que daban las parejas, la decoración barroca, las alhajas y vestidos de las damas, los galones de los oficiales militares, la belleza de sus figuras, las luces de las arañas... tardé bastante en recobrar el sentido.
Era un ritual muy extraño: cada caballero hacía una reverencia fría y austera y la joven a la cual se la ofrecía también la aceptaba con excesiva formalidad.
Un par de segundos después, una pareja pasó frente a nosotros. Los ojos de los dos brillaban, respiraban con agitación, y el talle de la joven se estremecía en brazos de su caballero. Se separaron; la misma reverencia, el mismo saludo formal... como un perpetuo encenderse y apagarse.
Sucedió una pausa dramática: el cuarteto se puso a afinar sus instrumentos y los sirvientes pusieron en orden hileras de sillas Luis XIV. Las parejas ocuparon sus asientos y la primera pareja abrió el baile.
La joven que salió a bailar la primera era la más bella de todos los presentes. Era rubia y esbelta, de curvas no muy pronunciadas.  Vestida de blanco, llevaba en su altiva cabeza una corona de fucsias. Sus azules ojos desprendían aún más destellos que el colgante de su pecho, tan segura estaba de sí misma. Su brazo diestro, adornado con una pulsera, reposaba sobre el galón del hombro del oficial pelivioleta y condecorado que era su pareja.El hada de una ramita de mirto que había a mi lado se dio cuenta de en quién me había fijado:
-Se trata de fröken... mademoiselle Linnéa, la hija de la anfitriona. El joven con quien baila es su prometido, el general de división...
Pensé en lo bien que ella debería sentirse.
Junto a la cortina se habían sentado una joven peliverde vestida de azul y su carabina, que le advertía:
- Le cogió la institutriz in fraganti un par de veces. Claro,es tan fácil siendo él tan ingenuo...
-Linnéa, como amiga íntima mía, me ha confesado que le ve como un plasta, ¡pero ella es tan voluble!
- ¿No hacen el general y ella buena pareja?
Dos jóvenes oficiales pasaron con sus respectivas parejas junto a mí:
-¡Es tan hermosa!
-Es ciertamente hermosa, mi teniente, pero no tiene corazón.
Al otro lado del salón, reclinado de pie contra una columna, pude ver a un joven lampiño y de claros cabellos vestido con una sencilla levita. Él no bailaba con ninguna de las señoritas, y rara vez hablaba con alguno de los presentes. Sólo sus ojos permanecían fijos en la estrella de la tarde, que atraía todas las miradas, siguiéndola siempre en su vaivén. Sentí una extraña compasión por él, pero no sabía por qué.
Cuando ya daba por sentado que se habían olvidado de nuestras flores, el carrito fue trasladado al centro de la sala. Los caballeros cogieron uno tras otro cada uno un ramillete y lo presentaron a sus respectivas parejas. Al final sólo quedaba el ramillete con mi flor, hasta que vi al joven introvertido que mostraba tanto interés en la homenajeada. Se acercó al carrito con paso firme y me cogió en el ramillete mientras susurraba “nomeolvides” y presentó mi flor a la señorita Linnéa. Cuando él hizo su reverencia la miró de hito en hito. Ella desvió la mirada y, mirando a las flores, exclamó (para disimular tal vez):
-¡Nomeolvides! ¿No te acuerdas de las que recogíamos, Lennart?
-¿Y después? le preguntó él con ironía.
-Shh... ¡Ni un recuerdo del pasado, porque ya ha pasado!
Unos minutos después, volví a asomar... pero Lennart había desaparecido. La velada llegó a su fin, se fueron los invitados, y la sala estaba vacía. La homenajeada se había deshecho de todos los ramilletes, excepto del que contenía mi flor, el cual sostenía con fuerza en la mano diestra.
Dejó la sala y atravesó pasillos iluminados indiferente a su esplendor, sin preocuparse por los ramilletes marchitos que yacían a sus pies. Su paso era firme, su mirada clara, su cabeza estaba erguida en señal de altivez. Entró en su habitación, donde una sirvienta castaña con delantal (a la cual reconocí como aquella que nos recogió en el invernadero y nos trajo al salón) le estaba esperando. Ésta le quitó el tocado y el colgante a la señorita, que se quitó la pulsera y la arrojó sobre la consola del tocador con tanta violencia que un valioso broche se le cayó al suelo.
Cuando ya estaba sola y en camisón, en lugar de irse a la cama con dosel, se quedó inmóvil y absorta de pie en medio del cuarto. Luego volvió al tocador donde había dejado sus alhajas. ¿Querría echar un último vistazo a su reflejo, con los complementos que le hacían brillar?
Asió el ramo. Sus dedos hurgaron por entre fronda y pétalos (y por poco me aplastan). Intuí que buscaba mi flor. Entonces abrió el cajón de la consola, sacó unas tijeras, cortó el lazo que sujetaba los tallos, dejó a las demás flores a un lado, me sacó del ramo con mi flor, y asentó la cabeza sobre mí.
Ya me estaba marchitando cuando una gota de agua cálida y salada cayó sobre mí desde su ojo izquierdo. Miré arriba una vez más y advertí el cambio que se había operado en aquellos rasgos otrora tan fríos y altivos. “¡Quién la ha visto y quién la ve!”, pensé: su cabeza ahora reclinada, lágrimas brotando y discurriendo por sus mejillas y su cuello, se estremecía todo su cuerpo como una hoja al viento.
¿Podría ser que ella no fuera tan feliz? ¿Podría ser que ella tuviera, al fin y al cabo, un corazón?
Linnéa asentó la cabeza en las manos y se postró sobre la consola. No sé por cuánto tiempo permaneció así, pero al final la primera luz del día despuntaba por entre las cortinas de la lujosa habitación. Entonces ella se incorporó, sacó un guardapelo del cajón y lo abrió. Sacó el mechón descolorido que había dentro y me introdujo para luego volver a poner el cristal y besarme tras él.
Mi vida terminó igual que inició: en cautividad, tras un cristal. No sé cuánto duró el que ella me besara tras mi nueva pared de cristal... y fallecí en ese beso.

