Mostrando entradas con la etiqueta anjala plot. Mostrar todas las entradas
Mostrando entradas con la etiqueta anjala plot. Mostrar todas las entradas

martes, 18 de julio de 2023

113 OFICIALES

Esta canción es mi propia traducción, del sueco Stefan Andersson, de su álbum Teaterkungen (El rey del teatro). Trata de la conjura de Anjala, una reunión de oficiales suecos en el siglo XVIII para detener la absurda guerra entre su rey, Gustavo III, que da título al disco, y la zarina rusa Catalina la Grande. Estos oficiales serían vistos como traidores y juzgados por un consejo de guerra, pero todos recibieron el indulto real, excepto uno, el coronel finosueco Hästesko, que fue decapitado. Sin más preámbulos:

https://youtu.be/wCnGSrSeyh4

......................

113 OFICIALES

o

la conjura de Anjala

cantada

por Stefan Andersson

Traducción de Sandra Dermark

20 de julio de 2023

...............

113 oficiales listos para combatir

se reunieron en Helsinki justo antes de partir

tralarí tralaró

tralarí tralaró...

113 oficiales, todos en formación,

sin provisiones ni guerreras ni munición,

tralarí tralaró

tralarí tralaró...

.....................

¿Quién ha dicho que la vida es justa?

¿Quién lo ha dicho así?

¿Quién ha dicho que vivimos libres

aquí, en este país?

Seguro, no fui yo,

tal vez fueras tú,

seguro, no fui yo...

...,................

113 oficiales dudaron hasta el fin, 

sus hombres como moscas empezaban a morir...

tralarí tralaró,

tralarí tralaró...

113 oficiales una carta a redactar

a Rusia y su zarina hicieron, pidiendo la paz,

tralarí tralaró,

tralarí tralaró...

y esa carta firmé yo.

...................

¿Quién ha dicho que la vida es justa?

¿Quién lo ha dicho así?

¿Quién ha dicho que vivimos libres

aquí, en este país?

Seguro, no fui yo,

tal vez fueras tú,

seguro, no fui yo...

...,................

A esos traidores muertos quería ver Su Majestad,

un consejo de guerra al fin les tuvo que juzgar,

tralarí tralaró,

tralarí tralaró...

La mayoría recibieron el indulto real 

y fueron liberados para volver a su hogar,

tralaró tralarí...

Sólo quedaron cuatro al fin.

...................

¿Quién ha dicho que la vida es justa?

¿Quién lo ha dicho así?

¿Quién ha dicho que vivimos libres

aquí, en este país?

Seguro, no fui yo,

tal vez fueras tú,

seguro, no fui yo...

...,................

Cuatro oficiales marchando a su ejecución...

El Rey, asintiendo, a tres de ellos indultó...

Tralarí tralaró,

tralarí tralaró...

Un único oficial la cabeza asentó

y la espada del verdugo la cabeza le cortó...

Tralarí tralaró...

ESE OFICIAL ERA YO.

...................

¿Quién ha dicho que la vida es justa?

¿Quién lo ha dicho así?

¿Quién ha dicho que vivimos libres

aquí, en este país?

Seguro, no fui yo,

tal vez fueras tú,

seguro, no fui yo...

...,................