Y entonces me reencarné...

miércoles, 2 de abril de 2014

THE RINGSTETTEN SAGA XXII: THE RETURN OF THE PAST

Previously on The Ringstetten Saga:
The young officer didn't see that coming: a royal pardon, instead of a court martial! And besides, His Majesty reunites Krister with his regiment, for the lieutenant to read a few letters from his loved ones. One from a certain estate in Värmland, the other from a bourgeois household on the outskirts of Uppsala.
The latter is, obviously, his ailing brother Kristian's will. He wishes to be buried in the Ringstetten estate garden in Värmland, he has appointed his twin brother Krister (who survived the war, as he has stated in a letter sent to Kristian during his convalescence, before desertion) his heir, consoled his own parents in another previous letter, and there is even an arrangement of a levirate marriage between the widowed Erika and the still unmarried Krister. The young bridegroom is somewhat startled, and he doubts what to do for a while: he's queer, like his liege lord, yet he feels sorry for the plight of Erika and her daughters. And thus, he decides to return to Vänersvik. With Krister comes Charlotte, now a ward of the State and completely orphaned after her father's death on the battlefield. Peace has been signed. And Sweden has proved not to be a fallen empire by winning the war! 
The young girl is somewhat jealous of her beloved's betrothed, which may have devastating consequences...
The promise has nevertheless to be fulfilled. A modest gentleman, his daughter, and her twin children soon arrive at Vänersvik, all dressed in black and having travelled in a black-draped carriage with the lifeless form of a young scholar across a cold, snowy landscape. At the funeral, in a French garden covered in a blanket of snow, they encounter a young man with Kristian's exact appearance, dressed in an officer's uniform. The next day, as Karl Johan returns to Uppsala, Erika and the twins stay on the estate and prepare a second wedding while getting to know Krister. He has become a reserved and cold veteran, at first indifferent to Erika yet compelled to marry her, but soon he feels sorry for her and opens up to his new relatives, though he is at first reluctant to make love and produce an heir, as Linnéa and Tradescantia gradually start to accept him. They even get to visit Miss Ulrika on Honeysuckle Farm, where the young girls will go to school together with peasant children, to bring the elite closer to the common people. And so will the expected male heir: Krister has finally yielded to his duty, and Erika has a bun in the oven!
As for Charlotte, she reacts coolly to the appearance of a young wife for her Krister and two foster sisters for herself. The redhead is five or six years older than Erika's daughters... and there will be a fourth child in November: a little Gustav or Sophia (the Ringstettens' hopes of a male heir are high once more!). But is her coolness for real?

Erika and her husband decide to give Vänersvik a greenhouse, to transplant all the specimens they will soon inherit from her father in Uppsala. The project is soon approved and scheduled for spring.
In midwinter, straight before Christmas, Charlotte (dressed in her custom blue military overcoat) goes out ice skating in Lake Vänern with the other girls. But, unfortunately, she crosses into thin ice, that soon breaks under her. Linnéa runs off to the estate to warn Krister, and soon the young count is on the shore, throwing the redhead a rope that Charlotte instantly catches to hold herself to and writhe her way onto land. When she has finally made it, she collapses, freezing and exhausted. Her saviour helps her into the sleigh, wrapping her in his coat and offering her a warming draught of brandy.
Thus saved, Charlotte reconciles with Krister and Erika.
On Christmas Eve, the old Count of Ringstetten suffers a sudden stroke, to be succeded by his now only son and heir. The heartwarming funeral celebrated by the local church on such a day can't be a good omen.
When springtime comes in April, the greenhouse structure and the bun in Erika's oven start developing their respective shapes. The "winter garden" is ready, stocked, and open by Midsummer. And the young hopeful sees the light of day in mid-autumn. It's a healthy boy, ostensibly the image of his late father... if it weren't for his violet eyes. Christened Gustav Paul (after the respective Crown Princes of Sweden and Russia) with the first snows, he is meant to be raised by his parents instead of strangers, and to attend the Honeysuckle Farm Public School (which Charlotte and the twin girls already attend) upon reaching the age of seven. Krister finally consents that it shall be so.
The new diverse generation of Ringstettens takes part actively in celebrations, whether Christmas, Easter, Midsummer, or harvest festivals. While, on the 14th of July that year, in another kingdom, a fortress prison yields to a storming by commoners... This is a turning point in world history that the Ringstettens won't learn about until half a decade later.
So quickly and merrily pass a few years of peace and hopes. Little Gustav Paul soon says his first words, and he is gradually learning to walk. He is now the centre of life at Vänersvik, which makes Linnéa and Tradescantia develop middle child syndrome. Krister, Erika, and Charlotte have relationships all three together in secret. What could possibly go wrong?
In springtime 1792, after hosting the Easter Dance on the Midsummer Green, the estate gets an unexpected visit from a detachment. Rather strange... Hadn't Krister, as a lieutenant, received a royal pardon in spite of his desertion?
The commanding officer, who states they've come "in the name of the Regent", wishes to have a talk with Count Ringstetten in private. Krister and Erika part, both of them worried: if a regent rules the land, something must have befallen the King!...
During the short conversation, Krister discovers the reason for the military's arrival: Gustavus III has lost his life in his bedchamber, due to wounds inflicted (a gunshot in the back) during a masquerade ball. The heir to the throne, Gustavus IV, is still a child. Thus, Duke Charles (the admiral of the fleet and Gustavus III's reserved younger brother, the middle one, an eighteenth-century Stannis Baratheon), who made a promise by his older brother's deathbed, is in charge of affairs of state. The oath: to punish the ones involved in the plot that has claimed the ruler's life. And such an oath is meant to be kept come what may.
Thus, the Anjala officers are being arrested throughout Sweden, to be subsequently banished or imprisoned for life.
And thus, Krister von Ringstetten is arrested and whisked away in a cage cart heading for the island fortress of Carlsten, on the west coast of Sweden, not to be set free until his death.
At dusk, the detachment sets off towards the setting sun. Erika kisses the prisoner farewell through the bars of the cage cart, shedding tears and then fainting. She remains between life and death for days, trying to console her children. Finally, in summer, the memory of the arrest ceases to be painful to all of them, and another funeral takes place on Midsummer Eve: the funeral of the old Countess Mother, Katarina, the arrest of whose son caused her to plunge into a coma.
Then, a letter from Carlsten comes to Vänersvik: it's from Krister, now employed as a smith in the garrison forge. He has grown a beard and been branded with the number 39 on the chest and left arm.
Soon, the Ringstettens receive a letter from the Walloons in the forge: they've just given some French refugees asylum, and they've adopted their suddenly orphaned baby daughter, Louise-Antoinette or Louison, called Loulou. Erika, though still somewhat inexperienced in the ways of the gentry, agrees that Loulou shall be betrothed and married to her Gustav Paul, whom she pets, and even spoils, more for each day.
One day in November the same year, upon returning home from school after a thunderstorm, Charlotte and the twin girls come across the Sidhe in the woods. When they finally reach Vänersvik, a threefold rainbow colours the sky.  Her look is worried, though she smiles and offers them a bluebell charm that will bestow protection upon its bearers. The test of the wishing nuts has finally come to an end, and the Sidhe has finally decided to sign peace with the human foreigners who came to these lands a century before. For a new age will dawn within another hundred years: an era of steel and steam, when the worth of a person shall no longer be measured in blood, but in wealth. The world of nature spirits is as fated as that of the gentry, yet there shall be another hundred years before that fateful twilight.
And, though the seeds of syncretism and of freedom have been finally sown after countless wars and persecutions, their shoots will take more than that century to grow strong and firm.