domingo, 6 de abril de 2014

THE RINGSTETTEN SAGA - ARC III GLOSSARY EXPLANATIONS


  • Wishing hazelnuts: the inspiration came from a lesser known Andersen story, Ib and Little Christine, in which the young titular characters receive them as gifts from a magical Roma (gypsy) woman. Christine picks the two first nuts, and she marries into high society (no bed of roses), while Ib makes a more modest yet luckier choice.
  • Hats (Jingoists) and Caps (Enlightened): these two factions did actually exist in mid-eighteenth-century Sweden, and neutrals as well. The Hats had the support of the officer class, while the Caps were members of the gentry and clergy, bourgeois, landowners, professionals... And yes, even Gustavus III's royal parents were divided by this conflict (Adolphus was a Cap, while Louisa was a Hat).
  • Was Gustavus III queer or bi? This is a rather extended opinion, that I have chosen to accept to explain his lack of offspring and the still debated hypothesis that he wasn't Gustavus IV's father...
  • The Baratheons of Drottningholm: Any similarity between fictional characters and real people, living or dead, is purely coincidental. So is the one between the Swedish Royal Household of Holstein-Gottorp, rulers of Sweden in the late eighteenth century, and the Royal House Baratheon (if anyone overlooked it all: Gustavus III=Robert, Charles XIII=Stannis, Frederick Adolphus=Renly, Sophia=Cersei, Gustavus IV=Joffrey, Fredrik Munck=Jaime). The most reliable explanation is that George R.R. Martin could be partially inspired by Swedish history.
  • Freethought: a crime during democracy and tolerated by Gustavus III? That is historical truth, and so is the fact that he abolished the laws that hitherto forbade Catholics and Jews to reside in Sweden on religious grounds. 
  • Afternoon tea, due to Sweden's trade contacts with the UK and Asia, became a popular tradition in the mid-eighteenth century amidst wealthy members of the Cap Party. The Hats preferred a more intense and Continental cup of strong black coffee.
  • Lord Anson/British outpost: I took the inspiration for this character and setting from The Rose Tree by Christoph von Schmid, with reminiscences of both Othello and Alice in Wonderland. The books Kristian read during his sojourn (GulliverTom Jones...), which the author has read and appreciated herself, were rather popular in those days.
  • Ice cream (still called "glass", pronounced like French "glace", in Swedish) was in vogue at the royal courts of the Age of Reason. And so were other treats such as...
  • Macarons, which have recently come back (due to films like The Duchess or Marie Antoinette)
  • Candied chestnuts, more well-known as marrons glacés (French for "candied chestnuts")
  • Eau-de-vie, fruit liquor, to rinse it all down. This kind of liquor is still called "eau-de-vie" (French for "water of life") in both French and Swedish.
  • The white kerchief tied around an officer's left arm was, along with the so-called "storm hat" (a slightly conical top hat), one of the changes the new regime of Gustavus III brought to Sweden's military uniform. The kerchief, visible from afar, symbolizes loyalty to the King and noble intentions. It was introduced as a sign of allegiance to the Crown (against Parliament) during the velvet revolution.
  • Catherine the Great's backstory: She was a Prussian, a foreigner forced to convert from Lutheranism to Orthodoxy to marry the would-be Peter III. And she dethroned her spouse, with the aid of the officer class, when she realized the young Czar was a grown-up child, who drank hard and cheated on her with her ladies, who even had a rat court-martialled and guillotined for gnawing at one of the toy soldiers he used to recreate battles (it was a general, the Czar stated himself). Peter the Not-So-Great. Catherine was definitely his better half. Though there is a rant given by Swedish officers on the battlefields of Karelia that may seem somewhat offensive. The one below...
  • "Her son is a bastard, his father's Orlov!": What? This is most likely to be the truth! I mean, Gustavus III was a cuckold himself, and Catherine II was also unhappily married... Count Orlov was her most important ally in the coup, and her first lover. Thus, Czarevitch Paul of Russia (the would-be Paul II) is most likely to be a lovechild. Which explains one of the reasons (the other is that she's simply too busy with affairs of state) why the Czarina had sent him to live with relatives in the provinces (who neglect him in turn). Though the young heir to the Russian throne was officially legitimized and considered legitimate, like Gustavus IV.
  • The Anjala officers and their peace letter: Such an event did happen on the farmstead known as Anjala in August 1788. 113 discontented Swedish officers sent a letter to Catherine the Great during that war. Most of the "conspirators" received the royal pardon... but they would later be punished for another offense (though they were innocent) in 1792.