THE END.


domingo, 23 de marzo de 2014

THE RINGSTETTEN SAGA XIX: THE FATE OF KRISTIAN

Previously on The Ringstetten Saga:
In late springtime, when the birch trees are in bloom, the Ringstettens get a visit from a van der Heide friend, a lecturer at Uppsala University itself. He doesn't hesitate to take after Kristian (in an innocent way, that is), though the young boy is paying attention to a frog until startled with a pat in the back. They discover passions they have in common, and soon they are showing each other plants and bugs. The next day, the Count and Countess do not hesitate to accept an offer without any equal: Kristian will study at Uppsala and live with one Lindelius, a colleague of the Walloon's, as a son in the Lindelius household.
The next day, Kristian leaves the estate in the scientist's carriage.

There's a little estate on the outskirts of Uppsala, and it can be easily recognized by its winter garden, or greenhouse. Confident freshman Kristian von Ringstetten arrives to meet his lecturer and guardian, Karl Johan Lindelius (who looks slightly likebespectacled Elrond in eighteenth-century bourgeois clothes), and his reserved only daughter Erika, a violet-eyed, spirited brunette, three years younger than Kristian, who loves reading and natural science. The young girl, who has learned everything she knows through reading, is as shy as her new companion, who has to share a bedroom with her, in spite of the guest-room, which already houses a couple of students.
It takes a couple of weeks, being bullied at university, and picking flowers with Erika for the drawing of her late mother Astrid in the living room to break the ice between her and Kristian. And discuss life forms and myths, and find friends or surrogate siblings in each other.
At this point, one may recognize Erika as an intellectual and auburn-haired Liselotte.
The Lindeliuses support the pacifist and Enlightened Cap Party, one of two factions at the Swedish Parliament, their opponents being the warlike and jingoist Hats.
For a while, every Sunday afternoon, the Lindeliuses and their ward treat each other to buttered scones and Ceylon tea on the flower-studded meadows, following the English tradition, instead of going to church.
Soon, after the Midsummer celebrations, Herr Lindelius has a pair of secrets to tell his ward at the dinner table:

  • One: Kristian is betrothed to Erika, to unite the wealth of both families. They merely see each other as good friends and surrogate siblings, neither of them has ever fallen in love, and they are both reluctant towards marriage. They will marry within six years in Uppsala Cathedral, also to make up for Karl Johan's habit of not going to church, because...
  • Two: The Lindeliuses are freethinkers, id est, Enlightened atheists. Karl Johan, once a reverend's son and student, fell for his widowed landlady's daughter Astrid and married her... but Astrid died of a fever when Erika was five years old, and this event plunged Herr Lindelius into a faith crisis. The fact that they're freethinkers must never be revealed in public, or they would be arrested by the military itself and subsequently imprisoned: in mid-eighteenth-century Sweden, freethought is a crime that leads to persecution and prosecution by state authorities.

But this issue is soon solved, as Gustavus III's coup d'état and storming of a subsequently dissolved Parliament, one year later, signals the dawn of a new regime that tolerates freethought as well as other banned religions (Catholicism, Judaism, Saami animism) within the Kingdom of Sweden.
Kristian has even been "converted" to freethought, and he starts to open up and "preach this religion" at class.
The tradition of having afternoon tea outdoors or in the winter garden depending on the season, and that of celebrating a pagan Yule feast in the winter garden, behind frosty panes and among colourful flowers, have become a staple of the Lindelius clan's everyday life. Erika and Kristian start to fall in love, though they are both too shy to admit the truth about their feelings. They have gradually developed an intellectual relationship, not unlike that of the Clever Princess and her equal in the Fourth Story of "The Snow Queen".
In mid-summer, a week after the modest wedding, and five years before an unexpected war between Sweden and Russia, Karl Johan Lindelius and his son-in-law set sail for the warm latitudes of the vast oceans, to discover the wonders of the New World, while Erika waits at home and tends to the few servants (and winter garden). Pretty soon, she realizes that she is with child. And she receives a letter from the other side of the world, from her father and husband.
Meanwhile, Herr Lindelius and Kristian have entered a British outpost where native villagers act as servants to the landowners and the fort's garrison. They are staying within the white-washed fort, in the Governor's residence, in a spacious apartment with a view of Coral Bay. The Governor, Lord Anson, is a kindly and merry old bachelor not unlike the gentlemen in Dickens's novels (Fezziwig, for instance).
The colony is covered with interminable plantations of sugar cane and coffee, in which a considerate number of dark-skinned "indentured servants" are busily employed, and magnificent Neoclassical estates here and there. The rich and highly cultivated plains are encircled with rocks and rainforests which reach almost to the clouds.
When the rainy season sets in, the Governor being engaged on duty from dawn to dusk, the Swedes have to sit for whole days in their apartment, through the window of which they can see nothing but heavy clouds and a stormy ocean. To beguile tedium, they play chess against each other, and read books in English: Gulliver, Tom Jones, and the complete works of Shakespeare from the Governor's library.
When the mild and clear weather of the dry season returns, Lord Anson usually comes home at dusk, and he usually brings the Swedes with him to explore the woods, all three spending much time, while they range through fields and forests, over hill and valley, searching for endemic plants. And, whenever the Governor discovers some hitherto unknown new plant, he bursts out into exclamations of wonder.
Thus, the Swedes' studies and collection of plants increase gradually. Sometimes, they play croquet with Lord Anson in lush estate gardens. Their letter exchange with Erika increases, and soon she has even better news to tell: her healthy twin girls have been christened Linnéa and Tradescantia. They are not being breastfed by any nanny, but by Erika herself.
After three years of field studies abroad, Kristian and his father-in-law return to Sweden, to their usual routine and to make up for the effect of their absence on the children. As soon as they have reached their hometown and the Lindelius estate, Karl Johan and Kristian receive a warm welcome from all of their acquaintances, but most notably, from the female half of their family. The war is finally over, and the King and Czarina have luckily made peace after a draw.
However, three years after their reunion, tragedy strikes the Lindelius household.
One autumn day, while giving his first lecture on the orchids he has discovered, Kristian collapses before the class. Soon he starts to feel increasingly dizzy and thirsty, finally compelled to stay at home. His wife and children, friends and father-in-law, even Lord Anson himself, are all consternated. By November, Kristian has come down with a blazing fever, and he is finally bedridden due to his weakness. Karl Johan and Erika are soon compelled to watch him write his own will.
On Gustavus Adolphus's death day, the struggle for life Kristian is fighting comes finally to a close. He says farewell to the loved ones by his bed, then mentions there is no better life beyond this one, because the afterlife is still uncharted, wishes his wife, daughters, and father-in-law good luck while kissing them... and falls unconscious, ceasing to breathe.
A grief-stricken Erika is soon reading the will: her husband wishes to be buried in the Ringstetten estate garden in Värmland, he has appointed his twin brother Krister (who survived the war, as he has stated in a letter sent to Kristian) his heir, consoled his own parents in another previous letter, and there is even an arrangement of a levirate marriage between the widowed Erika and the still unmarried Krister. Yet the young mother is somewhat stirred by the idea of marrying a stranger so unlike, yet so like, her late husband!
The promise has nevertheless to be fulfilled. A modest gentleman, his daughter, and her twin children soon arrive at Vänersvik, all dressed in black and having travelled in a black-draped carriage with the lifeless form of a young scholar across a cold, snowy landscape. At the funeral, in a French garden covered in a blanket of snow, they encounter a young man with Kristian's exact appearance, dressed in an officer's uniform. The next day, as Karl Johan returns to Uppsala, Erika and the twins stay on the estate and prepare a second wedding while getting to know Krister. He has become a reserved and cold veteran, at first indifferent to Erika yet compelled to marry her, but soon he feels sorry for her and opens up to his new relatives, though he is at first reluctant to make love and produce an heir, as Linnéa and Tradescantia gradually start to accept him.