  • Charles XIII's witch hunt: due to a deathbed promise, the Regent did persecute the Anjala officers due to a connection with the discontented royal guards behind the assassination. These officers' lives were spared, and they were punished either with banishment or with lifetime imprisoment.
  • Carlsten (Charlestone): This notorious fortress prison on Marstrand Island off the Swedish West Coast has actually hosted officers accused of collaborating in the Gustavus III assassination plot. The author frequents Carlsten every summer, and thence came the inspiration to have Krister imprisoned there.
  • Epaulets: Finally, in the Age of Reason, the time has come for military officers across Europe to spread their wings, after having discarded their breastplates. The rest of their attire does not undergo such a radical change.
  • The ending: This is a story about the Early Modern Era, meant to start with the twilight of the Dark Ages (the Protestant Reformation), and to end when the fall of the Bastille has changed the world (notice the French refugees in the finale!) This story is thus set in "fairytale times", like I often say. It's also the story of the rise, downfall, and rebirth of Sweden in those times so like ours, yet so different from ours, and that of the Ringstettens' plight and its resolution, that run parallel with the history of Sweden. Finally, it's an epic detailing all the conditions of humankind, denouncing warfare and corruption. The story ends with the Green Lady watching the Ringstetten children because they are no longer the strangers and masters they were to the fair folk one century before. The oath has been sworn, broken, avenged, and forgiven, and the progress of science brought by Positivism, a revival of the Enlightenment, hasn't disenchanted the world or driven the fair folk away yet. Yet there are those children, children stand for the future... the young saplings whose adulthood is not explored in the end. Their idyllic and carefree existence should be contrasted with that of Arc I's leading cast one century before, during the Thirty Years' War. Said conflict, in the end, brought on the secularization of the Western world, the Enlightenment, optimism, sensualism, and rejection of authorities. These children grow up, unlike their ancestors at the start of it all, with an Enlightened, less sacred and enchanted yet more open, worldview. Arc I is about, among many other things, the warning "there be dragons": we know the commandant of Ringstetten in Küstrin owes obedience to the Elector of Brandenburg in Potsdam, and the Elector owes obedience to the Kaiser in Vienna... that Magdeburg is still besieged by Tilly, that Sweden has come to the Protestants' rescue... yet we don't leave the guardhouse until the story proper starts and it's all about discovering new places and people, mapping them, and lowing out the dragons. Arc II is about regret: making an impulsive wish in hindsight, which can be rather painful. The oath with the Sidhe, the war on Russia, Katinka's elopement (and Ilse's), even the Sidhe's use of enchantment of Gustav Adolf... every single deed is questioned in hindsight upon focusing on its negative consequences. But it's also about hope and moving forward, anticipating next arc. Arc III is about carpe diem, enjoying the present like a child would do, but also about hope and the importance of the past (for instance, Krister's idealized image and field experience of war, desertion, involvement in the Anjala Plot, encounter with Gustavus III, and his final arrest, consequences of one another, all condition his life): without such a tragic past (the 30YW), the History of Ideas wouldn't have such an optimistic and future-oriented movement as the Enlightenment. The overarching themes of the whole Saga are the effects of warfare, the loss of innocence, questioning the system, showing the world one's prowess, and fulfilment, the latest one echoed in the ending of each arc.
  • A Tempest of passions and redemption: Shakespeare's last drama is as influential as Othello in the creation of the Saga. A feud between powerful mortals and the magical beings whose lands they have "invaded", a test of character set up by the magical beings, and the final happy ending with an expected reconciliation and the tying up of all those loose ends that there were at the start of the cathartic story. 
  • Tying back together what stern custom once did part: The final words, that echo in the end, are the moral of the whole story, a chronicle of the rise of the Enlightenment entwined with a family saga. Friedrich Schiller's poem An die Freude, which supplied the lyrics for Beethoven's Ninth Symphony and anthem of the European Union (its motto: "Concord in Diversity")... They also served as replacement for the Rose Hymn in The Lady in White, a WW2-era retelling of The Snow Queen set in Lützen, Leipzig, Northern Germany, and Sweden:
Spark of joy, the gods’ fair present,
child of the Elysian fields,
now with fire intoxicated
our host into your shrine steals.
Magic that ties once more together
what once was by custom torn,
in fraternity uniting
everyone in this soft morn.

The Swedish version heard at the end of the Saga is this:

Din trolldom åter förbinder

allt vad seden strängt skilt åt.

Broderskap förenar alla,

mjuka vingar torkar gråt.


The original German verses read:

 Deine Zauber binden wieder,

Was die Mode streng geteilt,

Alle Menschen werden Brüder,

                                                  Wo dein sanfter Flügel weilt.                                                                   




viernes, 28 de marzo de 2014

THE RINGSTETTEN SAGA XXI: THE FATE OF KRISTER

Previously on The Ringstetten Saga:
In late autumn the same year, a detachment shows up near the estate. The rittmeister (captain) who leads the unit is searching for the highwaymen of those woods, a wild ragtag band known as the Värmland Wolves. Surprised by a thunderstorm, the soldiers take refuge at Vänersvik for the night. That evening, the Finnish rittmeister has a conversation with Krister's parents, as our young hero eavesdrops from behind the door. According to the rittmeister, Krister is meant to be a military officer. There is a vacant ensign slot in the garrison of a Karelian fortress, across the country, right at the Swedish-Russian border. The Count and Countess decide to send the other son of theirs to the army, for, according to the rittmeister, "he may become a general if he plays his cards right". And because Kristian is the heir and the other two are spares.
It is thus decided that Krister should be an officer: his dream is finally come true. But insecurity seizes him as well: maybe he will never become a general or a war hero?
So young Krister spends the night awake, much to the surprise of the rittmeister upon finding the boy unconscious in the room he once shared with his twin brother. Our future officer does not even listen to his parents' words of farewell nor feel their kisses, and he falls asleep on horseback, riding behind the rittmeister, as the golden birch leaves fall onto the soldiers' uniforms.

And thus, Krister finally makes it to his first assignment! The military complex surrounded by two concentric star-shaped ramparts with their respective moats (and the many menacing cannons) makes a deep impression in the heart of our young ensign. He asks the guards for the way to the officers' residence, and on the way, he discovers the outpost has got a forge, a bakery, a tavern, and even farm animals like sheep and chickens. All of this business is obviously militarized.
The newcomer is hazed by his fellow officers to take the Commandant's wife by the boobs (the Ramsays, the Commandant's family, living apart from the subaltern officers, are seen as "invisible and powerful gods"). Luckily for Krister, Lady Ramsay's maidservant happens to be taking a stroll in the courtyard and flirting with the officer on duty. Krister rushes forth and grabs the maid. Then, he lies to the other officers about his alleged "success".
A new life begins for Krister von Ringstetten: a life of drilling on the fields and in the woods with his company (training in marksmanship, riding, climbing...). Sometimes, he happens to be on guard duty. But the evenings that he is not on duty, returning thirsty and weary at dusk, he frequents the outpost tavern with his fellow officers. A nice glass of brandy (let it be Cognac) and a deck of cards, and sometimes party until midnight!
It seems that Cupid has either forgotten Krister or realized that the young officer is queer. The Ramsays' twin daughters, Anne-Marie and Marianne, are already betrothed each to an officer of the garrison. And he doesn't take to anyone of them (in spite of their good looks).
Years follow years: the young officer exerts himself by day, and at night he sometimes stands guard in a sentry box (in starry calm, thunderstorm, or snowfall), drinking in the tavern (when he isn't on duty) in the evenings, making good friends in the other subaltern officers. This is routine, though exciting. Such is the life of a military officer in times of peace. The excitement in it all, coupled with his sunny mood, make Krister come of age, though without renouncing to pleasure.
Most of the garrison's officers, including both Colonel Ramsay and our young ensign, support the Hat Party, which defends the need of a Swedish Empire along the Baltic coast (the dream shattered at Poltava), and thus, revenge against Russia for the defeat at the start of the century. The absolutism that follows Gustavus III's velvet revolution, in spite of dissolving the parties, doesn't change the opinion of the local officer class.
The uniform, however, goes through a couple of changes: the tricorn is replaced with a black top hat or "storm hat", and officers have to wear a white kerchief, a sign of loyalty to the new king, tied around the left arm.
Rarely, routine is broken by an unexpected event: a promotion, a demotion, a reassignment that takes a new officer into the outpost or an old friend away, even a rain of frogs takes place in springtime, one day after Krister is made a lieutenant! The most important thing is that peace has lasted for about a decade since young Ringstetten arrived.
One day in early summer 1788, the region is shaken by a rumour that armed Cossacks have crossed the border from Russia into Sweden. Which can only mean W-A-R. The officers that formerly belonged to the Hat Party feel that their prayers for national greatness have been heard.
The leader of the Russian Army is the ruler of the empire herself, a clever Prussian who successfully dethroned her weak-willed consort. Catherine the Great should not be underestimated for being a woman: the Czarina has got decades of experience in statesmanship and warfare. Compared to her, Gustavus III is a newbie (both as a ruler and as a commander).
In such startling circumstances, Lieutenant Krister von Ringstetten is reassigned to another regiment. On the frontline. A dream come true, won't it be?
He is rather impatient upon arriving in camp: meeting the sergeant, a born and raised Karelian, the child musicians, and the colonel's cutesy teenage daughter, a red-haired and freckled perky camp follower... wait a second! Is history repeating itself? And does Charlotte Vandeer actually have a crush on Krister? It seems so. Anyway, he starts viewing the redhead as an annoying stalker... for she follows the young lieutenant like a newly-hatched duckling! She sleeps by his side at the campfire, which gives the colonel an idea: Why can't she marry you? Krister can't say that he's queer, or that she is too young to think of such things (Charlotte is three or four years younger than Liselotte!). He actually loves her... as a friend or a little sister, somewhat to her chagrin.
And he is impatient for his baptism of fire to come, though he finds battle something not that romantic during the first confrontation he takes part in: gunshots echoing across the plains, the scent of blood and gunpowder, glimpses of running, riding, or falling blue and green coats (of friends and enemies, respectively) through the gunsmoke... The Russian ranks cross paths with the Swedes, and the wounded, once hit, scream in agony. The warmth of July days increases, gradually turning into heat. Karelia, a peaceful frontier region, has become Hell on Earth.
During a battle, our young lieutenant falls off his wounded steed. Luckily, he lands on soft ground (on a slain Cossack), but he has no time to react when he feels a glowing object enter his back. He is so startled that he gets instantly dizzy, and then everything turns black before his eyes.
The last he can hear are the survivors of his company, among which the sergeant is not counted:
"Lieutenant! Answer, please!"
"He's still breathing! Come on, let's get him out of here!"
When Krister comes to in a field hospital, his torso wrapped in bandages, he can't comprehend how lucky he has been to have survived. Both the regimental surgeon and Charlotte, who helps the surgeons tend to the wounded, are standing by his sickbed. The lieutenant's mind is initially clouded, but, after some time, he is completely conscious, and he puts two and two together.
The red-haired girl lays something in his hand: a bloodstained chunk of lead, the size of a hazelnut. Krister makes the right guess: it's the bullet that hit him. Somewhat later, while bloodletting, the surgeon explains: "You're ostensibly lucky, Herr Lieutenant! That bullet was a fine one: right on the left shoulder blade! And the marksman was far enough for the bullet not to have plunged deeper! Otherwise, Herr Lieutenant, you wouldn't be here at all!"
These words won't only fill Krister with relief, but also with worry.
At the start of his convalescence, he is impatient to return to the field, but his attitude undergoes a significant change. The lieutenant's wound takes a fortnight to heal, his system being young and resilient. But, while Sweden and Russia fight each other in the outside world, two worldviews dramatically confront each other within him. One of them, from innocent childhood, shows only the bright side of war: the Breitenfelds and Lechs and Lützens of the Memoirs, and those of his many roleplays. The other worldview, more recent, displays an inferno where thousands of young lives are discarded: warfare as a dark board game, meant for important people like kings and czarinas, played with expendable human pieces, and with a prize as absurd as being able to move the line that tells the opponent's lands from one's own.
In the end, the latter view of war is the one to emerge victorious: being a subaltern officer, Krister is, after all, just a piece of middling rank, neither high nor low, in a nonsensical game of war.
Before he can be discharged from the field hospital, yet having fully recovered, he takes his uniform and flees the camp on a short and warm summer night full of stars. Fireflies circle around him, like stars that have flown too close to the Earth. Frogs are heard croaking, and crickets are heard chirping.
At the crack of dawn, he notices an abandoned farm on a hilltop: it will prove a nice resting place on his ramblings. Krister doesn't regret having deserted: rather than that, he's full of confidence.
Inside the farmhouse, he meets dozens of young men dressed like him: in plumed "storm hats" and blue coats with white arm-kerchiefs and epaulets, with short swords and pistols. These Swedish officers, among which Krister recognizes a few comrades from the fortress where he was garrisoned during peacetime, haven't deserted: they're on leave and will soon return to their respective regiments.
All of them share the young lieutenant's view of war as nonsense, and they have written and signed a letter in French, adressed to Her Imperial Majesty Catherine II Sophia Dorothea, Autocrat of All Russias... The message: to reconcile and restore peace to both realms in the name of Gustavus III, King of Sweden. They've even forged the King's handwriting to make it look more convincing!
They couldn't have come up with a better idea!
The farmstead's name is Anjala. The date is the thirteenth of August 1788.
The quill and ink are brought forth one last time, and soon a final signature is written confidently, without the slightest twinge of doubt: Lieutenant Krister von Ringstetten.
Some of the peacemakers leave to give the Czarina the letter, while most of the others return each one to his regiment. Krister, the odd one out, is left alone, to live the errant and wild life of an outcast (he lied to the others, telling them he was still in the ranks, not to be punished).
He lives on berries, mushrooms, and water, sometimes begging before a rectory or a tavern, sleeping in caves and abandoned crofts, sometimes in rectories. Upon seeing Swedish soldiers, he is naturally afraid of being punished for his crimes. Should he encounter the Russian military, he could be taken prisoner or sent to the firing squad, which Krister considers a better fate than being punished by his own.
One stormy autumn evening, he seeks refuge in a village inn, outside which he sees a dazzling baroque carriage fit for an important person, such as a Russian general or the Czarina herself.
The guests are mostly Swedish soldiers, but there is a person who attracts everyone's attention: an outspoken gentleman in his thirties, dressed in a finely powdered wig, a pink brocade overcoat, a cream-coloured waistcoat, bright green breeches, and buckled low shoes. Who's he?
"Not an actor", Krister thinks. "Actors travel in troupes". The landlady gives a clue: she boasts of her good luck to get to serve His Majesty! Thus, the stranger is Gustavus III! What a shocking surprise! Could chance have arranged for the paths of the King and young Ringstetten to cross?
Anyway, Krister asks for a strong drink to warm him from within. The landlady, feeling sorry, offers him a draught of potato brandy. Down the lieutenant's throat it goes, at one fell swoop. Just what he needed after wandering in the cold autumn storm: it feels like swallowing a little flame! And, being generally sober, the effect strikes like lightning: the liquor warms his blood, turning his cheeks rosy and making his eyes glitter. Finally, the effect of brandy even clouds his mind, and he begins to stagger. In such a state, King Gustavus takes the young officer by the hand and leads him upstairs. Both men enter the same bedroom, though one of them is too intoxicated to find out. A valet takes the lieutenant's uniform off, to subsequently undress the ruler. Krister is getting more and more nervous, until he finally tells Gustavus the whole truth under the influence:
"Do as you please with me! Once I was Lieutenant Krister Axel von Ringstetten... Now I am but a miserable sinner! After being wounded, I thought that warfare was nonsensical, and thus, I fled the war front! I have even signed the Anjala officers' letter of peace! Please have me court-martialled, so I may be either banished from this land or imprisoned for a lifetime, if not sentenced to the firing squad! My fate is in your royal hands!"
His Majesty replies with a Cheshire Cat grin, embracing the young officer and taking off the bandages from his torso. The wound on the left side of Krister's back has become a little round scar.
Both men go to sleep together, in the same bed: the officer's head resting on the ruler's chest, so Krister can get to hear Gustavus's frantic heartbeat and his steady breathing. They tickle each other under the cover for a while before falling asleep.
The next morning, Lieutenant von Ringstetten wakes up in a cold sweat, pale as his shirt, with a pulsating pain both in the head and in the rear. During his and his liege lord's levée (courtesy of the same valet who had arranged their evening couchée), he remembers having confessed his crime to the most important person in the Kingdom of Sweden. The officer, filled with guilt and regret, explains this to the ruler. Krister expects, obviously, a court martial and a severe punishment to accept. But, to his surprise, Gustavus III takes him by the hands and replies, with that Cheshire Cat grin-like smile of his:
"Pas de craindre, mon garçon! (Fear not, my lad!) Should I ever dare to punish such a gentleman? You've given me the best soirée in a lifetime, so why should you ever be court-martialled? Thus I pardon you, Lieutenant Krister Axel von Ringstetten! Vous êtes pardonné!"
The young officer didn't see that coming: a royal pardon, instead of a court martial! And besides, His Majesty reunites Krister with his regiment, for the lieutenant to read a few letters from his loved ones. One from a certain estate in Värmland, the other from a bourgeois household on the outskirts of Uppsala.
The latter is, obviously, his ailing brother Kristian's will. He wishes to be buried in the Ringstetten estate garden in Värmland, he has appointed his twin brother Krister (who survived the war, as he has stated in a letter sent to Kristian during his convalescence, before desertion) his heir, consoled his own parents in another previous letter, and there is even an arrangement of a levirate marriage between the widowed Erika and the still unmarried Krister. The young bridegroom is somewhat startled, and he doubts what to do for a while: he's queer, like his liege lord, yet he feels sorry for the plight of Erika and her daughters. And thus, he decides to return to Vänersvik. With Krister comes Charlotte, now a ward of the State and completely orphaned after her father's death on the battlefield. Peace has been signed. And Sweden has proved not to be a fallen empire by winning the war! 
The young girl is somewhat jealous of her beloved's betrothed, which may have devastating consequences...
The promise has nevertheless to be fulfilled. A modest gentleman, his daughter, and her twin children soon arrive at Vänersvik, all dressed in black and having travelled in a black-draped carriage with the lifeless form of a young scholar across a cold, snowy landscape. At the funeral, in a French garden covered in a blanket of snow, they encounter a young man with Kristian's exact appearance, dressed in an officer's uniform. The next day, as Karl Johan returns to Uppsala, Erika and the twins stay on the estate and prepare a second wedding while getting to know Krister. He has become a reserved and cold veteran, at first indifferent to Erika yet compelled to marry her, but soon he feels sorry for her and opens up to his new relatives, though he is at first reluctant to make love and produce an heir, as Linnéa and Tradescantia gradually start to accept him. They even get to visit Miss Ulrika on Honeysuckle Farm, where the young girls will go to school together with peasant children, to bring the elite closer to the common people. And so will the expected male heir: Krister has finally yielded to his duty, and Erika has a bun in the oven!
As for Charlotte, she reacts coolly to the appearance of a young wife for her Krister and two foster sisters for herself. The redhead is five or six years older than Erika's daughters... and there will be a fourth child in November: a little Gustav or Sophia (the Ringstettens' hopes of a male heir are high once more!). But is her coolness for real?